CHAPTER III.
A NOTEWORTHY EVENING.
Chester enjoyed his supper. Mr. Morris, though a minister, had none ofthe starched dignity that many of his profession think it necessary toassume. He was kindly and genial, with a pleasant humor that made himagreeable company for the young as well as the old. Mr. Conrad spokemuch of New York and his experiences there, and Chester listened to himeagerly.
"You have never been to New York, Chester?" said the young artist.
"No, sir, but I have read about it--and dreamed about it. Sometime Ihope to go there."
"I think that is the dream of every country boy. Well, it is thecountry boys that make the most successful men."
"How do you account for that, Herbert?" asked the minister.
"Generally they have been brought up to work, and work more earnestlythan the city boys."
When the supper table was cleared, Mr. Conrad took from his valise twoor three of the latest issues of _Puck_, _Judge_ and _Life_. He handedthem to Chester, who looked over them eagerly.
"Do you ever contribute to these papers, Mr. Conrad?" he asked.
"Yes; here is a sketch in _Judge_, and another in _Life_, which Ifurnished."
"And do you get good pay for them?"
"I received ten dollars for each."
Chester's eyes opened with surprise.
"Why," he said, "they are small. It couldn't have taken you long todraw them."
"Probably half an hour for each one."
"And you received ten dollars each?"
"Yes, but don't gauge such work by the time it takes. It is the ideathat is of value. The execution is a minor matter."
Chester looked thoughtful.
"I should like to be an artist," he said, after a pause.
"Won't you give me a specimen of your work? You have seen mine."
"I have not done any comic work, but I think I could."
"Here is a piece of drawing paper. Now, let me see what you can do."
Chester leaned his head on his hand and began to think. He was insearch of an idea. The young artist watched him with interest. At lasthis face brightened up. He seized the pencil, and began to drawrapidly. In twenty minutes he handed the paper to Mr. Conrad.
The latter looked at it in amazement.
"Why, you are an artist," he said. "I had no idea you were capable ofsuch work."
"I am glad you like it," said Chester, much pleased.
"How long have you been drawing?"
"Ever since I can remember. I used to make pictures in school on myslate. Some of them got me into trouble with the teacher."
"I can imagine it, if you caricatured him. Did you ever take lessons?"
"No; there was no one in Wyncombe to teach me. But I got hold of adrawing book once, and that helped me."
"Do you know what I am going to do with this sketch of yours?"
Chester looked an inquiry.
"I will take it to New York with me, and see if I can dispose of it."
"I am afraid it won't be of much use, Mr. Conrad. I am only a boy."
"If a sketch is good, it doesn't matter how old or young an artist is."
"I should like very much to get something for it. Even fifty centswould be acceptable."
"You hold your talent cheap, Chester," said Mr. Conrad, with a smile."I shall certainly ask more than that for it, as I don't approve ofcheapening artistic labor."
The rest of the evening passed pleasantly.
When Chester rose to go, Mr. Conrad said:
"Take these papers, Chester. You can study them at your leisure, and ifany happy thoughts or brilliant ideas come to you, dash them off andsend them to me. I might do something with them."
"Thank you, sir. What is your address?"
"Number one ninety-nine West Thirty-fourth Street. Well, good-by. I amglad to have met you. Sometime you may be an artist."
Chester flushed with pride, and a new hope rose in his breast. He hadalways enjoyed drawing, but no one had ever encouraged him in it. Evenhis mother thought of it only as a pleasant diversion for him. As toits bringing him in money, the idea had never occurred to him.
It seemed wonderful, indeed, that a little sketch, the work of half anhour, should bring ten dollars. Why compare with this the hours of toilin a grocery store--seventy, at least--which had been necessary to earnthe small sum of three dollars. For the first time Chester began tounderstand the difference between manual and intelligent labor.
It was ten o'clock when Chester left the minister's house--a late hourin Wyncombe--and he had nearly reached his own modest home before hemet anyone. Then he overtook a man of perhaps thirty, thinly clad andshivering in the bitter, wintry wind. He was a stranger, evidently, forChester knew everyone in the village, and he was tempted to look back.The young man, encouraged perhaps by this evidence of interest, spoke,hurriedly:
"Do you know," he asked, "where I can get a bed for the night?"
"Mr. Tripp has a few rooms that he lets to strangers. He is thestorekeeper."
The young man laughed, but there was no merriment in the laugh.
"Oh, yes. I know Silas Tripp," he said.
"Then you have been in Wyncombe before?"
"I never lived here, but I know Silas Tripp better than I want to. Heis my uncle."
"Your uncle!" exclaimed Chester, in surprise.
"Yes, I am his sister's son. My name is Walter Bruce."
"Then I should think your uncle's house was the place for you."
"I have no money to pay for a bed."
"But, if you are a relation----"
"That makes no difference to Silas Tripp. He has no love for poorrelations. You don't know him very well."
"I ought to, for I have worked for him in the store for a year."
"I didn't see you in there this evening."
"I left him last Saturday evening. There is another boy there now."
"Why did you leave him?"
"Because he wanted to cut down my wages from three dollars to twodollars and a quarter."
"Just like uncle Silas. I see you know him."
"Have you seen him since you came to Wyncombe?"
"I was in the store this evening."
"Did you make yourself known to him?"
"Yes."
"Didn't he invite you to spend the night in the house?"
"Not he. He saw by my dress that I was poor, and gave me a lecture onmy shiftless ways."
"Still he might have taken care of you for one night."
"He wouldn't. He told me he washed his hands of me."
Chester looked sober. He was shocked by Silas Tripp's want of humanity.
"You asked me where you could find a bed," he said. "Come home with me,and I can promise you shelter for one night, at least."
"Thank you, boy," said Bruce, grasping Chester's hand. "You have aheart. But--perhaps your parents might object."
"I have no father. My mother is always ready to do a kind act."
"Then I will accept your kind offer. I feared I should have to stay outall night."
"And without an overcoat," said Chester, compassionately.
"Yes, I had to part with my overcoat long since. I could not affordsuch a luxury. I suppose you understand!"
"You sold it?"
"No, I pawned it. I didn't get much for it--only three dollars, but itwould be as easy for me to take the church and move it across thestreet as to redeem it."
"You appear to have been unfortunate."
"Yes. Fortune and I are at odds. Yet I ought to have some money."
"How's that?"
"When my mother died uncle Silas acted as executor of her estate. Itwas always supposed that she had some money--probably from two to threethousand dollars--but when uncle Silas rendered in his account it haddwindled to one hundred and twenty-five dollars. Of course that didn'tlast me long."
"Do you think that he acted wrongfully?" asked Chester, startled.
"Do I think so? I have no doubt of it. You know
money is his god."
"Yet to cheat his own nephew would be so base."
"Is there anything too base for such a man to do to get money?"
The young man spoke bitterly.
By this time they had reached Chester's home. His mother was still up.She looked up in surprise at her son's companion.
"Mother," said Chester, "this is Mr. Bruce. Do you think we can givehim a bed?"
"Why, certainly," replied Mrs. Rand, cordially. "Have you had supper,sir?"
"I wouldn't like to trouble you, ma'am."
"It will be no trouble. I can make some tea in five minutes. Chester,take out the bread and butter and cold meat from the closet."
So before he went to bed the homeless wayfarer was provided with a warmmeal, and the world seemed brighter and more cheerful to him.
Chester Rand; or, The New Path to Fortune Page 3