The Bread We Eat in Dreams

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The Bread We Eat in Dreams Page 16

by Catherynne M. Valente


  They all think I don’t get it, that I’m just a dumb kid who thinks vampires are cool because they all grew up reading those stupid books where some girl goes swooning over a boy vampire because he’s so deep and dreamy and he lived through centuries waiting for her. Gag. I guess that’s why that crap is banned now. No one wants their daughters getting the idea that all this could ever be hot. But guess what? They don’t have body fluids. They only have blood. You do the math. And then come back when you’re done throwing up. No one dates vampires.

  Anyway, I’m not dumb. It’s hard to be dumb when half your friends only come out at night. I get it. Pretty soon they’ll outnumber us.

  And then, pretty soon after that, it’ll be all of us.

  Noah and I went to the park most nights. Nobody gave us any shit there—no kids play in parks anymore, anyway. It’s just empty. And it was so hot that summer, I couldn’t stand being inside. Even at night, I could hardly breathe.

  One time Noah brought Emmy along. I wasn’t freaked or anything. I knew they weren’t dating anymore. Gossip knows no species, you know? I guess it must be pretty lonely to hang out with a human girl all the time and explain your business to her. They sat in the tire swing together and kind of draped their arms and legs all over each other. They didn’t make out or anything, they just sat there, touching.

  “Do…you guys need some time alone?” I asked. Ok, I was a little freaked.

  “It’s just something we do, Scout,” sighed Emmy. “Share ambient heat. It’s cold.”

  “Are you kidding? It’s like 90 degrees.”

  “Not for us,” Emmy said patiently.

  “It’s not just that, you know,” added Noah. “Ever seen pictures of wolf pups? How they all pile together? Well, you know, some days, a bunch of us just sleep that way. It’s…comforting.”

  I plunked down on one of those plastic dragons that bounce back and forth on a big spring. I bounced it a couple of times. I didn’t know what to say.

  “So what are you guys gonna do in the fall?”

  They just looked at each other, kind of sheepish.

  Noah moved his leg over Emmy’s. It was just about the least sexual thing I’ve ever seen. “We were thinking we might go to Canada. Lots of us are going. There’s jobs up there. On, like, fishing boats and stuff. In Hudson Bay. The nights…are really long. It’s safer. There’s whole towns that are just ours. Communities. And, well. You probably heard, about Aidan?”

  Aidan’s the kid from group who thinks he’s Van Helsing. Emmy sniffed a little and sucked on her cigarette.

  “Well, you know, he was kind of seeing Bethany?”

  “What? Bethany turned like a year ago! Why would he even touch her?”

  They shrugged, identically.

  “So they were messing around in back of his truck and all of the sudden he just fucking killed her,” Noah whispered, like he didn’t really believe it. “She trusted him. I mean god, he let her feed off him! That’s like…I don’t know how to explain it so you’ll understand, Scout. That’s serious shit with us. It’s way more intimate than screwing. It’s a pact. A promise.”

  Emmy and I glanced at each other, but we didn’t say anything. Some things you don’t want to say.

  Noah’s voice cracked. “And he put a piece of his dad’s fence through her heart. And they’re not even going to arrest him, Scout. He got a fine. Disposal of Hazardous Materials Without Supervision.”

  “It seems like a good time to clear out,” said Emmy softly. Her eyes flashed a little in the dark, like a cat’s.

  “You could come with us,” Noah said, trying to sound nonchalant. “I bet you’ve never even seen snow.”

  Well, you know what he meant by that.

  “I have a scholarship. I’m gonna be a teacher. Teach little kids to do math and stuff.”

  Noah sighed. “Scout, why?”

  “Because I have to do something.”

  Whenever people have more than five seconds to talk about this, they always come around to the same thing.

  Why did it happen? Where did it start?

  You know that TV show you used to like? And somewhere around the third season something so awesome and fucked up happened and you just had to know the answer to the mystery, who killed sorority girl whoever or how that guy could come back from the dead? You stayed up all night online looking for clues and spoilers, and still, you had to wait all summer to find out? And you were pretty sure the solution would be disappointing, but you wanted it so bad anyway? And, oh, man, everyone had a theory.

  It’s like that. They all want to act like it’s a matter of national security and we all have to know, but seriously, we’re way past it mattering. It’s just…wanting the whole story. Wanting to flip to the end and know everything.

  You want to know what I think? There were always vampires. We know that, now. There’s still about ten of them who’ve been around since before Napoleon or whatever. They’re in this facility in Nebraska and sometimes somebody gets worked up about their civil rights, but not so much anymore. But something happened and all of the sudden, there were HRs and lists of common causes and clean camps and Uncle Jack’s billboards everywhere and Bethany lying dead in the back of a truck and oh, god, they always told us PCP makes you think you can fly, and I’ll never play soccer again and at the bottom of it all there’s always Emmy’s mouth on me in the dark, and the sound of her jaw moving. All of the sudden. One day to the next, and everything changes. Like puberty. One day you’re playing with an EZ Bake and the next day you have breasts and everyone’s looking at you differently and you’re bleeding, but it’s a secret you can’t tell anyone. You didn’t know it was coming.You didn’t know there was another world on the other side of that bloody fucking mess between your legs just waiting to happen to you.

  You want to know what I think? I think I aced my bio test. I think in any sufficiently diverse population, mutation always occurs. And if the new adaptation is more viable, well, all those white butterflies in London, they start turning black, one by one by one.

  See? I’m not dumb. Maybe I used to be. Maybe before, when it couldn’t hurt you to be dumb. Because I know I used to be someone else. I remember her. I used to be someone pretty. Someone good with kids. Someone who knew how to kick a ball really well and that was just about it. But I adapted. That’s what you do, when you’re a monkey and the tree branches are just a little further off this season than they were last. Anyway, it doesn’t really matter. If it makes you feel better to think God hates us or that some mutation of porphyria went airborne or that in the quantum sense our own cultural memes were always just echoes of alternate matrices and sometimes, just sometimes, there’s some pretty deranged crossover or that the Bulgarian revolution flooded other countries with infected refugees? Knock yourself out. But there’s no reason. Why did little Ana Cruz turn as fast as you could look twice at her and I’ve been waiting all summer and hanging out in the dark with Emmy and Noah and I’m fine, when I have way more factors than she did? Doesn’t matter. It’s all random. It doesn’t mean you’re a bad person or a good person. It just means you’re quick or you’re slow.

  I went down to Narragansett Park after sunset. The sky was still a little light, all messy red smeary clouds. I’d say it was the color of blood, but you know, everything makes me think of blood these days. Anyway, it was light enough that I could see them before I even turned into the parking lot. Noah and Emmy, shadows on the swingset. I walked up and Noah disentangled himself from her.

  “I brought you a present,” he said. He reached down into his backpack and pulled out a soccer ball.

  I smiled something huge. He dropped it between us and kicked it over. I slapped it back, lightly, with the side of my foot, towards Emmy. She grinned and shoved her bangs out of her face. It felt really nice to kick that stupid ball. My throat got all thick, just looking at it shine under the streetlight. Emmy knocked it hard, up over my head, out onto the wet grass and we all took off after it, laughing. We boo
ted it back and forth, that awesome sound, that amazing sound of the ball smacking against a sneaker thumping between us like a heartbeat and the grass all long and uncut under our feet and the bleeding, bleeding sky and I thought: this is it. This is my last night alive.

  I kicked the ball as hard as I could. It soared up into the air and Noah caught it, in his hands, like a goalie. He looked at me, still holding up the ball like an idiot, and he was crying. They cry blood. It doesn’t look nice. They look like monsters when they cry.

  “So,” I said. “Hudson Bay.”

  Fade to White

  Fight the Communist Threat in Your Own Backyard!

  ZOOM IN on a bright-eyed Betty in a crisp green dress, maybe pick up the shade of the spinach in the lower left frame. [Note to Art Dept: Good morning, Stone! Try to stay awake through the next meeting, please. I think we can get more patriotic with the dress. Star-Spangled Sweetheart, steamset hair the color of good American corn, that sort of thing. Stick to a red, white, and blue palette.] She’s holding up a resplendent head of cabbage the size of a pre-war watermelon. Her bicep bulges as she balances the weight of this New Vegetable, grown in a Victory Brand Capsule Garden. [Note to Art Dept: is cabbage the most healthful vegetable? Carrots really pop, and root vegetables emphasize the safety of Synthasoil generated by Victory Brand Capsules.]

  Betty looks INTO THE CAMERA and says: Just because the war is over doesn’t mean your Victory Garden has to be! The vigilant wife knows that every garden planted is a munitions plant in the War Fight Struggle Against Communism. Just one Victory Brand Capsule and a dash of fresh Hi-Uranium Mighty Water can provide an average yard’s worth of safe, rich, synthetic soil—and the seeds are included! STOCK FOOTAGE of scientists: beakers, white coats, etc. Our boys in the lab have developed a wide range of hardy, modern seeds from pre-war heirloom collections to produce the Vegetables of the Future. [Note to Copy: Do not mention pre-war seedstock.] Just look at this beautiful New Cabbage. Efficient, bountiful, and only three weeks from planting to table. [Note to Copy: Again with the cabbage? You know who eats a lot of cabbage, Stone? Russians. Give her a big old zucchini. Long as a man’s arm. Have her hold it in her lap so the head rests on her tits.]

  BACK to Betty, walking through cornstalks like pine trees. And that’s not all. With a little help from your friends at Victory, you can feed your family and play an important role in the defense of the nation. Betty leans down to show us big, leafy plants growing in her Synthasoil. [Note to Casting: make sure we get a busty girl, so we see a little cleavage when she bends over. We’re hawking fertility here. Hers, ours.] Here’s a tip: Plant our patented Liberty Spinach at regular intervals. Let your little green helpers go to work leeching useful isotopes and residual radioactivity from rain, groundwater, just about anything! [Note to Copy: Stone, you can’t be serious. Leeching? That sounds dreadful. Reaping. Don’t make me do your job for you.] Turn in your crop at Victory Depots for Harvest Dollars redeemable at a variety of participating local establishments! [Note to Project Manager: can’t we get some soda fountains or something to throw us a few bucks for ad placement here? Missed opportunity! And couldn’t we do a regular feature with the “tips” to move other products, make Betty into a trusted household name—but not Betty. Call her something that starts with T, Tammy? Tina? Theresa?]

  Betty smiles. The camera pulls out to show her surrounded by a garden in full bloom and three [Note to Art Dept: Four minimum] kids in overalls carrying baskets of huge, shiny New Vegetables. The sun is coming up behind her. The slogan scrolls up in red, white, and blue type as she says:

  A free and fertile tomorrow. Brought to you by Victory.

  Fade to white.

  The Hydrodynamic Front

  More than anything in the world, Martin wanted to be a Husband when he grew up.

  Sure, he had longed for other things when he was young and silly—to be a Milkman, a uranium prospector, an astronaut. But his fifteenth birthday was zooming up with alarming speed, and becoming an astronaut now struck him as an impossibly, almost obscenely trivial goal. Martin no longer drew pictures of the moon in his notebooks or begged his mother to order the whiz-bang home enrichment kit from the tantalizing back pages of Popular Mechanics. His neat yellow pencils still kept up near-constant flight passes over the pale blue lines of composition books, but what Martin drew now were babies. In cradles and out, girls with bows in their bonnets and boys with rattles shaped like rockets, newborns and toddlers. He drew pictures of little kids running through clean, tall grass, reading books with straw in their mouths, hanging out of trees like rosy-cheeked fruit. He sketched during history, math, civics: twin girls sitting at a table gazing up with big eyes at their Father, who kept his hat on while he carved a holiday Brussels sprout the size of a dog. Triplet boys wrestling on a pristine, uncontaminated beach. In Martin’s notebooks, everyone had twins and triplets.

  Once, alone in his room at night, he had allowed himself to draw quadruplets. His hand quivered with the richness and wonder of those four perfect graphite faces asleep in their four identical bassinets.

  Whenever Martin drew babies they were laughing and smiling. He could not bear the thought of an unhappy child. He had never been one, he was pretty sure. His older brother Henry had. He still cried and shut himself up in Father’s workshop for days, which Martin would never do because it was very rude. But then, Henry was born before the war. He probably had a lot to cry about. Still, on the rare occasion that Henry made a cameo appearance in Martin’s gallery of joyful babies, he was always grinning. Always holding a son of his own. Martin considered those drawings a kind of sympathetic magic. Make Henry happy—watch his face at dinner and imagine what it would look like if he cracked a joke. Catch him off guard, snorting, which was as close as Henry ever got to laughing, at some pratfall on The Mr. Griffith Show. Make Henry happy in a notebook and he’ll be happy in real life. Put a baby in his arms and he won’t have to go to the Front in the fall.

  Once, and only once, Martin had tried this magic on himself. With very careful strokes and the best shading he’d ever managed, he had drawn himself in a beautiful gray suit, with a professional grade shine on his shoes and a strong angle to his hat. He drew a briefcase in his own hand. He tried to imagine what his face would look like when it filled out, got square-jawed and handsome the way a man’s face should be. How he would style his hair when he became a Husband. Whether he would grow a beard. Painstakingly, he drew a double Windsor knot in his future tie, which Martin considered the most masculine and elite knot.

  And finally, barely able to breathe with longing, he outlined the long, gorgeous arc of a baby’s carriage, the graceful fall of a lace curtain so that the penciled child wouldn’t get sunburned, big wheels capable of a smoothness that bordered on the ineffable. He put the carriage-handle into his own firm hand. It took Martin two hours to turn himself into a Husband. When the spell was finished, he spritzed the drawing with some of his mother’s hairspray so that it wouldn’t smudge and folded it up flat and small. He kept it in his shirt pocket. Some days, he could feel the drawing move with his heart. And when Father hugged him, the paper would crinkle pleasantly between them, like a whispered promise.

  Static Overpressure

  The day of Sylvie’s Presentation broke with a dawn beyond red, beyond blood or fire. She lay in her spotless white and narrow bed, quite awake, gazing at the colors through her Sentinel Gamma Glass window—lower rates of corneal and cellular damage than their leading competitors, guaranteed. Today, the sky could only remind Sylvie of birth. The screaming scarlet folds of clouds, the sun’s crowning head. Sylvie knew it was the hot ash that made every sunrise and sunset into a torture of magenta and violet and crimson, the superheated cloud vapor that never cooled. She winced as though red could hurt her—which of course it could. Everything could.

  Sylvie had devoted a considerable amount of time to imagining how this day would go. She did not worry and she was not afraid, but it had always sat there in her future,
unmovable, a mountain she could not get through or around. There would be tests, for intelligence, for loyalty, for genetic defects, for temperament, for fertility, which wasn’t usually a problem for women but better safe than sorry. Better safe than assign a Husband to a woman as barren as California. There would be a medical examination so invasive it came all the way around to no big deal. When a doctor can get that far inside you, into your blood, your chromosomes, your potentiality and all your possible futures, what difference could her white gloved fingers on your cervix make?

  None of that pricked up her concern. The tests were nothing. Sylvie prided herself on being realistic about her qualities. First among these was her intellect; like her mother Hannah she could cut glass with the diamond of her mind. Second was her silence. Sylvie had discovered when she was quite small that adults were discomfited by silence. It brought them running. And when she was angry, upset, when the world offended her, Sylvie could draw down a coil of silence all around her, showing no feeling at all, until whoever had affronted her grew so uncomfortable that they would beg forgiveness just to end the ordeal. There was no third, not really. She was what her mother’s friends called striking, but never pretty. Narrow frame, small breasts, short and dark. Nothing in her matched up with the fashionable Midwestern fertility goddess floor-model. And she heard what they did not say, also—that she was not pretty because there was something off in her features, a ghost in her cheekbones, her height, her straight, flat hair.

 

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