The Brothers Karamazov

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The Brothers Karamazov Page 87

by Fyodor Dostoyevsky


  I remember the President's first questions to Mitya, about his name, his calling, and so on. Mitya answered sharply, and his voice was so unexpectedly loud that it made the President start and look at the prisoner with surprise. Then followed a list of persons who were to take part in the proceedings--that is, of the witnesses and experts. It was a long list. Four of the witnesses were not present--Miusov, who had given evidence at the preliminary inquiry, but was now in Paris; Madame Hohlakov and Maximov, who were absent through illness; and Smerdyakov, through his sudden death, of which an official statement from the police was presented. The news of Smerdyakov's death produced a sudden stir and whisper in the court. Many of the audience, of course, had not heard of the sudden suicide. What struck people most was Mitya's sudden outburst [pg 749] As soon as the statement of Smerdyakov's death was made, he cried out aloud from his place:

  "He was a dog and died like a dog!"

  I remember how his counsel rushed to him, and how the President addressed him, threatening to take stern measures, if such an irregularity were repeated. Mitya nodded and in a subdued voice repeated several times abruptly to his counsel, with no show of regret:

  "I won't again, I won't. It escaped me. I won't do it again."

  And, of course, this brief episode did him no good with the jury or the public. His character was displayed, and it spoke for itself. It was under the influence of this incident that the opening statement was read. It was rather short, but circumstantial. It only stated the chief reasons why he had been arrested, why he must be tried, and so on. Yet it made a great impression on me. The clerk read it loudly and distinctly. The whole tragedy was suddenly unfolded before us, concentrated, in bold relief, in a fatal and pitiless light. I remember how, immediately after it had been read, the President asked Mitya in a loud impressive voice:

  "Prisoner, do you plead guilty?"

  Mitya suddenly rose from his seat.

  "I plead guilty to drunkenness and dissipation," he exclaimed, again in a startling, almost frenzied, voice, "to idleness and debauchery. I meant to become an honest man for good, just at the moment when I was struck down by fate. But I am not guilty of the death of that old man, my enemy and my father. No, no, I am not guilty of robbing him! I could not be. Dmitri Karamazov is a scoundrel, but not a thief."

  He sat down again, visibly trembling all over. The President again briefly, but impressively, admonished him to answer only what was asked, and not to go off into irrelevant exclamations. Then he ordered the case to proceed. All the witnesses were led up to take the oath. Then I saw them all together. The brothers of the prisoner were, however, allowed to give evidence without taking the oath. After an exhortation from the priest and the President, the witnesses were led away and were made to sit as far as possible apart from one another. Then they began calling them up one by one.

  [pg 750]

  Chapter II. Dangerous Witnesses

  I do not know whether the witnesses for the defense and for the prosecution were separated into groups by the President, and whether it was arranged to call them in a certain order. But no doubt it was so. I only know that the witnesses for the prosecution were called first. I repeat I don't intend to describe all the questions step by step. Besides, my account would be to some extent superfluous, because in the speeches for the prosecution and for the defense the whole course of the evidence was brought together and set in a strong and significant light, and I took down parts of those two remarkable speeches in full, and will quote them in due course, together with one extraordinary and quite unexpected episode, which occurred before the final speeches, and undoubtedly influenced the sinister and fatal outcome of the trial.

  I will only observe that from the first moments of the trial one peculiar characteristic of the case was conspicuous and observed by all, that is, the overwhelming strength of the prosecution as compared with the arguments the defense had to rely upon. Every one realized it from the first moment that the facts began to group themselves round a single point, and the whole horrible and bloody crime was gradually revealed. Every one, perhaps, felt from the first that the case was beyond dispute, that there was no doubt about it, that there could be really no discussion, and that the defense was only a matter of form, and that the prisoner was guilty, obviously and conclusively guilty. I imagine that even the ladies, who were so impatiently longing for the acquittal of the interesting prisoner, were at the same time, without exception, convinced of his guilt. What's more, I believe they would have been mortified if his guilt had not been so firmly established, as that would have lessened the effect of the closing scene of the criminal's acquittal. That he would be acquitted, all the ladies, strange to say, were firmly persuaded up to the very last moment. "He is guilty, but he will be acquitted, from motives of humanity, in accordance with the new ideas, the new sentiments that had come into fashion," and so on, [pg 751] and so on. And that was why they had crowded into the court so impatiently. The men were more interested in the contest between the prosecutor and the famous Fetyukovitch. All were wondering and asking themselves what could even a talent like Fetyukovitch's make of such a desperate case; and so they followed his achievements, step by step, with concentrated attention.

  But Fetyukovitch remained an enigma to all up to the very end, up to his speech. Persons of experience suspected that he had some design, that he was working towards some object, but it was almost impossible to guess what it was. His confidence and self-reliance were unmistakable, however. Every one noticed with pleasure, moreover, that he, after so short a stay, not more than three days, perhaps, among us, had so wonderfully succeeded in mastering the case and "had studied it to a nicety." People described with relish, afterwards, how cleverly he had "taken down" all the witnesses for the prosecution, and as far as possible perplexed them and, what's more, had aspersed their reputation and so depreciated the value of their evidence. But it was supposed that he did this rather by way of sport, so to speak, for professional glory, to show nothing had been omitted of the accepted methods, for all were convinced that he could do no real good by such disparagement of the witnesses, and probably was more aware of this than any one, having some idea of his own in the background, some concealed weapon of defense, which he would suddenly reveal when the time came. But meanwhile, conscious of his strength, he seemed to be diverting himself.

  So, for instance, when Grigory, Fyodor Pavlovitch's old servant, who had given the most damning piece of evidence about the open door, was examined, the counsel for the defense positively fastened upon him when his turn came to question him. It must be noted that Grigory entered the hall with a composed and almost stately air, not the least disconcerted by the majesty of the court or the vast audience listening to him. He gave evidence with as much confidence as though he had been talking with his Marfa, only perhaps more respectfully. It was impossible to make him contradict himself. The prosecutor questioned him first in detail about the family life of the Karamazovs. The family picture stood out in lurid colors. It was plain to ear and eye that the witness was guileless and impartial. In spite of his profound reverence for the memory of his [pg 752] deceased master, he yet bore witness that he had been unjust to Mitya and "hadn't brought up his children as he should. He'd have been devoured by lice when he was little, if it hadn't been for me," he added, describing Mitya's early childhood. "It wasn't fair either of the father to wrong his son over his mother's property, which was by right his."

  In reply to the prosecutor's question what grounds he had for asserting that Fyodor Pavlovitch had wronged his son in their money relations, Grigory, to the surprise of every one, had no proof at all to bring forward, but he still persisted that the arrangement with the son was "unfair," and that he ought "to have paid him several thousand roubles more." I must note, by the way, that the prosecutor asked this question whether Fyodor Pavlovitch had really kept back part of Mitya's inheritance with marked persistence of all the witnesses who could be asked it, not excepting Alyosha and Ivan, but he obtained
no exact information from any one; all alleged that it was so, but were unable to bring forward any distinct proof. Grigory's description of the scene at the dinner-table, when Dmitri had burst in and beaten his father, threatening to come back to kill him, made a sinister impression on the court, especially as the old servant's composure in telling it, his parsimony of words and peculiar phraseology, were as effective as eloquence. He observed that he was not angry with Mitya for having knocked him down and struck him on the face; he had forgiven him long ago, he said. Of the deceased Smerdyakov he observed, crossing himself, that he was a lad of ability, but stupid and afflicted, and, worse still, an infidel, and that it was Fyodor Pavlovitch and his elder son who had taught him to be so. But he defended Smerdyakov's honesty almost with warmth, and related how Smerdyakov had once found the master's money in the yard, and, instead of concealing it, had taken it to his master, who had rewarded him with a "gold piece" for it, and trusted him implicitly from that time forward. He maintained obstinately that the door into the garden had been open. But he was asked so many questions that I can't recall them all.

  At last the counsel for the defense began to cross-examine him, and the first question he asked was about the envelope in which Fyodor Pavlovitch was supposed to have put three thousand roubles for "a certain person." "Have you ever seen it, you, who were for [pg 753] so many years in close attendance on your master?" Grigory answered that he had not seen it and had never heard of the money from any one "till everybody was talking about it." This question about the envelope Fetyukovitch put to every one who could conceivably have known of it, as persistently as the prosecutor asked his question about Dmitri's inheritance, and got the same answer from all, that no one had seen the envelope, though many had heard of it. From the beginning every one noticed Fetyukovitch's persistence on this subject.

  "Now, with your permission I'll ask you a question," Fetyukovitch said, suddenly and unexpectedly. "Of what was that balsam, or, rather, decoction, made, which, as we learn from the preliminary inquiry, you used on that evening to rub your lumbago, in the hope of curing it?"

  Grigory looked blankly at the questioner, and after a brief silence muttered, "There was saffron in it."

  "Nothing but saffron? Don't you remember any other ingredient?"

  "There was milfoil in it, too."

  "And pepper perhaps?" Fetyukovitch queried.

  "Yes, there was pepper, too."

  "Etcetera. And all dissolved in vodka?"

  "In spirit."

  There was a faint sound of laughter in the court.

  "You see, in spirit. After rubbing your back, I believe, you drank what was left in the bottle with a certain pious prayer, only known to your wife?"

  "I did."

  "Did you drink much? Roughly speaking, a wineglass or two?"

  "It might have been a tumbler-full."

  "A tumbler-full, even. Perhaps a tumbler and a half?"

  Grigory did not answer. He seemed to see what was meant.

  "A glass and a half of neat spirit--is not at all bad, don't you think? You might see the gates of heaven open, not only the door into the garden?"

  Grigory remained silent. There was another laugh in the court. The President made a movement.

  [pg 754] "Do you know for a fact," Fetyukovitch persisted, "whether you were awake or not when you saw the open door?"

  "I was on my legs."

  "That's not a proof that you were awake." (There was again laughter in the court.) "Could you have answered at that moment, if any one had asked you a question--for instance, what year it is?"

  "I don't know."

  "And what year is it, Anno Domini, do you know?"

  Grigory stood with a perplexed face, looking straight at his tormentor. Strange to say, it appeared he really did not know what year it was.

  "But perhaps you can tell me how many fingers you have on your hands?"

  "I am a servant," Grigory said suddenly, in a loud and distinct voice. "If my betters think fit to make game of me, it is my duty to suffer it."

  Fetyukovitch was a little taken aback, and the President intervened, reminding him that he must ask more relevant questions. Fetyukovitch bowed with dignity and said that he had no more questions to ask of the witness. The public and the jury, of course, were left with a grain of doubt in their minds as to the evidence of a man who might, while undergoing a certain cure, have seen "the gates of heaven," and who did not even know what year he was living in. But before Grigory left the box another episode occurred. The President, turning to the prisoner, asked him whether he had any comment to make on the evidence of the last witness.

  "Except about the door, all he has said is true," cried Mitya, in a loud voice. "For combing the lice off me, I thank him; for forgiving my blows, I thank him. The old man has been honest all his life and as faithful to my father as seven hundred poodles."

  "Prisoner, be careful in your language," the President admonished him.

  "I am not a poodle," Grigory muttered.

  "All right, it's I am a poodle myself," cried Mitya. "If it's an insult, I take it to myself and I beg his pardon. I was a beast and cruel to him. I was cruel to AEsop too."

  "What AEsop?" the President asked sternly again.

  [pg 755] "Oh, Pierrot ... my father, Fyodor Pavlovitch."

  The President again and again warned Mitya impressively and very sternly to be more careful in his language.

  "You are injuring yourself in the opinion of your judges."

  The counsel for the defense was equally clever in dealing with the evidence of Rakitin. I may remark that Rakitin was one of the leading witnesses and one to whom the prosecutor attached great significance. It appeared that he knew everything; his knowledge was amazing, he had been everywhere, seen everything, talked to everybody, knew every detail of the biography of Fyodor Pavlovitch and all the Karamazovs. Of the envelope, it is true, he had only heard from Mitya himself. But he described minutely Mitya's exploits in the "Metropolis," all his compromising doings and sayings, and told the story of Captain Snegiryov's "wisp of tow." But even Rakitin could say nothing positive about Mitya's inheritance, and confined himself to contemptuous generalities.

  "Who could tell which of them was to blame, and which was in debt to the other, with their crazy Karamazov way of muddling things so that no one could make head or tail of it?" He attributed the tragic crime to the habits that had become ingrained by ages of serfdom and the distressed condition of Russia, due to the lack of appropriate institutions. He was, in fact, allowed some latitude of speech. This was the first occasion on which Rakitin showed what he could do, and attracted notice. The prosecutor knew that the witness was preparing a magazine article on the case, and afterwards in his speech, as we shall see later, quoted some ideas from the article, showing that he had seen it already. The picture drawn by the witness was a gloomy and sinister one, and greatly strengthened the case for the prosecution. Altogether, Rakitin's discourse fascinated the public by its independence and the extraordinary nobility of its ideas. There were even two or three outbreaks of applause when he spoke of serfdom and the distressed condition of Russia.

  But Rakitin, in his youthful ardor, made a slight blunder, of which the counsel for the defense at once adroitly took advantage. Answering certain questions about Grushenka, and carried away by the loftiness of his own sentiments and his success, of which he was, of course, conscious, he went so far as to speak somewhat contemptuously of Agrafena Alexandrovna as "the kept mistress of Samsonov." [pg 756] He would have given a good deal to take back his words afterwards, for Fetyukovitch caught him out over it at once. And it was all because Rakitin had not reckoned on the lawyer having been able to become so intimately acquainted with every detail in so short a time.

  "Allow me to ask," began the counsel for the defense, with the most affable and even respectful smile, "you are, of course, the same Mr. Rakitin whose pamphlet, The Life of the Deceased Elder, Father Zossima, published by the diocesan authorities, full
of profound and religious reflections and preceded by an excellent and devout dedication to the bishop, I have just read with such pleasure?"

  "I did not write it for publication ... it was published afterwards," muttered Rakitin, for some reason fearfully disconcerted and almost ashamed.

  "Oh, that's excellent! A thinker like you can, and indeed ought to, take the widest view of every social question. Your most instructive pamphlet has been widely circulated through the patronage of the bishop, and has been of appreciable service.... But this is the chief thing I should like to learn from you. You stated just now that you were very intimately acquainted with Madame Svyetlov." (It must be noted that Grushenka's surname was Svyetlov. I heard it for the first time that day, during the case.)

  "I cannot answer for all my acquaintances.... I am a young man ... and who can be responsible for every one he meets?" cried Rakitin, flushing all over.

  "I understand, I quite understand," cried Fetyukovitch, as though he, too, were embarrassed and in haste to excuse himself. "You, like any other, might well be interested in an acquaintance with a young and beautiful woman who would readily entertain the elite of the youth of the neighborhood, but ... I only wanted to know ... It has come to my knowledge that Madame Svyetlov was particularly anxious a couple of months ago to make the acquaintance of the younger Karamazov, Alexey Fyodorovitch, and promised you twenty-five roubles, if you would bring him to her in his monastic dress. And that actually took place on the evening of the day on which the terrible crime, which is the subject of the present investigation, was committed. You brought Alexey Karamazov to Madame Svyetlov, and did you receive the twenty-five roubles from [pg 757] Madame Svyetlov as a reward, that's what I wanted to hear from you?"

  "It was a joke.... I don't see of what interest that can be to you.... I took it for a joke ... meaning to give it back later...."

 

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