hiki
hisashi
amagatsu
hita
amayo no shinasadame
hō
ato
hototogisu
ausaka
hyōe no kami
ayamegusa
in
ayu
irogonomi
azari
ishibushi
bachi
iyashiki azumagoe
biwa
izumi
bosatsu
jijū
bugaku
jinkō
Butsumyō kyō
kabazakura
byōbu
kaburaya
chigo
kaede
dadaiko
kakezukuri
daijō tennō
kakidatsu
eboshi
kaimami
en
kana
engie
kanmuri
ennaru
karabitsu
fujibakama
kara neko
fujigoromo
kari
fumi
kariginu
fumu
kashiwa
geki
kasuga
gofun
kawa kajika
gohei
kemari
gokuraku jōdo
kesa
gyōkō
kin (Chinese koto)
hachidai ryūo
kinuta
hagi
konruri
haku ruri
koto
hamori no kami
koto no ne
hichiriki
kurobō
242 | The Tale of Genji
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kuruma no arasoi
shō
kuwau
shōgon
magaki
Shōsōin
Makura no sōshi
sokutai
manmaku
sō no koto
mayumi no ki
sudare
mogi
Sue no matsuyama
moya
sumire
naidaijin
susuki
nakazora
tachibana
na ni tatsu Sue
tachibana no ka
nayotake
tai no ya
nazurau
tango no sechie
nonomiya
tatejitomi
nōshi
Tō no Chūjō
nyūdō no miya
torii
oikake
Toyo no Akari
ominaeshi
tsujigahana
ooshi
tsukushi
osoroshiki
tsuridono
rindō
tsuyukusa
Rokujōin
ubasoku
Ryōō
uchide
ryōtō
ukifushi
ryū
ushi
saibara
uta-e
Sai’in
utsukushiu mono
Saishō no chūjō
waka
sakaki
wakakusa
Sanbōe
warabi
sange
yamabuki
sanmaidō
yama no kakehashi
sawarabi
yama no mikado
Seigaiha
yarimizu
shaku
yokobue
shika
yuki fukaki
shimo-nageshi
zekku
shinden
zuryō
Glossary | 243
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The Album: Works Cited and Consulted
1 Kiritsubo
12 Suma
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Akiyama Ken, et al. Suma. Vol. 12 of Shūkan emaki de
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Murai Shōsuke, et al., eds. Nichi-Min kankeishi kenkyū
University Press, 1991.
nyūmon: Ajia no naka no kenminsen. Tokyo: Bensei
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13 Akashi
2 Hahakigi
Okada, H. Richard. “The Akashi Intertexts.” In Figures of
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4 Yūgao
15 Yomogiu
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17 Eawase
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<
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22 Tamakazura
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26 Tokonatsu
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32 Umegae
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Bibliography
The Tale of Genji annotated text in Japanese consulted
Select reference series on the entire tale and compendia
and cited
of illustrations
Abe Akio, et al. Genji monogatari. 6 vols. Shinpen Nihon
Akiyama Ken, et al. Shūkan emaki de tanoshimu Genji
koten bungaku zenshū, 20–25. Tokyo: Shōgakkan,
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1994–98.
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Page numbers in this Genji edition corresponding to the
Sano Midori. Genjie shūsei. Tokyo: Geika Shoin, 2011.
album’s chapter excerpts: Vol. 1: Ch. 1, 44–45; Ch. 2, 104;
Sieff ert, René, and Estelle Leggeri-Bauer. Le Dit Du Genji.
Ch. 3, 119; Ch. 4, 158; Ch. 5, 208; Ch. 6, 296; Ch. 7, 314–15;
Paris: D. De Selliers, 2008.
Ch. 8, 366. Vol. 2: Ch. 9, 24; Ch. 10, 87; Ch. 11, 156; Ch.
Suzuki Kazuo, Kansaku Kōichi, et al. Genji monogatari no
12, 205; Ch. 13, 255; Ch. 14, 305; Ch. 15, 348; Ch. 16, 360;
kanshō to kiso chishiki. 43 vols. Koku bungaku kaishaku
Ch. 17, 382; Ch. 18, 419; Ch. 19, 434; Ch. 20, 490–91. Vol.
to kanshō bessatsu. Tokyo: Shibundō, 1998–2005.
3: Ch. 21, 82; Ch. 22, 116; Ch. 23, 150; Ch. 24, 167; Ch. 25,
Taguchi Eiichi, and Akiyama Ken. Gōka “Genji-e” no sekai
209; Ch. 26, 223; Ch. 27, 257; Ch. 28, 265; Ch. 29, 293; Ch.
Genji Monogatari. Tokyo: Gakushū Kenkyūsha, 1988.
30, 332; Ch. 31, 365; Ch. 32, 406; Ch. 33, 438. Vol. 4: Ch. 34,
Tamagami Takuya. Genji monogatari hyōshaku. 14 vols.
140; Ch. 35, 245; Ch. 36, 338; Ch. 37, 351; Ch. 38, 385; Ch.
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49; Ch. 44, 80; Ch. 45, 139; Ch. 46, 212; Ch. 47, 293; Ch.
Research publications on the 1510 Genji Album
48, 346; Ch. 49, 391. Vol. 6: Ch. 50, 60; Ch. 51, 151; Ch. 52,
Chino Kaori, lkeda Shinobu, and Kamei Wakana. “Tokushū
248; Ch. 53, 355; Ch. 54, 382.
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Genji Album.
Cranston, Edwin A. A Waka Anthology, Volume Two: Grasses
Cranston, Fumiko E. “Hābādo Daigaku Bijutsukan zō
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informative headnotes.
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Index
“absent presence,” 43, 50, 114, 115, 138, 166–67, 191, 195; Buddhist
Asagao Princess or Kamo Priestess ( Genji character), 58; and
“emptiness,” 207; and deference to the Emperor, 138; scent
f ragrance, 150; gifts to the Akashi girl, 150–51; lineage of,
and, 198; sound and, 75
102, 150; rejection of Genji and of marriage, 103, 150, 195
acolytes, young boys (chigo), 35, 195
“the ascetic” (azari), 214
adoption, 98–99, 154, 183
At the Foot of the Oak Tree (Shiigamoto, Genji), 204–7
“adorable things” (utsukushiu mono), 98
audience for Genji and paratexts, 1, 3–5, 15–16, 18n4, 19n14,
Agemaki (A Bowknot Tied in Maiden’s Loops, Genji), 208–11
21n52, 21n55, 47
aging, 82, 102–3, 123, 187
auditory landscape, 38, 75, 107, 178–79; birdsong, 66, 114,
Akashi Empress, ( Genji character a.k.a Akashi girl and Akashi
151; emphasis on sound, 174–75; musical instruments or
Consort), 74, 94–95; coming of age, 150–51; and death of
performances, 70, 95, 175, 210
Murasaki, 183; and Genji’s rise to power, 98; Imperial
autumn: and depictions of the moon, 17, 74–75, 174, 203; fl owers
marriage of, 154–55, 162; matriline of, 74; as mother of
of, 75, 179, 218; foliage of, 50, 210; motifs of, 178; Tanabata
Crown Prince, 162; Murasaki’s adoption of, 98–99, 106,
festival, 211; Umetsubo Empress associated with, 106
114–15, 150, 154, 162, 170–71, 183; prophecy concerning,
An Autumn Tempest (Nowaki, Genji), 12, 132–35
78–79, 98, 150
Azumaya (A Hut in the Eastern Provinces, Genji), 220–23
Akashi Lady ( Genji character): as “absent presence,” 114–15;
The Tale of Genji- A Visual Companion Page 35