Any naturalist who is lucky enough to travel, at certain moments has experienced a feeling of overwhelming exultation at the beauty and complexity of life, and a feeling of depression that there is so much to see, to observe, to learn, that one lifetime is an unfairly short span to be allotted for such a paradise of enigmas as the world is. You get it when, for the first time, you see the beauty, variety and exuberance of a tropical rain forest, with its cathedral maze of a thousand different trees, each bedecked with gardens of orchids, epiphytes, enmeshed in a web of creepers; an interlocking of so many species that you cannot believe that number of different forms have evolved. You get it when you see for the first time a great concourse of mammals living together, or a vast, restless conglomeration of birds. You get it when you see a butterfly emerge from a chrysalis; a dragonfly from its pupa; when you observe the delicate, multifarious courtship displays, the rituals and taboos, that go into making up the continuation of a species. You get it when you first see a stick or a leaf turn into an insect, or a piece of dappled shade into a herd of zebras. You get it when you see a gigantic school of dolphins stretching as far as the eye can see, rocking and leaping exuberantly through their blue world; or a microscopic spider manufacturing from its frail body a transparent, apparently never-ending line that will act as a transport as it sets out on its aerial explorations of the vast world that surrounds it.
But there is one experience, perhaps above all others, that a naturalist should try to have before he dies, and that is the astonishing and humbling experience of exploring a tropical reef. It seems that in this one action you use nearly every one of your senses, and one feels that one could uncover hidden senses as well. You become a fish, hear, and see and feed as much like one as a human being can; yet at the same time you are like a bird, hovering, swooping and gliding across the marine pastures and forests.
I had obtained my first taste of this fabulous experience when I was on the Great Barrier Reef in Australia but there, unfortunately, we had only masks and no snorkels, and my mask let in water. To say that it was fascinating, was putting it mildly, for there below me was this fascinating, multi-coloured world and I could only obtain glimpses of it, the duration of which was dependent upon how long I could hold my breath and how long it took my mask to fill and drown me. The tantalising glimpses I did get of this underwater world were unforgettable and I determined to do it properly at the first available opportunity. This came in Mauritius, for there at the Le Morne Brabant Hotel, the lagoon and its attendant reef were literally on my doorstep. I could not have been closer without moving my bed into it.
The first morning, I made myself a pot of tea and carried it out on to the verandah, together with one of the small, sweet Mauritian pineapples. I sat eating and watching the boats arrive farther down the beach, each piloted by handsome, bright-eyed, long-haired fishermen ranging from copper-bronze to soot-black in colour, wearing a variety of clothing in eye-catching colours that shamed the hibiscus and bougainvillaea flowers that flamed in the gardens. Each boat was loaded down with a cargo of snow-white pieces of coral and multi-coloured, pard-spotted cowries and cone shells. From sticks stuck in the gunwales, hung necklaces of tiny shells like glittering rainbows. The sun had just emerged from the mountains behind the hotel. It turned the sky and the horizon powder-blue; gilded a few fat, white clouds that sailed in a slow flotilla across the sky; gave a crisp, white sparkle to the foam on the reef and turned the flat, still lagoon transparent sapphire.
Almost as soon as I had seated myself on the verandah, the table at which I sat had become covered with birds, anxious to share with me whatever breakfast I had. There were mynahs with neat, black and chocolate plumage and banana-yellow beaks and eyes; Singing finches, the females a delicate leaf-green and pale, butter-yellow, and the males, by contrast, strident sulphur-yellow and black; and the Whiskered bulbuls, black and white, with handsome scarlet whiskers and tail flash. They all had a drink out of the milk jug, decided the tea was too hot and then sat, looking longingly at my fruit. I extracted the last of the juicy core from the glyptodont skin of the pineapple and then placed the debris on the table where it immediately became invisible under a fluttering, bickering mass of birds.
I finished my tea and then, taking my mask and snorkel, made my way slowly down to the shore. I reached the sand and the ghost crabs (so transparent that when they stopped moving and froze, they disappeared) skittered across the tide ripples and dived for safety into their holes. At the rim of the lagoon, the sea lapped very gently at the white sand, like a kitten delicately lapping at a saucer of milk. I walked into the water up to my ankles and it was as warm as a tepid bath.
All round my feet on the surface of the sand were strange decorations that looked as though someone had walked through the shallow water and traced on the sandy bottom the blurred outlines of a hundred starfish. They lay arm to arm, as it were, like some strange, sandy constellation. The biggest measured a foot from arm tip to arm tip, and the smallest was about the size of a saucer.
Curious about these ghostly sand starfish, I dug an experimental toe under one and hooked upwards. It came out from under its covering and floated briefly upwards, shedding the film of sand that had been lightly covering it and revealing itself to be a fine, robust starfish of a pale brick-pink, heavily marked with a dull white and red speckling. Though they looked attractively soft and velvety – like a star you put on top of a Christmas tree – they were, in fact, hard and sandpaperish to the touch. The one I had so rudely jerked out of its sandy bed with my toe performed a languid cartwheel in the clear water and drifted down on to the bottom, landing on its back. Its underside was a pale, yellowish ivory, with a deep groove down each arm that looked like an open zip-fastener. Within this groove, lay its myriad feet – tiny tentacles some four millimetres long, ending in a plate-shaped sucker. Each foot could be used independently so that there was a constant movement in the grooves and the tentacles contracted and expanded, searching for some surface on which the suckers could fasten.
Discovering none, and presumably concluding that it was upside down, the starfish curled the extreme tip of one arm under itself. Finding a foothold, it then curled its arm further in an effortless, boneless sort of way. At the same time, it curled under the two arms on either side of the first one, and slowly and gently, the animal started to lift itself with this triangle of arms. The arms on the opposite side of its body curled and spread upwards like the fingers of a hand to support it, and soon the body was vertical like a wheel, supported by the ever-stiffening arms. The arms on the farthest side now spread wide and the body sank towards them slowly and gracefully like a yogi completing a complicated and beautiful asana. The body was now turned upright; it remained only for the starfish to pull out its remaining arms from underneath it and the animal was the right side up. The whole action had been performed with a slow-motion delicacy of movement that would have brought tears to the eyes of any ballet dancer.
Now, however, the starfish did something that no ballerina, be she ever too talented, could have emulated. It lay on the sand and simply disappeared. Before my eyes, it vanished and left behind it, like the Cheshire Cat left its smile, merely a vague outline, the suggestion of a starfish, as it were, embossed upon the sand. What had happened, of course, was that while the starfish remained apparently unmoving, its hundreds of little feet, out of sight beneath it, were burrowing into the sand, so the animal simply sank from view and the white grains drifted to cover it. The whole thing, from the moment I had unearthed the creature until it disappeared, had taken no longer than two minutes.
I had approached the lagoon with every intention of plunging in and swimming out to deep water, but I had already spent five minutes watching the ghost crabs, five minutes admiring the necklace of flotsam washed up by the tide, and another two minutes standing ankle-deep in the water watching what was obviously a guru starfish attaining a sort of sandy nirvana. During this time, the fishermen, perched like some gay parrots in their boa
ts, had been regarding me with the same avid interest as I had bestowed upon the natural history of the shoreline. Their curiosity had been well concealed, however, and there had been no attempt to solicit my custom for their wares in the tiresome way that is indulged in by pedlars in other countries. Mauritians were too polite for that. I waved at them and they all waved back, grinning broadly.
Determined not to be sidetracked again, I waded out waist-deep into the water, put on my mask and plunged my head under the water to get my head and back wet and protect it a little from the sun, which was hot even at that early hour. As my mask dipped below the surface, the sea seemed to disappear and I was gazing down at my feet in the submarine territory that immediately surrounded them.
Instantly I forgot my firm resolve to swim out into deeper water, for I was surrounded by a world as bizarre as any science fiction writer had thought up for a Martian biology. Around my feet, a trifle close for comfort, lay six or seven large, flattish sea urchins, like a litter of hibernating hedgehogs with bits of seaweed and coral fragments enmeshed in their spines so that, until one looked closely, they appeared to be weed-covered lumps of dark lava. Entwined between them were several curious structures, lying on the sand in a languid manner, like sunbathing snakes. They were tubes some four feet long and about four inches in circumference. They looked like the submarine parts of a strange vacuum cleaner, apparently jointed every three inches and manufactured out of semi-opaque, damp brown paper that had started to grow a sort of furry fungus at intervals along its length.
At first, I could not believe that these weird objects were alive. I thought they must be strange, dead strands of some deep-sea seaweed now washed into the shallows by the tide, to roll and undulate helplessly on the sand to the small movements of the sea. Closer inspection showed me that they were indeed alive, unlikely though it seemed. Sinucta muculata, as this strange creature is called, is really a sort of elongated tube, which sucks in water at one end and with it microscopic organisms, and expels the water at the other.
As well as Sinucta, I saw some old friends lying about, placid on the sea-bed – the sea slug that I had known from my childhood in Greece, thick, fat, warty creatures, a foot long, looking like a particularly revolting form of liver sausage. I picked one up; it was faintly slimy, but firm to the touch, like decaying leather. I lifted it out of the water and it behaved exactly as its Mediterranean cousins did. It ejected a stream of water with considerable force, at the same time becoming limp and flaccid in my hand. Then, having exhausted this form of defence, it tried another one. It suddenly voided a stream of a white substance that looked like liquid latex and was sticky beyond belief, the slightest portion adhering to your skin more tenaciously than Sellotape.
I could not help feeling that this was a rather futile form of defence for should an enemy be attacking, this curtain of adhesive, rubber-like solution would only serve to bind it more closely to the sea slug. However, it seemed unlikely that any weapon as complex as this would have been evolved in a creature so primitive unless it had fulfilled a necessary purpose. I released the slug and he floated to the bottom, to roll gently on to the sand, fulfilling the gay, vibrant, experience-full life that sea slugs lead, which consists of sucking the water in at one end of their being and expelling it at the other, while being rolled endlessly by the tide.
Reluctantly, I dragged my attention away from the creatures that lived in the immediate vicinity of my feet, and launched myself on my voyage of exploration. That first moment, when you relax and float face downwards, and, under the glass of your mask, the water seems to disappear, is always startling and uncanny. You suddenly become a hawk, floating and soaring over the forests, mountains and sandy deserts of this marine universe. You feel like Icarus, as the sun warms your back, and below you, the multi-coloured world unfolds like a map. Though you may float only a few feet above the tapestry, the sounds come up to you muted as if floating up from a thousand feet in still air, as you might be suspended and hear sounds of life in the toy farms and villages below a mountain. The crunch of the gaudy parrot fish, rasping at the coral with its beak; the grunt or squeak or creakings of any one of a hundred fish, indignantly defending their territory against invaders; the gentle rustle of the sand moved by tides or currents; a whisper like the feminine rustle of a thousand crinolines. These and many more noises drift up to you from the sea bed.
At first, the sandy bottom was flat, littered with the debris of past storms and hurricanes; lumps of coral now covered with weed, and the abode of a million creatures; pieces of pumice stone. On the sand, lay battalions of huge, black sea urchins, with long, slender spines that move constantly like compass needles. Touch one of them, and the spines moving gently to and fro suddenly become violently agitated, waving about with ever-increasing speed like mad knitting needles. They were very fragile as well as being sharp, so that if they penetrated your skin, they broke off. They also stained the immediate area of the puncture, as though you had been given a minute injection of Indian ink. Although they looked black, when the sunlight caught them, you found that they were a most beautiful royal blue with a green base to each spine. This species was fortunately flamboyant enough to be very obvious and, although some lay in crevices and under coral ledges, the majority lay on the sand, singly or in prickly groups, and were very apparent.
Interspersed with these were more of the elongated hosepipes and a further scattering of sea slugs. These, however, appeared to be of a different species. They were very large, some of them eighteen inches long and a mottled, yellowish-green. They also seemed much smoother and fatter than their black cousins, most of them being some four or five inches in diameter. I dived down to pick up one of these dim and unattractive creatures. As I was swimming to the surface with him, he first of all squirted water in the usual way and then, finding this did not make me relinquish my grip on his fat body, exuded his sticky rubber.
I was astonished at the attractive effect it had under water. When the sea slug used this, his ultimate deterrent, in the air, it came out simply as a sort of squishy, white, sticky stream, but viewed under water, the same phenomenon was different and beautiful. The substance was revealed as being composed of fifty or more separate strands, each the thickness of fine spaghetti and about eight inches long. One end remained attached to the beast while the filaments at the other end curved out and floated in the water like a delicate white fountain. Whether these strands had the power to sting and perhaps paralyse small fish, I don’t know. One could touch them without feeling anything or getting any irritation, but certainly, spread out in a graceful spray, the tentacles presented much more of an adhesive hazard to an enemy than I had thought.
I swam on and, quite suddenly, like a conjuring trick, I found I was swimming through and over a large school of extraordinary-looking fish. There were about fifty of them; each measured some three to four feet long and was coloured a neutrally-transparent grey, so that it was almost invisible. Their mouths protruded almost into an elongated spike, as did their tails, so that it was difficult to tell at first glance which way they were pointing until you saw their round, rather oafish eyes staring at you with caution. They had obviously been doing something very strenuous and were now exhausted. They hung, immobile in the water, facing the current, meditating. They were most orderly, for they hung in the water in ranks, like well-drilled, if somewhat emaciated soldiers. It was interesting to note that they hung in exactly the right juxtaposition to each other, like troops on parade, so many feet between the fish in front and behind, and the same distance between the one above and the one below and the ones on each side. My sudden presence caused a certain amount of panic in their ranks, like someone marching out of step on an Armistice Day parade, and they swam off in confusion. As soon as they put enough distance between themselves and me, they re-formed ranks, turned to face the tide, and went into a trance again.
Leaving these fish, I swam on, gazing enthralled at the sandy bottom, barred with broad stripes of gold by
the sun and these, by some optical alchemy, spangled all over with golden, trembling rings. Then, looming up ahead of me, I saw a shape, a dim blur which materialised into a massive rock some nine feet by three, shaped like the dome of St Paul’s Cathedral. As I got closer, I saw that the whole rock was encrusted with pink, white and greenish corals and on top of it there were four huge, pale bronze sea anemones, attached like flowers to a monstrous, multi-coloured bonnet.
I swam over this fascinating rock and anchored myself against the slow pull of the tide by catching hold of a projecting piece of coral, having first examined it carefully to make sure that there was nothing harmful lurking on, or under, or in it. That this was a wise precaution, I soon realised for as soon as my eyes got focused, I saw lurking, almost invisible, in the coral-and reed-encrusted grotto, a foot or so away from my hand, a large and beautifully coloured Scorpion fish whose dorsal spines can cause you agony and even, in rare cases, death, should you unwittingly touch it and it jabs them into you. He was some seven inches long, with a jowly, pouting face and huge, scarlet eyes. His predominant colours were pink and orange, with black bars and stripes and specklings. His pectoral fins were greatly elongated so he looked as though he had two pink hands growing out from under his gills, with attenuated fingers. Along his back was the row of scarlet spines that could prove so lethal. Altogether, he was a most flamboyant fish and, once you had spotted him, he glowed like a great jewel; yet until I had noticed a slight movement from him, he had, with his striped and spotted livery, melted into the background. Now, realising he had been spotted, he moved his great trailing fins gently and gradually edged his way round and down the rock away from me. Beautiful though he was, I was relieved not to have him at quite such close quarters.
Golden Bats & Pink Pigeons Page 10