by John Crowley
“Probably.”
“It’s what he saw.”
“I mean probably …”
“Whose childhood,” she said turning to him, her hair afire with moonlight and her face matte and blue and for a moment frighteningly not hers, “is it that you want to have?”
“I want to have yours. Now.”
“Now?”
“Come here.”
She laughed, and came to kneel with him on the cushions, her flesh cooled now by moonlight but no less wholly her flesh for that.
As Quietly As She Had Come
Sophie saw them coupling. She felt with intense certainty what moods Smoky made come and go in her sister, though they were not the moods she had known Daily Alice to feel before. She saw clearly what it was to make her sister’s brown eyes grow dense and inward, or leap to light: saw it all. It was as though Daily Alice were made of some dark glass which had always been partly opaque, but now, held up before the bright lamp of Smoky’s love, became wholly transparent, so that no detail of Alice could be hidden from her as she watched them. She heard them speak—a few words only, directions, triumphs—and each word rang like a crystal bell. She breathed her sister’s breath, and at each quickening of it Alice was fired further with distinctness. Strange way to possess her, and Sophie couldn’t tell if the breath-robbing heat she felt at it were pain, or daring, or shame, or what. She knew that no force could make her look away; and that if she did she would still see, and just as clearly.
And yet all this time Sophie was asleep.
It was the sort of sleep (she knew every kind, but had no name for any one) in which it seems your eyelids have grown transparent, and you look through them at the scene you saw before they closed. The same scene, but not the same. She had, before her eyes closed, known or felt anyway that there were others around come also to spy on this marriage. Now in her dream they were quite concrete; they looked over her shoulders and her head, they crept with cunning to be near the gazebo, they lifted atomies of children above the myrtle leaves to see the wonder of it. They hung in the air on panting wings, wings panting in the same exaltation as that which they witnessed. Their murmuring didn’t disturb Sophie, for their interest, as intense as hers, was in nothing else like it; while she felt herself braving deeps, not certain she would not drown in contrary tides of wonder, passion, shame, suffocating love, she knew that those around her were urging those two—no, cheering them on—to one thing only, and that thing was Generation.
A clumsy beetle rattled past her ear, and Sophie woke.
The living things around her were dim analogs of those in her dream: murmuring gnats and glinting glowworms, a distant nightjar, hunting bats on rubber wings.
Far off, the gazebo was white and secret in the moonlight. She thought she could see, at moments, what might be the movements of their limbs. But no sound; no actions that could be named, or even guessed at. A stillness utterly private.
Why did it cut her more deeply than what she dreamed she had witnessed?
Exclusion. But she felt immolated between them as surely now when she could not see them as when she dreamed she could; was as uncertain she would survive it.
Jealousy: a waking jealousy. No, not that either. She had never been conscious of owning so much as a pin, and you can be jealous only when what is yours is taken. Nor betrayal either: she had known all from the start (and knew more now than they would ever know she knew); and you can only be betrayed by the false, by liars.
Envy. But of Alice, or Smoky, or both?
She couldn’t tell. She only felt that she glowed with pain and love at once, as though she had eaten live coals for sustenance.
As quietly as she had come she went, and numbers of others presumably after her even more quietly.
Suppose One Were a Fish
The stream that fed the lake fell down a long stony distance like a flight of stairs from a broad pool carved by a tall waterfall high up within the woods.
Spears of moonlight struck the silken surface of that pool, and were bent and shattered in the depths. Stars lay on it, rising and falling with the continual arc of ripples which proceeded from the foamy falls. So it would appear to anyone at the pool’s edge. To a fish, a great white trout almost asleep within, it seemed very different.
Asleep? Yes, fish sleep, though they don’t cry; their fiercest emotion is panic, the saddest a kind of bitter regret. They sleep wide-eyed, their cold dreams projected on the black and green interior of the water. To Grandfather Trout it seemed that the living water and its familiar geography were being shuttered and revealed to him as sleep came and went; when the pool was shuttered, he saw inward interiors. Fish-dreams are usually about the same water they see when they’re awake, but Grandfather Trout’s were not. So utterly other than trout-stream were his dreams, yet so constant were the reminders of his watery home before his lidless eyes, that his whole existence became a matter of supposition. Sleepy suppositions supplanted one another with every pant of his gills.
Suppose one were a fish. No finer place to live than this. Falls continually drowning air within the pool so that it was a pleasure simply to breathe. Like (supposing one were not a water-breather) the high, fresh, wind-renewed air of an alpine meadow. Wonderful, and thoughtful of them so to provide for him, supposing that they thought of his or anyone’s happiness or comfort. And here were no predators, and few competitors, because (though a fish couldn’t be supposed to know it) the stream above was shallow and stony and so was the stream below, so that nothing approaching him in size came into the pool to contest with him for the constant fall of bugs from the dense and various woods which overhung. Really, they had thought of everything, supposing they thought of anything.
Yet (supposing that it was not his choice at all to be a swimmer here) how condign and terrible a punishment, bitter an exile. Mounted in liquid glass, unable to breathe, was he to make back-and-forth forever, biting at mosquitoes? He supposed that to a fish that taste was the toothsome matter of his happiest dreams. But if one were not a fish, what a memory, the endless multiplication of those tiny drops of bitter blood.
Suppose on the other hand (supposing one had hands) that it was all a Tale. That however truly a satisfied fish he might appear to be, or however reluctantly accustomed to it he had become, that once-on-a-time a fair form would appear looking down into the rainbow depths, and speak words she had wrested from malign secret-keepers at great cost to herself, and with a strangulating rush of waters he would leap—legs flailing and royal robes drenched—to stand before her panting, restored, the curse lifted, the wicked fairy weeping with frustration. At the thought a sudden picture, a colored engraving, was projected before him on the water: a bewigged fish in a high-collared coat, a huge letter under his arm, his mouth gaping open. In air. At this nightmare image (from where?) his gills gasped and he awoke momentarily; the shutters shot back. All a dream. For a while he gratefully supposed nothing but sane and moonshot water.
Of course (the shutters began to drift closed again) it was possible to imagine he was one of them, himself a secret-keeper, curse-maker, malign manipulator; an eternal wizard intelligence housed for its own subtle purposes in a common fish. Eternal: suppose it to be so: cetainly he has lived forever or nearly, has survived into this present time (supposing (drifting deeper) this to be the present time); he has not expired at a fish’s age, or even at a prince’s. It seems to him that he extends backwards (or is it forwards?) without beginning (or is it end?) and he can’t just now remember whether the great tales and plots which he supposes he knows and forever broods on lie in the to-come or lie dead in the has-been. But then suppose that’s how secrets are kept, and age-long tales remembered, and unbreakable curses made too….
No. They know. They don’t suppose. He thinks of their certainty, the calm, inexpressive beauty of their truth-telling faces and task-assigning hands, as unrefuseable as a hook deep in the throat. He is as ignorant as a fingerling; knows nothing; he wouldn’t care to know—w
ouldn’t care to ask them, even supposing (another inward window slides open silently) they would answer, whether on a certain night in August a certain young man. Standing on these rocks which lift their dry brows into the perishing air. A young man struck by metamorphosis as this pool was once struck by lightning. For presumably some affront, you have your reasons, don’t get me wrong, it’s nothing to do with me. Only suppose this man imagines remembering, imagines his only and final memory to be (the rest, all the rest, is supposition) the awful strangulated gasping in deadly waterlessness, the sudden fusing of arms and legs, the twisting in air (air!) and then the horrible relief of the plunge into cold, sweet water where he ought to be—must now be forever.
And suppose he cannot now remember why it happened: only supposes, dreaming, that it did.
What was it he did to hurt you so?
Was it only that the Tale required some go-between, some maquereau, and he came close enough to be seized?
Why can’t I remember my sin?
But Grandfather Trout is deep asleep now, for he could not suppose any of this if he were not. All shutters are shut before his open eyes, the water is all around and far away. Grandfather Trout dreams that he’s gone fishing.
CHAPTER FIVE
what thou lovest well is
thy true heritage
what thou lovest well shall
not be reft from thee.
—Ezra Pound
The next morning, Smoky and Daily Alice assembled packs more complete than Smoky’s City pack had been, and chose knobbed sticks from an urn full of walking-sticks, umbrellas, and so on that stood in the hall. Doctor Drinkwater gave them guides to the birds and the flowers, which in the end they didn’t open; and they took along also George Mouse’s wedding present, which had arrived that morning in the mail in a package marked Open Elsewhere and would turn out to be (as Smoky hoped and expected) a big handful of crushed brown weed odorous as a spice.
Lucky Children
Everyone gathered on the porch to see them off, making suggestions as to where they should go and whom of those that hadn’t been able to get to the wedding they ought to visit. Sophie said nothing, but as they were turning to go, she kissed them both firmly and solemnly, Smoky especially as if to say So there, and then took herself quickly away.
While they were gone, Cloud intended to follow them by means of her cards, and report, insofar as she could, on their adventures, which she supposed would be small and numerous and just the kind of thing these cards of hers had always been best for discovering. So after breakfast she drew the glass table near the peacock chair on that porch, and lit a first cigarette of the day, and composed her thoughts.
She knew that first they would climb the Hill, but that was because they said they would. She saw with the mind’s eye the way they went up over the well-trodden paths to the top, to stand there then and look out over morning’s domain and theirs: how it stretched green, forested and farmed across the county’s heart. Then they would go down the wilder far side to walk the marches of the land they had looked at.
She laid down cups and wands, squires of coins and kings of swords. She guessed that Smoky would be falling behind Alice’s long strides as they crossed the sun-whitened pastures of Plainfield; there Rudy Flood’s brindled cows would look up at them with lashy eyes, and tiny insects would leap from their footfalls.
Where would they rest? Perhaps by the quick stream that bites into that pasture, undermining the upholstered tussocks and raising infant willow groves by its sides. She laid the trump called the Bundle within the pattern and thought: Time for lunch.
In the pale tigery shade of the willow-grove they lay full-length looking into the stream and its complex handiwork in the bank. “See already,” she said, chin in hands. “Can’t you see apartments, river-houses, esplanades or whatever? Whole ruined palaces? Balls, banquets, visiting?” He stared with her into the fretwork of weed, root, and mud which striped sunlight reached into without illuminating. “Not now,” she said, “but by moonlight. I mean isn’t that when they come out to play? Look.” Eye level with the bank, it was just possible to imagine. He stared hard, knitting his brows. Make-believe. He’d make an effort.
She laughed, getting up. She donned her pack again that made her breasts stand. “We’ll follow the brook up,” she said. “I know a good place.”
So through the afternoon they went up and slowly out of the valley, which the gurgling stream in malapert pride had taken over from some long-dead great river. They drew closer to forest, and Smoky wondered if this were the wood Edgewood is on the edge of. “Gee, I don’t know,” Alice said. “I never thought about it.”
“Here,” she said at last, wet and breathless from the long climb up. “This is a place we used to come to.”
It was like a cave cut in the wall of the sudden forest. The crest they stood on fell away down into it, and he thought he had never looked into anywhere so deeply and secretly The Wood as this. For some reason its floor was carpeted with moss, not thick with the irregulars of the forest’s edge, shrub and briar and small aspen. It led inward, it drew them inward into whispering darkness where the big trees groaned intermittently.
Within, she sat gratefully. The shade was deep, and deepened as the afternoon perceptibly passed. It was as still and as stilling as a church, with the same inexplicable yet reverent noises from nave, apse, and choir.
“Did you ever think,” Alice said, “that maybe trees are alive like we are, only just more slowly? That what a day is to us, maybe a whole summer is to them—between sleep and sleep, you know. That they have long, long thoughts and conversations that are just too slow for us to hear.” She laid aside her stick and slid one by one the pack-straps from her shoulders; her shirt was stained where she had worn them. She drew up her big knees glossy with sweat and rested her arms on them. Her brown wrists were wet too, and damp dust was caught in their golden hair. “What do you think?” She began to pluck at the heavy thongs of her high-top shoes. He said nothing, only took all this in, too pleased to speak. It was like watching a Valkyrie disarm after battle.
When she knelt up to force down her creased, constricting shorts he came to help.
By the time Mother snapped on the yellow bulb above Cloud’s head, changing her card-dream from evening blue to something harsh and not quite intelligible, she had discerned what most of her cousins’ journey might be like in the days to come, and she said: “Lucky children.”
“You’ll go blind out here,” Mother said. “Dad’s poured you a sherry.”
“They’ll be all right,” Cloud said, shutting up the cards and getting up with some difficulty from the peacock chair.
“They did say, didn’t they, that they’d stop in at the Woods’.”
“Oh, they will,” Cloud said. “They will.” “Listen to the cicadas still going,” Mother said. “No relief.”
She took Cloud’s arm and they went in. They spent that evening playing cribbage with a polished folding board, one missing ivory peg replaced with a matchstick; they listened to the knock and rasp of great stupid June bugs against the screens.
Some Final Order
In the middle of the night Auberon awoke in the summer house and decided he would get up and begin to put his photographs in order: some final order.
He didn’t sleep much anyway, and was beyond the age when getting up in the night to do some task seemed inappropiate or vaguely immoral. He had lain a long time listening to his heart, and grown bored with that, and so he found his spectacles and sat up. It was hardly night anyway; Grady’s watch said three o’clock, yet the six squares of the window were not black but faintly blue. The insects seemed asleep; in not too long the birds would begin. For the moment though it was quite still.
He pumped up the pressure lamp, his chest wheezing each time he drove in the plunger. It was a good lamp, looked just like a lamp, with a pleated paper shade and blue Delft ice skaters around its base. Needed a new mantle, though. Wouldn’t get one. He lit
it, turned it down. Its long hiss was comforting. Almost as soon as it was lit it began to sound as though it were running down, but in fact it would continue running down for a long time. He knew the feeling.
It wasn’t that the photographs were in no order. In fact he spent much of his time with their ordering. But he always felt that their own order, which wasn’t chronological, or by size, or by some description of subjects, had always escaped him. They seemed to him sometimes individual frames taken from a motion picture, or several motion pictures, with lacunae long or short between the frames he had; and that if they were filled in, they would make scenes: long, story-telling pans, various and poignant. But how was he to tell if he had constituted even the frames he had aright, since so many others were missing? He always hesitated to disturb the after all quite rational cross-referenced order he did have in order to discover some other that might not be there at all.
He took out a portfolio labeled Contacts, 1911-1915. They were, though the label didn’t specify it, his earliest pictures. There had been others, of course, early failures that he had destroyed. In those days, as he never tired of saying, photography was like a religion. A perfect image was like a gift of grace, but sin would always be swiftly punished. A sort of Calvinist dogma, where you never knew when you were right, but must be constantly vigilant against error.
Here now was Nora on the whitewashed porch of the kitchen, in creased white skirt and shirt. Her scuffed high-top shoes seemed too large for her. White cotton, white porch-pillars, darkness of her summer skin, fairness of her summer hair, her eyes startlingly pale from the shadowless brightness that fills whitewashed porches on sunny days. She was (he looked at the date on the picture’s back) twelve. No, eleven.