Dr. Thorndyke Omnibus Vol 5

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Dr. Thorndyke Omnibus Vol 5 Page 30

by R. Austin Freeman


  So he lay for a second or two until the limp trunk began to sag and the chin came forward on to the breast. Suddenly the head slipped off the brick edge and dropped into the cavity, shedding its cap and carrying the trunk with it. The heavy jerk started the rest of the body sliding forward, slowly at first, then with increasing swiftness until the feet rose for an instant, kicked at the farther edge and were gone. From the black pit issued vague, echoing murmurs, followed presently by a hollow, reverberating splash; and after that, silence.

  It had been but a matter of seconds. Even as those cavernous echoes were muttering in the unseen depths, Pottermack's knuckles were still tingling from the final blow. From the moment when that blow had been struck he had made no move. He had seen his enemy fall, had heard the impact of the head on the brick edge, and had stood looking down with grim composure on the body as it sagged, slid forward, and at last made its dreadful dive down into the depths of its sepulchre. But he had moved not a muscle. It was a horrible affair. But it had to be. Not he, but Lewson had made the decision.

  As the last reverberations died away he approached the forbidding circle of blackness, and kneeling down at its edge, peered into the void. Of course, he could see nothing; and when he listened intently, not a sound came to his ear. From his pocket he brought out his little electric lamp and threw a beam of light down into the dark cavity. The effect was very strange and uncanny. He found himself looking down a tube of seemingly interminable length while from somewhere far away, down in the very bowels of the earth, a tiny spark of light glowed steadily. So even the last ripples had died away and all was still down in that underworld.

  He replaced the lamp in his pocket, but nevertheless he remained kneeling by the well-mouth, resting on one hand, gazing down into the black void and unconsciously listening for some sound from below. Despite his outward composure, he was severely shaken. His heart still raced, his forehead was damp with sweat, his body and limbs were pervaded by a fine, nervous tremor.

  Yet he was sensible of a feeling of relief. The dreadful thing that he had nerved himself to do, that he had looked forward to with shuddering horror, was done. And the doing of it might have been so much worse. He was relieved to feel the screw-bolt in his pocket—unused; to think that the body had slipped down into its grave without the need of any hideous dragging or thrusting. Almost, he began to persuade himself that it had been more or less of an accident. At any rate, it was over and done with. His merciless enemy was gone. The menace to his liberty, the constant fear that had haunted him were no more. At last—at long last—he was free.

  Fear of discovery he had none; for Lewson, in his own interests, had insisted on strict secrecy as to their acquaintance with each other. In his own words, "he preferred to sit on his own nest-egg". Hence to all the world they were strangers, not necessarily even aware of each other's existence. And the blackmailer's stealthy arrival and his care in silently shutting the gate gave a guarantee that no one had seen him enter.

  While these thoughts passed somewhat confusedly through his mind, he remained in the same posture; still unconsciously listening and still gazing, as if with a certain expectancy, into the black hole before him, or letting his eyes travel, now and again, round the dark garden. Presently an opening in the dense pall of cloud that obscured the sky uncovered the moon and flooded the garden with light. The transition from darkness to brilliant light—for it was full moon—was so sudden that Pottermack looked up with a nervous start, as though to see who had thrown the light on him; and in his overwrought state he even found something disquieting in the pale, bright disc with its queer, dim, impassive face that seemed to be looking down on him through the rent in the cloud like some secret watcher peeping from behind a curtain. He rose to his feet, and, drawing a deep breath, looked around him; and then his glance fell on something more real and more justly disquieting. From the edge of the grass to the brink of the well was a double track of footprints, meandering to and fro, zig-zagging hither and thither, but undeniably ending at the well.

  Their appearance was sinister in the extreme. In the bright moonlight they stared up from the pale buff soil, and they shouted of tragedy. To the police eye they would have been the typical "signs of a struggle"; the tracks of two men facing one another and moving towards the well with, presently, a single track coming away from it. No one could mistake the meaning of those tracks; nothing could explain them away—especially in view of what was at the bottom of the well.

  The first glance at those tracks gave Pottermack a severe shock. But he recovered from it in a moment. For they were mere transitory marks that could be obliterated in a minute or two by a few strokes of a rake and a few sweeps of a besom; and meanwhile he stooped over them, examining them with a curious interest not unmixed with a certain vague uneasiness. They were very remarkable impressions. He had already noted the peculiar quality of this loamy soil; its extraordinary suitability for making casting-moulds. And here was a most striking illustration of this property. The prints of his own feet were so perfect that the very brads in his soles were quite clear and distinct, while as to Lewson's, they were positively ridiculous. Every detail of the rubber soles and the circular rubber heels came out as sharply as if the impressions had been taken in moulding-wax. There was the prancing horse of Kent—the soles were of the Invicta brand and practically new—with the appropriate legend and the manufacturers' name, and in the central star-shaped space of the heels was the perfect impression of the screw. No doubt the singular sharpness of the prints was due to the fact that a heavy shower in the previous night had brought the loam to that particular state of dampness that the professional moulder seeks to produce with his watering-pot.

  However, interesting as the prints were to the mechanic's eye, the sooner they were got rid of the better. Thus reflecting, Pottermack strode away towards the workshop in quest of a rake and a besom; and he was, in fact, reaching out to grasp the handle of the door when he stopped dead and stood for some seconds rigid and still with outstretched arm and dropped jaw. For in that moment a thought which had, no doubt, been stirring in his subconscious mind had come to the surface, and for the first time the chill of real terror came over him. Suddenly he realized that he had no monopoly of this remarkable loam. It was the soil of the neighbourhood—and incidentally of the little lane that led from the town and passed along beside his wall. In that lane there must be a single track of footprints—big, staring footprints, and every one of them as good as a signature of James Lewson—leading from the town and stopping at his gate!

  After a few moments of horror-stricken reflection he darted into the tool-house and brought out a short ladder. His first impulse had been to open the gate and peer out, but an instant's reflection had shown him the folly of exposing himself to the risk of being seen—especially at the very gate to which the tracks led. He now carried the ladder across to an old pear tree which thrust its branches over the wall, and, planting it silently where the foliage was densest, crept softly up and listened awhile. As no sound of footsteps was audible, and as the moon had for the moment retired behind the bank of cloud, he cautiously advanced his head over the wall and looked down into the lane. It was too dark to see far in either direction, but apparently there was no one about; and as the country quiet was unbroken by any sound, he ventured to crane farther forward to inspect the path below.

  The light was very dim; but even so he could make out faintly a single track of footprints—large footprints, widely spaced, the footprints of a tall man. But even as he was peering down at them through the darkness, trying to distinguish in the vaguely seen shapes some recognizable features, the moon burst forth again and the light became almost as that of broad day. Instantly the half-seen shapes started up with a horrid distinctness that made him catch his breath. There was the preposterous prancing horse with the legend "Invicta", there was the makers' name, actually legible from the height of the wall, and there were the circular heels with their raised central stars and the very sc
rews clearly visible even to their slots!

  Pottermack was profoundly alarmed. But he was not a panicky man. There, in those footprints, was evidence enough to hang him. But he was not hanged yet; and he did not mean to be, if the unpleasantness could be avoided. Perched on the ladder, with his eyes riveted on the tracks of the man who had come to "squeeze" him, he reviewed the situation with cool concentration, and considered the best way to deal with it.

  The obvious thing was to go out and trample on those footprints until they were quite obliterated. But to this plan there were several objections. In the first place, those enormous impressions would take a deal of trampling out. Walking over them once would be quite useless, for his own feet were comparatively small, and even a fragment of one of Lewson's footprints would be easily recognizable. Moreover, the trampling process would involve the leaving of his own footprints in evidence; which might be disastrous if it should happen—as it easily might—that Lewson had been seen starting along the footpath. For this path, unfrequented as it was, turned off from the main road at the outskirts of the town where wayfarers were numerous enough. The reason that it was unfrequented was that it led only to a wood and a stretch of heath which were more easily approached by a by-road. Finally, he himself might quite possibly be seen performing the trampling operations, and that would never do. In short, the trampling scheme was not practicable at all.

  But what alternative was there? Something must be done. Very soon the man would be missed and there would be a search for him; and as things stood there was a set of tracks ready to guide the searchers from the town to his—Pottermack's—very gate. And inside the gate was the open well. Clearly, something must be done, and done at once. But what?

  As he asked himself this question again and again he was half-consciously noting the conditions. Hitherto, no one had seen Lewson's footprints at this part of the path. That was evident from the fact that there were no other fresh footprints—none that trod on Lewson's. Then, in half an hour at the most, the shadow of the wall would be thrown over the path and the tracks would then be quite inconspicuous. And, again, it was now past nine o'clock and his neighbours were early folk. It was extremely unlikely that any one would pass along that path until the morning. So there was still time. But time for what?

  One excellent plan occurred to him, but, alas! he had not the means to carry it out. If only he had possession of Lewson's shoes he could put them on, slip out at the gate and continue the tracks to some distant spot well out of his neighbourhood. That would be a perfect solution of the problem. But Lewson's shoes had vanished for ever from human ken—at least, he hoped they had. So that plan was impracticable.

  And yet, was it? As he put the question to himself his whole demeanour changed. He stood up on his perch with a new eagerness in his face; the eagerness of a man who has struck a brilliant idea. For that was what he had done. This excellent plan, which yielded the perfect solution, was practicable after all. Lewson's shoes were indeed beyond his reach. But he had a fine assortment of Lewson's footprints. Now footprints are made by the soles of shoes. That is the normal process. But by the exercise of a little ingenuity the process could be reversed; shoe-soles could be made from footprints.

  He descended the ladder, thinking hard; and as the cloud once more closed over the moon, he fetched the hurdle and placed it carefully over the mouth of the well. Then he walked slowly towards the workshop—avoiding the now invaluable footprints—shaping his plan as he went.

  III. MR. POTTERMACK GOES A-SUGARING

  The efficient workman saves a vast amount of time by so planning out his job in advance that intervals of waiting are eliminated. Now Mr. Pottermack was an eminently methodical man and he was very sensible that, in the existing circumstances, time was precious. Accordingly, although his plan was but roughly sketched out in his mind, he proceeded forthwith to execute that part of it which could be clearly visualized, filling in the further details mentally as he worked.

  The first thing to be done was, obviously, to convert the perishable, ephemeral footprints, which a light shower would destroy, into solid, durable models. To this end, he fetched from the workshop the tin of fine plaster of Paris which he kept for making small or delicate moulds. By the aid of his little lamp he selected a specially deep and perfect impression of Lewson's right foot, and into this he lightly dusted the fine powder, continuing the process until the surface was covered with an even layer of about half an inch thick. This he pressed down very gently with the flat end of the lamp, and then went in search of a suitable impression of the left foot, which he treated in like manner. He next selected a second pair of prints, but instead of dusting the dry plaster into them he merely dropped into each a pinch to serve as a mark for identifying it. His reason for thus varying the method was that he was doubtful whether it was possible to pour liquid plaster into a loam mould (for that was what the footprint actually was) without disturbing the surface and injuring the pattern.

  Returning to the workshop, he mixed a good-sized bowl of plaster, stirring and beating the creamy liquid with a large spoon. Still stirring, he carried it out, and, going first to the prints which contained the dry plaster, he carefully ladled into them with the spoon small quantities of the liquid plaster until they were well filled. By this time the liquid was growing appreciably thicker and more suitable for the unprotected prints, to which he accordingly hastened, and proceeded quickly, but with extreme care, to fill them until the now rapidly thickening plaster was well heaped up above the surface.

  He had now at least, a quarter of an hour to wait while the plaster was setting, but this he occupied in cleaning out the bowl and spoon ready for the next mixing, placing the brush and plaster tools in readiness and pouring out a saucerful of soap-size. When he had made these preparations, he filled a small jug with water, and making his way to the first two impressions, poured the water on to them to make up for that which would have been absorbed by the dry plaster underneath. In the second pair of impressions, which he ventured to test by a light touch of the finger, the plaster was already quite solid, and he was strongly tempted to raise them and see what luck he had had; but he resisted the temptation and went back to the workshop, leaving them to harden completely.

  All this time, although he had given the closest attention to what he was doing, his mind had been working actively, and already the sketch-plan was beginning to shape into a complete and detailed scheme; for he had suddenly remembered a supply of sheet gutta-percha which he had unearthed when he turned out the workshop, and this discovery disposed of what had been his chief difficulty. Now, in readiness for a later stage of his work, he lighted his Primus stove, and having filled a good-sized saucepan with water, placed it on the stove to heat. This consumed the rest of the time that he had allotted for the hardening of the plaster, and he now went forth with no little anxiety to see what the casts were like. For they were the really essential element of his plan on which success or failure depended. If he could get a perfect reproduction of the footprints, the rest of his task, troublesome as it promised to be, would be plain sailing.

  Very gingerly he insinuated his finger under one of the casts of the second pair and gently turned it over. And then, as he threw the light of his lamp on it, all his misgivings vanished in respect of that foot—the right. The aspect of the cast was positively ridiculous. It was just the sole of a shoe; snow-white, but otherwise completely realistic, and perfect in every detail and marking, even to the makers' name. And the second cast was equally good; so his special precautions had been unnecessary. Nevertheless, he went on to the first pair, and they proved to be, if anything, sharper and cleaner, more free from adherent particles of earth than the others. With a sigh of relief he picked up the four casts and bore them tenderly to the workshop, where he deposited them on the bench. There, under the bright electric light, their appearance was even more striking. But he did not stop to gloat. He could do that while he was working.

  The first proceeding was to trim
off the ragged edges with a scraper, and then came the process of "sizing"—painting with a boiled solution of soft soap—which also cleaned away the adherent particles of loam. When the soap had soaked in and "stopped" the surface, the surplus was washed away under the tap, and then, with a soft brush, an infinitesimal coating of olive oil was applied. The casts were now ready for the next stage—the making of the moulds. First, Pottermack filled a shallow tray with loam from the garden, striking the surface level with a straight-edge. On this surface the two best casts were laid, sole upwards, and pressed down until they were slightly embedded. Then came the mixing of another bowl of plaster, and this was "gauged" extra stiff in order that it should set quickly and set hard. By the time this had been poured on—rapidly, but with infinite care to avoid bubbles, which would have marred the perfection of the moulds—the water in the saucepan was boiling. Having cleaned out the bowl and spoon, Pottermack fetched the pieces of gutta-percha from their drawer and dropped them into the saucepan, replacing the lid. Then he put on his spectacles, extinguished the lamp, switched off the light, and, passing out of the workshop, walked quickly towards the house.

 

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