It was not love I felt for you, Rosarito; I wish it had been; but now far away, in the rain, I fancy, (oh no, not that I am at last in love,) but perhaps that I am just faintly enamoured – of your recollection.
THE CHURCHES OF RONDA
AT THE CHURCH of the Espirito Santo, in a little chapel behind one of the transept altars, I saw, through a huge rococo frame of gilded wood, a Maria de los Dolores that was almost terrifying in poignant realism. She wore a robe of black damask, which stood as if it were cast of bronze in heavy, austere folds, a velvet cloak decorated with the old lace known as rose point d’Espagne; and on her head a massive imperial diadem, and a golden aureole. Seven candles burned before her; and at vespers, when the church was nearly dark, they threw a cold, sharp light upon her countenance. Her eyes were in deep shadow, strangely mysterious, and they made the face, so small beneath the pompous crown, horribly life-like: you could not see the tears, but you felt they were eyes which would never cease from weeping.
I suppose it was all tawdry and vulgar and common, but a woman knelt in front of the Mother of Sorrows, praying, a poor woman in a ragged shawl; I heard a sob, and saw that she was weeping; she sought to restrain herself and in the effort a tremor passed through her body, and she drew the shawl more closely round her.
I walked away, and came presently to the most cruel of all these images. It was a Pietà. The Mother held on her knees the dead Son, looking in His face, and it was a ghastly contrast between her royal array and His naked body. She, too, wore the imperial crown, with its golden aureole, and her cloak was of damask embroidered with heavy gold. Her hair fell in curling abundance about her breast, and the sacristan told me it was the hair of a lady who had lost her husband and her only son. But the dead Christ was terrible, His face half hidden by the long straight hair, long as a woman’s, and His body thin and all discoloured: from the wounds thick blood poured out, and their edges were swollen and red; the broken knees, the feet and hands, were purple and green with the beginning of putrefaction.
THE MOSQUE AT CORDOVA
BUT CORDOVA, FROM which Az-Zahra was about four miles distant, has visible delights that can vie with its neighbour’s vanished pomp. I know nothing that can give a more poignant emotion than the interior of the mosque at Cordova; and yet I remember well the splendour of barbaric and oriental magnificence which was my first sight of St. Mark’s at Venice, as I came abruptly from the darkness of an alley into the golden light of the Piazza. But to me at least the famous things of Italy, known from childhood in picture and in description, afford more than anything a joyful sense of recognition, a feeling as it were of home-coming, such as may hope to experience the devout Christian on entering upon his heritage in the Kingdom of Heaven. The mosque of Cordova is oriental and barbaric too; but I had never seen nor imagined anything in the least resembling it; there was no disillusionment possible, as too often in Italy, for the accounts I had read prepared me not at all for that overwhelming impression. It was so weird and strange, I felt myself transported suddenly to another world.
They were singing Vespers when I entered, and I heard the shrill voices of choristers crying the responses; it did not sound like Christian music. The mosque was dimly lit, the air heavy with incense; and I saw this forest of pillars, extending every way, as far as the eye could reach. It was mysterious and awe-inspiring as those enchanted forests of one’s childhood in which huge trees grew in serried masses and where in cavernous darkness goblins and giants of the fairy-tales, wild beasts and monstrous shapes, lay in wait for the terrified traveller who had lost his way. I wandered, keeping the Christian chapels out of sight, trying to lose myself among the columns; and now and then gained views of horseshoe arches interlacing, decorated with Moorish tracery.
At length I came to the Mihrab, which is the Holy of Holies, the most exquisite as well as the most sacred part of the mosque. It is approached by a vestibule of which the roof is a miracle of grace, with mosaics that glow like precious stones, ultramarine, scarlet, emerald, and gold. The arch between the chambers is ornamented with four pillars of coloured marble, and again with mosaic, the gold letters of an Arabic inscription forming on the deep sapphire of the background a decorative pattern. The Mihrab itself, which contained the famous Koran of Othman, has seven sides of white marble, and the roof is a huge shell cut from a single block.
I tried to picture to myself the mosque before the Christians laid their desecrating hands upon it. The floor was of coloured tiles, tiles such as may still be seen in the Alhambra of Granada and in the Alcazar at Seville. The columns are of marble, of porphyry and jasper; tradition says they came from Carthage, from pagan temples in France and Christian churches in Spain; they are slender and unadorned, they must have contrasted astonishingly with the roof of larch wood, all ablaze with gold and with vermilion.
There were three hundred chandeliers; and eight thousand lamps – cast of Christian bells – hung from the roof. The Arab writer tells of gold shining from the ceiling like fire, blazing like lightning when it darts across the clouds. The pulpit, wherein was kept the Koran, was of ivory and of exquisite woods, of ebony and sandal, of plantain, citron and aloe, fastened together with gold and silver nails and encrusted with priceless gems. It needed six Khalifs and Almanzor, the great Vizier, to complete the mosque of which Arab writers, with somewhat prosaic enthusiasm, said that “in all the lands of Islam there was none of equal size, none more admirable in its workmanship, in its construction and durability.”
Then the Christians conquered Cordova, and the charming civilization of the Moors was driven out by monks and priests and soldiers. First they built only chapels in the outermost aisles; but in a little while, to make room for a choir, they destroyed six rows of columns; and at last, when Master Martin Luther had rekindled Catholic piety, they set up a great church in the very middle of the mosque. The story of this vandalism is somewhat quaint, and one detail at least affords a suggestion that might prove useful in the present time; for the Town Council of Cordova menaced with death all who should assist in the work: one imagines that a similar threat from the Lord Mayor of London might have a salutary effect upon the restorers of Westminster Abbey or the decorators of St. Paul’s. How very much more entertaining must have been the world when absolutism was the fashion and the preposterous method of universal suffrage had never been considered! But the Chapter, as those in power always are, was bent upon restoring, and induced Charles V. to give the necessary authority. The king, however, had not understood what they wished to do, and when later he visited Cordova and saw what had happened, he turned to the dignitaries who were pointing out the improvements and said: “You have built what you or others might have built anywhere, but you have destroyed something that was unique in the world.” The words show a fine scorn; but as a warning to later generations it would have been more to the purpose to cut off a dozen priestly heads.
Yet oddly enough the Christian additions are not so utterly discordant as one would expect! Hernan Ruiz did the work well, even though it was work he might conveniently have been drawn and quartered for doing. Typically Spanish in its fine proportion, in its exuberance of fantastic decoration, his church is a masterpiece of plateresque architecture. Nor are the priests entirely out of harmony with the building wherein they worship. For an hour they had sung Vespers, and the deep voices of the canons, chaunting monotonously, rang weird and long among the columns; but they finished, and left the choir one by one, walking silently across the church to the sacristy. The black cassock and the scarlet hood made a fine contrast, while the short cambric surplice added to the costume a most delicate grace. One of them paused to speak with two ladies in mantillas, and the three made a picturesque group, suggesting all manner of old Spanish romance.
THE COURT OF ORANGES
AND THE THOUGHT impressed itself upon me while I lingered in that peaceful spot, that there was far more to be said for the simple pleasures of sense than northern folk would have us believe. The English have
still much of that ancient puritanism which finds a vague sinfulness in the uncostly delights of sunshine, and colour, and ease of mind. It is well occasionally to leave the eager turmoil of great cities for such a place as this, where one may learn that there are other, more natural ways of living, that it is possible still to spend long days, undisturbed by restless passion, without regret or longing, content in the various show that nature offers, asking only that the sun should shine and the happy seasons run their course.
An English engineer whom I had seen at the hotel, approaching me, expressed the idea in his own graphic manner. “Down here there are a good sight more beer and skittles in life than up in Sheffield!”
One canon especially interested me, a little thin man, bent and wrinkled, apparently of fabulous age, but still something of a dandy, for he wore his clothes with a certain air, as though half a century before, byronically, he had been quite a devil with the ladies. The silver buckle on his shoes was most elegant, and he protruded his foot as though the violet silk of his stocking gave him a discreet pleasure. To the very backbone he was an optimist, finding existence evidently so delightful that it did not even need rose-coloured spectacles. He was an amiable old man, perhaps a little narrow, but very indulgent to the follies of others. He had committed no sin himself – for many years: a suspicion of personal vanity is in itself proof of a pure and gentle mind; and as for the sins of others – they were probably not heinous, and at all events would gain forgiveness. The important thing, surely, was to be sound in dogma. The day wore on and the sun now shone only in a narrow space; and this the canon perambulated, smoking the end of a cigarette, the delectable frivolity of which contrasted pleasantly with his great age. He nodded affably to other priests as they passed, a pair of young men, and one obese old creature with white hair and an expression of comfortable self-esteem. He removed his hat with a great and courteous sweep when a lady of his acquaintance crossed his path. The priests basking in the warmth were like four great black cats. It was indeed a pleasant spot, and contentment oozed into one by every pore. The canon rolled himself another cigarette, smiling as he inhaled the first sweet whiffs; and one could not but think the sovereign herb must greatly ease the journey along the steep and narrow way which leads to Paradise. The smoke rose into the air lazily, and the old cleric paused now and again to look at it, the little smile of self-satisfaction breaking on his lips.
Up in the North, under the cold grey sky, God Almighty may be a hard taskmaster, and the Kingdom of Heaven is attained only by much endeavour; but in Cordova these things come more easily. The aged priest walks in the sun and smokes his cigarillo. Heaven is not such an inaccessible place after all. Evidently he feels that he has done his duty – with the help of Havana tobacco – in that state of life wherein it has pleased a merciful providence to place him; and St. Peter would never be so churlish as to close the golden gates in the face of an ancient canon who sauntered to them jauntily, with the fag end of a cigarette in the corner of his mouth. Let us cultivate our cabbages in the best of all possible worlds; and afterwards – Dieu pardonnera; c’est son métier.
Three months later in the Porvenir, under the heading, “Suicide of a Priest,” I read that one of these very canons of the Cathedral at Cordova had shot himself. A report was heard, said the journal, and the Civil Guard arriving, found the man prostrate with blood pouring from his ear, a revolver by his side. He was transported to the hospital, the sacrament administered, and he died. In his pockets they found a letter, a pawn-ticket, a woman’s bracelet, and some peppermint lozenges. He was thirty-five years old. The newspaper moralized as follows: “When even the illustrious order to which the defunct belonged is tainted with such a crime, it is well to ask whither tends the incredulity of society which finds an end to its sufferings in the barrel of a revolver. Let moralists and philosophers combat with all their might this dreadful tendency; let them make even the despairing comprehend that death is not the highest good but the passage to an unknown world where, according to Christian belief, the ill deeds of this existence are punished and the virtuous rewarded.”
SEVILLE
THE IMPRESSION LEFT by strange towns and cities is often a matter of circumstance, depending upon events in the immediate past; or on the chance which, during his earliest visit, there befell the traveller. After a stormy passage across the Channel, New-haven, from the mere fact of its situation on solid earth, may gain a fascination which closer acquaintance can never entirely destroy; and even Birmingham, first seen by a lurid sunset, may so affect the imagination as to appear for ever like some infernal, splendid city, restless with the hurried toil of gnomes and goblins. So to myself Seville means ten times more than it can mean to others. I came to it after weary years in London, heartsick with much hoping, my mind dull with drudgery; and it seemed a land of freedom. There I became at last conscious of my youth, and it seemed a belvedere upon a new life. How can I forget the delight of wandering in the Sierpes, released at length from all imprisoning ties, watching the various movement as though it were a stage-play, yet half afraid that the falling curtain would bring back reality! The songs, the dances, the happy idleness of orange-gardens, the gay turbulence of Seville by night; ah! there at least I seized life eagerly, with both hands, forgetting everything but that time was short and existence full of joy. I sat in the warm sunshine, inhaling the pleasant odours, reminding myself that I had no duty to do then, or the morrow, or the day after. I lay a-bed thinking how happy, effortless and free would be my day. Mounting my horse, I clattered through the narrow streets, over the cobbles, till I came to the country; the air was fresh and sweet, and Aguador loved the spring mornings. When he put his feet to the springy turf he gave a little shake of pleasure, and without a sign from me broke into a gallop. To the amazement of shepherds guarding their wild flocks, to the confusion of herds of brown pigs, scampering hastily as we approached, he and I excited by the wind singing in our ears, we pelted madly through the country. And the whole land laughed with the joy of living.
But I love also the recollection of Seville in the grey days of December, when the falling rain offered a grateful contrast to the unvarying sunshine. Then new sights delighted the eye, new perfumes the nostril. In the decay of that long southern autumn a more sombre opulence was added to the gay colours; a different spirit filled the air, so that I realized suddenly that old romantic Spain of Ferdinand and Isabella. It lay a-dying still, gorgeous in corruption, sober yet flamboyant, rich and poverty-stricken, squalid, magnificent. The white streets, the dripping trees, the clouds gravid with rain, gave to all things an adorable melancholy, a sad, poetic charm. Looking back, I cannot dismiss the suspicion that my passionate emotions were somewhat ridiculous, but at twenty-three one can afford to lack a sense of humour.
* * *
But Seville at first is full of disillusion. It has offered abundant material to the idealist who, as might be expected, has drawn of it a picture which is at once common and pretentious. Your idealist can see no beauty in sober fact, but must array it in all the theatrical properties of a vulgar imagination; he must give to things more imposing proportions, he colours gaudily; Nature for him is ever posturing in the full glare of footlights. Really he stands on no higher level than the housemaid who sees in every woman a duchess in black velvet, an Aubrey Plantagenet in plain John Smith. So I, in common with many another traveller, expected to find in the Guadalquivir a river of transparent green, with orange-groves along its banks, where wandered ox-eyed youths and maidens beautiful. Palm-trees, I thought, rose towards heaven, like passionate souls longing for release from earthly bondage; Spanish women, full-breasted and sinuous, danced boleros, fandangos, while the air rang with the joyous sound of castanets, and toreadors in picturesque habiliments twanged the light guitar.
Alas! the Guadalquivir is like yellow mud, and moored to the busy quays lie cargo-boats lading fruit or grain or mineral; there no perfume scents the heavy air. The nights, indeed, are calm and clear, and the stars sh
ine brightly; but the river banks see no amours more romantic than those of stokers from Liverpool or Glasgow, and their lady-loves have neither youth nor beauty.
Yet Seville has many a real charm to counter-balance these lost illusions. He that really knows it, like an ardent lover with his mistress’ imperfections, would have no difference; even the Guadalquivir, so matter-of-fact, really so prosaic, has an un-imagined attractiveness; the crowded shipping, the hurrying porters, add to that sensation of vivacity which is of Seville the most fascinating characteristic. And Seville is an epitome of Andalusia, with its life and death, with its colour and vivid contrasts, with its boyish gaiety.
It is a city of delightful ease, of freedom and sunshine, of torrid heat. There it does not matter what you do, nor when, nor how you do it. There is none to hinder you, none to watch. Each takes his ease, and is content that his neighbour should do the like. Doubtless people are lazy in Seville, but good heavens! why should one be so terribly strenuous? Go into the Plaza Nueva, and you will see it filled with men of all ages, of all classes, “taking the sun”; they promenade slowly, untroubled by any mental activity, or sit on benches between the palm-trees, smoking cigarettes; perhaps the more energetic read the bull-fighting news in the paper. They are not ambitious, and they do not greatly care to make their fortunes; so long as they have enough to eat and drink – food is very cheap – and cigarettes to smoke, they are quite happy. The Corporation provides seats, and the sun shines down for nothing – so let them sit in it and warm themselves. I daresay it is as good a way of getting through life as most others.
A southern city never reveals its true charm till the summer, and few English know what Seville is under the burning sun of July. It was built for the great heat, and it is only then that the refreshing coolness of the patio can be appreciated. In the streets the white glare is mitigated by awnings that stretch from house to house, and the half light in the Sierpes, the High Street, has a curious effect; the people in their summer garb walk noiselessly, as though the warmth made sound impossible. Towards evening the sail-cloths are withdrawn, and a breath of cold air sinks down; the population bestirs itself, and along the Sierpes the cafés become suddenly crowded and noisy.
The Skeptical Romancer: Selected Travel Writing Page 3