Art and Death, 13
Backgammon in the Sky [Tric Trac du ciel], 13, 25
The Cenci, 4, 11, 14, 15
“Centre-Mére et Patron-Minet,” 5
Correspondence with Jacques Rivière, 14, 23, 172
“Cri,” 26, 30, 172
“La Culture Indiene,” 6
Douze Chansons, 25
Heliogabalus, or The Anarchist Crowned, 13
Letters from Rodez, 3
“No More Masterpieces,” 15, 30, 76
“Le Pèse-Nerfs,” 15
“The Return of Artaud, le Mômo,” 4, 5
The Return of Artaud, le Mômo, 13
The Theater and Its Double, 2, 14, 31, 76
To Have Done with the Judgment of God, 10, 12, 31
“Van Gogh, the Man Suicided by Society,” 7–10
A Voyage to the Land of the Tarahumara [The Peyote Dance], 3
Artwork of the Future, The (Wagner), 3, 16, 48
Ashberry, John, 41, 159
Athanasiou, Genica, 14
Athenaeum, 3, 230
“Atlantis” (Crane), 185, 187, 215, 216, 224, 226, 227, 231, 237, 244, 245
Atlantis: Model 1924 (Delany), xvi, xxxv, 244, 245
Auden, W. H., 33, 79, 80, 83, 159, 278
“Caliban to the Audience,” 83
The Sea and the Mirror, 83
W. H. Auden: Collected Poems, 240
Auerbach, Berthold, 67
Auntie Mame (Dennis), 317
Austen, Jane, 38, 260
Authoress of the Odyssey, The (Butler); 164
“Ave Maria” (Crane), 189, 215, 218, 219, 221, 222, 224
“Baby Is Three” (Sturgeon), 257
Bach, Johann Sebastian, 67
Backgammon in the Sky [Tric Trac du Ciel] (Artaud), 13, 25
Bacon, Francis, xiii, xiv
Essays, xiv
Baird, Peggy, 189, 243
“The Last Days of Hart Crane,” 243
Bakhtin, M. M., 82, 84, 107
Bakúnin, Mikhail, 37, 46, 47, 49, 52–55, 57, 60–63, 65, 84
Baldwin, James, 205
Giovanni’s Room, 205
Ballets Africains, Les, 153
Balzac, Honoré de, 13, 37, 74
Banquet Years, The (Shattuck), 37
Barbarossa, Frederick, 54
Barber, Samuel, 18
Anthony and Cleopatra, 18–21
Bare Hills, The (Winters), 199
Barnes, Djuna, 139
Barnett, Lincoln, 310
The Universe and Dr. Einstein, 310
Barrault, Jean-Louis, 4, 11
Barthes, Roland, xv, xviii, xix, xxii, xxiii, xxxvi–xxxviii, 70, 252
A Barthes Reader, xxxvi S/Z, xxii
Barthes Reader, A (Barthes), xxxvi
Bartram, William, 144, 145
Travels, 144
Baudelaire, Charles, 22, 32, 55, 72, 74, 79, 231
Baudrillard, Jean, 91, 111
Bayreuther Blätter, 70, 71
Beat movement, 15
Beatles, the, 74
Beaumarchais, Pierre-Augustin Caron de, 75
Becher, Carl, 56
Beck, Julian, 17
Beer, Thomas, 205
Stephen Crane, 205
Beethoven, Ludwig van, 21, 73
Fifth Symphony, 21, 46, 50
Ninth Symphony, 57, 61, 65
Being and Time (Heidegger), 209
Belgrave, Cynthia, 1
Benét, Steven Vincent, 209, 224, John Brown’s Body, 209, 224
Benét, William Rose, 209, 224
Benjamin, Walter, xxviii, 33, 76, 78, 160
“The Work of Art in the Age of Mechanical Reproduction,” 76
Bennett, Michael, 154
“And I Am Telling You,” 154
Dreamgirls, 154
Berg, Alban, 17, 80
Bergson, Henri, 103
Berkeley, Bishop, 283
Berlioz, Hector, 32, 65, 73
Bernard, Raymond, 14
Tarakanova, 14
Bernstein, Charles, 159
Berrigan, Ted, 41, 261
Bester, Alfred, 288
The Stars My Destination, 288
Beyond, 315
Beyond This Horizon (Heinlein), 288
Bible, the, 197
Bieberstein, Marschall von, 62
Biographia Literaria (Coleridge), 172
“Birds and Bees (Blues Poem), The” (Jackson), 158
Bishop, Elizabeth, 149
Black Book, The (Mapplethorpe), 153, 154
Black Star Passes, The (Campbell), 313
Blackburn, Paul, 259
Blackmur, R. P., 191–193
Form and Value in Modern Poetry, 192
“Notes on a Text of Hart Crane,” 191–193
Blake, William, 191, 218, 237
“Morning,” 218
Blin, Roger, 4, 11, 12
Bloch, Marc, 41
Bloom, Harold, 196, 197, 198n
Agon: Towards a Theory of Revisionism, 196
The Visionary Company, 198n
“Blue” (Silliman), 146, 169, 170, 172
Blum, Robert, 56
Bodenheim, 198
Bohannan, Laura, 150
“Shakespeare in the Bush,” 150
Bonaparte, Napoleon, 32
Book, The (Jabès), 157
Book of Questions, The (Jabès), 157
Bosanquet, Gustavus, 151
Bowen, Elizabeth, 189, 226
Brackhage, Stan, 280
Bradlaugh, Charles, 231, 233
Braque, Georges, 4, 11
Braudel, Fernand, 41
Brauers, Ida [“Dora”], 103
Brecht, Bertolt, 14
Threepenny Opera, 14
Bresson, Robert, 280
Breton, André, 4
Bricuth, John, 319
Myth, 319
Bride of Abydos, The (Byron), 38
Bridge, The (Crane), x, xxxiii, xxxiv, 174, 184, 187–189, 191, 192, 201, 209, 215, 216, 218, 219, 221–224, 226–228, 230, 231, 237, 238, 244
Bridges, Robert, 33
Brockhaus, Hermann, 45
“The Broken Tower” (Crane), 198n, 243
Brontë, Charlotte, 34, 39, 260
Brontë, Emily, 184, 260
Brook, Peter, 17
Brown, John, 219, 222, 224
Brown, Rita Mae, 141
Rubyfruit Jungle, 14
Brown, Susan Jenkins, 243
Brown, T. E., 151
Brown, William Slater, 175, 176, 243
Browne, Michael Dennis, 159, 261
Browning, Elizabeth Barrett, 37, 184, 209, 210
Browning, Robert, 37, 167, 168
Dramatis Personae, 168
The Ring and the Book, 168
Robert Browning, The Poems, 167
Sordello, 167, 168
Brueghel, Pieter, 7
Brunner, Edward, 185, 191
Splendid Failure, 191
Brunner, John, 257, 275
Brunner, Marjorie, 257, 275
Bülow, Baron Hans von, 39
Burrell, Mrs., 59
Burroughs, William S., 166
Naked Lunch, 166
Buscema, John, 278
Butler, Octavia, 116
Wild Seed, 116
Butler, Samuel, 164
The Authoress of the Odyssey, 164
Butterfield, R. W., 185
Byron, Lord, George Gordon, 32, 33, 36, 38, 41, 65, 231
The Bride of Abydos, 38
Childe Harold’s Pilgrimage, 38
The Corsair, A Tale, 38, 39
The Giaour, 38
“C 33” (Crane), 215
Caesar, Irving, 189
“What Do You Do Sunday, Mary,” 189
Cage, The (McIntyre), 258
“Calgary Express, The” (Crane), 222, 223
“Caliban to the Audience” (Auden), 83
Calvino, Italo, 157
If on a Winter’s Night a Traveler. . ., 157
Campbell, Joh
n W., 313
The Black Star Passes, 313
Camus, Albert, 4, 149
La Chute, 149
Cane (Toomer), 216, 241
Canin, Ethan, 158
“Canons and Institutions: New Hope for the Disappeared” (Silliman), 171
Cantos, The (Pound), 165–169, 172, 181, 185, 193, 206
“Cape Hatteras” (Crane), 215, 218, 220–222, 224
“Carbon” (Silliman), 163, 169, 170, 172
Carcopino, Jerome, 140
Carlyle, Thomas, 36, 156, 177, 229
The French Revolution, 156
Heroes and Hero-Worship, 177
Carousel (Rogers and Hammerstein), 14
Carroll, Lewis, 160, 161
“Jabberwocky,” 160, 161
Caruso, Enrico, 77
Casarés, Maria, 11
“Case Against Nietzsche, The” (Crane), 188, 237
Case of Wagner, The [Der Fall Wagner] (Nietzsche), 68, 79
Castle of Indolence, The (Thomson [not B.V.]), 228
Cassier, Ernst, 80, 255
Cather, Willa, 139, 203
My Àntonia, 203
Caves of Steel, The (Asimov), 315
Cenci, The (Artaud), 4, 11, 14, 15
“Centre-Mére et Patron-Minet” (Artaud), 5
Ceremonies (Hemphill), 153
Chanel, Coco, 14
“Chaos” (Lowes), 145
Char, René, 4
Charbonnier, Georges, 278
“Charming Maiden, The” (Greenberg), 175
Chereau, Patrice, 16, 43
Childe Harold’s Pilgrimage (Byron), 38
Chomsky, Noam, xxv
Chopin, Frédéric, 39, 177
“Christobel” (Coleridge) 144
“Church of Dream, The” (Johnson), 243n
Chute, La (Camus), 149
Cicero, 140
City and the Pillar, The (Vidal), 205
City of Dreadful Night, The (Thomson [B.V.]), 227, 228, 230, 236–238
Civilization and its Discontents (Freud), 98
Clarissa (Richardson), 102
Clone, The (Wilhelm and Thomas), 258
Cocteau, Jean, 11, 14, 24, 80
Antigone 14
Orphée, 11, 80
Cogswell, Theodore, 315
“The Wall Around the World,” 315
“Cold Equations, The” (Godwin), 147
Coleridge, Hartley, 144, 145
Coleridge, Samuel Taylor, 144, 145, 157, 172, 209
Biographia Literaria, 172
“Christobel,” 144
“Fears in Solitude,” 145
“Frost at Midnight,” 145
The Gutch Memorandum Notebook, 144–146
“Kubla Khan,” 145
“Lewti,” 145
“Love,” 145
Lyrical Ballads, 145
“The Nightingale,” 145
“The Rime of the Ancient Mariner” [“The Rime of the Ancyent Marinere, in Seven Parts”], 145
“The Wanderings of Cain,” 145
Collected Poems (Lawrence), 259
Collected Poems (Robinson), 208
Collected Poems of Frank O’Hara, The (O’Hara), 240
Collins, Thomas J., 167
Collins, Wilkie, 34
Color Purple, The (Spielberg), 154
Communist Manifesto, The (Marx and Engels), 52
Concept of Mind, The (Ryle), 252
“Conduct” (Greenberg), 187
Conkling, Hilda, 209
Contexts of The Bridge (Giles), 192
Coppola, Francis Ford, 38, 81
Corke, Helen, 73
Correspondence with Jacques Rivière (Artaud), 14, 23, 172
Corsair, A Tale, The (Byron), 38, 39
Counter/Measures (Kennedy), 321
Cowley, Malcolm, 182, 189, 190, 241
Cramer, Kathryn, 147n
Crane, Clarence Arthur, 244
Crane, Donald P., 308
Crane, Hart, x, xi, xvi, xxxiii–xxxv, 163, 174–176, 182–202, 205–246
“Atlantis,” 185, 187, 215, 216, 224, 226, 227, 231, 237, 244, 245
“Ave Maria,” 189, 215, 218, 219, 221, 222, 224
The Bridge, x, xi, xxxiii, xxxiv, 174, 184, 187–189, 191, 192, 201, 209, 215, 216, 218, 219, 221–224, 226–228, 230, 231, 237, 238, 244
“The Broken Tower,” 198n, 243
“C 33,” 215
“The Calgary Express,” 222, 223
“Cape Hatteras,” 215, 218, 220–222, 224
“The Case Against Nietzsche,” 188, 237
“Cutty Sark,” 202, 205, 215, 216, 218, 219, 221, 224, 226, 231, 245
“The Dance,” 197n, 224
“Emblems of Conduct,” 187, 197n
“For the Marriage of Faustus and Helen,” 207, 220, 239
“General Aims and Theories,” 185, 194
“The Harbor Dawn,” 197, 201, 205, 224, 231
“Heaven and Hell” letter, 241
Key West: An Island Sheaf, 238
“The Mango Tree,” 223
“National Winter Garden,” 224
“1920 Whistles,” 223
“O Caribe Isle!” 239
“Possessions,” 239
“Powhatan’s Daughter,” 218, 219, 226
“Praise for an Urn,” 193, 198n
“Proem” [“To Brooklyn Bridge”], 215, 216, 218, 224, 227, 231, 237, 245
“Quaker Hill,” 218, 224
“Recitative,” 239
“The River,” 223
“Royal Palm,” 240
“Southern Cross,” 224
“This Way Where November . . .,” 205, 239
“Thou Canst Read Nothing . . .,” 205, 239
“Three Songs,” 189, 218
“The Tunnel,” 218, 224
“Van Winkle,” 219, 224
“Virginia,” 189, 224
Voyages, 184, 186, 187, 200, 205, 214, 239
“Voyages I,” 239, 246
“Voyages II,” 184, 185
White Buildings, 194, 224, 238
“White Buildings” letter, 239, 241
Crane, Nathalia, 209
The Janitor’s Boy, 209
“Cri” (Artaud), 26, 30
Critical Fable, A (Lowell), 20
Cronenberg, David, 149
Videodrome, 149
Cullen, Countee, 320
Culture and Anarchy (Arnold), 35
“Culture and Its Enemies” (Arnold), 40, 78
“Culture Indiene, La” (Artaud), 6
Cummins, David, 159
Cunningham, George, 119
“Cutty Sark” (Crane), 202, 205, 215, 216, 218, 219, 221, 224, 226, 231, 245
Daguerre, Louis, 155
Dakyns, H. G., 151
“Dance, The” (Crane), 197n, 224
Dante Alighieri, 27, 54, 157, 167, 191, 233
Darker Side of Genius, The (Katz), 66
Daughter’s Seduction, The (Gallup), 143
Davenport, Guy, 149, 158
Dawn in Erewhon, The, 149
Dawn in Erewhon, The (Davenport), 149
Day, Douglas, 189
Debussy, Claude, 68
Debord, Guy, 229
Society of the Spectacle, The, 229
Delacroix, Eugène, 7
Delmas, Dr., 3
Dembo, L. S., 221
“Demo” (Silliman), 170
Demo to Ink (Silliman), 170, 172
Dennis, Patrick, 319
Auntie Mame, 319
Derrida, Jacques, xi, xiii, xxxiii, 27, 31, 70, 254
Descartes, René, 191
Desjardin, Edouard, 71
Les Lauriers sont coupés, 71
Deutch, Dr., 104
Dhalgren (Delany), xvi, xvii, xxviii, xxxiii, 257
Dial, 174
Diaz, Justino, 19, 20
Dick, Philip K., 280
Dickens, Charles, 34, 36, 64, 260
Dickinson, Emily, 139, 180, 181
differences, 130
Digges, Did
ley, 211
Dillard, Annie, xiv, xv
Writing Life, The, xiv
Disch, Thomas M., xvii, 155, 169, 261
“Angouleme,” xvii
Neighboring Lives, 155
Dobell, Bertram, 233, 237
Doll’s House, The (Gaiman), 157
Donne, John, 184, 191
Doom of the City, The (Thomson [B. V.]), 233–237
Doors, the, 198n
“Dora” [Ida Brauers], 103
Dos Passos, John, 213
Dostoyevsky, Fyodor, 37
Doughty, Charles M., 191
Douze Chansons (Artaud), 25
“Dover Beach” (Arnold), 35
Dowson, Ernest, 33, 195–198
“Non Sum Qualis Eram Bonae Sub Regno Cynarae,” 197–198
Drake, Joseph Rodman, 196
“Niagara,” 196
Dramatis Personae (Browning), 168
Dream Master, The (Zelazny), 257
Dreamgirls (Bennett), 154
Dresden uprising, 43, 49–63
Dresdner Anzeiger, 48, 52
Dressed to Kill (DePalma), 102
Drew, Elizabeth, 193, 196
Poetry, 196
Dreyer, Carl, 14
The Passion of Joan of Arc, 14
Dreyfus Affair, the, 40, 68
Duchamp, Marcel, 4
Dumas, Alexandre, 13
Dunbar, Paul Lawrence, 195
Duncan, Robert, 166, 172
Passages, 166, 172
The Structure of Rime, 166
Eagleton, Terry, 36, 93
Literary Theory: An Introduction, 36, 93
Edelman, Lee, 191–193
Transmemberment of Song, 192
L’Education Sentimentale (Flaubert), 150
Edward VII, 32
Eichelberger, Ethyl, 1, 17
Eisenhower, Dwight D., 150
Elements (Euclid), 264
Eliot, George, 34, 36, 37, 127, 260
Adam Bede, 260
Eliot, T. S., 15, 32, 72, 76, 82, 166, 168, 174, 189, 191–195, 199, 200, 202, 206, 207–209, 211, 239, 240
“The Love Song of J. Alfred Prufrock,” 193, 206–208
“Tradition and the Individual Talent,” 194
The Waste Land, 72, 82, 166, 174, 193, 201, 206, 208, 228, 230, 239
Ellingham, Lewis, 189
Eluard, Paul, 11
Embedding, The (Watson), 257
“Emblems of Conduct” (Crane), 187, 197n
Emerson, Ralph Waldo, 174, 177, 187, 191, 192, 200, 237
Essays, 177
“Plato,” 174, 187
Empire Strikes Back, The (Kershner), 100
Empson, William, 181
Seven Types of Ambiguity, 181
Emsh [Ed Emshwiller], 315
Endymion (Keats), 167
Engels, Friedrich, 52, The Communist Manifesto, 52
“Engines” (Silliman and Armantraut), 170
“Envoi” (Pound), 193
Equinox (Delany), xvi
Essais (Montaigne), xiv, xxxvi
Essays (Bacon), xiv
Essays (Emerson), 177
Euclid, 262
Elements, 264
Eugene Onegin (Pushkin), 164
Evans, Walker, 153
Longer Views: Extended Essays Page 50