The Temple of Set I

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The Temple of Set I Page 17

by Michael A Aquino


  appeared in turn and fell aside as well; I saw them as useful, but still, surprisingly,

  peripheral to the central concept being approached. When at last all veils had been

  removed, and that concept was revealed, it was so simple as to seem at first anticlimactic

  and almost disappointing. It was: the phenomenon of life.

  Instantly I regretted my impatience and arrogance, my lapse into easy

  disappointment. Too many doors had been opened, too many forces unlocked and

  unleashed for this to be the ultimate impact of the Working. Then it was as though a “test”

  were passed: The basic concept of “life” became a sort of focal point, like that of a

  refractor telescope, through which the energies of the Working passed. The initial

  “dialectic” had reduced all to a pinpoint of fact, and now that fact, unencumbered, was

  expanding to full significance.

  Human beings are accustomed to thinking of “nature” as including all animate and

  inanimate life forms, themselves included. It was the approach of the Church of Satan,

  and later of the Temple of Set, to single out self-consciousness as the characteristic feature

  of That which stood in contrast to the harmony of the natural cosmos. In fact all life has

  some degree of intelligence [not to be confused with self-consciousness], and somewhere

  within that intelligence is a subcomponent of self-consciousness, which only becomes

  evident when the level of basic intelligence is relatively high.

  The error in any operation designed to strengthen the self-consciousness necessarily

  follows from the fact that self-consciousness is a function of the core intelligence, and

  there are many other functions of intelligence as well. Initiation thus treats a

  “symptom”, not a “cause”; this leads the “cure” in unanticipated directions.

  The Church of Satan and the Temple of Set have grappled with this problem for all the

  years of their existence without recognizing its actual depth. Strengthen, exalt, and

  encourage the willful self, and you cannot avoid strengthening the natural instincts as

  well. No human being is free from these; they may be kept in check for years, but in

  eventual moments of stress, weakness, or stimulus they will break free. They may be

  either creative or destructive; this is not a mere “Jekyll/Hyde” scenario.

  All initiatory efforts that are not deliberate frauds from the most childish to the most

  sophisticated are conceits of the self-conscious intellect. Those that profess to be natural,

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  universal, nirvanic, or otherwise “Right-Hand Path” are ultimately exercises in self-

  delusion, if in fact the adherents actually believe in their own rhetoric. Sooner or later the

  masquerade becomes tiresome, the daydream boring, and the devotee discards it in favor

  of other sensory stimuli.

  The anti-natural systems of the “left-Hand Path”, on the other hand, think to suppress

  some aspects of the intellect while strengthening others. What results is a condition of

  strain which, should the tension become too great, will snap back to an equilibrium which

  may be more or less viable than it originally was.

  The intelligent mind cannot be “escaped” so easily. If it is argued, convinced,

  threatened, hypnotized, drugged, or diseased into non-rational channels, then its self-

  consciousness will merely reassert itself in some other form. This, I understood in the

  Wewelsburg, was the “magical epitaph” of Nazi Germany: That, in fighting against certain

  features of the mind, it had seemed at first to succeed but then had thus unleashed other,

  even less desirable features of that same mind which had previously remained in some

  rough degree of socially-controlled equilibrium before this ultimately disastrous

  experiment in “conscious evolution” was attempted.

  The chamber in which I stood, I now realized, was nothing less than an SS laboratory

  for experiments in “conscious evolution” - a sort of “Krel machine” without computerized,

  science-fiction accouterments. It was not designed to teach or educate, rather to mirror

  and enhance thoughts and impulses already in existence. Hence its effect on the

  consciousness could be devastating for better or for worse.

  The 18-year experience of the Church of Satan and Temple of Set now began to appear

  in a new perspective. Anton LaVey had thought to enhance conscious evolution by freeing

  the mind from self-imposed emotional prisons. He did so, enjoyed a measure of success,

  yet saw to his increasing dismay that new and more uncontrollable prisons were erected

  in their place.

  Whereas the initial ones had been socially imposed, however, resulting in minds more

  or less tractable in society, these replacements were the product of random, unforeseen,

  intellectual imbalances. In a few cases the results were those of at least temporary genius.

  More often, however, the results were tragically self-destructive.

  Anton LaVey erred in blaming the organization of the Church of Satan for this. That

  organization per se was not at fault; if anything it was a stabilizing influence. When he

  decided to exploit the organization in 1975, those working coherently within it felt

  wronged, said so, and formed the Temple of Set.

  The Temple of Set was intended to be the perfect initiatory organization. It exploited

  no one; it offered every conceivable opportunity to everyone. Its most valuable

  inheritance from the Church of Satan was a commitment to the rejection of nonsense,

  occult or otherwise. The future, it seemed, was a banquet of intellectual evolution at which

  to feast.

  Yet the Temple too began to suffer shock after shock, as often as not caused by senior

  Initiates. At first these were explained as freak events and blamed upon the inadequacies

  of the individuals in question. But as the phenomenon happened again and again, this

  seemed more an excuse than an explanation. Finally, in the summer of XVII, a conspiracy

  by several senior Initiates to pervert and degrade the Temple was only barely exposed and

  stopped in time. But the damage was devastating, if not indeed fatal - not to the structure

  itself, but to the assumptions concerning initiation which had formed the basis of that

  structure.

  The Temple of Set’s soaring hopes for the perfect initiatory medium, it seemed, had

  been dashed. In curing the symptom which Anton LaVey had attacked, it had thought to

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  solve the essential problem. But, just as he had focused his anger and contempt on the

  wrong thing, so the Temple had poured its trust and confidence into an improvement of

  that same wrong thing. The actual culprit - the disproportionately “evolved” intellect -

  escaped the clear comprehension of both.

  The forces that would lead to the destruction of the Church of Satan in 1975 were not

  set in motion by Wayne West in 1971; they were activated on Walpurgisnacht I. Similarly

  the Temple of Set, thinking that it had destroyed those forces in 1975, had succeeded only

  in closing certain doors to them so that they would have to find other means of

  manifestation. After an initial delay, they did.

  Now, in the Hall of the Dead, I sought a solution to the dilemma of the 18-year

  Working. Is the lesson of I-XVIII ultimately that there is no way out - that all initiation

&nb
sp; is merely Russian roulette in fancy dress?

  But here the Understanding that had so far come so powerfully and clearly failed me.

  It was as though the Wewelsburg, having discharged a “battery” that had remained

  charged for 40 years, had no more current to provide.

  Having drunk at this magical fountain of youth, however, I myself felt energized as I

  had not since the North Solstices of V and X. The Hall of the Dead now seemed an

  insulation against random discharge of this energy. Action must now give way to reaction;

  how should I direct this reaction?

  In considering this, my attention came to rest on the concept of the Order of the

  Trapezoid. As will be recalled, this concept as employed by both the Church and the

  Temple has gone through many adjustments and redefinitions over the years. Yet it has

  endured and attracted because it seemed to “say something” that the Church and the

  Temple could not. What might this be?

  During those periods when it was not employed as a synonym for the Priesthood, the

  Order has been used as a talisman to evoke a kind of diabolical Schadenfreude, a grim

  enjoyment of the predicament of self-conscious humanity. “Here you are in a state of

  Satanic self-awareness,” it seemed to say. “You cannot escape it; you cannot change it for

  the better or for the worse. Therefore: Experience it; savor its taste, sense its exquisite

  pain and pleasure. Do not wallow in it like an animal in warm mud; rather cut it as you

  would a fine gem, and behold the brilliance of its facets.”

  When singing this song of Lorelei, the Order has seemed oddly antithetical to the

  Church of Satan and Temple of Set, both of which incorporated the premise of self-

  awareness but which then promised different types of escape, change, and improvement

  [thus the justification for affiliation, as well as the success-barometer of the degree

  system]. As an “Ur-Doppelgänger” of these creative institutions, however, the Order’s

  name and presence has waxed with their setbacks and waned with their successes. It is

  not an “evil antithesis” as much as it is a mirrored image - an alternate setting for the

  Graal of the Prince of Darkness.

  Here in the Hall of the Dead, Heinrich Himmler’s Sanctum Sanctorum and

  “Mittelpunkt der Welt”, was the Earthly focus of That which has been thus symbolized by

  the Order of the Trapezoid. The reality of this chamber rushed in upon me. This was no

  Hollywood set, no ordinary room painted and decorated to titillate the senses. 1,285

  inmates of the Niederhagen concentration camp died during the reconstruction of the

  Wewelsburg for the SS. If the Marble Hall and the Walhalla were memorials to a certain

  unique quality in mankind, they also serve as grisly reminders of the penalty which

  mankind pays for that quality.

  I saw before me the sigil of the Order of the Trapezoid as originally designed by Anton

  LaVey: the pentagram within a trapezoid extending slightly below the two lower points,

  - 91 -

  the three curved 6s, the trident rising from the flames of Hell. I saw its later design in the

  Church, the 6s and the flames now gone. I saw its first design in the Temple of Set: the

  Tcham scepter with the head and forked tail of Set replacing the Satanic trident. I saw

  Ronald Barrett’s subsequent concept: a simple pentagram with the four upper points

  connected.

  So now the principle should be completed - the Law of the Trapezoid finally and

  completely fused into its emblem. There appeared then the Sigil of the Order as

  reproduced here. It is a return to the initial Sigil, with the following changes: The curved-

  line fires of Hell are replaced by the Black Flame, whose emanations are rays, not

  flickering tongues. There are nine rays, each in strict mathematical proportion to the

  pentagram or trapezoid. The source-point of the Black Flame completes the pentagram, as

  called for in the Book of Coming Forth by Night. Two of the rays of the Flame complete

  the inverse pentagon about the pentagram, creating a total of nine Golden Section

  trapezoids in the entire sigil. The three 6s are restored, but with no curved lines. The Set-

  headed and -tailed Tcham scepter of ancient Khem rises from the Black Flame, its head at

  the center of the pentagram. Its tail, against the three central rays of the Flame, forms a

  “W”, denoting the “Walhalla” or Hall of the Dead at Schloss Wewelsburg, the Great Gate

  of the Powers of Darkness in our Time.

  The direction of the Working’s reaction seemed clear before me; I thus cast forth the

  full existence of the Order of the Trapezoid into the world. After 18 years the Key has been

  forged in the Word of Set, and the Gate of the Wewelsburg is opened.

  Where the Church of Satan and Temple of Set have appeared, so has the shadow of

  That signified by the Order been reflected. Now it has been loosed in its full force.

  Whether or not the sacred Priesthood continues to exist, the Order will do so: for its

  release is an inevitable legacy of the I-XVIII Working. Mankind received the utopian

  visions of the Church of Satan and Temple of Set only as it strived to be worthy of them; it

  will continue to receive them only as it continues to prove itself so worthy.

  But the Order of the Trapezoid, whether known by its true name or by countless

  others, will always exist - not as a visible institution, but as a principle in the intelligent

  mind. Anton Szandor LaVey’s Law of the Trapezoid will endure as well: Those who

  recognize the principle will be able to turn it to their deliberate use [whether to their

  ultimate benefit or detriment]; those who do not will nonetheless be subject to it [whether

  to their ultimate benefit or detriment].

  So It Is Done.

  Soon thereafter I announced the reformation of the Order of the Trapezoid in the Crystal

  Tablet of Set:

  - 92 -

  Order of the Trapezoid

  When once the restraining talisman of the Christian cross is broken in Germany, then

  the fury of the ancient warriors, the berserk rage of which the Nordic poets sang, will surge

  up again. The old stone gods will rise from long-forgotten ruins and rub the dust of a

  thousand years from their eyes; and Thor with his giant hammer will leap up and smash

  the Gothic cathedrals. And when that crash comes, it will be like nothing heard before in

  history. - Heinrich Heine, 1834

  The “mainstream” of the Western magical tradition may be said to have a

  Mediterranean origin: Egypt, Mesopotamia, Greece, and Rome - and the later syntheses

  of these ancient cultures through the Medieval, Renaissance, and Enlightenment eras.

  In marked contrast to the Mediterranean tradition is the school of thought which

  originated in the northern areas of Europe and Scandinavia: the Nordic or Germanic

  tradition. Most notable in this tradition, of course, is its lack of features either derivative

  of Judaeo/Christianity or prior to and prototypical of it. The Germanic metaphysics

  developed in an alien environment, remained largely isolated from the Mediterranean

  influence during the Roman Empire, and were suppressed rather than assimilated during

  the Christian centuries which followed.

  It was in the late 19th century CE that this ancient Germanic tradition returned to play

  more than a mere mythol
ogical part in European affairs. It is perhaps not surprising that

  it surfaced during the Second Reich of Kaiser Wilhelm I and Otto von Bismarck. Until

  their unification by Prussia, the Germanic states had been weak and unstable in

  comparison to the larger nation-states of the continent. Periodically ravaged by foreign

  armies, Germany had earned the unenviable title of the “battleground of Europe”.

  The 19th century heralded the onset of a new movement in European culture:

  Romanticism. It was a reaction to and a rejection of the methodical, practical - but just as

  often frustrating and stifling - scientific materialism which had resulted from the

  industrial revolution. In its original, more transcultural sense, Romanticism implied

  uninhibited individualism. In German, however, it gripped the imagination to a

  somewhat deeper degree. Gustau Pauli, in Dehio’s Geschichte der deutschen Kunst

  (1919-1934), states:

  Romanticism is Germanic and reached its purest expression in those territories which

  are most free from Roman colonization. Everything that is regarded as an essential aspect

  of the romantic spirit: irrationalism, the mystic welding-together of subject and object, the

  tendency to intermingle the arts, the longing for the faraway and the strange, the feeling

  for the infinite and the continuity of historic development - all these are characteristic of

  German Romanticism, and so much so that their union remains unintelligible to the

  Latins. What is known as Romanticism in France has only its name in common with

  German Romanticism.

  - 93 -

  Crucial also to German Romanticism were the concepts of dynamism and life-

  worship. The former term represents an urge towards constant movement and

  evolution, whether intellectual, artistic, or social. It differs from the Setian concept of

  Xeper in that Romantic dynamism is non-Platonic; it is supra-rational rather than guided

  by logic, ethics, and nœtic apprehension.

  German Romantic life-worship was not love and respect for the phenomenon of life

  per se, but rather a compulsion to exercise one’s own life - to “really live” rather than to

  simply exist. Again this is commendable, but as with dynamism it can be dangerous in

  excess - when one’s “rage to live” interrupts and consumes the lives of others.

 

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