“When any die of this family,” she said by way of explanation, “there is the shape of a woman appears in this window every night until they be dead.”
She went on to add that the apparition was believed to be that of a woman who, centuries before, had been seduced by the owner of the castle and murdered, her body being buried under the window of the room in which Lady Fanshawe had slept.
“But truly,” she remarked, by way of apology, “I thought not of it when I lodged you here.”
Another well-known case of the Banshee is that relating to the O’Flahertys of Galway, reference being made to the case by Mr McAnnaly in his work entitled “Irish Wonders.” In the days of much inter-clan fighting in Ireland, when the O’Neills frequently embarked on crusades against their alternate friends and enemies the O’Donnells, and the O’Rourks[5] embarked on similar crusades against the O’Donovans, it so happened that one night the chief of the O’Flahertys, arrayed in all the brilliance of a new suit of armour, and feeling more than usually cheerful and fit, marched out of his castle at the head of a numerous body of his retainers, who were all, like their chief, in good spirits, and talking and singing gaily. They had not proceeded far, however, when a sudden and quite inexplicable silence ensued—a silence that was abruptly broken by a series of agonising screams, that seemed to come from just over their heads. Instantly everyone was sobered, and naturally looked up, expecting to see something that would explain the extraordinary and terrifying disturbance; nothing, however, was to be seen, nothing but a vast expanse of cloudless sky, innumerable scintillating stars, and the moon which was shining forth in all the serene majesty of its zenith. Yet, despite the fact that nothing was visible, everyone felt a presence that was at once sorrowful and weird, and which one and all instinctively knew was the Banshee, the attendant spirit of the O’Flahertys, come to warn them of some approaching catastrophe.
The next night, when the chieftain and his followers were again sallying forth, the same thing happened, but, after that, nothing of a similar nature occurred for about a month. Then the wife of the O’Flaherty, during the absence of her husband on one of these foraging expeditions, had an experience. She had gone to bed one night and was restlessly tossing about, for, try how she would, she could not sleep, when she was suddenly terrified by a succession of the most awful shrieks, coming, apparently, from just beneath her window, and which sounded like the cries of some woman in the direst trouble or pain. She looked, but as she instinctively felt would be the case, she could see no one. She then knew that she had heard the Banshee; and on the morrow her forebodings were only too fully realised. With a fearful knowledge of its meaning, she saw a cavalcade, bearing in its midst a bier, slowly and sorrowfully wending its way towards the castle; and, needless to say, she did not require to be told that the foraging party had returned, and that the surviving warriors had brought back with them the lifeless and mutilated body of her husband.
The Kenealy Banshee furnishes yet another instance of this extremely fascinating and, up to the present, wholly enigmatical type of haunting. Dr Kenealy, the well-known Irish poet and author, resided in his earlier years in a wildly romantic and picturesque part of Ireland. Among his brothers was one, a mere child, whose sweet and gentle nature rendered him beloved by all, and it was a matter of the most excessive grief to the entire household, and, indeed, the whole neighbourhood, when this boy fell into a decline and his life was despaired of by the physicians. As time went on he grew weaker and weaker, until the moment at length arrived, when it was obvious that he could not possibly survive another twenty-four hours. At about noon, the room in which the patient lay was flooded with a stream of sunlight, which came pouring through the windows from the cloudless expanse of sky overhead. The weather, indeed, was so gorgeous that it seemed almost incredible that death could be hovering quite so near the house. One by one, members of the family stole into the chamber to take what each one felt might be a last look at the sick boy, whilst he was still alive. Presently the doctor arrived, and, as they were all discussing in hushed tones the condition of the poor wasted and doomed child, they one and all heard someone singing, apparently in the grounds, immediately beneath the window. The voice seemed to be that of a woman, but not a woman of this world. It was divinely soft and sweet, and charged with a pity and sorrow that no earthly being could ever have portrayed; and now loud, and now hushed, it continued for some minutes, and then seemed to die away gradually, like the ripple of a wavelet on some golden, sun-kissed strand, or the whispering of the wind, as it gently rustles its way through field after field of yellow, nodding corn.
“What a glorious voice!” one of the listeners exclaimed. “I’ve never heard anything to equal it.”
“Very likely not,” someone else whispered, “it’s the Banshee!”
And so enthralled were they all by the singing, that it was only when the final note of the plaintive ditty had quite ceased, that they became aware that their beloved patient, unnoticed by them, had passed out. Indeed, it seemed as if the boy’s soul, with the last whispering notes of the dirge, had joined the beautiful, pitying Banshee, to be escorted by it into the realms of the all-fearful, all-impatient Unknown. Dr Kenealy has commemorated this event in one of his poems.
The story of another haunting by the friendly Banshee is told in Kerry, in connection with a certain family that used to live there. According to my source of information the family consisted of a man (a gentleman farmer), his wife, their son, Terence, and a daughter, Norah.
Norah, an Irish beauty of the dark type, had black hair and blue eyes; and possessing numerous admirers, favoured none of them so much as a certain Michael O’Lernahan. Now Michael did not stand very well in the graces of either of Norah’s parents, but Terence liked him, and he was reputed to be rich—that is to say rich for that part of Ireland. Accordingly, he was invited pretty freely to the farm, and no obstacles were placed in his way. On the contrary, he was given more than a fair amount of encouragement.
At last, as had been long anticipated, he proposed and Norah accepted him; but no sooner was her troth plighted than they both heard, just over their heads, a low, despairing wail, as of a woman in the very greatest distress and anguish.
Though they were much alarmed at the time, being positive that the sounds proceeded from no human being, neither of them seems to have regarded the phenomenon in the shape of a warning, and both continued their love-making as if the incident had never occurred. A few weeks later, however, Norah noticed a sudden change in her lover; he was colder and more distant, and, whilst he was with her, she invariably found him preoccupied. At last the blow fell. He failed to present himself at the house one evening, though he was expected as usual, and, as no explanation was forthcoming the following morning, nor on any of the succeeding days, inquiries were made by the parents, which elicited the fact that he had become engaged to another girl, and that the girl’s home was but a few minutes’ walk from the farm.
This proved too much for Norah; although, apparently, neither unusually sensitive nor particularly highly strung, she fell ill, and shortly afterwards died of a broken heart. It was not until the night before she died, however, that the Banshee paid her a second visit. She was lying on a couch in the parlour of the farmhouse, with her mother sitting beside her, when a noise was heard that sounded like leaves beating gently against the window-frames, and, almost directly afterwards, came the sound of singing, loud, and full of intense sorrow and compassion; and, obviously, that of a woman.
“’Tis the Banshee,” the mother whispered, immediately crossing herself, and, at the same time, bursting into tears.
“The Banshee,” Norah repeated. “Sure I hear nothing but that tapping at the window and the wind which seems all of a sudden to have risen.”
But the mother made no response. She only sat with her face buried in her hands, sobbing bitterly and muttering to herself, “Banshee! Ban
shee!”
Presently, the singing having ceased, the old woman got up and dried her tears. Her anxiety, however, was not allayed; all through the night she could still be heard, every now and again, crying quietly and whispering to herself “’Twas the Banshee! Banshee!”; and in the morning Norah, suddenly growing alarmingly ill, passed away before medical assistance could be summoned.
A case of Banshee haunting that is somewhat unusually pathetic was once related to me in connection with a Dublin branch of the once powerful clan of McGrath.
It took place in the fifties, and the family, consisting of a young widow and two children, Isa and David, at that time occupied an old, rambling house, not five minutes’ walk from Stephen’s Green. Isa seems to have been the mother’s favourite—she was undoubtedly a very pretty and attractive child—and David, possibly on account of his pronounced likeness to his father, with whom it was an open secret that Mrs McGrath had never got on at all well, to have received rather more than his fair share of scolding. This, of course, may or may not have been true. It is certain that he was left very much to himself, and, all alone, in a big, empty room at the top of the house, was forced to amuse himself as he best could. Occasionally one of the servants, inspired by a fellow-feeling—for the lot of servants in those days, especially when serving under such severe and exacting mistresses as Mrs McGrath, was none too rosy—used to look in to see how he was getting on and bring him a toy, bought out of her own meagre savings; and, once now and again, Isa, clad in some costly new frock, just popped her head in at the door, either to bring him some message from her mother, or merely to call out “Hullo!” Otherwise he saw no one; at least no one belonging to this earth; he only saw, he affirmed, at times, strange-looking people who simply stood and stared at him without speaking, people who the servants—girls from Limerick and the west country—assured him were either fairies or ghosts.
One day Isa, who had been sent upstairs to tell David to go to his bedroom to tidy himself, as he was wanted immediately in the drawing-room, found him in a great state of excitement.
“I’ve seen such a beautiful lady,”[6] he exclaimed, “and she wasn’t a bit cross. She came and stood by the window and looked as if she wanted to play with me, only I daren’t ask her. Do you think she will come again?”
“How can I tell? I expect you’ve been dreaming as usual,” Isa laughed. “What was she like?”
“Oh, tall, much taller than mother,” David replied, “with very, very blue eyes and kind of reddish-gold hair that wasn’t all screwed up on her head, but was hanging in curls on her shoulders. She had very white hands which were clasped in front of her, and a bright green dress. I didn’t see her come or go, but she was here for a long time, quite ten minutes.”
“It’s another of your fancies, David,” Isa laughed again. “But come along, make haste, or mother will be angry.”
A few minutes later, David, looking very shy and awkward, was in the drawing-room being introduced to a gentleman who, he was informed, was his future papa.
David seems to have taken a strong dislike to him from the very first, and to have foreseen in the coming alliance nothing but trouble and misery for himself. Nor were his apprehensions without foundation, for, directly after the marriage took place, he became subjected to the very strictest discipline. Morning and afternoon alike he was kept hard at his books, and any slowness or inability to master a lesson was treated as idleness and punished accordingly. The moments he had to himself in his beloved nursery now became few and far between, for, directly he had finished his evening preparation, he was given his supper and packed off to bed.
The one or two servants who had befriended him, unable to tolerate the new regime, gave notice and left, and there was soon no one in the house who showed any compassion whatever for the poor lonely boy.
Things went on in this fashion for some weeks, and then a day came, when he really felt it impossible to go on living any longer.
He had been generally run down for some weeks, and this, coupled with the fact that he was utterly broken in spirit, rendered his task of learning a wellnigh impossibility. It was in vain he pleaded, however; his entreaties were only taken for excuses; and, when, in an unguarded moment, he let slip some sort of reference to unkind treatment, he was at once accused of rudeness by his mother and, at her request, summarily castigated.
The limit of his tribulation had been reached. That night he was sent to bed, as usual, immediately after supper, and Isa, who happened to pass by his room an hour or so afterwards, was greatly astonished at hearing him seemingly engaged in conversation. Peeping slyly in at the door, in order to find out with whom he was talking, she saw him sitting up in bed, apparently addressing space, or the moonbeams, which, pouring in at the window, fell directly on him.
“What are you doing?” she asked, “and why aren’t you asleep?”
The moment she spoke he looked round and, in tones of the greatest disappointment, said:
“Oh, dear, she’s gone. You’ve frightened her away.”
“Frightened her away! Why, what rubbish!” Isa exclaimed. “Lie down at once or I’ll go and fetch mamma.”
“It was my green lady,” David went on, breathlessly, far too excited to pay any serious heed to Isa’s threat. “My green lady, and she told me I should be no more lonely, that she was coming to fetch me some time to-night.”
Isa laughed, and, telling him not to be so silly, but to go to sleep at once, she speedily withdrew and went downstairs to join her parents in the drawing-room.
That night, at about twelve, Isa was awakened by singing, loud and plaintive singing, in a woman’s voice, apparently proceeding from the hall. Greatly alarmed she got up, and, on opening her door, perceived her parents and the servants, all in their night attire, huddled together on the landing, listening.
“Sure ’tis the Banshee,” the cook at length whispered. “I heard my father spake about it when I was a child. She sings, says he, more beautifully than any grand lady, but sorrowful like, and only before a death.”
“Before a death,” Isa’s mother stammered. “But who’s going to die here? Why, we are all of us perfectly sound and well.” As she spoke the singing ceased, there was an abrupt silence, and all slowly retired to their rooms.
Nothing further was heard during the night, but in the morning, when breakfast time came, there was no David; and a hue and cry being raised and a thorough search made, he was eventually discovered, drowned in a cistern in the roof.
CHAPTER III
THE MALEVOLENT BANSHEE
The Banshees dealt with in the last chapter may all be described as sympathetic or friendly Banshees. I will now present to the reader a few equally authentic accounts of malevolent or unfriendly Banshees. Before doing so, however, I would like to call attention to the fact that, once when I was reading a paper on Banshees before the Irish Literary Society, in Hanover Square, a lady got up and, challenging my remark that not all Banshees were alike, tried to prove that I was wrong, on the assumption that all Banshees must be sad and beautiful because the Banshee in her family happened to be sad and beautiful, an argument, if argument it can be called, which, although it is a fairly common one, cannot, of course, be taken seriously.
Moreover, as I have already stated, there is abundant evidence to show that Banshees are of many and diverse kinds; and that no two appear to be exactly alike or to act in precisely the same fashion.
According to Mr McAnnaly, the malevolent Banshee is invariably “a horrible hag with ugly, distorted features; maledictions are written in every line of her wrinkled face, and her outstretched arms call down curses on the doomed member of the hated race.”
Other writers, too, would seem more or less to encourage the idea that all malignant Banshees are cast in one mould and all beautiful Banshees in another, whereas from my own personal experiences I should say th
at Banshees, whether good or bad, are just as individual as any member of the family they haunt.
It is related of a certain ancient Mayo family that a chief of the race once made love to a very beautiful girl whom he betrayed and subsequently murdered. With her dying breath the girl cursed her murderer and swore she would haunt him and his for ever. Years rolled by; the cruel deceiver married, and, with the passing away of all who knew him in his youth, he came to be regarded as a model of absolute propriety and rectitude. Hence it was in these circumstances that he was sitting one night before a big blazing fire in the hall of his castle, outwardly happy enough and surrounded by his sons and daughters, when loud shrieks of exultation were heard coming, it seemed, from someone who was standing on the path close to the castle walls. All rushed out to see who it was, but no one was there, and the grounds, as far as the eye could reach, were absolutely deserted.
Later on, however, some little time after the household had retired to rest, the same demoniacal disturbances took place; peal after peal of wild, malicious laughter rang out, followed by a discordant moaning and screaming. This time the aged chieftain did not accompany the rest of the household in their search for the originator of the disturbances. Possibly, in that discordant moaning and screaming he fancied he could detect the voice of the murdered girl; and, possibly, accepting the manifestation as a death-warning, he was not surprised on the following day, when he was waylaid out of doors and brutally done to death by one of his followers.
Needless to say, perhaps, the haunting of this Banshee still continues, the same phenomena occurring at least once to every generation of the family, before the death of one of its members. Happily, however, the haunting now does not necessarily precede a violent death, and in this respect, though in this respect only, differs from the original.
The Elliott O’Donnell Supernatural Megapack Page 111