Countdown: Steele
Allie Boniface
First Publication: One Night in Napa
Copyright © 2009 Samhain Publishing
Second Publication: COUNTDOWN: Steele
Copyright © 2019 DFM Publishing
All Rights Are Reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations embodied in critical articles and reviews.
Table of Contents
Title Page
Copyright Page
Countdown: Steele
10:00 a.m.
11:00 a.m.
Noon
1:00 p.m.
2:00 p.m.
3:00 p.m.
4:00 p.m.
5:00 p.m.
6:00 p.m.
7:00 p.m.
8:00 p.m.
9:00 p.m.
10:00 p.m.
11:00 p.m.
Midnight
1:00 a.m.
2:00 a.m.
3:00 a.m.
4:00 a.m.
5:00 a.m.
6:00 a.m.
7:00 a.m.
8:00 a.m.
9:00 a.m.
About the Author
Other Books You Might Enjoy | COUNTDOWN: Grayson (Book One in the Series!)
COUNTDOWN: Ethan
The Promise of Paradise | (Prequel to the Hometown Heroes series)
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Also By Allie Boniface
How far will we go to protect the ones we love?
Steele Walker has one chance to save his job at the family newspaper. Terrorists have kidnapped a Hollywood star, and he’s landed an interview with the grieving mother. Even better, the granddaughter who hasn’t been heard from in years shows up on the doorstep. It’s the story of a lifetime, and all he has to do is deliver.
Kira March left home vowing never to return. But with her father kidnapped and her grandmother cracking under media pressure, it’s up to her to destroy all evidence of a guarded family secret. Yet as the hours pass, she finds herself falling for the very man who could destroy her. And when Steele comforts her in the wake of a midnight tragedy, he remembers why it’s a bad idea to get emotionally involved with an interview subject.
Especially when the family name is on the line.
You can read Books 1 and 2 in this series now, too!
COUNTDOWN: Grayson
COUNTDOWN: Ethan
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This book is a work of fiction. The names, characters, places, and incidents are products of the writer’s imagination or have been used fictitiously and are not to be construed as real. Any resemblance to persons, living or dead, actual events, locale or organizations is entirely coincidental.
10:00 a.m.
Steele knew it was going to be a long day when he woke up and couldn’t remember the name of the woman lying beside him. His head pounded. His stomach rumbled. Late morning sun slanted across his face, and he squinted. He lifted himself onto an elbow and ran one hand over his stubbled jaw, then rolled over and stared at a wall he didn’t recognize. The sound came again, the one that had jerked him from sleep. Somewhere across the room, his cell phone beeped.
“Babe?” A manicured hand snaked out from the covers and caressed his bare chest. “Everything okay?”
Babe? He blinked and the room swam into focus. “Yeah.” He slipped from between satin sheets, planted one foot on a throw rug, and ended up on his ass next to the bed. She giggled.
He swore under his breath and pulled himself up. The room was small, decorated in pinks and lavenders. A collection of candles sat on a pink-and-white dresser across the room and, for one horrifying moment, he thought a Hello Kitty stuffed animal stared at him with black plastic eyes. He shook his head and looked again, and the cat changed into a pink dragon with wings. Still a stuffed animal, though. Near the door, his keys, phone, and boxers lay in a heap beside a leopard-print bra and something made of clingy red fabric.
Again. I did it again. Maybe his father was right after all. He searched the bedroom until he found the golf shirt and shorts he remembered wearing the night before. Shots of tequila, he recalled now. And a blonde at the end of the bar with a gorgeous rack and pouty lips who wouldn’t stop staring at him. His two vices, served up neatly at The V-Spot, the local watering hole located at the end of his block.
Now he knew what day it was, because he only hit The V-Spot for their Thursday night wing special, which meant it was Friday. “Shit. I’m late.” Today was the day of his final interview with Francesca Morelli. He swore again and opened two doors before he found the bathroom.
He dug his phone from one pocket and scrolled through missed messages. Two from his coworker Collin, who really should’ve kept him from going home with a strange woman in the first place, and one from his high school buddy Ethan.
Hey u still at this #? We should catch up. Wait til u hear what happened last wknd.
Hell, he hadn’t heard from Ethan in forever, since before the guy’s wife died of cancer. Now he was checking in like they’d been casually texting for years? Steele was tempted to call him right there and then to get the details, but another notification went off on his phone, reminding him that he was missing the staff meeting. Which meant his father was already making snarky comments in his absence. Can’t wait, he texted instead, and set the phone on the edge of the sink.
He splashed water on his face and glanced outside. He might have started the night in familiar territory, but he had no idea where he was now. Not The V-Spot, not his block, and not anywhere close, if he had to guess. His mind’s eye framed the view almost unconsciously, assessing light and shadows. Upscale, downtown, not his usual neighborhood. Directly across the street sat a renovated warehouse, all black and chrome and tinted windows, probably one of San Francisco’s new nightclubs that had closed just a couple of hours earlier. To his right, an art gallery, a coffee shop, and a collection of narrow storefronts took up the rest of the block.
A teenager on a skateboard came riding into view, and Steele adjusted his focus. Buildings forgotten, he narrowed in on the kid’s face and black watch cap, the silver streak the skateboard made in the morning sun. His fingers twitched, hands empty. For a moment, he wished for his zoom lens, so he could concentrate on the blur of the wheels, the way the kid held his arms out for balance, the grayish-blue of the street—
He stopped himself. Not going to do that anymore, remember? No matter how good the shot. Photography doesn’t pay. It’s a pansy’s hobby, not a man’s. And anyway, he didn’t have time, especially this morning.
He palmed his cell and checked his voice mail. And then was sorry.
“Steele? Where are you? It’s past nine.” His father’s voice, cool and disapproving, sliced across the phone line.
“Yeah, I know,” he answered aloud as he slipped back into the bedroom. “Bite me.”
He glanced at the body still lying under the covers. A perfect body, too, with its curves and soft spots and sweet smells. For a moment, he considered tossing his phone out the nearest window, stripping down, and spending the rest of the day rediscovering the places he’d visited last night. She wouldn’t judge him. She wouldn’t comment at all, if last night was any indication.
“Babe?”
He wondered if she called him that because she didn’t remember his name either.
She sat up, not bothering to cover herself with the sheets. Model-thin, with a sprayed-on tan that covered every inch, she leaned back on her elbows and looked at him from under heavy eyelids. Amber, he remembered after a moment. Didn’t recall her l
ast name, but it didn’t matter.
“Hey.” He sat on the edge of the bed. “I’ve gotta go to work.”
“You have that big interview with Edoardo Morelli today, right?”
Ah. So that was the story he’d told last night in the bar.
“Yeah,” he lied. “It’s the last one, too, so I gotta be on time.” But his interview wasn’t with Edoardo Morelli. It wasn’t with anyone near as famous or exotic. It was with Edoardo’s sixty-year-old mother, fading film icon Francesca Morelli, a recluse that lived in the hills of Napa Valley and refused almost everyone who came to her door. In her time, she’d been one hell of a sex symbol. Won multiple acting awards. Had affairs with married men and a couple of married women, too. But Steele didn’t think Amber would’ve been impressed by any of that last night. She, like pretty much everyone else he ran into, thought the sun rose and set on Edoardo Morelli, Francesca’s adopted son.
“Tell me about him. Can you? Like, what’s he like in person?” Her voice turned breathy, and Steele wondered if it were possible to be jealous of someone you had never met and didn’t stand a chance competing against. He’d had his choice of women back in high school, in college, and even now, but Steele Walker wasn’t a movie star. The closest he came was interviewing them.
“What do you want to know?”
“Does he look the same in real life as he does in the movies?”
“Not exactly the same. They do a lot with makeup and lighting.”
She nodded, her eyes dreamy, and Steele thought it probably didn’t matter what he said, as long as the words “Edoardo” and “Morelli” were in the same sentence. The guy made mostly love stories and chick flicks, sappy stuff that made Steele want to puke. But he did it in both English and Italian, which made women swoon and men look up the cost of learning the Romance language.
Steele couldn’t stomach the guy’s movies, but that didn’t matter when it came to writing for The Chronicle. He’d do any interview assigned if it meant collecting a paycheck. Again the camera in his mind’s eye moved into place. Late morning light filtered through the curtains and cast a shadow along the sheets. He laced his hands behind his head and studied it. It was easier, somehow, to see the world through a lens, to catch it in a series of still-frames for later study, than to meet it head-on.
Especially with a raging hangover.
“You still in there?” She tapped him on the wrist.
He blinked. “Sorry. Just drifting a little.”
“Is it true, about him being adopted when he was almost dying?” She looked a little teary-eyed at the thought of today’s healthy, virile Edoardo Morelli being left for dead in a run-down Greek orphanage.
“Far as I know. Francesca was filming Closer to the Sun in Athens, and she got on this kick with the local orphanage. Gave them all kinds of money, spent weeks there with the kids, and fell in love with Edoardo.”
“He was probably adorable. Even then.”
“Actually, he was born with a club foot,” Steele said. Not many people knew that part of the story.
“Really?”
“Really. He hobbled around the orphanage begging for food. Didn’t even have regular crutches, just two sticks bound together with bandages that one of the nurses had made for him.” Steele warmed to the lie. The club foot part was true, at least according to Francesca. The makeshift crutches, he had no idea about. Didn’t matter. Amber was looking at him in awe. “Francesca saw him, and that was that. She brought him back to the States on the next plane. Took three surgeries to straighten out his foot.” Steele had actually seen photos of Edoardo as a little boy, leaning on crutches with a leg wrapped in plaster.
Her eyes grew even wider. “I never knew that.”
“Most people don’t.” It pleased Steele to have that nugget of knowledge about the otherwise perfect movie star, that one day he’d been crippled and flawed like the rest of the world.
Amber sighed again, and Steele wondered if she was picturing Edoardo Morelli in the bed beside her instead of him. He wasn’t used to coming in second in women’s fantasies.
She slipped from the sheets and reached for a pink robe. “Well, thanks for coming over. It was fun.”
He grabbed his keys and met her near the front door. He planted a kiss somewhere near her left ear and wound up with a mouthful of hair. “Yeah, it was.” He didn’t ask for her number and she didn’t offer it. No promises, no commitment, just a good old-fashioned, meaningless fuck. He only stopped to wonder if maybe, at thirty-one, he was getting a little old for meaningless fucks when he pulled out of Amber’s condo complex and still had no idea where he was.
11:00 a.m.
One hundred miles away, Kira took a long drag on her cigarette.
“I thought you were trying to quit.”
“I thought you were gonna stop keeping me up all night.”
Scotty grinned and stubbed out his own cigarette. “You should know by now I never make promises like that. And neither will any producer you work for down in L.A.”
“I’m not taking the job, so I guess I don’t need to worry about it.”
“Then you’re an idiot.”
Maybe, but I’m a safe idiot. And that’s what matters.
Scotty, Kira’s best friend and partner in crime, hunched forward and studied the screen in front of them. Film credits scrolled across a black background and then faded. Two seconds later, the music did too. “Shit.” He grabbed a pen and scribbled something on a napkin. “Timing’s still off.”
Kira yawned so hard her jaw popped. “Only in one place. Easy fix. I’ll take care of it. Just give me an hour or two to sleep.” There was a futon in the corner of the studio with tangled sheets and pillows. Sometimes Scotty crashed there, sometimes she did. She took one last inhale on her cigarette and then stubbed it out too.
“No time,” Scotty said. “Deadline’s this afternoon.”
“I’ll have it done.”
He snorted. “No offense, March, but once your head hits the pillow, you’re done.”
“How would you know?”
He laughed and rolled his chair over to a second computer as the sun made its way over the mountains outside their warehouse. Kira propped her feet against the enormous work table, scattered with half-empty takeout containers, ripped scraps of paper, scripts folded and underlined and chewed up at the corners.
Nonstop work for almost a month. Writing, filming, cutting, editing, all in a mad rush to get ready for the upcoming San Francisco Shorts Film Festival. She couldn’t remember the last time she’d gotten a full night’s sleep. “You know you’ve ruined my social life, right?”
Scotty’s fingers moved over the keyboard. “Shit. What social life? You’re a hermit and you know it. Secretly, I think you like it.”
“You don’t know that.” She thought of the phone numbers she got at the coffee shop, the offers for movies, dinners or drinks, at least once a week. She had plenty of offers for a social life. She just chose to decline them. “I don’t tell you everything.”
He stopped typing and spun around in his chair. “Yeah, you do. And if you don’t, it’s not worth mentioning.” He winked, and Kira shook her head for the umpteenth time at the fact that Scotty’s good looks, chiseled and symmetric and goddamned perfect, were wasted on a guy who had no interest in her.
Or in women at all.
“I’ll tell you this much, my internal organs are bleeding a slow death from the diet we’ve been living on the last few months. Your liver’s gotta be shot.”
He shrugged and turned away. “Once I become as famous as Spielberg, I’ll buy you steak and caviar every day.”
“No you won’t.”
“You’re right. I won’t.” He pressed the power button, and the computer flicked off. “There. Now it’s finished.”
“You don’t want to watch it again?”
“I will. About four more times before I send it in.” He laced his fingers behind his head and leaned back in his chair. “I’m gonna sa
y it again, March. You don’t have to be slumming with me or living on Chinese food and bad coffee. You’re so fucking talented, it breaks my heart.” He paused. “I know Neil called you. I know he offered you the production job. You can’t hide out here forever. Well, I guess technically you can, but you shouldn’t.”
“I’ll take a job in L.A. when I’m good and ready.” Which will be never.
“C’mon. You take even one of the gigs Neil’s offering, and we could have an actual studio to film in. A budget bigger than last month’s grocery bill. You don’t have to move there for good. You could split your time. Lots of people do.”
“It’s not an option, Scotty.” She stood and began to sweep garbage from the table into a trash bin.
He stood too. “Suit yourself. I’m just saying—”
Someone knocked on the door of the warehouse Scotty rented. A second later, the heavy outer door slid open, and Kira’s roommate Isha materialized in the sunlight. She pulled at a long black braid that hung over one shoulder. “You are still here. Good. I was getting worried.”
“You didn’t need to,” Kira said. “You knew we were here. It’s the only place we’ve been for the last month.”
“I know. But still. You never call or text me back.”
“Sorry. You know I’m a shit about that when I’m working.” Kira looked around for her phone, convinced she was the only breathing adult in any developed country who hated being attached to that thing. Half the time it went dead because she forgot to charge it, and the other half it was lying forgotten on the floor or shoved between couch cushions. “Want some coffee? I just started a new pot.”
“I thought you were trying to cut down.”
“I was. Except between working at a coffee shop and staying up every night until dawn working here, how is that supposed to happen?”
Isha looked around. “So? Is it done? Is it amazing? I gotta know if I’m living with the next Clint Eastwood or Steven Spielberg. Will it win?”
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