The Tale of Genji- A Visual Companion

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The Tale of Genji- A Visual Companion Page 35

by Melissa McCormick


  hiki

  hisashi

  amagatsu

  hita

  amayo no shinasadame

  hō

  ato

  hototogisu

  ausaka

  hyōe no kami

  ayamegusa

  in

  ayu

  irogonomi

  azari

  ishibushi

  bachi

  iyashiki azumagoe

  biwa

  izumi

  bosatsu

  jijū

  bugaku

  jinkō

  Butsumyō kyō

  kabazakura

  byōbu

  kaburaya

  chigo

  kaede

  dadaiko

  kakezukuri

  daijō tennō

  kakidatsu

  eboshi

  kaimami

  en

  kana

  engie

  kanmuri

  ennaru

  karabitsu

  fujibakama

  kara neko

  fujigoromo

  kari

  fumi

  kariginu

  fumu

  kashiwa

  geki

  kasuga

  gofun

  kawa kajika

  gohei

  kemari

  gokuraku jōdo

  kesa

  gyōkō

  kin (Chinese koto)

  hachidai ryūo

  kinuta

  hagi

  konruri

  haku ruri

  koto

  hamori no kami

  koto no ne

  hichiriki

  kurobō

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  kuruma no arasoi

  shō

  kuwau

  shōgon

  magaki

  Shōsōin

  Makura no sōshi

  sokutai

  manmaku

  sō no koto

  mayumi no ki

  sudare

  mogi

  Sue no matsuyama

  moya

  sumire

  naidaijin

  susuki

  nakazora

  tachibana

  na ni tatsu Sue

  tachibana no ka

  nayotake

  tai no ya

  nazurau

  tango no sechie

  nonomiya

  tatejitomi

  nōshi

  Tō no Chūjō

  nyūdō no miya

  torii

  oikake

  Toyo no Akari

  ominaeshi

  tsujigahana

  ooshi

  tsukushi

  osoroshiki

  tsuridono

  rindō

  tsuyukusa

  Rokujōin

  ubasoku

  Ryōō

  uchide

  ryōtō

  ukifushi

  ryū

  ushi

  saibara

  uta-e

  Sai’in

  utsukushiu mono

  Saishō no chūjō

  waka

  sakaki

  wakakusa

  Sanbōe

  warabi

  sange

  yamabuki

  sanmaidō

  yama no kakehashi

  sawarabi

  yama no mikado

  Seigaiha

  yarimizu

  shaku

  yokobue

  shika

  yuki fukaki

  shimo-nageshi

  zekku

  shinden

  zuryō

  Glossary | 243

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  The Album: Works Cited and Consulted

  1 Kiritsubo

  12 Suma

  Okada, H. Richard. “Narrating the Private: Kiritsubo.”

  Akiyama Ken, et al. Suma. Vol. 12 of Shūkan emaki de

  In Figures of Resistance: Language, Poetry, and Narrating

  tanoshimu Genji monogatari gojūshijō. Shūkan Asahi

  in The Tale of Genji and Other Mid-Heian Texts, 183–96.

  Hyakka. Tokyo: Asahi Shinbun Shuppan, 2011.

  Post-contemporary Interventions. Durham, NC: Duke

  Murai Shōsuke, et al., eds. Nichi-Min kankeishi kenkyū

  University Press, 1991.

  nyūmon: Ajia no naka no kenminsen. Tokyo: Bensei

  Tamagami Takuya. Genji monogatari hyōshaku. Vol. 1.

  Shuppan, 2015.

  Tokyo: Kadokawa Shoten, 1964.

  13 Akashi

  2 Hahakigi

  Okada, H. Richard. “The Akashi Intertexts.” In Figures of

  Noguchi Takeshi. “Hahakigi.” In Chino Kaori et al., eds.

  Resistance: Language, Poetry, and Narrating in The Tale of

  “Tokushū Genji monogatari gajō (Hābādo Daigaku

  Genji and Other Mid-Heian Texts, 266–86. Durham, NC:

  Bijutsukan zō).” Kokka no. 1222 (1997): 39.

  Duke University Press, 1991.

  Ōtsu Naoko. “Kii no Kami tei no suiryū — Genji

  Shirane, Haruo. “History, Myth, and Women’s Literature:

  monogatari naka no hina no josei henreki no shihatsu

  The Akashi Lady.” In The Bridge of Dreams: A Poetics

  to izumi.” Kokugakuin Daigaku kiyō 49 (2011): 23–41.

  of The Tale of Genji, 73–87. Stanford, CA: Stanford

  University Press, 1987.

  4 Yūgao

  15 Yomogiu

  Abe Akio, et al. Genji monogatari, vol. 1, p. 180. Shinpen

  Nihon noten bungaku zenshū 20. Tokyo: Shōgakkan,

  Abe Akio, et al. Genji monogatari, vol. 2, p. 337. Shinpen

  1994.

  Nihon koten bungaku zenshū 21. Tokyo: Shōgakkan,

  Goff , Janet Emily. Noh Drama and The Tale of Genji: The

  1995.

  Art of Allusion in Fifteen Classical Plays. Princeton, NJ:

  Misumi Yōichi. “Yomogiu maki no tanpenteki shuhō.”

  Princeton University Press, 1991.

  In Genji Monogatari to Tendai Jōdokyō, 35–69. Chūko

  Phillips, Quitman E. “Yūgao.” In Chino Kaori et al., eds.

  bungaku kenkyū sōsho 1. Tokyo: Wakakusa Shobō,

  “Tokushū Genji monogatari gajō (Hābādo Daigaku

  1996.

  Bijutsukan zō).” Kokka 1222 (1997): 39.

  Fukuda Toshiaki. “‘Yomogiu’ no maki ni mieru kanseki

  no kentō.” In Suzuki Kazuo and Koyano Jun’ichi

  6 Suetsumuhana

  eds. Genji monogatari no kanshō to kiso chishiki, no. 36,

  Yomogiu, Seikiya, 155–69. Tokyo: Shibundō, 2004.

  Noguchi Takeshi. “Suetsumuhana.” In Chino Kaori et

  al., eds. “Tokushū Genji monogatari gajō (Hābādo

  16 Sekiya

  Daigaku Bijutsukan zō).” Kokka no. 1222 (1997): 40.

  Sakamoto Tomonobu. “Suetsumuhana to Utsusemi.”

  10 Sakaki

  In Suzuki Kazuo and Koyano Jun’ichi, eds. Genji

  monogatari no kanshō to kiso chishiki, no. 36, Yomogiu,

  Goff , Janet Emily. Noh Drama and The Tale of Genji: The

  Seikiya, 207–22. Tokyo: Shibundō, 2004.

  Art of Allusion in Fifteen Classical Plays. Princeton, NJ:

  Princeton University Press, 1991.

  17 Eawase

  11 Hanachirusato
<
br />   Ii Haruki. “Suma no e-nikki kara e-awase no e-nikki e.”

  Chūko bungaku 39 (1987): 41–52.

  Cranston, Edwin A. A Waka Anthology, II, pt. A: Grasses of

  McCormick, Melissa. “Eawase.” In Chino Kaori et al., eds.

  Remembrance, 142–43. Stanford, CA: Stanford University

  “Tokushū Genji monogatari gajō (Hābādo Daigaku

  Press, 2006.

  Bijutsukan zō).” Kokka no. 1222 (1997): 43.

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  18 Matsukaze

  33 Fuji no uraba

  Takada Hirohiko. “Hikaru Genji no fukkatsu — Matsukaze

  Cranston, Edwin A. A Waka Anthology, vol. 2, pt. A: Grasses

  kara no shiten.” In Genji monogatari no bungakushi, pt.

  of Remembrance, 254. Stanford, CA: Stanford University

  3, chap. 3, 319–41. Tokyo: Tokyo Daigaku Shuppankai,

  Press, 2006.

  2003.

  39 Yūgiri

  19 Usugumo

  Fujii Yukiko. “Kanshōran: Dansei no joseiteki bi.” In

  Kurata Minoru. “Akashi no Himegimi no hakama

  Suzuki Kazuo and Ii Haruki, eds. Genji monogatari

  gi — yōjo to naru shidai.” In Suzuki Kazuo and Koyama

  no kanshō to kiso chishiki, no. 23, Yūgiri, 159. Tokyo:

  Toshihiko, eds. Genji monogatari no kanshō to kiso

  Shibundō, 1998.

  chishiki, no. 33, Asagao, Usugumo, 211–25. Tokyo:

  Shibundō, 2004.

  41 Maboroshi

  Kamens, Edward, and Tamenori Minamoto. The Three

  21 Otome

  Jewels: A Study and Translation of Minamoto Tamenori’s

  Shirane, Haruo. “Flowering Fortunes.” In The Bridge of

  Sanbōe. Michigan Monograph Series in Japanese

  Dreams: A Poetics of The Tale of Genji, 24–42. Stanford,

  Studies 2. Ann Arbor, MI: Center for Japanese Studies,

  CA: Stanford University Press, 1987.

  University of Michigan, 1988.

  22 Tamakazura

  43 Kōbai

  McCormick, Melissa. “Tamakazura.” In Chino Kaori et

  Mostow, Joshua. “Kōbai.” In Chino Kaori et al., eds.

  al., eds. “Tokushū Genji monogatari gajō (Hābādo

  “Tokushū Genji monogatari gajō (Hābādo Daigaku

  Daigaku Bijutsukan zō).” Kokka no. 1222 (1997): 44.

  Bijutsukan zō).” Kokka no. 1222 (1997): 49.

  Ryūsawa Aya. “Tōkyō Kokuritsu Hakubutsukan zō ‘Genji

  monogatari sasshi hyōshi-e mohon’ ni tsuite.” Museum

  45 Hashihime

  643 (2013): 25–50.

  Abe Akio, et al. Genji monogatari, vol. 5, 140–41. Shinpen

  Nihon koten bungaku zenshū 24. Tokyo: Shōgakkan,

  26 Tokonatsu

  1994–98.

  Takeuchi Masahiko. “Nie toshite tatematsurareru sakana,

  Washburn, Dennis C. The Tale of Genji, p. 942, n. 13. 1st ed.

  Nishikawa no ayu.” In Akiyama Ken, et al. Tokonatsu,

  New York: W. W. Norton, 2015.

  11. Vol. 26 of Shūkan emaki de tanoshimu Genji

  monogatari gojūshijō. Shūkan Asahi Hyakka. Tokyo:

  46 Shiigamoto

  Asahi Shinbun Shuppan, 2011.

  Katagiri Yayoi. “Shiigamoto.” In Chino Kaori et al., eds.

  “Tokushū Genji monogatari gajō (Hābādo Daigaku

  29 Miyuki

  Bijutsukan zō).” Kokka no. 1222 (1997): 50.

  Katō Shizuko. “Ōharano miyuki no junkyō to

  monogatarika.” In Suzuki Kazuo et al., eds. Genji

  51 Ukifune

  monogatari no kanshō to kiso chishiki, no. 30 Miyuki,

  Allen, Laura. “Ukifune.” In Chino Kaori et al., eds.

  Fujibakama, 235–46. Tokyo: Shibundō, 2003.

  “Tokushū Genji monogatari gajō (Hābādo Daigaku

  Bijutsukan zō).” Kokka no. 1222 (1997): 51.

  32 Umegae

  Inamoto Mariko. “Genji-e ni egakareta kaori no sekai.”

  In Akiyama Ken, et al. Umegae, 24. Vol. 32 of Shūkan

  emaki de tanoshimu Genji monogatari gojūshijō. Shūkan

  Asahi Hyakka. Tokyo: Asahi Shinbun Shuppan, 2012.

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  Bibliography

  The Tale of Genji annotated text in Japanese consulted

  Select reference series on the entire tale and compendia

  and cited

  of illustrations

  Abe Akio, et al. Genji monogatari. 6 vols. Shinpen Nihon

  Akiyama Ken, et al. Shūkan emaki de tanoshimu Genji

  koten bungaku zenshū, 20–25. Tokyo: Shōgakkan,

  monogatari gojūshijō. 60 vols. Shūkan Asahi Hyakka.

  1994–98.

  Tokyo: Asahi Shinbun Shuppan, 2011.

  Page numbers in this Genji edition corresponding to the

  Sano Midori. Genjie shūsei. Tokyo: Geika Shoin, 2011.

  album’s chapter excerpts: Vol. 1: Ch. 1, 44–45; Ch. 2, 104;

  Sieff ert, René, and Estelle Leggeri-Bauer. Le Dit Du Genji.

  Ch. 3, 119; Ch. 4, 158; Ch. 5, 208; Ch. 6, 296; Ch. 7, 314–15;

  Paris: D. De Selliers, 2008.

  Ch. 8, 366. Vol. 2: Ch. 9, 24; Ch. 10, 87; Ch. 11, 156; Ch.

  Suzuki Kazuo, Kansaku Kōichi, et al. Genji monogatari no

  12, 205; Ch. 13, 255; Ch. 14, 305; Ch. 15, 348; Ch. 16, 360;

  kanshō to kiso chishiki. 43 vols. Koku bungaku kaishaku

  Ch. 17, 382; Ch. 18, 419; Ch. 19, 434; Ch. 20, 490–91. Vol.

  to kanshō bessatsu. Tokyo: Shibundō, 1998–2005.

  3: Ch. 21, 82; Ch. 22, 116; Ch. 23, 150; Ch. 24, 167; Ch. 25,

  Taguchi Eiichi, and Akiyama Ken. Gōka “Genji-e” no sekai

  209; Ch. 26, 223; Ch. 27, 257; Ch. 28, 265; Ch. 29, 293; Ch.

  Genji Monogatari. Tokyo: Gakushū Kenkyūsha, 1988.

  30, 332; Ch. 31, 365; Ch. 32, 406; Ch. 33, 438. Vol. 4: Ch. 34,

  Tamagami Takuya. Genji monogatari hyōshaku. 14 vols.

  140; Ch. 35, 245; Ch. 36, 338; Ch. 37, 351; Ch. 38, 385; Ch.

  Tokyo: Kadokawa Shoten, 1964–69.

  39, 448; Ch. 40, 497; Ch. 41, 549. Vol. 5: Ch. 42, 34; Ch. 43,

  49; Ch. 44, 80; Ch. 45, 139; Ch. 46, 212; Ch. 47, 293; Ch.

  Research publications on the 1510 Genji Album

  48, 346; Ch. 49, 391. Vol. 6: Ch. 50, 60; Ch. 51, 151; Ch. 52,

  Chino Kaori, lkeda Shinobu, and Kamei Wakana. “Tokushū

  248; Ch. 53, 355; Ch. 54, 382.

  Genji monogatari gajō (Hābādo Daigaku Bijutsukan

  zō).” Kokka no. 1222 (1997). Special issue on the Harvard

  English translations consulted

  Genji Album.

  Cranston, Edwin A. A Waka Anthology, Volume Two: Grasses

  Cranston, Fumiko E. “Hābādo Daigaku Bijutsukan zō

  of Remembrance, Parts A and B. Stanford, CA: Stanford

  ‘Genji monogatari gajō’ kotobagaki shakumon.” Kokka

  University Press, 2006. Part B contains the translations

  no. 1222 (1997): 54–57.

  of all 795 waka in The Tale of Genji introduced with

  Eremin, Katherine, Jens Stenger, and Melanie Li Green.

  informative headnotes.

  “Raman Spectroscopy of Japanese Artists’ Materials:

&
nbsp; Tyler, Royall. The Tale of Genji. New York: Viking, 2001.

  The Tale of Genji by Tosa Mitsunobu.” Journal of Raman

  Washburn, Dennis C. The Tale of Genji. 1st ed. New York:

  Spectroscopy 37 (2006): 1119–24.

  W. W. Norton, 2015.

  Kasashima Tadayuki. “Hābādo Daigaku Bijutsukan zō

  ‘Genji monogatari gajō’ kotobagaki no shofū to seisaku

  nendai.” Kokka no. 1222 (1997): 53.

  Kitagawa, Anne Rose. “Behind the Scenes of Harvard’s

  Tale of Genji Album.” Apollo 154, no. 477 (2001): 38–35.

  McCormick, Melissa. “Genji Goes West: The 1510 Genji

  Album and the Visualization of Court and Capital.” Art

  Bulletin 85, no. 1 (2003): 54–85.

  — — — . “Hābādo Bijutsukan zō ‘Genji monogatari gajō’ to

  ‘Sanetaka kōki’ shosai no ‘Genji-e shikishi.’” Kokka no.

  1241 (1999): 27–28.

  Oka Bokkōdō. Shūfuku. Vol. 6. Kyoto: Oka Bokkōdō, 2000.

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  Index

  “absent presence,” 43, 50, 114, 115, 138, 166–67, 191, 195; Buddhist

  Asagao Princess or Kamo Priestess ( Genji character), 58; and

  “emptiness,” 207; and deference to the Emperor, 138; scent

  f ragrance, 150; gifts to the Akashi girl, 150–51; lineage of,

  and, 198; sound and, 75

  102, 150; rejection of Genji and of marriage, 103, 150, 195

  acolytes, young boys (chigo), 35, 195

  “the ascetic” (azari), 214

  adoption, 98–99, 154, 183

  At the Foot of the Oak Tree (Shiigamoto, Genji), 204–7

  “adorable things” (utsukushiu mono), 98

  audience for Genji and paratexts, 1, 3–5, 15–16, 18n4, 19n14,

  Agemaki (A Bowknot Tied in Maiden’s Loops, Genji), 208–11

  21n52, 21n55, 47

  aging, 82, 102–3, 123, 187

  auditory landscape, 38, 75, 107, 178–79; birdsong, 66, 114,

  Akashi Empress, ( Genji character a.k.a Akashi girl and Akashi

  151; emphasis on sound, 174–75; musical instruments or

  Consort), 74, 94–95; coming of age, 150–51; and death of

  performances, 70, 95, 175, 210

  Murasaki, 183; and Genji’s rise to power, 98; Imperial

  autumn: and depictions of the moon, 17, 74–75, 174, 203; fl owers

  marriage of, 154–55, 162; matriline of, 74; as mother of

  of, 75, 179, 218; foliage of, 50, 210; motifs of, 178; Tanabata

  Crown Prince, 162; Murasaki’s adoption of, 98–99, 106,

  festival, 211; Umetsubo Empress associated with, 106

  114–15, 150, 154, 162, 170–71, 183; prophecy concerning,

  An Autumn Tempest (Nowaki, Genji), 12, 132–35

  78–79, 98, 150

  Azumaya (A Hut in the Eastern Provinces, Genji), 220–23

  Akashi Lady ( Genji character): as “absent presence,” 114–15;

 

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