I picked up a couple of buck burgers and fries from a fast-food place and drove home. The trailer was looking as spiffy as a seventies single-wide could. New siding had made the porch look tacky, so I’d repainted it gray. Samuel had suggested flower boxes to dress it up, but I don’t like living things to suffer unnecessarily—and I have a black thumb.
Samuel’s Mercedes was gone from its usual spot so he must still be at Tumbleweed. He’d offered to come with me to meet with the lawyer—so had Adam. Which is how I ended up with just Kyle, whom neither of the werewolves looked upon as a rival.
I opened the front door and the smell of crock pot stew made my stomach rumble its approval.
There was a note next to the crock pot on the kitchen counter. Samuel had learned to write before typewriters and computers rendered penmanship an art practiced by elementary school children. His notes always looked like formal wedding invitations. Hard to believe a doctor actually wrote like that.
Mercy, his note said with lovely flourishes that made the alphabet look like artwork. Sorry, I am not here. I promised to volunteer at the festival until after tonight’s concert. Eat something.
I followed his advice and got out a bowl. I was hungry, Samuel was a good cook—and it was still a few hours until dark.
O’Donnell’s address was in the phone book. He lived in Kennewick just off Olympia in a modest-sized house with a neat yard in the front and an eight-foot white fence that enclosed the backyard. It was one of the cinder block houses that were fairly common in the area. Recently someone had been of the mistaken impression that painting it blue and putting shutters on the windows would make it look less industrial.
I drove past it, taking in the yellow police-line tape that covered the doors—and the darkened houses to either side of it.
It took me a while to find a good parking spot. In a neighborhood like this, people would notice a strange car parked in front of their house. Finally I parked in a lot by a church that was not too far away.
I put on the collar with the tags that gave Adam’s phone number and address as my home. One trip to the dog pound had left me grateful for this little precaution. I didn’t look anything at all like a dog, but at least in town there wouldn’t be angry farmers ready to shoot me before they saw my collar.
Finding a place to change was a little more challenging. The dog pound I could deal with, but I didn’t want to get a ticket for indecent exposure. Finally I found an empty house with a realtor’s sign out front and an unlocked gardening shed.
From there, I only had to trot a couple of blocks to O’Donnell’s house. Happily, O’Donnell’s backyard fence ensured his backyard was private, because I had to change back and get out the picks I’d taped to the inside of the collar.
It was still close enough to summer that the night air was pleasant—a good thing since I had to pick the damned lock stark naked and it took me too long. Samuel had taught me to pick locks when I was fourteen. I hadn’t done it a lot since then—just a couple of times when I’d locked my keys in my car.
As soon as I had the door open, I replaced the picks inside my collar. Bless duct tape, it was still sticky enough to hold them.
A washer and dryer were just inside, with a dirty towel laid across the dryer. I picked it up and wiped the door, doorknob, lock, and anything else that might have picked up my fingerprints. I didn’t know if they had something to check for bare footprints, but I wiped the floor where I had taken a step inside to reach the towel, then tossed it back on the dryer.
I left the door mostly shut but unlatched, then shifted back into coyote, hunching under the gaze of eyes that weren’t there. I knew, knew that no one had seen me go inside. The gentle, gusty wind would have brought the scent of anyone skulking about. Even so, I could feel someone watching me, almost as if the house was aware of me. Creepy.
With my tail tucked uncomfortably close I turned my attention to the task at hand, the sooner to leave—but unlike the fae houses, this one had seen a lot of people in and out recently. Police, I thought, forensic team, but even before they had come there had been a lot of people in the back hallway.
I hadn’t expected an obnoxious boor like O’Donnell to have a lot of friends.
I ducked through the first doorway and into the kitchen, and the heavy traffic of people mostly faded away. Three or four light scents, O’Donnell, and someone who wore a particularly bad male cologne had been in here.
The cupboard doors gaped and the drawers hung open and a little askew. Dish towels were scattered in hasty piles on the counter.
Maybe Cologne Man was a police officer who searched the kitchen—unless O’Donnell was the sort who randomly shoved all of his dishes to one side of a cupboard and stored his cleaning supplies in a pile on the floor instead of tucked neatly in the space under the sink behind the doors that hung open, revealing the empty dark space beneath.
The faint light of the half moon revealed a fine black powder all over the cupboard doors and counter tops that I recognized as the substance the police use to reveal fingerprints—the TV is a good educational tool and Samuel is addicted to those forensic, soap opera–mystery shows.
I glanced at the floor, but there was nothing on it. Maybe I’d been a little paranoid when I’d wiped the place where I’d stood on the linoleum with bare human feet.
The first bedroom, across the hall from the kitchen, was obviously O’Donnell’s. Everyone from the kitchen had been in here, including Cologne Man.
Again, it looked like someone had gone through every cranny. It was a mess. Every drawer had been upended on the bed, then the whole dresser had been overturned. All of his pants’ pockets had been turned inside out.
I wondered if the police would have left it that way.
I backed out of there and went into the next room. This was a smaller bedroom, and there was no bed. Instead there were three card tables that had been flung helter-skelter. The bedroom window was shattered and covered with police tape. Someone had been angry when they’d come in here, and I was betting it wasn’t the police.
Avoiding the glass on the floor as much as I could, I got a closer look at the window frame. It had been one of those newer vinyl ones, and the bottom half had been designed to slide up. Whatever had been thrown through the window had pulled most of the framing out of the wall as well.
But I’d known the killer was strong. He had, after all, ripped off a man’s head.
I left the window to explore the rest of the room more closely. Despite the apparent mess, there wasn’t much to look at: three card tables and eleven folding chairs—I glanced at the window and thought that a folding chair, thrown very hard, might break through a window like that.
A metal machine that looked oddly familiar had left a dent in the wall before landing on the ground. I pawed it over and realized it was an old-fashioned mail meter. Someone had been sending out bulk mail from here.
I put my nose down and started to pay attention to what it had been trying to tell me. First, this room was more public than the kitchen or first bedroom, more like the back door and hallway had been.
Most houses have a base scent, mostly a combination of preferred cleaning supplies (or lack thereof ) and the body scents of the family who live in it. This room smelled different from the rest of the house. There had been—I looked again at the scattering of chairs—maybe as many as ten or twelve people who came to this room often enough to leave more than a surface scent.
This was good, I thought. Given the way O’Donnell had rubbed me wrong—anyone who knew him was likely to have murdered him. However—I took another look at the window—there hadn’t been a fae or any other magical critter in the bunch that I could tell. No human had taken out the window that way—or torn off O’Donnell’s head either.
I memorized their scents anyway.
I’d done what I could with this room—which left me with only one more. I’d left the living room for last for two reasons. First, if someone were to see me, it would be w
here the big picture window looked out onto the street in front of the house. Second, even a human’s nose could have told them that the living room was where O’Donnell had been killed and I was growing tired of blood and gore.
I think it was dread of what I’d find in the living room that made me look back into the bedroom, rather than any instinct that I might have missed something.
A coyote, at least this coyote, stands just under two feet at the shoulder. I think that’s why I never thought to look up at the pictures on the wall. I’d thought they were only posters; they were the right size and shape, with matching cheap Plexiglas and black plastic frames. The room was dark, too, darker than the kitchen because the moon was on the other side of the house. But from the doorway I got a good look at the framed pictures.
They were indeed posters, very interesting posters for a security guard who worked for the BFA.
The first showed a child dressed in a fluffy Easter Sunday dress sitting on a marble bench in a gardenlike setting. Her hair was pale and curly. She was looking at the flower in her hand. Her face was round with a button nose and rosebud lips. Bold letters across the top of the poster said: PROTECT THE CHILDREN. Across the bottom, in smaller letters, the poster announced that Citizens for a Bright Future was holding a meeting the November eighteenth of two years ago.
Like the John Lauren Society, Bright Future was an anti-fae group. It was a lot smaller organization than the JLS and catered to a different income bracket. Members of the JLS tended to be like Ms. Ryan, the relatively wealthy and educated. The JLS held banquets and golf tournaments to raise money. Bright Future held rallies that mostly resembled the old-fashioned tent revival meetings where the faithful would be entertained and preached at, then passed a hat.
The other posters were similar to the first, though the dates were different. Three of them were for meetings held in the Tri-Cities, but one was in Spokane. They were slick, and professionally laid out. Stock posters, I thought, printed at the headquarters without dates and places, which could be added later in Sharpie black.
They must have been meeting here and sending out their mailings. That’s why there had been so many people in O’Donnell’s house.
Thoughtfully, I padded into the living room. I think I’d seen so much blood the night before that it wasn’t the first thing that struck me, though it was splattered around with impressive abandon.
The first thing I noticed was that, under the blood and death, I caught a familiar scent that was out of place in this room. Something smelled like the forest fae’s home. The second thing I noticed was that whatever it was, it packed a tremendous magical punch.
Finding it, though, was more problematical. It was like playing “Find the Thimble” with my nose and the strength of the magic to tell me if I was hot or cold. Finally I stopped in front of a sturdy gray walking stick tucked into the corner behind the front door, next to another taller and intricately carved stick, which smelled of nothing more interesting than polyurethane.
When I first looked at the stick, it appeared unremarkable and plain, though clearly old. Then I realized that the metal cap wasn’t stainless steel: it was silver, and very faintly I could see that something was etched into the metal. But it was dark in the room and even my night eyes have limits.
It might as well have had “A Clue” painted in fluorescent orange down the side. I thought long and hard about taking it, but decided it was unlikely to go anyplace, having survived O’Donnell’s murderer and the police.
It smelled of wood smoke and pipe tobacco: O’Donnell had stolen it from the forest fae’s home.
I left it alone and began quartering the living room.
Built-in bookshelves lined the room, mostly full of DVDs and VHS tapes. One whole bookshelf was devoted to the kind of men’s magazines that people read “for the articles” and argue about art versus pornography. The magazines on the bottom shelf had given up any pretense of art—judging by the photos on the covers.
Another bookcase had doors that closed over the bottom half. The open shelves at the top were mostly empty except for a few chunks of…rocks. I recognized a good-sized chunk of amethyst and a particularly fine quartz crystal. O’Donnell collected rocks.
There was an open case for Chitty Chitty Bang Bang sitting on top of the DVD player under the TV. How could someone like O’Donnell be a Dick Van Dyke fan? I wondered if he’d had a chance to finish watching it before he died.
I think it was because I felt that moment of sorrow that I heard the creak of a board giving way beneath the weight of the house’s dead occupant.
Other people, people who are completely, mundanely human, see ghosts, too. Maybe not as often—or in broad daylight—but they do see them. Since there had been no ghosts at the death sites in the reservation, I’d unconsciously assumed that there would be none here as well. I’d been wrong.
O’Donnell’s shade walked into the living room from the hallway. As some ghosts do, he grew clearer in bits and pieces as I focused on him. I could see the stitching on his jeans, but his face was a faded blur.
I whined, but he walked by me without a glance.
There are a very few ghosts who can interact with the living, as much a person as they had been in life. I got caught once talking to a ghost without realizing that’s what he was until my mother asked me whom I was talking to.
Other ghosts repeat the habits of a lifetime. Sometimes they react, too, though I usually can’t talk to them. There is a place near where I was raised where the ghost of a rancher goes out every morning to throw hay to cows who are half a century gone. Sometimes he saw me and waved or nodded his head as he would have responded to anyone who’d approached him in life. But if I tried to converse with him, he’d just go about his business as if I weren’t there at all.
The third kind are the ones born in moments of trauma. They relive their deaths until they fade away. Some dissipate in a few days and others are still dying each day even centuries later.
O’Donnell didn’t see me standing in front of him so he wasn’t the first, most useful kind of ghost.
All I could do was watch as he walked to the shelves that held the rocks and touched something on the top shelf. It clicked against the fake wood shelf. He stood there for a moment, his fingers petting whatever he touched, his whole body focused on that small item.
For a moment I was disappointed. If he was just repeating something he’d done every day, I wouldn’t learn anything from him.
Then he jerked upright, responding, I thought, to a sound I could not hear and he walked briskly to the front door. I heard the door open with his motions, but the door, more real than the apparition, stayed closed.
This was not a habitual ghost. I settled in, prepared to watch O’Donnell die.
He knew the person at the door. He seemed impatient with him, but after a moment of talk, he took a step back in invitation. I couldn’t see the person who came in—he wasn’t dead—or hear anything except the creaks and groans of the floorboards as they remembered what had happened here.
Following O’Donnell’s attention, I watched the path of the murderer as he walked rapidly to a place in front of the bookcase. O’Donnell’s body language became increasingly hostile. I saw his chest move forcefully and he made a cutting gesture with one hand before storming over to confront his visitor.
Something grabbed him around the neck and shoulder. I could almost make out the shape of the murderer’s hand against the paleness of O’Donnell’s form. It looked human to me. But before I could get a good look, whoever it was proved that they were not human at all.
It was so fast. One moment O’Donnell was whole and the next his body was on the floor, jerking and dancing, and his head was rolling across the floor in a lopsided, spinning gyre that ended not a foot from where I stood. For the first time, I saw O’Donnell’s face clearly. His eyes were becoming unfocused, but his mouth moved, forming a word he no longer had breath to say. Anger, not fear, dominated his expression, as if h
e hadn’t had time to realize what had happened.
I’m not a terrific lip reader, but I could tell what he’d tried to say.
Mine.
I stayed where I was and shook for minutes after O’Donnell’s specter faded. It wasn’t the first death I’d witnessed—murder is one of those things that tend to produce ghosts. I’d even cut someone’s head off before—that being one of the few ways you can make sure that a vampire will stay dead. But it hadn’t been as violent as this, if only because I’m not strong enough to rip someone’s head off.
Eventually, I remembered that I had things to do before someone realized there was a coyote running free in a crime scene. I put my nose down on the carpet to see what it could tell me.
Distinguishing any scents at all here proved difficult with O’Donnell’s blood soaking into couch cushions, walls, and carpet. I caught a hint of Uncle Mike’s scent in one corner of the room, but it faded quickly, and though I searched the corner for a while, I never caught it again. The Cologne Man had been in the living room, along with O’Donnell, Zee, and Tony. I hadn’t realized Tony had been one of the arresting officers. Someone had been sick just inside the front door, but it had been wiped up and left only a trace.
Other than that, it was like trying to pick up a trail in the Columbia Center Mall. There had simply been too many people in here. If I was trying to pick out a scent, I could do that—but trying to distinguish all the scents…it just wasn’t going to work.
Giving up, I went back to the corner where I’d scented Uncle Mike just to see if I could pick him up again—or figure out how he managed to leave only the barest trace for me to find.
I don’t know how long it was there before I finally looked up and saw the raven.
chapter 5
It watched me from the hall doorway, as if it had simply found the open back door and flown in. But ravens are not night birds despite their color and reputation. If there had been nothing else, that alone would have told me that there was something off about this bird.
Patricia Briggs Mercy Thompson: Hopcross Jilly Page 68