The Duchess de Chartres had written some charming poetry on that amusing affair; but out of her own coterie no one knew it except the king, who was fond of the princess, although she was in the habit of scoffing at him. One day, for instance, she asked him whether it was true that the king of Prussia was expected in Paris. Louis XV. having answered that it was an idle rumour,
"I am very sorry," she said, "for I am longing to see a king."
My brother had completed several pictures and having decided on presenting one to M. de Marigny, we repaired one morning to the apartment of that nobleman, who lived in the Louvre, where all the artists were in the habit of paying their court to him. We were shewn into a hall adjoining his private apartment, and having arrived early we waited for M. de Marigny. My brother's picture was exposed there; it was a battle piece in the style of Bourguignon.
The first person who passed through the room stopped before the picture, examined it attentively, and moved on, evidently thinking that it was a poor painting; a moment afterwards two more persons came in, looked at the picture, smiled, and said,
"That's the work of a beginner."
I glanced at my brother, who was seated near me; he was in a fever. In less than a quarter of an hour the room was full of people, and the unfortunate picture was the butt of everybody's laughter. My poor brother felt almost dying, and thanked his stars that no one knew him personally.
The state of his mind was such that I heartily pitied him; I rose with the intention of going to some other room, and to console him I told him that M. de Marigny would soon come, and that his approbation of the picture would avenge him for the insults of the crowd. Fortunately, this was not my brother's opinion; we left the room hurriedly, took a coach, went home, and sent our servant to fetch back the painting. As soon as it had been brought back my brother made a battle of it in real earnest, for he cut it up with a sword into twenty pieces. He made up his mind to settle his affairs in Paris immediately, and to go somewhere else to study an art which he loved to idolatry; we resolved on going to Dresden together.
Two or three days before leaving the delightful city of Paris I dined alone at the house of the gate-keeper of the Tuileries; his name was Conde. After dinner his wife, a rather pretty woman, presented me the bill, on which every item was reckoned at double its value. I pointed it out to her, but she answered very curtly that she could not abate one sou. I paid, and as the bill was receipted with the words 'femme Conde', I took the pen and to the word 'Conde' I added 'labre', and I went away leaving the bill on the table.
I was taking a walk in the Tuileries, not thinking any more of my female extortioner, when a small man, with his hat cocked on one side of his head and a large nosegay in his button-hole, and sporting a long sword, swaggered up to me and informed me, without any further explanation, that he had a fancy to cut my throat.
"But, my small specimen of humanity," I said, "you would require to jump on a chair to reach my throat. I will cut your ears."
"Sacre bleu, monsieur!"
"No vulgar passion, my dear sir; follow me; you shall soon be satisfied."
I walked rapidly towards the Porte de l'Etoile, where, seeing that the place was deserted, I abruptly asked the fellow what he wanted, and why he had attacked me.
"I am the Chevalier de Talvis," he answered. "You have insulted an honest woman who is under my protection; unsheath!"
With these words he drew his long sword; I unsheathed mine; after a minute or two I lunged rapidly, and wounded him in the breast. He jumped backward, exclaiming that I had wounded him treacherously.
"You lie, you rascally mannikin! acknowledge it, or I thrust my sword through your miserable body."
"You will not do it, for I am wounded; but I insist upon having my revenge, and we will leave the decision of this to competent judges."
"Miserable wrangler, wretched fighter, if you are not satisfied, I will cut off your ears!"
I left him there, satisfied that I had acted according to the laws of the duello, for he had drawn his sword before me, and if he had not been skilful enough to cover himself in good time, it was not, of course, my business to teach him. Towards the middle of August I left Paris with my brother. I had made a stay of two years in that city, the best in the world. I had enjoyed myself greatly, and had met with no unpleasantness except that I had been now and then short of money. We went through Metz, Mayence, and Frankfort, and arrived in Dresden at the end of the same month. My mother offered us the most affectionate welcome, and was delighted to see us again. My brother remained four years in that pleasant city, constantly engaged in the study of his art, and copying all the fine paintings of battles by the great masters in the celebrated Electoral Gallery.
He went back to Paris only when he felt certain that he could set criticism at defiance; I shall say hereafter how it was that we both reached that city about the same time. But before that period, dear, reader, you will see what good and adverse fortune did for or against me.
My life in Dresden until the end of the carnival in 1753 does not offer any extraordinary adventure. To please the actors, and especially my mother, I wrote a kind of melodrama, in which I brought out two harlequins. It was a parody of the 'Freres Ennemis', by Racine. The king was highly amused at the comic fancies which filled my play, and he made me a beautiful present. The king was grand and generous, and these qualities found a ready echo in the breast of the famous Count de Bruhl. I left Dresden soon after that, bidding adieu to my mother, to my brother Francois, and to my sister, then the wife of Pierre Auguste, chief player of the harpsichord at the Court, who died two years ago, leaving his widow and family in comfortable circumstances.
My stay in Dresden was marked by an amorous souvenir of which I got rid, as in previous similar circumstances, by a diet of six weeks. I have often remarked that the greatest part of my life was spent in trying to make myself ill, and when I had succeeded, in trying to recover my health. I have met with equal success in both things; and now that I enjoy excellent health in that line, I am very sorry to be physically unable to make myself ill again; but age, that cruel and unavoidable disease, compels me to be in good health in spite of myself. The illness I allude to, which the Italians call 'mal francais', although we might claim the honour of its first importation, does not shorten life, but it leaves indelible marks on the face. Those scars, less honourable perhaps than those which are won in the service of Mars, being obtained through pleasure, ought not to leave any regret behind.
In Dresden I had frequent opportunities of seeing the king, who was very fond of the Count de Bruhl, his minister, because that favourite possessed the double secret of shewing himself more extravagant even than his master, and of indulging all his whims.
Never was a monarch a greater enemy to economy; he laughed heartily when he was plundered and he spent a great deal in order to have occasion to laugh often. As he had not sufficient wit to amuse himself with the follies of other kings and with the absurdities of humankind, he kept four buffoons, who are called fools in Germany, although these degraded beings are generally more witty than their masters. The province of those jesters is to make their owner laugh by all sorts of jokes which are usually nothing but disgusting tricks, or low, impertinent jests.
Yet these professional buffoons sometimes captivate the mind of their master to such an extent that they obtain from him very important favours in behalf of the persons they protect, and the consequence is that they are often courted by the highest families. Where is the man who will not debase himself if he be in want? Does not Agamemnon say, in Homer, that in such a case man must necessarily be guilty of meanness? And Agamemnon and Homer lived long before our time! It evidently proves that men are at all times moved by the same motive-namely, self-interest.
It is wrong to say that the Count de Bruhl was the ruin of Saxony, for he was only the faithful minister of his royal master's inclinations. His children are poor, and justify their father's conduct.
The court at Dresden w
as at that time the most brilliant in Europe; the fine arts flourished, but there was no gallantry, for King Augustus had no inclination for the fair sex, and the Saxons were not of a nature to be thus inclined unless the example was set by their sovereign.
At my arrival in Prague, where I did not intend to stop, I delivered a letter I had for Locatelli, manager of the opera, and went to pay a visit to Madame Morelli, an old acquaintance, for whom I had great affection, and for two or three days she supplied all the wants of my heart.
As I was on the point of leaving Prague, I met in the street my friend Fabris, who had become a colonel, and he insisted upon my dining with him. After 'embracing him, I represented to him, but in vain, that I had made all my arrangements to go away immediately.
"You will go this evening," he said, "with a friend of mine, and you will catch the coach."
I had to give way, and I was delighted to have done so, for the remainder of the day passed in the most agreeable manner. Fabris was longing for war, and his wishes were gratified two years afterwards; he covered himself with glory.
I must say one word about Locatelli, who was an original character well worthy to be known. He took his meals every day at a table laid out for thirty persons, and the guests were his actors, actresses, dancers of both sexes, and a few friends. He did the honours of his well-supplied board nobly, and his real passion was good living. I shall have occasion to mention him again at the time of my journey to St. Petersburg, where I met him, and where he died only lately at the age of ninety.
EPISODE 7 — VENICE
CHAPTER X
My Stay in Vienna—Joseph II—My Departure for Venice
Arrived, for the first time, in the capital of Austria, at the age of eight-and-twenty, well provided with clothes, but rather short of money—a circumstance which made it necessary for me to curtail my expenses until the arrival of the proceeds of a letter of exchange which I had drawn upon M. de Bragadin. The only letter of recommendation I had was from the poet Migliavacca, of Dresden, addressed to the illustrious Abbe Metastasio, whom I wished ardently to know. I delivered the letter the day after my arrival, and in one hour of conversation I found him more learned than I should have supposed from his works. Besides, Metastasio was so modest that at first I did not think that modesty natural, but it was not long before I discovered that it was genuine, for when he recited something of his own composition, he was the first to call the attention of his hearers to the important parts or to the fine passages with as much simplicity as he would remark the weak ones. I spoke to him of his tutor Gravina, and as we were on that subject he recited to me five or six stanzas which he had written on his death, and which had not been printed. Moved by the remembrance of his friend, and by the sad beauty of his own poetry, his eyes were filled with tears, and when he had done reciting the stanzas he said, in a tone of touching simplicity,'Ditemi il vero, si puo air meglio'?
I answered that he alone had the right to believe it impossible. I then asked him whether he had to work a great deal to compose his beautiful poetry; he shewed me four or five pages which he had covered with erasures and words crossed and scratched out only because he had wished to bring fourteen lines to perfection, and he assured me that he had never been able to compose more than that number in one day. He confirmed my knowledge of a truth which I had found out before, namely, that the very lines which most readers believe to have flowed easily from the poet's pen are generally those which he has had the greatest difficulty in composing.
"Which of your operas," I enquired, "do you like best?"
"'Attilio Regolo; ma questo non vuol gia dire che sia il megliore'."
"All your works have been translated in Paris into French prose, but the publisher was ruined, for it is not possible to read them, and it proves the elevation and the power of your poetry."
"Several years ago, another foolish publisher ruined himself by a translation into French prose of the splendid poetry of Ariosto. I laugh at those who maintain that poetry can be translated into prose."
"I am of your opinion."
"And you are right."
He told me that he had never written an arietta without composing the music of it himself, but that as a general rule he never shewed his music to anyone.
"The French," he added, "entertain the very strange belief that it is possible to adapt poetry to music already composed."
And he made on that subject this very philosophical remark:
"You might just as well say to a sculptor, 'Here is a piece of marble, make a Venus, and let her expression be shewn before the features are chiselled.'"
I went to the Imperial Library, and was much surprised to meet De la Haye in the company of two Poles, and a young Venetian whom his father had entrusted to him to complete his education. I believed him to be in Poland, and as the meeting recalled interesting recollections I was pleased to see him. I embraced him repeatedly with real pleasure.
He told me that he was in Vienna on business, and that he would go to Venice during the summer. We paid one another several visits, and hearing that I was rather short of money he lent me fifty ducats, which I returned a short time after. He told me that Bavois was already lieutenant-colonel in the Venetian army, and the news afforded me great pleasure. He had been fortunate enough to be appointed adjutant-general by M. Morosini, who, after his return from his embassy in France, had made him Commissary of the Borders. I was delighted to hear of the happiness and success of two men who certainly could not help acknowledging me as the original cause of their good fortune. In Vienna I acquired the certainty of De la Haye being a Jesuit, but he would not let anyone allude to the subject.
Not knowing where to go, and longing for some recreation, I went to the rehearsal of the opera which was to be performed after Easter, and met Bodin, the first dancer, who had married the handsome Jeoffroi, whom I had seen in Turin. I likewise met in the same place Campioni, the husband of the beautiful Ancilla. He told me that he had been compelled to apply for a divorce because she dishonoured him too publicly. Campioni was at the same time a great dancer and a great gambler. I took up my lodgings with him.
In Vienna everything is beautiful; money was then very plentiful, and luxury very great; but the severity of the empress made the worship of Venus difficult, particularly for strangers. A legion of vile spies, who were decorated with the fine title of Commissaries of Chastity, were the merciless tormentors of all the girls. The empress did not practise the sublime virtue of tolerance for what is called illegitimate love, and in her excessive devotion she thought that her persecutions of the most natural inclinations in man and woman were very agreeable to God. Holding in her imperial hands the register of cardinal sins, she fancied that she could be indulgent for six of them, and keep all her severity for the seventh, lewdness, which in her estimation could not be forgiven.
"One can ignore pride," she would say, "for dignity wears the same garb. Avarice is fearful, it is true; but one might be mistaken about it, because it is often very like economy. As for anger, it is a murderous disease in its excess, but murder is punishable with death. Gluttony is sometimes nothing but epicurism, and religion does not forbid that sin; for in good company it is held a valuable quality; besides, it blends itself with appetite, and so much the worse for those who die of indigestion. Envy is a low passion which no one ever avows; to punish it in any other way than by its own corroding venom, I would have to torture everybody at Court; and weariness is the punishment of sloth. But lust is a different thing altogether; my chaste soul could not forgive such a sin, and I declare open war against it. My subjects are at liberty to think women handsome as much as they please; women may do all in their power to appear beautiful; people may entertain each other as they like, because I cannot forbid conversation; but they shall not gratify desires on which the preservation of the human race depends, unless it is in the holy state of legal marriage. Therefore, all the miserable creatures who live by the barter of their caresses and of the charms given to t
hem by nature shall be sent to Temeswar. I am aware that in Rome people are very indulgent on that point, and that, in order to prevent another greater crime (which is not prevented), every cardinal has one or more mistresses, but in Rome the climate requires certain concessions which are not necessary here, where the bottle and the pipe replace all pleasures. (She might have added, and the table, for the Austrians are known to be terrible eaters.)
"I will have no indulgence either for domestic disorders, for the moment I hear that a wife is unfaithful to her husband, I will have her locked up, in spite of all, in spite of the generally received opinion that the husband is the real judge and master of his wife; that privilege cannot be granted in my kingdom where husbands are by far too indifferent on that subject. Fanatic husbands may complain as much as they please that I dishonour them by punishing their wives; they are dishonoured already by the fact of the woman's infidelity."
"But, madam, dishonour rises in reality only from the fact of infidelity being made public; besides, you might be deceived, although you are empress."
"I know that, but that is no business of yours, and I do not grant you the right of contradicting me."
Such is the way in which Maria Teresa would have argued, and notwithstanding the principle of virtue from which her argument had originated, it had ultimately given birth to all the infamous deeds which her executioners, the Commissaries of Chastity, committed with impunity under her name. At every hour of the day, in all the streets of Vienna, they carried off and took to prison the poor girls who happened to live alone, and very often went out only to earn an honest living. I should like to know how it was possible to know that a girl was going to some man to get from him consolations for her miserable position, or that she was in search of someone disposed to offer her those consolations? Indeed, it was difficult. A spy would follow them at a distance. The police department kept a crowd of those spies, and as the scoundrels wore no particular uniform, it was impossible to know them; as a natural consequence, there was a general distrust of all strangers. If a girl entered a house, the spy who had followed her, waited for her, stopped her as she came out, and subjected her to an interrogatory. If the poor creature looked uneasy, if she hesitated in answering in such a way as to satisfy the spy, the fellow would take her to prison; in all cases beginning by plundering her of whatever money or jewellery she carried about her person, and the restitution of which could never be obtained. Vienna was, in that respect a true den of privileged thieves. It happened to me one day in Leopoldstadt that in the midst of some tumult a girl slipped in my hand a gold watch to secure it from the clutches of a police-spy who was pressing upon her to take her up. I did not know the poor girl, whom I was fortunate enough to see again one month afterwards. She was pretty, and she had been compelled to more than one sacrifice in order to obtain her liberty. I was glad to be able to hand her watch back to her, and although she was well worthy of a man's attention I did not ask her for anything to reward my faithfulness. The only way in which girls could walk unmolested in the streets was to go about with their head bent down with beads in hand, for in that case the disgusting brood of spies dared not arrest them, because they might be on their way to church, and Maria Teresa would certainly have sent to the gallows the spy guilty of such a mistake.
The Complete Memoirs of Jacques Casanova de Seingalt Page 87