A Son of the Circus

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by John Irving


  He’d followed Danny Mills’s recommendations to the letter. He selected a director he liked. Balraj Gupta was a young man with a less heavy hand than most—he had an almost self-mocking manner—and more important, he was not such a well-known director that Dr. Daruwalla couldn’t bully him a little. The deal was as Danny Mills had said a deal should be, including the doctor’s choice of the young, unknown actor who would play Inspector Dhar. John Daruwalla was 22.

  Farrokh’s first effort to pass off the young man as an Anglo-Indian wasn’t at all convincing to Balraj Gupta. “He looks like some kind of European to me,” the director complained, “but his Hindi is the real thing, I guess.” And after the success of the first Inspector Dhar movie, Balraj Gupta would never dream of interfering with the orthopedist (from Canada!) who’d given Bombay its most hated antihero.

  The first movie was called Inspector Dhar and the Hanging Mali. This was more than 20 years after a real gardener had been found hanging from a neem tree on old Ridge Road in Malabar Hill, a posh part of town for anyone to be hanged in. The mali was a Muslim who’d just been dismissed from tending the gardens of several Malabar Hill residents; he’d been accused of stealing, but the charge had never been proven and there were those who claimed that the real-life gardener had been fired because of his extremist views. The mali was said to be furious about the closing of the Mosque of Babar.

  Although Farrokh fictionalized the mail’s story 20 years after the little-known facts of the case, Inspector Dhar and the Hanging Mali wasn’t viewed as a period piece. For one thing, the 16th-century Babri mosque was still in dispute. The Hindus still wanted their idols to remain in the mosque in honor of the birthplace of Rama. The Muslims still wanted the idols removed. In the late 1960s, very much in keeping with the language of that time, the Muslims said they wanted to “liberate” the Mosque of Babar—whereas it was the birthplace of Rama that the Hindus said they wanted to liberate.

  In the movie, Inspector Dhar sought to keep the peace. And, of course, this was impossible. The essence of an Inspector Dhar movie was that violence could be relied upon to erupt around him. Among the earliest of the victims was Inspector Dhar’s wife! Yes, he was married in the first movie, albeit briefly; the car-bomb death of his wife apparently justified his sexual licentiousness for the rest of the movie—and for all the other Inspector Dhar movies to come. And everyone was supposed to believe that this all-white Dhar was a Hindu. He’s seen lighting his wife’s cremation fire; he’s seen wearing the traditional dhoti, with his head traditionally shaved. All during the course of the first movie, his hair is growing back. Other women rub the stubble, as if in the most profound respect for his late wife. His status as a widower gains him great sympathy and lots of women—a very Western idea, and very offensive.

  To begin with, both Hindus and Muslims were offended. Widowers were offended, not to mention widows and gardeners. And from the very first Inspector Dhar movie, policemen were offended. The misfortune of the real-life hanging mali had never been explained. The crime—that is, if it was a crime, if the gardener hadn’t hanged himself—was never solved.

  In the movie, the audience is offered three versions of the hanging, each one a perfect solution. Thus the unfortunate mali is hanged three times, and each hanging offended some group. Muslims were angry that Muslim fanatics were blamed for hanging the gardener. Hindus were outraged that Hindu fundamentalists were blamed for hanging the gardener; and Sikhs were incensed that Sikh extremists were blamed for hanging the gardener, as a means of setting Muslims and Hindus against each other. The Sikhs were also offended because every time there’s a taxi in the movie, it’s driven wildly and aggressively by someone who’s perceived to be a crazed Sikh.

  But the film was terribly funny! Dr. Daruwalla had thought.

  In the darkness of the Ladies’ Garden, Farrokh reconsidered. Inspector Dhar and the Hanging Mali might have been terribly funny to Canadians, he imagined—with the notable exception of Canadian gardeners. But Canadians had never seen the film, except those former Bombayites who lived in Toronto; they’d watched all the Inspector Dhar movies on videocassettes, and even they were offended. Inspector Dhar himself had never found his films especially funny. And when Dr. Daruwalla had questioned Balraj Gupta concerning the comic (or at least satiric) nature of the Inspector Dhar movies, the director had responded in a most offhand manner. “They make lots of lakhs!” the director had said. “Now that’s funny!”

  But it was no longer funny to Farrokh.

  What if Mrs. Dogar Was a Hijra?

  In the first darkness of the evening, the Duckworthians with small children had begun to occupy the tables in the Ladies’ Garden. The children enjoyed eating outdoors, but not even their enthusiastic high-pitched voices disturbed Farrokh’s journey into the past. Mr. Sethna disapproved of all small children—he especially disapproved of eating with them—but he nevertheless considered it his duty to oversee Dr. Daruwalla’s state of mind in the Ladies’ Garden.

  Mr. Sethna had seen Dhar leave with the dwarf, but when Vinod returned to the Duckworth Club—the steward assumed that the nasty-looking midget was simply making his taxi available to Dr. Daruwalla, too—the dwarf hadn’t waddled in and out of the foyer, as usual; Vinod had gone into the Sports Shop, where the dwarf was on friendly terms with the ball boys and the racquet stringers. Vinod had become their favorite scavenger. Mr. Sethna disapproved of scavenging and of dwarfs; the steward thought dwarfs were disgusting. As for the ball boys and the racquet stringers, they thought Vinod was cute.

  If the film press was at first being facetious when they referred to Vinod as “Inspector Dhar’s dwarf bodyguard”—they also called the dwarf “Dhar’s thug chauffeur”—Vinod took his reputation seriously. The dwarf was always well armed, and his weapons of choice were both legal and easily concealed in his taxi. Vinod collected squash-racquet handles from the racquet stringers at the Duckworth Sports Shop. When a racquet head was broken, a stringer sawed the head off and sanded down the stump until it was smooth; the remaining squash-racquet handle was of the right length and weight for a dwarf, and the wood was very hard. Vinod wanted only wooden racquet handles, which were becoming scarce. But the dwarf hoarded them; and the way he used them, he rarely broke one. He would jab or strike with only one racquet handle—he would go for the balls or the knees, or both—while he held the other handle out of reach. Invariably, the man under attack would grab hold of the offending racquet handle; thereupon Vinod would bring the other handle down on the man’s wrist.

  It had been an unbeatable tactic. Invite the man to grab one racquet handle, then break his wrist with the other handle. The hell with a man’s head—Vinod often couldn’t reach a man’s head, anyway. A broken wrist usually stopped a fight; if a fool wanted to keep fighting, he would be fighting with one hand against two squash-racquet handles. If the film press had turned the dwarf into a bodyguard and a thug, Vinod didn’t mind. He was genuinely protective of Inspector Dhar.

  Mr. Sethna disapproved of such violence, and of the Sport Shop racquet stringers who happily provided Vinod with his arsenal of squash-racquet handles. The ball boys also gave the dwarf dozens of discarded tennis balls. In the car-driving business, as Vinod described it, there was a lot of “just waiting” in his car. The former clown and acrobat liked to keep busy. By squeezing the dead tennis balls, Vinod strengthened his hands; the dwarf also claimed that this exercise relieved his arthritis, although Dr. Daruwalla believed that aspirin was probably a more reliable source of relief.

  It had occurred to Mr. Sethna that Dr. Daruwalla’s longstanding relationship with Vinod was probably the reason the doctor didn’t drive a car; it had been years since Farrokh had even owned a car in Bombay. The dwarf’s reputation as Dhar’s driver tended to obscure, for most observers, the fact that Vinod also drove for Dr. Daruwalla. It spooked Mr. Sethna how the doctor and the dwarf seemed so aware of each other-even as the dwarf loaded up his car with squash-racquet handles and old tennis balls, even a
s the doctor went on sitting in the Ladies’ Garden. It was as if Farrokh always knew that Vinod was available—as if the dwarf were waiting only for him. Well, either for him or for Dhar.

  It now occurred to Mr. Sethna that Dr. Daruwalla was intending to occupy his luncheon table through the dinner hours; perhaps the doctor was expecting dinner guests and had decided it was the simplest way to hold the table. But when the old steward inquired of Dr. Daruwalla about the number of place settings, Mr. Sethna was informed that the doctor was going home for “supper.” Promptly, as if he’d been awakened from a dream, Farrokh got up to leave.

  Mr. Sethna observed and overheard him calling his wife from the telephone in the foyer.

  “Nein, Liebchen,” said Dr. Daruwalla. “I have not told him—there wasn’t a good moment to tell him.” Then Mr. Sethna listened to Dr. Daruwalla on the subject of the murder of Mr. Lal. So it is a murder! Mr. Sethna thought. Bonked by his own putter! And when he heard the part about the two-rupee note in Mr. Lal’s mouth, and specifically the intriguing threat that was connected to Inspector Dhar—MORE MEMBERS DIE IF DHAR REMAINS A MEMBER—Mr. Sethna felt that his eavesdropping efforts had been rewarded, at least for this day.

  Then something mildly remarkable happened. Dr. Daruwalla hung up the phone and turned into the foyer without first looking-where he was going, and who should he run smack into but the second Mrs. Dogar. The doctor bumped into her so hard, Mr. Sethna was excited by the possibility that the vulgar woman would be knocked down. But instead it was Farrokh who fell. More astonishing, upon the collision, Mrs. Dogar was shoved backward into Mr. Dogar—and he fell down, too. What a fool for marrying such a younger, stronger woman! Mr. Sethna thought. Then there was the usual bowing and apologizing, and everyone assured everyone else that he or she was absolutely fine. Sometimes the absurdities of good manners, which were demonstrated in such profusion at the Duckworth Club, gave Mr. Sethna gas.

  Thus, finally, Farrokh escaped from the old steward’s overseeing eye. But while he waited for Vinod to fetch the car, Dr. Daruwalla—unobserved by Mr. Sethna—touched the sore spot in his ribs, where there would surely be a bruise, and he marveled at the hardness and sturdiness of the second Mrs. Dogar. It was like running into a stone wall!

  It crossed the doctor’s mind that Mrs. Dogar was sufficiently masculine to be a hijra—not a hijra prostitute, of course, but just an ordinary eunuch-transvestite. In which case Mrs. Dogar might not have been eyeballing Inspector Dhar for the purpose of seducing him; instead, she might have had it in her mind to castrate him!

  Farrokh felt ashamed of himself for thinking like a screenwriter again. How many Kingfishers have I had? he wondered; it relieved him to hold the beer accountable for his far-fetched fantasizing. In truth, he knew nothing about Mrs. Dogar—where she’d come from—but hijras occupied such a marginal position in Indian society; the doctor was aware that most of them came from the lower classes. Whoever she was, the second Mrs. Dogar was an upper-class woman. And Mr. Dogar—although he was a foolish old fart, in Farrokh’s opinion—was a Malabar Hill man; he came from old money, and lots of it. Nor was Mr. Dogar such a fool that he wouldn’t know the difference between a vagina and a burn scar from the famous hijra hot-oil treatment.

  While he waited for Vinod, Dr. Daruwalla watched the second Mrs. Dogar help Mr. Dogar into their car. She towered over the poor parking-lot attendant, who sheepishly opened the driver’s-side door for her. Farrokh was unsurprised to see that Mrs. Dogar was the driver in the family. He’d heard all about her fitness training, which he knew included weight lifting and other unfeminine pursuits. Perhaps she takes testosterone, too, the doctor imagined, for the second Mrs. Dogar looked as if her sex hormones were raging—her male sex hormones, Dr. Daruwalla speculated. He’d heard that such women sometimes develop a clitoris as large as a finger, as long as a young boy’s penis!

  When either too much Kingfisher or his run-amuck imagination caused Dr. Daruwalla to speculate in this fashion, the doctor was grateful that he was merely an orthopedic surgeon. He truly didn’t want to know too much about these other things. Yet Farrokh had to force himself from further contemplation, for he found that he was wondering what would be worse: that the second Mrs. Dogar sought to emasculate Inspector Dhar, or that she was in amorous pursuit of the handsome actor—and that she possessed a clitoris of an altogether unseemly size.

  Dr. Daruwalla was in such a transfixed state of mind, he didn’t notice that Vinod had one-handedly wheeled into the circular driveway of the Duckworth Club and was, with his other hand, belatedly applying the brakes. The dwarf nearly ran the doctor down. At least this served to take Dr. Daruwalla’s mind off the second Mrs. Dogar. If only for the moment, Farrokh forgot her.

  Load Cycle

  The better of the dwarf’s two taxis—of those two that were equipped with hand controls—was in the shop. “The carburetor is being revised,” Vinod explained. Since Dr. Daruwalla had no idea how one accomplished a carburetor revision, he didn’t press the dwarf for details. They departed the Duckworth Club in Vinod’s decaying Ambassador, which was the off-white color of a pearl—like graying teeth, Farrokh reflected. Also, its hand control for acceleration was inclined to stick.

  Nevertheless, Dr. Daruwalla abruptly asked the dwarf to drive him past his father’s former house on old Ridge Road, Malabar Hill; this was doubtless because Farrokh had his father and Malabar Hill on his mind. Farrokh and Jamshed had sold the house shortly after their father’s murder—when Meher had decided to live out the rest of her life in the company of her children and her grandchildren, all of whom had already chosen not to live in India. Dr. Daruwalla’s mother would die in Toronto, in the doctor’s guest bedroom. Meher’s death, in her sleep—when it had snowed all night—was as peaceful as the bombing of old Lowji had been violent.

  It wasn’t the first time Farrokh had asked Vinod to drive by his old Malabar Hill home. From the moving taxi, the house was barely visible. The former Daruwalla family estate reminded the doctor of how tangential his contact with the country of his birthplace had become, for Farrokh was a foreigner on Malabar Hill. Dr. Daruwalla lived, like a visitor, in one of those ugly apartment buildings on Marine Drive; he had the same view of the Arabian Sea as could be found from a dozen similar places. He’d paid 60 lakhs (about 250,000 dollars) for a flat of less than 1,200 square feet, and he hardly lived there at all—he visited India so rarely. He was ashamed that, the rest of the time, he didn’t rent it out. But Farrokh knew he would have been a fool to do so; the tenancy laws in Bombay favor the tenants. If Dr. Daruwalla had tenants, he’d never get them out. Besides, from the Inspector Dhar movies, the doctor had made so many lakhs that he supposed he should spend some of them in Bombay. Through the marvels of a Swiss bank account and the guile of a cunning money-dealer, Dhar had been successful in getting a sizable portion of their earnings out of India. Dr. Daruwalla also felt ashamed of that.

  Vinod seemed to sense when Dr. Daruwalla was vulnerable to charity. It was his own charitable enterprise that the dwarf was thinking of; Vinod was routinely shameless in seeking the doctor’s support of his most fervent cause.

  Vinod and Deepa had taken it upon themselves to rescue various urchins from the slums of Bombay; in short, they recruited street kids for the circus. They sought the more acrobatic beggars—demonstrably well coordinated children—and Vinod made every effort to steer these talented waifs toward circuses of more merit than the Great Blue Nile. Deepa was particularly devoted to saving child prostitutes, or would-be child prostitutes; rarely were these girls suitable circus material. To Dr. Daruwalla’s knowledge, the only circus that had stooped to adopt any of Vinod and Deepa’s discoveries was the less-than-great Blue Nile.

  To Farrokh’s considerable discomfort, many of these girls were Mr. Garg’s discoveries—that is, long before Vinod and Deepa had found them. Mr. Garg was the owner and manager of the Wetness Cabaret, where a kind of concealed grossness was the norm. Strip joints, not to mention sex shows, aren’
t permitted in Bombay—at least not to the degree of explicitness that exists in Europe and in North America. In India, there’s no nudity, whereas “wetness”—meaning wet, clinging, almost transparent clothing—is much in evidence, and sexually suggestive gestures are the mainstay of so-called exotic dancers in such seedy entertainment spots as Mr. Garg’s. Among such spots, even including the Bombay Eros Palace, the Wetness Cabaret was the worst; yet the dwarf and his wife insisted to Dr. Daruwalla that Mr. Garg was the Good Samaritan of Kamathipura. In the many lanes of brothels that were there, and throughout the red-light district on Falkland Road and on Grant Road, the Wetness Cabaret was a haven.

  It was only a haven compared to a brothel, Farrokh supposed. Whether one called Garg’s girls strippers or “exotic dancers,” most of them weren’t whores. But many of them were runaways from the Kamathipura brothels, or from the brothels on Falkland Road and on Grant Road. In the brothels, the virginity of these girls had been only briefly prized—until the madam supposed they were old enough, or until there was a high enough offer. But when many of these girls ran away to Mr. Garg, they were much too young for what the Wetness Cabaret offered; ironically, they were old enough for prostitution but far too young to be exotic dancers.

  According to Vinod, most men who wanted to look at women wanted the women to look like women; apparently, these weren’t the same men who wanted to have sex with underage girls—and even those men, Vinod claimed, didn’t necessarily want to look at those young girls. Therefore, Mr. Garg couldn’t use them at the Wetness Cabaret, although Farrokh fantasized that Mr. Garg had used them in some private, unmentionable way.

  Dr. Daruwalla’s Dickensian theory was that Mr. Garg was perverse because of his physical appearance. The man gave Farrokh the creeps. Mr. Garg had made an astonishingly vivid impression on Dr. Daruwalla, considering that they had met only once; Vinod had introduced them. The enterprising dwarf was also Garg’s driver.

 

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