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Books. Change. Lives.
Copyright © 2018 by Stuart Turton
Cover and internal design © 2018 by Sourcebooks, Inc.
Cover design by David Mann
Cover images © alishahdesign/Shutterstock, Panda Vector/Shutterstock, BackgroundStore/Shutterstock, Tanya K/Shutterstock, freelanceartist/Shutterstock, veronchick84/Shutterstock, 9comeback/Shutterstock, RealVector/Shutterstock, duleloncar_ns/GettyImages
Blackheath endsheet map by Travis Hasenour/Sourcebooks, Inc.
Sourcebooks and the colophon are registered trademarks of Sourcebooks, Inc.
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems—except in the case of brief quotations embodied in critical articles or reviews—without permission in writing from its publisher, Sourcebooks, Inc.
The characters and events portrayed in this book are fictitious and are used fictitiously. Any similarity to real persons, living or dead, is purely coincidental and not intended by the author.
Published by Sourcebooks Landmark, an imprint of Sourcebooks, Inc.
P.O. Box 4410, Naperville, Illinois 60567-4410
(630) 961-3900
Fax: (630) 961-2168
sourcebooks.com
Originally published as The Seven Deaths of Evelyn Hardcastle in 2018 in the UK by Bloomsbury Raven, an imprint of Bloomsbury Publishing.
Library of Congress Cataloging-in-Publication Data
Names: Turton, Stuart, author.
Title: The 7 1/2 deaths of Evelyn Hardcastle / Stuart Turton.
Other titles: Seven and one half deaths of Evelyn Hardcastle
Description: Naperville, Illinois : Sourcebooks Landmark, [2018]
Identifiers: LCCN 2017032577 | (hardcover : acid-free paper)
Subjects: LCSH: Murder--Investigation--Fiction. | GSAFD: Mystery fiction.
Classification: LCC PR6120.U79 A615 2018 | DDC 823/.92--dc23 LC record available at https://lccn.loc.gov/2017032577
Contents
Front Cover
Title Page
Copyright
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
Reading Group Guide
A Conversation with the Author
Acknowledgments
About the Author
Back Cover
To my parents, who gave me everything and asked for nothing. My sister, first and fiercest of my readers from the bumblebees onward. And my wife, whose love, encouragement, and reminders to look up from my keyboard once in a while made this book so much more than I thought it could be.
You are cordially invited to Blackheath House for
The Masquerade
Introducing your hosts,
The Hardcastle Family
Lord Peter Hardcastle and Lady Helena Hardcastle
-&-
Their son, Michael Hardcastle
Their daughter, Evelyn Hardcastle
NOTABLE GUESTS
- Edward Dance, Christopher Pettigrew & Philip Sutcliffe, family solicitors
- Grace Davies & her brother, Donald Davies, socialites
- Commander Clifford Herrington, naval officer (retired)
- Millicent Derby & her son, Jonathan Derby, socialites
- Daniel Coleridge, professional gambler
- Lord Cecil Ravencourt, banker
- Jim Rashton, police officer
- Dr. Richard (Dickie) Acker
- Dr. Sebastian Bell
- Ted Stanwin
PRINCIPAL HOUSEHOLD STAFF
- The butler, Roger Collins
- The cook, Mrs. Drudge
- First maid, Lucy Harper
- Stable master, Alf Miller
- Artist in residence, Gregory Gold
- Lord Ravencourt’s valet, Charles Cunningham
- Evelyn Hardcastle’s lady’s maid, Madeline Aubert
We ask all guests to kindly refrain from discussing
Thomas Hardcastle and Charlie Carver,
as the tragic events surrounding them still grieve the family greatly.
1
DAY ONE
I forget everything between footsteps.
“Anna!” I finish shouting, snapping my mouth shut in surprise.
My mind has gone blank. I don’t know who Anna is or why I’m calling her name. I don’t even know how I got here. I’m standing in a forest, shielding my eyes from the spitting rain. My heart’s thumping, I reek of sweat, and my legs are shaking. I must have been running, but I can’t remember why.
“How did—” I’m cut short by the sight of my own hands. They’re bony, ugly. A stranger’s hands. I don’t recognize them at all.
Feeling the first touch of panic, I try to recall something else about myself: a family member, my address, age…anything, but nothing’s coming. I don’t even have a name. Every memory I had a few seconds ago is gone.
My throat tightens, breaths coming loud and fast. The forest is spinning, black spots inking my sight.
Be calm.
“I can’t breathe,” I gasp, blood roaring in my ears as I sink to the ground, my fingers digging into the dirt.
You can breathe; you just need to calm down.
There’s comfort in this inner voice, cold authority.
Close your eyes. Listen to the forest. Collect yourself.
Obeying the voice, I squeeze my eyes shut, but all I can hear is my own panicked wheezing. For the longest time it crushes every other sound, but slowly, ever so slowly, I work a hole in my fear, allowing other noises to break through. Raindrops are tapping the leaves, branches rustling overhead. There’s a stream away to my right and crows in the trees, their wings cracking the air as th
ey take flight. Something’s scurrying in the undergrowth, the thump of rabbit feet passing near enough to touch. One by one, I knit these new memories together until I’ve got five minutes of past to wrap myself in. It’s enough to stanch the panic, at least for now.
I get to my feet clumsily, surprised by how tall I am, how far from the ground I seem to be. Swaying a little, I wipe the wet leaves from my trousers, noticing for the first time that I’m wearing a dinner jacket, the shirt splattered with mud and red wine. I must have been at a party. My pockets are empty and I don’t have a coat, so I can’t have strayed too far. That’s reassuring.
Judging by the light, it’s morning, so I’ve probably been out here all night. No one gets dressed up to spend an evening alone, which means somebody must know I’m missing by now. Surely, beyond these trees, a house is coming awake in alarm, search parties striking out to find me? My eyes roam the trees, half-expecting to see my friends emerging through the foliage, pats on the back and gentle jokes escorting me back home, but daydreams won’t deliver me from this forest, and I can’t linger here hoping for rescue. I’m shivering, my teeth chattering. I need to start walking, if only to keep warm, but I can’t see anything except trees. There’s no way to know whether I’m moving toward help or blundering away from it.
At a loss, I return to the last concern of the man I was.
“Anna!”
Whoever this woman is, she’s clearly the reason I’m out here, but I can’t picture her. Perhaps she’s my wife, or my daughter? Neither feels right, and yet there’s a pull in the name. I can feel it trying to lead my mind somewhere.
“Anna!” I shout, more out of desperation than hope.
“Help me!” a woman screams back.
I spin, seeking the voice, dizzying myself, glimpsing her between distant trees, a woman in a black dress running for her life. Seconds later, I spot her pursuer crashing through the foliage after her.
“You there, stop!” I yell, but my voice is weak and weary; they trample it underfoot.
Shock pins me in place, and the two of them are almost out of sight by the time I give chase, flying after them with a haste I’d never have thought possible from my aching body. Even so, no matter how hard I run, they’re always a little ahead.
Sweat pours off my brow, my already weak legs growing heavier until they give out, sending me sprawling into the dirt. Scrambling through the leaves, I heave myself up in time to meet her scream. It floods the forest, sharp with fear, and is cut silent by a gunshot.
“Anna!” I call out desperately. “Anna!”
There’s no response, just the fading echo of the pistol’s report.
“Thirty seconds,” I mutter. That’s how long I hesitated when I first spotted her, and that’s how far away I was when she was murdered. Thirty seconds of indecision…thirty seconds to abandon somebody completely.
There’s a thick branch by my feet, and picking it up, I swing it experimentally, comforted by the weight and rough texture of the bark. It won’t do me very much good against a pistol, but it’s better than investigating these woods with my hands in the air. I’m still panting, still trembling after the run, but guilt nudges me in the direction of Anna’s scream. Wary of making too much noise, I brush aside the low-hanging branches, searching for something I don’t really want to see.
Twigs crack to my left.
I stop breathing, listening fiercely.
The sound comes again, footsteps crunching over leaves and branches, circling around behind me.
My blood runs cold, freezing me in place. I don’t dare look over my shoulder.
The cracking of twigs moves closer, shallow breaths only a little behind me. My legs falter, the branch dropping from my hands.
I would pray, but I don’t remember the words.
Warm breath touches my neck. I smell alcohol and cigarettes, the odor of an unwashed body.
“East,” a man rasps, dropping something heavy into my pocket.
The presence recedes, his steps retreating into the woods as I sag, pressing my forehead to the dirt, inhaling the smell of wet leaves and rot, tears running down my cheeks.
My relief is pitiable, my cowardice lamentable. I couldn’t even look my tormentor in the eye. What kind of man am I?
It’s some minutes before my fear thaws sufficiently for me to move, and even then, I’m forced to lean against a nearby tree to rest. The murderer’s gift jiggles in my pocket, and dreading what I might find, I plunge my hand inside, withdrawing a silver compass.
“Oh!” I say, surprised.
The glass is cracked and the metal scuffed, the initials SB engraved on the underside. I don’t understand what they mean, but the killer’s instructions were clear. I’m to use the compass to head east.
I glance at the forest guiltily. Anna’s body must be near, but I’m terrified of the killer’s reaction should I arrive upon it. Perhaps that’s why I’m alive, because I didn’t come any closer. Do I really want to test the limits of his mercy?
Assuming that’s what this is.
For the longest time, I stare at the compass’s quivering needle. There’s not much I’m certain of anymore, but I know murderers don’t show mercy. Whatever game he’s playing, I can’t trust his advice and I shouldn’t follow it, but if I don’t… I search the forest again. Every direction looks the same: trees without end beneath a sky filled with spite.
How lost do you have to be to let the devil lead you home?
This lost, I decide. Precisely this lost.
Easing myself off the tree, I lay the compass flat in my palm. It yearns for north, so I point myself east, against the wind and cold, against the world itself.
Hope has deserted me.
I’m a man in purgatory, blind to the sins that chased me here.
2
The wind howls, the rain has picked up and is hammering through the trees to bounce ankle high off the ground as I follow the compass.
Spotting a flash of color among the gloom, I wade toward it, coming upon a red handkerchief nailed to a tree—the relic of some long-forgotten child’s game, I’d guess. I search for another, finding it a few feet away, then another and another. Stumbling between them, I make my way through the murk until I reach the edge of the forest, the trees giving way to the grounds of a sprawling Georgian manor house, its redbrick facade entombed in ivy. As far as I can tell, it’s abandoned. The long gravel driveway leading to the front door is covered in weeds, and the rectangular lawns either side of it are marshland, their flowers left to wither in the verge.
I look for some sign of life, my gaze roaming the dark windows until I spot a faint light on the second floor. It should be a relief, yet still I hesitate. I have the sense of having stumbled upon something sleeping, that uncertain light the heartbeat of a creature vast and dangerous and still. Why else would a murderer gift me this compass, if not to lead me into the jaws of some greater evil?
It’s the thought of Anna that drives me to take the first step. She lost her life because of those thirty seconds of indecision, and now I’m faltering again. Swallowing my nerves, I wipe the rain from my eyes and cross the lawn, climbing the crumbling steps to the front door. I hammer it with a child’s fury, dashing the last of my strength on the wood. Something terrible happened in that forest, something that can still be punished if I can only rouse the occupants of the house.
Unfortunately, I cannot.
Despite beating myself limp against the door, nobody comes to answer it.
Cupping my hands, I press my nose to the tall windows either side, but the stained glass is thick with dirt, reducing everything inside to a yellowy smudge. I bang on them with my palm, stepping back to search the front of the house for another way in. That’s when I notice the bellpull, the rusty chain tangled in ivy. Wrenching it free, I give it a good yank and keep going until something shifts behind the windows.
“Oh, thank heavens. I need your help,” I say, recovering myself.
He looks at me, mouth agape.
“Do you have a telephone?” I try again. “We need to send for the authorities.”
Nothing.
“Don’t just stand there, you devil!” I cry, shaking him by the shoulders, before pushing past him into the entrance hall, my jaw dropping as my gaze sweeps the room. Every surface is glittering, the checked marble floor reflecting a crystal chandelier adorned with dozens of candles. Framed mirrors line the walls, a wide staircase with an ornate railing sweeping up toward a gallery, a narrow red carpet flowing down the steps like the blood of some slaughtered animal.
A door bangs at the rear of the room, half a dozen servants appearing from deeper in the house, their arms laden with pink and purple flowers, the scent just about covering the smell of hot wax. All conversation stops when they notice the nightmare panting by the door. One by one, they turn toward me, the hall holding its breath. Before long, the only sound is the dripping of my clothes on their nice, clean floor.
Plink.
Plink.
Plink.
“Sebastian?”
A handsome blond fellow in a cricket sweater and linen trousers is trotting down the staircase two steps at a time. He looks to be in his early fifties, though age has left him decadently rumpled rather than weary and worn. Keeping his hands in his pockets, he crosses the floor toward me, cutting a straight line through the silent servants who part before him. I doubt he even notices them, so intent are his eyes upon me.
“My dear man, what on earth happened to you?” he asks, concern crumpling his brow. “Last I saw—”
“We must fetch the police,” I say, clutching his forearm. “Anna’s been murdered.”
Shocked whispers spring up around us.
He frowns at me, casting a quick glance at the servants, who’ve all taken a step closer.
The 7½ Deaths of Evelyn Hardcastle Page 1