Psi no more…
by
Robert Bruce Stewart
Copyright © 2013 by Robert Bruce Stewart
All rights reserved. No part of this document or the related files may be reproduced or transmitted in any form, by any means (electronic, photocopying, recording, or otherwise) without the prior written permission of the publisher.
ISBN 978-1-938710-09-4
Street Car Mysteries
streetcarmysteries.com
To red-haired girls who read yellow books
Table of Contents
I
II
III
IV
V
Something Else Again
The Harry & Emmie Reese Mysteries
I
This is an account of a decidedly odd set of events which occurred during the spring of 1902. It involved not one mystery, but four. Or, perhaps more correctly, three mysteries and a conundrum—which was, at first, masquerading as a mystery. I had just finished what I felt was my finest literary effort to date, an account of the famed European jewel thief Madame B____.
It’s no exaggeration, nor mere conceit, to say this was a tale worthy of Dumas. For in addition to filching the gems of noblewomen, Madame B____ also made off with a good many noble hearts. She quite regularly had dukes, counts, and earls dueling over her fickle affections. And enough baronets groveled before her that her boots need never to have touched the ground—a great convenience during the winter months.
The piece was finished in late February. In truth, it had been completed two weeks before, but the damned parrot that Harry, my husband, bought me for Christmas had managed to eat a good part of my manuscript and left the results on the remainder. However, now restored, my work was at last ready for the publisher.
And had I a publisher there would have been no need to visit Mr. Sackett, of Baily & Sackett, Literary Agency. Mr. Sackett (there was, in fact, no Mr. Baily) had placed some articles of mine in English periodicals the previous year. They had achieved a certain recognition, particularly in the county of Lancashire, and I was sure he would welcome the opportunity of marketing my new work. His office was just at the Manhattan end of the bridge, right on Park Row—the Fleet Street of New York. I dropped my manuscript off with him on a Thursday and returned, as instructed, on Monday. Mr. Sackett had read my piece and pronounced it a masterpiece, though perhaps not in so many words.
“Then you think you can find a publisher? The Strand, possibly?” I asked.
“Yes, possibly. But what the magazines most want are serials, something that entices the reader to buy the next issue. Then, later, we can find a book publisher.”
“Oh, I already have plans for just such a book, The Queens of Criminality. It would serve as a companion to Lady Carbury’s Criminal Queens. I was imagining that each profile would appear sequentially in some magazine of note.”
“Ah, an admirable aspiration,” he said. “But the key to a successful serial is that no installment be finite. For instance, the Madame B____ piece should end with the hint that her true identity will be revealed at the beginning of the next installment.”
“But I don’t reveal her true identity.”
“Quite. However, you do know it?”
“Yes, but I’m pledged never to reveal it.”
“Mrs. Reese, if you wish to get anywhere in this game, you must be willing to make compromises. I’m sure your promise was sincere when you made it, but circumstances change.”
“It isn’t merely a matter of honor. If I were to break my word, I would fear for my safety, and yours, Mr. Sackett.”
I knew he thought I was being overly dramatic, but if I’d related to him the truth of Madame B____’s nature, I felt sure he’d want nothing to do with my project. Finally, he suggested that the piece end with the promise that the great woman’s identity would be revealed in the next installment, and that we leave off worrying about the resolution until the time came. I agreed, and told him I would begin work on the next queen of criminality. My intended subject was Sophie Lyons, the notorious blackmailing seductress of the previous century. Much had been written about Mrs. Lyons, so I only needed to liven it up with detail and color to come up with my next installment.
Just a week or so after visiting Mr. Sackett—having finished a wonderful, if somewhat fanciful, portrait of Mrs. Lyons—I found myself at loose ends. One Sunday afternoon, for want of something more purposeful, I attended an outing organized by a fellow alumna of my college. Like myself, the others were all recent graduates. And then there was Fanny. Fanny Baum had entered with my class back in ’95, but after a year of struggle—during which she had learned little beyond the fact that Latin and Greek were two separate and distinct languages—Fanny surrendered to the inevitable and gave up her academic ambitions. However, she found college life quite agreeable otherwise. She persuaded her very wealthy father to make arrangements of some sort so that she was allowed to stay on in one of the houses. She was given some silly title, “social coordinator,” I believe, but no real duties. Fanny attended chapel every morning, sang with the glee club, and kept herself popular by hosting innumerable bunny parties. Bunny being Welsh rabbit, as ambrosia to the gods to college women of my era.
We were taking a cruise up the Hudson and on the way back Fanny more or less forced her company on me. We had known each other only remotely in school. I didn’t even know her real name, nor did I ever see any reason to learn it. Fanny seemed such a fitting moniker for one so thick-headed.
“Did you know I’d married?” she asked.
“No. Congratulations, Fanny.”
“Oh, it’s over now,” she said without emotion. “I hear you live out in Brooklyn, Emmie.”
“Yes, we have an apartment just above the park.”
“I heard it’s a rather large place.”
“Certainly for the two of us,” I told her.
The conversation proceeded in this desultory way until Fanny confided that her interest in our living arrangements was motivated by the fact she was not getting along with her father and hoped to find temporary rooms until she could set up house for herself. I didn’t like the manner in which she had maneuvered me into offering her accommodations, but I did so nevertheless—for three reasons. First, we did have a large apartment with two bedrooms sitting empty. Second, Harry was out of town quite a bit of the time and Fanny, whatever her faults, did offer diversion.
But the primary reason was Psi. This was a literary journal of her former husband’s which she had taken possession of in the divorce settlement. Actually, it was the mere conception of a journal. It was meant to be one of the little magazines, like The Chap-Book, or The Lark. But the staff had never managed to publish even a single issue.
“Was it a matter of money?” I asked.
“Oh, we had plenty of that. Or too much. My husband and his friends spent so much time discussing the thing—over endless dinners and what they called symposia—that they never had time left for working. He told me there was no use starting the thing until they had the decadence down pat.”
“But then what is it you have?”
“Oodles of paper, mostly. In a warehouse somewhere. And there’s a cute little hand press.”
On hearing this, I issued an immediate, and most gracious, invitation. This was the answer to any writer’s dreams: a press, plenty of paper, and a wealthy dupe living in the next room. With these three things, I would be released from the tyranny of publishers and their petty demands. Still, there was one small matter of concern. What Fanny had neglected to mention was the reason for the disharmony in her father’s house. That would be Fanny’s manservant, Michel.
Formerly her husband’s valet, Michel was another of her prizes fr
om the divorce. It was unremarkable that her father had objected to the arrangement. A young woman with a man acting as her chambermaid invited rumors. And when the woman was as well known as Fanny for her many infatuations, and the servant as pleasing to the eye as Michel, the rumors quickly progressed to scandal. But this bothered me little. My sights were on Psi.
A week after Fanny’s moving in, I received a letter from Mr. Sackett asking me to come see him at my earliest convenience. I fairly brimmed with anticipation and left immediately for his office. While I was all for freeing myself from the tyranny of publishers, I saw no point in spurning what might be a generous offer.
“I take it you’ve found a publisher? Is it The Strand?”
“I’m afraid that’s not the case. Do sit down, Mrs. Reese.” I did so and he resumed. “Yesterday I had a very troubling visit. It was the Marchioness of Karpolov. She objected strongly to your depiction of the marquis and has threatened legal action if your story is published.”
“But there is no Marchioness of Karpolov,” I told him.
“Well, perhaps the marquis has married recently.”
“But how could she have learned of my story?”
“I’ve sent it to several publications. I imagine some editor is an acquaintance.”
He was adamant that he could not afford to proceed without a written agreement from the marchioness and her husband. I left, all the more pleased I had begun preparations for resurrecting Psi.
Thus began the first mystery. You see, although Madame B____ did exist, and we were well acquainted, my account of her life was largely fictional. This was at her own request. The Marquis of Karpolov, Europe’s greatest lover since Casanova bounced his way from bed to bed across the continent, was nothing more than an invention of my imagination. Quite a good one, to be sure. But purely fictional nonetheless. Or so I thought. Of course, if there were a real Marquis of Karpolov, I could see how the marchioness would object to my depiction of her lord. I suppose all writers encounter this problem sooner or later, but I’d only been writing a year or two and this was my second time. The first involved a Pinkerton with what I thought was the unlikely name of Leverton. But that’s a story that has already been told.
Harry arrived home that evening and it was obvious he wasn’t pleased to find we had guests. Then when he learned the parrot had chewed his slippers into a pulp, he almost lost his temper. I pointed out the bird was his gift, and so he merely brooded. Harry had named the parrot Telemachus and told me he’d trained it to repel suitors in his absence. Not that there were any suitors to repel, but I was flattered at the thought.
Harry had to leave town again two days later, which was just as well. A certain friction had developed between him and Michel. This was partly because Harry insisted on calling him Michael. And that, Michel insisted, was an insult to his Parisian heritage. Of course, I knew by his accent he was Quebecois, and had probably never been closer to Paris than Providence, Rhode Island.
For Harry’s part, the hostility was due to his newfound jealousy. This was ironic, because Michel seemed to take no interest in me at all. And on the only occasion when a man did show some interest in me, aboard a French steamship the previous summer, Harry had been completely oblivious. When he saw Michel feeding Telemachus, he complained that his flank had been turned, and insisted Fanny and her man be out of the apartment on his return. Then he stormed off to Wilkes-Barre to investigate a fire insurance claim. (Harry’s business is insurance fraud.)
I now turned my attention to Psi. You are probably wondering why its creators chose such an odd and phonetically imprecise name. As Fanny explained it, this was exactly the reason they had chosen it: No one could read it without wondering if there were some deeper meaning behind it. So, rather than risk exposing their ignorance, they would pretend amusement at the cleverness of it. And no one could utter it without having to explain it. This would always end with a calculated grin, by which the speaker made clear the meaning should be obvious to any save the most obtuse of philistines. It was, in sum, the perfect choice for a literary milieu more noted for its affectation than its talent. To Mary, our maid—an intelligent if uneducated girl—it was always Sigh. A beautiful name, she thought.
The next day, Fanny and I visited the warehouse and did an inventory. There was more paper than we could use in a hundred years. And a very nice hand press with many boxes of type. I had these, and a good quantity of paper, delivered to our apartment and placed in the bedroom assigned to—but rarely used by—Michel. Mary had been taken aback when she learned what was going on between Fanny and her servant. She feigned pious offense, but again it was simple jealousy. The poor girl somehow imagined she had captured our resident Don Juan’s eye. And though he may have made some flirtatious forays in her direction, his main force was laying siege to his mistress’s fortune.
II
My head teemed with ideas for articles and essays which could be used in Psi, all written by myself. But what of the graphic element? All the little magazines employed distinctive illustrators who added a much-needed visual dimension—an area of expertise I had no aptitude for. I decided to consult Mr. Sackett and see if he could offer any advice. One morning, Fanny and I found him at his desk reading, so engrossed he hadn’t noticed our entrance. I gave a little cough, and he quickly stuck his book in a drawer and leapt to his feet. Red-faced, like a little boy caught smoking, he stammered an apologetic greeting. I introduced Fanny and told him all about Psi. Then I asked if he knew how one went about hiring an illustrator.
“What sort of illustrator?”
“One with erudition and wit, able to capture the spirit of the age, and at the same time lampoon it.”
“Oh, artists of that sort are in great demand, Mrs. Reese. What sort of budget have you set for illustrations?”
I turned to my companion. Fanny was taking scant interest in the conversation, looking at herself in a little hand mirror she always had with her.
“We’ll pay whatever the market demands. Isn’t that right, Fanny?”
“If you think we should, Emmie.”
“One other consideration, of course, is the cost of printing,” Mr. Sackett pointed out. “What press are you working with?”
“Oh, we’ve a hand press,” I told him. “We’ll be printing it ourselves.”
“Umph. Very arty, but that makes it difficult to accommodate the modern method of printing illustrations.”
“Well then, what did they use previously?” I asked.
“Wood-blocks, usually. The artist would make a drawing and the carver would create a printing block. A very involved process, and one that would prove quite expensive now. However…” He began leafing through papers on his desk. “Yes, here it is. An auction of abandoned goods is to be held at ten o’clock this very morning at a warehouse on West Street. ‘Among items of interest are seventeen boxes of wood-blocks, formerly used by well-known illustrated magazines.’”
What serendipity, I thought. Out of seventeen boxes we’d be certain to find any number of interesting images. I took the sheet he handed me and prepared to leave. But Fanny had other ideas.
“What was that book you were reading when we came in?” she asked Mr. Sackett.
“Book? Oh, just something a friend sent.”
“Let me see it,” she demanded
“I don’t think it would interest you ladies.” He’d turned scarlet again.
“Let… me… see… it….”
As I’ve already noted, more often than not Fanny’s limited faculties made her agreeably suggestible. But there were times when her feeble-mindedness was compromised by her willful nature, which was that of a spoiled child. In these instances, to stand in her way required grim determination. And it was soon obvious that Mr. Sackett was sorely lacking in grim determination. Fanny pushed him aside and opened the drawer in which he had hidden his book. When she found it, she stood there reading for a time, then fell into the chair recently vacated by Mr. Sackett. She had also taken on
his facial hue. At this point in the proceedings I was torn. On the one hand, I certainly did not want to seem as ill-bred as my companion. On the other, I was dying with curiosity. After a brief skirmish, during which my dignity fought gallantly, if only fleetingly, I began reading over Fanny’s shoulder. It was a book of Limericks, but not of the type Edward Lear had made famous. Much as I would like to share with you the content of that little book, I find myself incapable of putting down the words. One told the story of a young lady of Diss, who went down to the river to do something unmentionable. Then a man in a type of boat popular in England and maneuvered by a pole arrived and did something even less mentionable.
“Mr. Sackett!” I ejaculated involuntarily.
“It only just arrived—I’d no idea of the nature of it until I read it myself,” he pleaded. “Of course, I will destroy it at once.”
“Destroy it?” Fanny asked incredulously. “You’ll do nothing of the sort.”
She slipped the small volume in her bag and made her way to the door.
“Come along, Emmie,” she said. Then nodded toward the clock. “We’ll be late for that auction.”
In the brief time she’d been staying with me, I’d had ample opportunity to experience Fanny’s forthright manner. But her sudden cognizance of temporal constraints caught me unawares. Up until that moment, she’d given no hint she knew what a clock was. I had every intention of insisting she leave the book behind, or that we destroy it ourselves right then. But there was truth in what she said. The auction was due to start in five minutes. I took leave of Mr. Sackett—briskly, and with all due opprobrium. And then we went out and hired a cab. I didn’t speak much during the ride, still shocked at what had occurred in Mr. Sackett’s office.
Fanny felt no such restraint. She took out her prize and began reading aloud. I protested, of course, but she went on. She had just finished the tragic and quite indecent tale of a young lady of Tring who had positioned herself too close to a fire and injured a particularly sensitive part of her anatomy when we arrived at our destination. The look on the cabman’s face suggested he had overheard Fanny’s recitation, and the wink he sent our way more or less confirmed it.
Psi No More… Page 1