Dr. Thorndyke Omnibus Vol 5

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Dr. Thorndyke Omnibus Vol 5 Page 40

by R. Austin Freeman


  Suddenly his roving eye came to a dead stop, for it had alighted on the word "Illingham". With suddenly sharpened attention, he turned back to the heading and read:

  'Sacrilege in a Surrey Church'

  'A robbery of a kind that is now becoming increasingly common occurred late in the afternoon of last Tuesday at the picturesque and venerable church of Illingham. This was the day of the races on the adjacent course, and it is believed that the outrage was committed by some of the doubtful characters who are always to be found at race-meetings. At any rate, when the sexton entered to close the church in the evening, he found that the lid of the poor-box had been wrenched open, and, of course, the contents, whatever they may have been, abstracted. The rector is greatly distressed at the occurrence, not on account of what has been stolen—for he remarked, with a pensive smile, that the loss is probably limited to the cost of repairing the box—but because he holds strong opinions on the duty of a clergyman to leave his church open for private prayer and meditation, and he fears that he may be compelled to close it in future, at least on race-days.'

  Mr. Pottermack read this paragraph through, first with ravenous haste and then again, slowly and with the minutest attention. It was incredible. He could hardly believe the evidence of his eyes. Yet there it was, a clear and unmistakable message, of which the marvellous significance was to be grasped by him alone of all the world. Providence—which is reported to make some queer selections for its favourites—had stepped in and mercifully repaired his error.

  In a moment he was a new man, or rather the old man restored. For he was saved. Now could he go abroad with a confident step and look the world in the face. Now could he take his ease at home in peace and security; could return with gusto to his garden and know once more the joys of labour in his workshop. With a fresh zest he fell to upon the remainder of his meal. He even electrified the proprietor by calling for coffee and a green Chartreuse. And when he at length went forth refreshed, to take the road homeward, he seemed to walk upon air.

  X. A RETROSPECT

  The fortunate ending of the great note adventure, which had at one time looked so threatening, had a profound effect on Mr. Pottermack's state of mind, and through this on his subsequent actions. Wherever the notes might be circulating, they were, he felt confident, well out of his neighbourhood; and since they had all fallen into the hands of thieves, he was equally confident that they would prove untraceable. So far as he was concerned, they had served their purpose. The field of inquiry concerning Lewson's disappearance was now shifted from Borley to the localities in which those notes had made their appearance.

  Thus, to Mr. Pottermack it appeared that he was finally rid of Lewson, alive or dead. The incident was closed. He could now consign the whole horrible affair to oblivion, forget it if he could, or at least remember it only as a hideous experience which he had passed through and finished with, just as he might remember certain other experiences which belonged to the unhappy past. Now he might give his whole attention to the future. He was still a comparatively young man, despite the grizzled hair upon his temples. And Fortune was deeply in his debt. It was time that he began to collect from her some of the arrears.

  Now, whenever Mr. Pottermack let his thoughts stray into the future, the picture that his fancy painted was wont to present a certain constant deviation from the present. It was not that the surroundings were different. Still in imagination he saw himself rambling through the lovely Buckinghamshire lanes, busying himself in his workshop or whiling away the pleasant hours in the walled garden among his flowers and his fruit trees. But in those pictures of the sunny future that was to indemnify him for the gloomy past there were always two figures; and one of them was that of the comely, gracious young widow who had already brought so much sunshine into his rather solitary life.

  During the last few strenuous weeks he had seen little of her, indeed he had hardly seen her at all. Now that he could put behind him for ever the events that had filled those weeks, now that he was free from the haunting menace of the blackmailer's incalculable actions and could settle down to a stable life with his future in his own hands, the time had arrived when he might begin to mould that future in accordance with his heart's desire.

  Thus reflecting on the afternoon following his visit to Aylesbury, he proceeded to make the first move. Having smartened himself up in a modest way, he took down from his shelves a favourite volume to serve as a pretext for a call, and set forth with it in his pocket towards the quiet lane on the fringe of the town wherein Mrs. Alice Bellard had her habitation. And a very pleasant habitation it was, though, indeed, it was no more than an old-fashioned country cottage, built to supply the simple needs of some rural worker or village craftsman. But houses, like dogs, have a way of reflecting the personalities of their owners; and this little dwelling, modest as it was, conveyed to the beholder a subtle sense of industry, of ordered care, and a somewhat fastidious taste.

  Pottermack stood for a few moments with his hand on the little wooden gate, looking up with an appreciative eye at the ripe red brickwork, the golden tiles of the roof, and the little stone tablet with the initials of the first owners and the date, 1761. Then he opened the latch and walked slowly up the path. Through the open window came the sound of a piano rendering, with no little skill and feeling, one of Chopin's preludes. He waited at the door, listening, until the final notes of the piece were played, when he turned and rapped out a flourish on the brightly burnished brass knocker.

  Almost immediately the door opened, revealing a girl of about sixteen, who greeted him with a friendly smile, and forthwith, without question or comment inducted him to the sitting-room, where Mrs. Bellard had just risen from the piano-stool.

  "I am afraid", said he, as they shook hands, "that I am interrupting your playing—in fact, I know I am. I was half inclined to wait out in the garden and enjoy your performance without disturbing you."

  "That would have been foolish of you", she replied, "when there is a nice, comfortable armchair in which you can sit and smoke your pipe and listen at your ease—if you want to."

  "I do, most certainly", said he. "But first, lest I should forget it, let me hand you this book. I mentioned it to you once—'The Harvest of a Quiet Eye'. It is by a nice old west country parson and I think you will like it."

  "I am sure I shall if you do", she said. "We seem to agree in most things."

  "So we do", assented Pottermack, "even to our favourite brands of snail. Which reminds me that the pleasures of the chase seem to have been rather neglected of late."

  "Yes, I have been quite busy lately furbishing up the house. But I have nearly finished. In a few days I shall have everything straight and tidy, and then a-snailing we will go."

  "We will", he agreed, "and if we find that we are exhausting the subject of molluscs, we might, perhaps, give a passing thought to the question of beetles. They are practically inexhaustible and they are not so hackneyed as butterflies and moths, and not so troublesome to keep. And they are really very beautiful and interesting creatures."

  "I suppose they are", she said a little doubtfully, "when you have got over your prejudice against their undeniable tendency to crawliness. But I am afraid you will have to do the slaughtering. I really couldn't kill the poor little wretches."

  "Oh, I will do that cheerfully", said Pottermack, "if you will make the captures."

  "Very well; then, on that understanding I will consider the beetle question. And now, would you really like me to play to you a little?"

  "I should like it immensely. I seem to hear so little music nowadays, and you play so delightfully. But are you sure you don't mind?"

  She laughed softly as she sat down at the piano. "Mind, indeed!" she exclaimed. "Did you ever know a musician who wasn't only too delighted to play to a sympathetic listener? It is the whole joy and reward of the art. Now, you just sit in that chair and fill your pipe, and I will play to you some of the things that I like playing to myself and that you have got to l
ike too."

  Obediently Pottermack seated himself in the easy-chair and reflectively filled his pipe while he watched the skilful hands moving gracefully with effortless precision over the keyboard. At first she kept to regular pianoforte music, mostly that of Chopin: one or two of the shorter nocturnes, a prelude and a polonaise, and a couple of Mendelssohn's "Lieder". But presently she began to ramble away reminiscently among all sorts of unconventional trifles: old-fashioned songs, country dances, scraps of church music, and even one or two time-honoured hymn tunes. And as she played these simple melodies, softly, tastefully, and with infinite feeling, she glanced furtively from time to time at her visitor until, seeing he was no longer looking at her but was gazing dreamily out of the window, she let her eyes rest steadily on his face. There was something very curious in that long, steady look; a strange mingling of sadness, of pity and tenderness and of yearning affection with a certain vague anxiety as if something in his face was puzzling her. The eyes that dwelt on him with such soft regard yet seemed to ask a question.

  And Pottermack, sitting motionless as a statue, grasping his unlighted pipe, let the simple, homely melodies filter into his soul and deliver their message of remembrance. His thoughts were at once near and far away; near to the woman at his side, yet far away from the quiet room and the sunlit garden on which his eyes seemed to rest. Let us for a while leave him to his reverie, and if we may not follow his thoughts, at least—in order that we may the better enter into the inwardness of this history—transport ourselves into the scenes that memory is calling up before his eyes.

  Fifteen years ago there was no such person as Marcus Pottermack. The sober, middle-aged man, greyheaded, bearded, spectacled, who sits dreaming in the widow's parlour, was a handsome, sprightly youth of twenty-two—Jeffrey Brandon by name—who, with his shapely, clean-shaven face and his striking Grecian nose, had the look and manner of a young Olympian. And his personality matched his appearance. Amiable and kindly by nature, with a gay and buoyant temperament that commended him alike to friends and strangers, his keen intelligence, his industry and energy promised well for his worldly success in the future.

  Young as he was, he had been, at this time, engaged for two years. And here again he was more than commonly fortunate. It was not merely that the maiden of his choice was comely, sweet-natured, clever and accomplished; or that she was a girl of character and spirit; or even that she had certain modest expectations. The essence of the good fortune lay in the fact that Jeffrey Brandon and Alice Bentley were not merely lovers; they were staunch friends and sympathetic companions, with so many interests in common that it was incredible that they should ever tire of each other's society.

  One of their chief interests—perhaps the greatest—was music. They were both enthusiasts. But whereas Jeffrey's accomplishments went no farther than a good ear, a pleasant baritone voice and the power of singing a part at sight, Alice was really a musician. Her skill at the piano was of the professional class; she was a fair organist, and in addition she had a good and well-trained contralto voice. Naturally enough, it happened that they drifted into the choir of the little friendly Evangelical church that they attended together, and this gave them a new and delightful occupation. Now and again Alice would take a service at the organ; and then there were practice nights and preparations for special services, musical festivals or informal sacred concerts which kept them busy with the activities that they both loved. And so their lives ran on, serenely, peacefully, filled with quiet enjoyment of the satisfying present, with the promise of a yet more happy future when they should be married and in full possession of each other.

  And then, in a moment, the whole fabric of their happiness collapsed like a house of cards. As if in an incomprehensible nightmare, the elements of that tragedy unfolded: the amazing accusation, the still more amazing discovery; the trial at the Old Bailey Sessions, the conviction, the sentence; the bitter, despairing farewell, and, last of all, the frowning portals of the convict prison.

  Of course, Alice Bentley scouted the idea of her lover's guilt. She roundly declared that the whole affair was a plot, a wicked and foolish miscarriage of justice, and she announced her intention of meeting him at the prison gate when he should be set free, to claim him as her promised husband, that she might try to make up to him by her devotion and sympathy what he had suffered from the world's injustice. And when it was coldly pointed out to her that he had had a fair trial and had been found guilty by a jury of his fellow-countrymen, she broke away indignantly and thereafter withdrew herself from the society of these fair-weather friends.

  Meanwhile, the unfortunate Jeffrey, meditating in his prison cell, had come with no less resolution to his decision. In so far as was possible he would bear the burden of his misfortune alone. Deeply, passionately as he loved the dear girl who, almost alone of all the world, still believed in his innocence, he must cast her out of his life for ever. He gloried in her loyalty, but he could not accept her sacrifice. Alice—his Alice—should never marry a convict. For that was what he was: a convicted thief and forger; and nothing but a miracle could alter his position. The fact that he was innocent was beside the mark, since his innocence was known only to himself and one other—the nameless villain who had set this infamous trap for him. To all the rest of the world he was a guilty man; and the world was right according to the known facts. He had had a fair trial, a perfectly fair trial. The prosecution had not been vindictive, the judge had summed up fairly, and the jury had found him guilty; and the jury had been right. On the evidence before them, they could have found no other verdict. He had no complaint against them. No one could have guessed that all the evidence was false and illusory. From which it followed that he must go through life stamped as a convicted thief, and as such could never be a possible husband for Alice Bentley.

  But he realized very clearly that Alice, certain as she was of his innocence, would utterly refuse to accept this view. To her he was a martyr, and as such she would proclaim him before all the world. On his release, she would insist on the restoration of the status quo ante. Of that he felt certain; and hour after hour, in his abundant solitude, he sought vainly a solution of the problem. How should he meet her demand? Letters he knew would be useless. She would wait for the day of his release, and then— The prospect of having, after all, to refuse her love, to repudiate her loyalty, was one that wrung his heart to contemplate.

  And then, in the most unforeseen way, the problem was solved. His escape from the gang was totally unpremeditated. He just saw a chance, when the attention of the civil guard was relaxed, and took it instantly. When he found the absent bather's clothes upon the shore and hastily assumed them in place of his prison suit, he suspected that the bather was already dead, and the report which he read in the next day's paper confirmed this belief. But during the next few weeks, as he tramped across country to Liverpool—subsisting, not without qualms, on the little money that he had found in the unknown bather's pockets, eked out by an occasional odd job—he watched the papers eagerly for further news. For six long weeks he found nothing either to alarm or reassure him. Indeed, it was not until he had secured a job as deck-hand on an American tramp steamer and was on the point of departure that he learned the welcome tidings. On the very night before the ship was due to sail, he was sitting in the forecastle, watching an evening paper that was passing round from hand to hand, when the man who was reading it held it towards him, pointing with a grimy forefinger to a particular paragraph.

  "I call that damned hard luck, I do", said he. "Just you read it, mate, and see what you think of it."

  Jeffrey took the paper, and, glancing at the indicated paragraph, suddenly sat up with a start. It was the report of an inquest on the body of a man who had been found drowned; which body had been identified as that of Jeffrey Brandon, a convict who had recently escaped from Colport Gaol. He read it through slowly, and then, with an inarticulate mumble, handed the paper back to his sympathetic messmate. For some minutes he sat dazed, har
dly able to realize this sudden change in his condition. That the bather's body would, sooner or later, be found he had never doubted. But he had expected that the finding of it and its identification would solve the mystery of his escape and immediately give rise to a hue and cry. Never had he dreamed that the body could be identified as his.

  But now that this incredible thing had happened, he would be simply written off and forgotten. He was free. And not only was he free; Alice was free too. Now he would quietly pass out of her life without bitterness or misunderstanding; not forgotten, indeed, but cherished only, in the years to come, with loving remembrance.

  Nevertheless, when at daybreak on the morrow the good ship Potomac of New Orleans crossed the Mersey bar, the new deck-hand, Joe Watson, looked back at the receding land with a heavy heart and a moistening eye. The world was all before him. But it was an empty world. All that could make life gracious and desirable was slipping away farther with each turn of the propeller, and a waste of waters was stretching out between him and his heart's desire.

  His life in America need not be followed in detail. He was of the type that almost inevitably prospers in that country. Energetic, industrious, handy, ready to put his heart into any job that offered; an excellent accountant with a sound knowledge of banking business and general finance, he was not long in finding a position in which he could prove his worth. And he had undeniably good luck. Within a year of his landing, almost penniless, he had managed, by hard work and the most drastic economy, to scrape together a tiny nest-egg of capital. Then he met with a young American, nearly as poor as himself but of the stuff of which millionaires are made; a man of inexhaustible energy, quick, shrewd and resolute, and possessed by a devouring ambition to be rich. But notwithstanding his avidity for wealth, Joseph Walden was singularly free from the vices of his class. He looked to become rich by work, good management, thrift, and a reputation for straight dealing. He was a man of strict integrity, and, if a little blunt and outspoken, was still a good friend and a pleasant companion.

 

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