The photos showed the victim lying in about two feet of brush and snow on a slight incline. The news stories had been correct. She was in two pieces. A scarf was tightly wrapped around her neck and her eyes were sufficiently wide and bugged to suggest this was how she died. But the killer apparently had more work to do afterward. The body had been hacked apart at the midriff, the bottom half then placed over the top half in a horrific tableau suggesting that she was performing a sex act on herself.
I realized that Wexler was at the other desk watching me as I looked at the gallery of ghastly photos. I tried not to show my disgust. Or my fascination. I knew now what my brother was protecting me from. I had never seen anything so horrible. I finally looked at Wexler.
"Jesus."
"Yeah."
"The stuff the tabs said about it being like the Black Dahlia in L.A., it was close, wasn't it?"
"Yeah. Mac bought a book about it. He called some old horse in the LAPD, too. There were some similarities. The chop job. But that one was fifty years ago."
"Maybe somebody got the idea from that."
"Maybe. He thought of that."
I returned the photos to the envelope and looked back at Wexler.
"Was she a lesbian?"
"No, not as far as we could tell. She had a boyfriend back up in Butte. Good kid. We cleared him. Your brother thought the same thing for a while. Because of what the killer did, you know, with the parts of the body. He thought maybe somebody was getting back at her for being a lezzie. Maybe making some kind of sick statement about something. He never got anywhere with it."
I nodded.
"You've got forty-five minutes left."
"You know, that's the first time I've heard you call him 'Mac' in a long time."
"Don't worry about it. Make that forty-four minutes."
The autopsy report was pretty much anticlimactic after the photos. I noticed that the time of death was set on the first day of Lofton's disappearance. She had been dead more than forty hours when her body was found.
Most of the summary reports dealt with dead ends. Routine investigations of the victim's family, boyfriend, friends on campus, coworkers and even parents of children she cared for, turned up nothing. Almost all were cleared through alibis or other investigative means.
The conclusions in the reports were that Theresa Lofton had not known her killer, that her path had somehow intersected with his, that it had simply been bad luck. The unknown killer was always referred to as a male, though there was no positive proof of this. The victim had not been sexually assaulted. But most violent murderers and mutilators of women were men, and it was believed it would have taken a physically strong person to cut through the body's bone and gristle. No cutting weapon was ever found.
Though the body had nearly completely bled out, there were indications of postmortem lividity, which meant some time had passed between the victim's death and the mutilation. Possibly, according to the report, as long as two or three hours.
Another peculiarity was the timing of when the body was left in the park. It was discovered approximately forty hours after investigators believed Theresa Lofton had been killed. Yet the park was a popular running and walking spot. It was unlikely that the body could have been in place in the open park field for that long without being noticed, even though an early snow considerably cut down on the number of people who passed through. In fact, the report concluded that the body had been in place no more than three hours when it was spotted after dawn by an early morning jogger.
So where was it all that time? The investigators couldn't answer that question. But they had a clue.
The fibers analysis report listed numerous foreign hairs and cotton fibers that had been found on the body and combed out of the hair. These would primarily be used to match a suspect to the victim, once a suspect became known. One particular section of the report had been circled. This section dealt with the recovery of a specific fiber-kapok-found on the body in large quantity. Thirty-three kapok seed hairs had been removed from the body. The number suggested direct contact with the source. The report said that while similar to cotton, kapok fibers were uncommon and primarily found in materials requiring buoyancy, such as boat cushions, life vests and some sleeping bags. I wondered why this section had been circled on the report and asked Wexler.
"Sean thought the kapok fibers were the key to where the body had been during the missing hours. You know, if we found a spot where we found that fiber, which isn't all that common, then we'd have the crime scene. But we never found it."
Because the reports were in chronological order I could see how theories were considered and discarded. And I could sense a growing desperation in the investigation. It was going nowhere. It was clear that my brother believed Theresa Lofton had crossed paths with a serial killer, the toughest criminal to track. There was a return report from the FBI's National Center for the Analysis of Violent Crime containing a psychological profile of the killer. My brother had also kept a copy in the file of a seventeen-page check-list survey of aspects of the crime he had sent to the bureau's Violent Criminal Apprehension Program. But the VICAP computer's response to the survey was negative. The Lofton killing did not match any other killings across the country in enough details to warrant further attention from the FBI.
The profile the bureau had forwarded was produced by an agent listed on the report as Rachel Walling. It contained a host of generalities that were largely worthless to the investigation because while the characterizations were in depth and possibly even on target, they did not necessarily help the detectives winnow down the millions of men who might qualify as suspects. The profile projected that the killer was most likely a white male, twenty to thirty years old, with unresolved feelings of inadequacy and anger toward women, hence the gross mutilation of the victim's body. He was probably raised by a domineering mother and his father probably was not present in the household or was absorbed in earning a living and forfeited child rearing and development to the mother. The profile classified the killer as "organized" in his methodology and warned that his seemingly successful completion of the crime and escape from detection could lead him to try further crimes of a similar nature.
The last reports in the first file were investigative summaries of interviews, tips that were checked out and other details from the case that might have meant nothing at the moment they were typed up but could be pivotal later.
Through these reports I could chart Sean's growing attachment to Theresa Lofton. In the initial pages she was always referred to as the victim, sometimes Lofton. Later on, he began referring to her as Theresa. And in the last reports, those filed in February before his death, he called her Terri, probably having picked up the diminutive name from her family and friends, or maybe from the back of the photo of her first day on campus. The happy day.
With ten minutes left I closed the file and opened the other one. This one was thinner and seemed to be filled with a hodgepodge of investigative loose ends. There were several letters from citizens offering theories on the killing. One letter was from a medium who said Theresa Lofton's living spirit was circling somewhere above the ozone layer in a high-frequency sound belt. She spoke in a voice so fast that it sounded like a chirp to the untrained ear, but the medium could decipher the chirping and was willing to ask her questions if Sean wanted to. There was no indication from the file that he did.
A supplemental report noted that Theresa's bank and auto repair shop were within walking distance of the campus. Three times detectives walked the routes between her dorm room, the day care center, the bank and the repair shop but came across no witness who remembered seeing Theresa on the Wednesday after classes ended. Despite this, my brother's theory-outlined in another supplemental-was that Lofton had been abducted sometime after calling her mechanic from the day care center but before she got to the bank to get money to pay him.
The file also contained a chronological record of the activity of the investigators assigned to t
he case. Initially, four members of the CAPS squad worked the case full-time. But as little headway was made and more cases came up, the investigative effort was winnowed down to Sean and Wexler. Then just Sean. He wouldn't let it go.
The last entry in the chronological record was made on the day he died. It was just one line: "Mar 13-RUSHER at Stanley. P/R info on Terri."
"Time."
I looked up and Wexler was pointing to his watch. I closed the file without protest.
"What's P-slash-R mean?"
"Person Reporting. It meant he got a call."
"Who is Rusher?"
"We don't know. There's a couple people in the phone book with that name. We called them, they didn't know what the fuck we were talking about. I ran something on NCIC but with just a last name didn't get anything to work with. Bottom line is, we don't know who it was or is. We don't even know if it's a man or woman. We don't know if Sean actually met anybody or not. We found nobody at the Stanley who saw him."
"Why would he go to meet this person without telling you or leaving some kind of record about who it was? Why'd he go alone?"
"Who knows? We've gotten so many calls on that case, you could spend all day just writing notes. And maybe he didn't know. Maybe all he knew was that someone wanted to talk to him. Your brother was so caught up on this one, he would have gone to meet anybody who said they knew something. I'll let you in on a little secret. It's something that's not in there because he didn't want people around here thinking he was loony. But he went to see that psychic-the medium-that's mentioned in there."
"What did he get?"
"Nothing. Just some bullshit about the killer being out there wanting to do it again. I mean, it was like-yeah, no kidding, thanks for the tip. Anyway, that's off the record, the psychic stuff. I don't want people thinking Mac was a flake."
I didn't bother to say anything about the stupidity of what he had just said. My brother had killed himself and yet Wexler was engaged in trying to limit the damage his image might suffer if it was known he had consulted a psychic.
"It doesn't go past this room," I said instead. After a few moments of silence I said, "So what's your theory on what happened that day, Wex? Off the record, I mean."
"My theory? My theory is he went out there and whoever it was who'd called him didn't show. It was another dead end for him and it tipped the scale. He drove up to that lake and he did what he did . . . Are you going to write a story about him?"
"I don't know. I think so."
"Look, I don't know how to say this but here goes. He was your brother but he was my friend. I might've even known him better than you. Leave it alone. Just let it go."
I told him I would think about it but it was only to placate him. I had already decided. I left then, checking my watch to make sure I had enough time to get out to Estes Park before dark.
6
I didn't get to the parking lot at Bear Lake until after five. I realized it was just as it had been for my brother, deserted. The lake was frozen and the temperature was dropping quickly. The sky was already purple and going dark. It wasn't much of a draw for locals or tourists this late in the day.
As I drove through the lot I thought about why he had picked this place to come. As far as I knew it had nothing to do with the Lofton case. But I thought I knew why. He parked where he had parked and just sat there thinking.
There was a light on in the ceiling of the overhang above the front of the ranger shack. I decided to get out and see if Pena, the witness, was there. Then another thought struck me. I slid over to the passenger side of the Tempo. I took a couple of deep breaths, then opened the door and started running for the woods where they grew closest to the car. As I ran I counted by thousands out loud. I was at eleven thousand by the time I had gotten over the snowbank and reached the cover.
Standing there in the woods, a foot deep in snow without boots on, I bent over and put my hands on my knees as I caught my breath. There was no way a shooter could have gotten into the woods to hide if Pena had been out of the shack as quickly as he had reported. I finally stopped gulping the air and headed toward the ranger's shack, debating how to approach him. As a reporter or a brother?
It was Pena behind the window. I could see the nameplate on his uniform. He was locking a desk when I looked through the window. He was calling it a day.
"Can I help you, sir? I'm closing up."
"Yes, I was wondering if I could ask you a few questions."
He came out, eyeing me suspiciously because I obviously wasn't dressed for a hike in the snow. I had on jeans and Reeboks, a corduroy shirt beneath a thick woolen sweater. I had left my long coat in the car and I was very cold.
"My name is Jack McEvoy."
I waited a moment to see if it registered. It didn't. He had probably only seen the name written in reports he had to sign, or in the newspaper. Its pronunciation-Mac-a-voy-didn't jibe with its spelling.
"My brother . . . he was the one you found a couple weeks ago."
I pointed toward the lot.
"Oh," he said, understanding. "In the car. The officer."
"Uh, I've been with the police all day, looking at the reports and stuff. I just wanted to come out and take a look. It's hard, you know . . . to accept it."
He nodded and tried to hide a quick glance at his watch.
"I just have a few quick questions. You were inside there when you heard it? The shot?"
I spoke quickly, not giving him the chance to stop me.
"Yes," he said. He looked like he was trying to decide something and then he did. He continued. "I was locking up just like tonight, 'bout to go home. I heard it. It was one of those things, I kinda knew what it was. I don't know why. Really what I thought was that it might be poachers after the deer. I came out pretty quick and the first place I looked was the lot. I saw his car. Could see him in there. All the windows were fogged up pretty good but I could see him. He was behind the wheel. Something about the way he was leaning back, I knew what happened . . . Sorry it was your brother."
I nodded and studied the ranger's shack. Just a small office and storage room. I realized that five seconds was probably a long estimate from the time Pena heard the shot until he saw the lot.
"There was no pain," Pena said.
"What?"
"If it's something you want to know. There was no physical pain, I don't think. I ran to the car. He was dead. It was instant."
"The police reports said you couldn't get to him. The doors were locked."
"Yeah, I tried the door. But I could tell he was gone. I came back up here to make the calls."
"How long do you think he was parked there before he did it?"
"I don't know. Like I told the police, I don't have a view of the lot. I'd been in the shed-I got a heater in there-oh, I'd say at least a half hour before I heard the shot. He could have been parked there the whole time. Thinking about it, I guess."
I nodded.
"You didn't see him out on the lake, did you? You know, before the shot."
"On the lake? No. Nobody was on the lake."
I stood there trying to think of something else.
"Did they come up with any reason why?" Pena asked. "Like I said, I know he was an officer."
I shook my head no. I didn't want to get into it with this stranger. I thanked him and started back to the lot while he locked the shack door. The Tempo was the only car in the plowed lot. I thought of something and turned back.
"How often do they plow?"
Pena stepped away from the door.
"After every snow."
I nodded and thought of something else.
"Where do you park?"
"We've got an equipment yard a half mile down the road. I park there and walk up the trail in the morning, down at quitting time."
"You want a ride?"
"Nah. Thanks, though. The trail will get me there quicker."
The whole way back to Boulder I thought of the last time I had been to Bear Lake.
It was also winter then. But the lake wasn't frozen, not all the way. And when I left that time, I felt just as cold and alone. And guilty.
Riley looked as if she had aged ten years since I had seen her at the funeral. Even so, I was immediately struck when she opened the door by what I hadn't realized before. Theresa Lofton looked like a nineteen-year-old Riley McEvoy. I wondered if Scalari or anybody else had asked the shrinks about that.
She asked me in. She knew she looked bad. After she opened the door she casually raised her hand to the side of her face to hide it. She tried a feeble smile. We went into the kitchen and she asked if I wanted her to make coffee but I said I wasn't staying long. I sat down at the kitchen table. It seemed that whenever I visited we would gather around the kitchen table. Even with Sean gone that hadn't changed.
The Poet (1995) Page 5