The Elusive Pimpernel

Home > Literature > The Elusive Pimpernel > Page 26
The Elusive Pimpernel Page 26

by Emmuska Orczy


  "Nay, Monsieur Chaubertin," said Sir Percy gaily, "but this is marvellous... demmed marvellous... do you hear that, m'dear?... Gadzooks! but 'tis the best joke I have heard this past twelve-months.... Monsieur here thinks... Lud! but I shall die of laughing.... Monsieur here thinks... that 'twas that demmed letter which went to Paris... and that an English gentleman lay scuffling on the floor and allowed a letter to be filched from him..."

  "Sir Percy!..." gasped Chauvelin, as an awful thought seemed suddenly to flash across his fevered brain.

  "Lud, sir, you are astonishing!" said Sir Percy, taking a very much crumpled sheet of paper from the capacious pocket of his elegant caped coat, and holding it close to Chauvelin's horror-stricken gaze. "THIS is the letter which I wrote at that table yonder in order to gain time and in order to fool you.... But, by the Lord, you are a bigger demmed fool than ever I took you to be, if you thought it would serve any other purpose save that of my hitting you in the face with it."

  And with a quick and violent gesture he struck Chauvelin full in the face with the paper.

  "You would like to know, Monsieur Chaubertin, would you not?..." he added pleasantly, "what letter it is that your friend, Citizen Collot, is taking in such hot haste to Paris for you.... Well! the letter is not long and 'tis written in verse.... I wrote it myself upstairs to-day whilst you thought me sodden with brandy and three-parts asleep. But brandy is easily flung out of the window.... Did you think I drank it all?... Nay! as you remember, I told you that I was not so drunk as you thought?... Aye! the letter is writ in English verse, Monsieur, and it reads thus:

  "We seek him here! we seek him there! Those Frenchies seek him everywhere! Is he in heaven? is he in hell? That demmed elusive Pimpernel?

  "A neat rhyme, I fancy, Monsieur, and one which will, if rightly translated, greatly please your friend and ruler, Citizen Robespierre.... Your colleague Citizen Collot is well on his way to Paris with it by now. ... No, no, Monsieur... as you rightly said just now... I really could not kill you... God having blessed me with the saving sense of humour..."

  Even as he spoke the third Ave Maria of the Angelus died away on the morning air. From the harbour the old Chateau there came the loud boom of cannon.

  The hour of the opening of the gates, of the general amnesty and free harbour was announced throughout Boulogne.

  Chauvelin was livid with rage, fear and baffled revenge. He made a sudden rush for the door in a blind desire to call for help, but Sir Percy had toyed long enough with his prey. The hour was speeding on: Hebert and some of the soldiers might return, and it was time to think of safety and of flight. Quick as a hunted panther, he had interposed his tall figure between his enemy and the latter's chance of calling for aid, then, seizing the little man by the shoulders, he pushed him back into that portion of the room where Marguerite and the Abbe Foucquet had been lately sitting.

  The gag, with cloth and cord, which had been intended for a woman were lying on the ground close by, just where Hebert had dropped them, when he marched the old Abbe off to the Church.

  With quick and dexterous hands, Sir Percy soon reduced Chauvelin to an impotent and silent bundle. The ex-ambassador after four days of harrowing nerve-tension, followed by so awful a climax, was weakened physically and mentally, whilst Blakeney, powerful, athletic and always absolutely unperturbed, was fresh in body and spirit. He had slept calmly all the afternoon, having quietly thought out all his plans, left nothing to chance, and acted methodically and quickly, and invariably with perfect repose.

  Having fully assured himself that the cords were well fastened, the gag secure and Chauvelin completely helpless, he took the now inert mass up in his arms and carried it into the adjoining room, where Marguerite for twelve hours had endured a terrible martyrdom.

  He laid his enemy's helpless form upon the couch, and for one moment looked down on it with a strange feeling of pity quite unmixed with contempt. The light from the lamp in the further room struck vaguely upon the prostrate figure of Chauvelin. He seemed to have lost consciousness, for the eyes were closed, only the hands, which were tied securely to his body, had a spasmodic, nervous twitch in them.

  With a good-natured shrug of the shoulders the imperturbable Sir Percy turned to go, but just before he did so, he took a scrap of paper from his waistcoat pocket, and slipped it between Chauvelin's trembling fingers. On the paper were scribbled the four lines of verse which in the next four and twenty hours Robespierre himself and his colleagues would read.

  Then Blakeney finally went out of the room.

  Chapter XXXV: Marguerite

  As he re-entered the large room, she was standing beside the table, with one dainty hand resting against the back of the chair, her whole graceful figure bent forward as if in an agony of ardent expectation.

  Never for an instant, in that supreme moment when his precious life was at stake, did she waver in courage or presence of mind. From the moment that he jumped up and took the candlesticks in his hands, her sixth sense showed her as in a flash what he meant to do and how he would wish her to act.

  When the room was plunged in darkness she stood absolutely still; when she heard the scuffle on the floor she never trembled, for her passionate heart had already told her that he never meant to deliver that infamous letter into his enemies' hands. Then, when there was the general scramble, when the soldiers rushed away, when the room became empty and Chauvelin alone remained, she shrank quietly into the darkest corner of the room, hardly breathing, only waiting.... Waiting for a sign from him!

  She could not see him, but she felt the beloved presence there, somewhere close to her, and she knew that he would wish her to wait.... She watched him silently... ready to help if he called... equally ready to remain still and to wait.

  Only when the helpless body of her deadly enemy was well out of the way did she come from out the darkness, and now she stood with the full light of the lamp illumining her ruddy golden hair, the delicate blush on her cheek, the flame of love dancing in her glorious eyes.

  Thus he saw her as he re-entered the room, and for one second he paused at the door, for the joy of seeing her there seemed greater than he could bear.

  Forgotten was the agony of mind which he had endured, the humiliations and the dangers which still threatened: he only remembered that she loved him and that he worshipped her.

  The next moment she lay clasped in his arms. All was still around them, save for the gentle patter-patter of the rain on the trees of the ramparts: and from very far away the echo of laughter and music from the distant revellers.

  And then the cry of the sea-mew thrice repeated from just beneath the window.

  Blakeney and Marguerite awoke from their brief dream: once more the passionate lover gave place to the man of action.

  "'Tis Tony, an I mistake not," he said hurriedly, as with loving fingers still slightly trembling with suppressed passion, he readjusted the hood over her head.

  "Lord Tony?" she murmured.

  "Aye! with Hastings and one or two others. I told them to be ready for us to-night as soon as the place was quiet."

  "You were so sure of success then, Percy?" she asked in wonderment.

  "So sure," he replied simply.

  Then he led her to the window, and lifted her onto the sill. It was not high from the ground and two pairs of willing arms were there ready to help her down.

  Then he, too, followed, and quietly the little party turned to walk toward the gate. The ramparts themselves now looked strangely still and silent: the merrymakers were far away, only one or two passers-by hurried swiftly past here and there, carrying bundles, evidently bent on making use of that welcome permission to leave this dangerous soil.

  The little party walked on in silence, Marguerite's small hand resting on her husband's arm. Anon they came upon a group of soldiers who were standing somewhat perfunctorily and irresolutely close by the open gate of the Fort.

  "Tiens c'est l'Anglais!" said one.

  "Morbleu! he is on his wa
y back to England," commented another lazily.

  The gates of Boulogne had been thrown open to everyone when the Angelus was rung and the cannon boomed. The general amnesty had been proclaimed, everyone had the right to come and go as they pleased, the sentinels had been ordered to challenge no one and to let everyone pass.

  No one knew that the great and glorious plans for the complete annihilation of the Scarlet Pimpernel and his League had come to naught, that Collot was taking a mighty hoax to Paris, and that the man who had thought out and nearly carried through the most fiendishly cruel plan ever conceived for the destruction of an enemy, lay helpless, bound and gagged, within his own stronghold.

  And so the little party, consisting of Sir Percy and Marguerite, Lord Anthony Dewhurst and my Lord Hastings, passed unchallenged through the gates of Boulogne.

  Outside the precincts of the town they met my Lord Everingham and Sir Philip Glynde, who had met the Abbe Foucquet outside his little church and escorted him safely out of the city, whilst Francois and Felicite with their old mother had been under the charge of other members of the League.

  "We were all in the procession, dressed up in all sorts of ragged finery, until the last moment," explained Lord Tony to Marguerite as the entire party now quickly made its way to the harbour. "We did not know what was going to happen.... All we knew was that we should be wanted about this time—the hour when the duel was to have been fought—and somewhere near here on the southern ramparts... and we always have strict orders to mix with the crowd if there happens to be one. When we saw Blakeney raise the candlesticks we guessed what was coming, and we each went to our respective posts. It was all quite simple."

  The young man spoke gaily and lightly, but through the easy banter of his tone, there pierced the enthusiasm and pride of the soldier in the glory and daring of his chief.

  Between the city walls and the harbour there was much bustle and agitation. The English packet-boat would lift anchor at the turn of the tide, and as every one was free to get aboard without leave or passport, there were a very large number of passengers, bound for the land of freedom.

  Two boats from the "Day-Dream" were waiting in readiness for Sir Percy and my lady and those whom they would bring with them.

  Silently the party embarked, and as the boats pushed off and the sailors from Sir Percy's yacht bent to their oars, the old Abbe Foucquet began gently droning a Pater and Ave to the accompaniment of his beads.

  He accepted joy, happiness and safety with the same gentle philosophy as he would have accepted death, but Marguerite's keen and loving ears caught at the end of each "Pater" a gently murmured request to le bon Dieu to bless and protect our English rescuer.

  Only once did Marguerite make allusion to that terrible time which had become the past.

  They were wandering together down the chestnut alley in the beautiful garden at Richmond. It was evening, and the air was heavy with the rich odour of wet earth, of belated roses and dying mignonette. She had paused in the alley, and placed a trembling hand upon his arm, whilst raising her eyes filled with tears of tender passion up to his face.

  "Percy!" she murmured, "have you forgiven me?"

  "What, m'dear?"

  "That awful evening in Boulogne... what that fiend demanded... his awful 'either—or'... I brought it all upon you... it was all my fault."

  "Nay, my dear, for that 'tis I should thank you..."

  "Thank me?"

  "Aye," he said, whilst in the fast-gathering dusk she could only just perceive the sudden hardening of his face, the look of wild passion in his eyes, "but for that evening in Boulogne, but for that alternative which that devil placed before me, I might never have known how much you meant to me."

  Even the recollection of all the sorrow, the anxiety, the torturing humiliations of that night seemed completely to change him; the voice became trenchant, the hands were tightly clenched. But Marguerite drew nearer to him; her two hands were on his breast; she murmured gently:

  "And now?..."

  He folded her in his arms, with an agony of joy, and said earnestly:

  "Now I know."

  End of Project Gutenberg's The Elusive Pimpernel, by Baroness Emmuska Orczy *** END OF THIS PROJECT GUTENBERG EBOOK THE ELUSIVE PIMPERNEL *** ***** This file should be named 2785-h.htm or 2785-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/8/2785/ Produced by J.C. Byers, L.M. Shaf, and David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The co
pyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

 

‹ Prev