She possessed a commentary on Raymond Lully, which cleared up all difficult points in the comments of Arnold de Villanova on the works of Roger Bacon and Heber, who, according to her, were still alive. This precious manuscript was in an ivory casket, the key of which she kept religiously; indeed her laboratory was a closed room to all but myself. I saw a small cask full of 'platina del Pinto', which she told me she could transmute into gold when she pleased. It had been given her by M. Vood himself in 1743. She shewed me the same metal in four phials. In the first three the platinum remained intact in sulphuric, nitric, and muriatic acid, but in the fourth, which contained 'aqua regia', the metal had not been able to resist the action of the acid. She melted it with the burning-glass, and said it could be melted in no other way, which proved, in her opinion, its superiority to gold. She shewed me some precipitated by sal ammoniac, which would not precipitate gold.
Her athanor had been alight for fifteen years. The top was full of black coal, which made me conclude that she had been in the laboratory two or three days before. Stopping before the Tree of Diana, I asked her, in a respectful voice, if she agreed with those who said it was only fit to amuse children. She replied, in a dignified manner, that she had made it to divert herself with the crystallization of the silver, spirit of nitre, and mercury, and that she looked upon it as a piece of metallic vegetation, representing in little what nature performed on a larger scale; but she added, very seriously, that she could make a Tree of Diana which should be a very Tree of the Sun, which would produce golden fruit, which might be gathered, and which would continue to be produced till no more remained of a certain ingredient. I said modestly that I could not believe the thing possible without the powder of projection, but her only answer was a pleased smile.
She then pointed out a china basin containing nitre, mercury, and sulphur, and a fixed salt on a plate.
"You know the ingredients, I suppose?" said she.
"Yes; this fixed salt is a salt of urine."
"You are right."
"I admire your sagacity, madam. You have made an analysis of the mixture with which I traced the pentacle on your nephew's thigh, but in what way can you discover the words which give the pentacle its efficacy?"
"In the manuscript of an adept, which I will shew you, and where you will find the very words you used."
I bowed my head in reply, and we left this curious laboratory.
We had scarcely arrived in her room before Madame d'Urfe drew from a handsome casket a little book, bound in black, which she put on the table while she searched for a match. While she was looking about, I opened the book behind her back, and found it to be full of pentacles, and by good luck found the pentacle I had traced on the count's thigh. It was surrounded by the names of the spirits of the planets, with the exception of those of Saturn and Mars. I shut up the book quickly. The spirits named were the same as those in the works of Agrippa, with which I was acquainted. With an unmoved countenance I drew near her, and she soon found the match, and her appearance surprised me a good deal; but I will speak of that another time.
The marchioness sat down on her sofa, and making me to do the like she asked me if I was acquainted with the talismans of the Count de Treves?
"I have never heard of them, madam, but I know those of Poliphilus:"
"It is said they are the same."
"I don't believe it."
"We shall see. If you will write the words you uttered, as you drew the pentacle on my nephew's thigh, and if I find the same talisman with the same words around it, the identity will be proved."
"It will, I confess. I will write the words immediately."
I wrote out the names of the spirits. Madame d'Urfe found the pentacle and read out the names, while I pretending astonishment, gave her the paper, and much to her delight she found the names to be the same.
"You see," said she, "that Poliphilus and the Count de Treves possessed the same art."
"I shall be convinced that it is so, if your book contains the manner of pronouncing the ineffable names. Do you know the theory of the planetary hours?"
"I think so, but they are not needed in this operation."
"They are indispensable, madam, for without them one cannot work with any certainty. I drew Solomon's pentacle on the thigh of Count de la Tour d'Auvergne in the hour of Venus, and if I had not begun with Arael, the spirit of Venus, the operation would have had no effect."
"I did not know that. And after Arael?"
"Next comes Mercury, then the Moon, then Jupiter, and then the Sun. It is, you see, the magic cycle of Zoroaster, in which Saturn and Mars are omitted."
"And how would you have proceeded if you had gone to work in the hour of the Moon?"
"I should have begun with Jupiter, passed to the Sun, then to Arael or Venus, and I should have finished at Mercury."
"I see sir, that you are most apt in the calculation of the planetary hours."
"Without it one can do nothing in magic, as one would have no proper data; however, it is an easy matter to learn. Anyone could pick it up in a month's time. The practical use, however, is much more difficult than the theory; this, indeed, is a complicated affair. I never leave my house without ascertaining the exact number of minutes in the day, and take care that my watch is exact to the time, for a minute more or less would make all the difference in the world."
"Would you have the goodness to explain the theory to me."
"You will find it in Artephius and more clearly in Sandivogius."
"I have both works, but they are in Latin."
"I will make you a translation of them."
"You are very kind; I shall be extremely obliged to you."
"I have seen such things here, madam, that I could not refuse, for reasons which I may, perhaps, tell you to-morrow."
"Why not to-day?"
"Because I ought to know the name of your familiar spirit before I tell you."
"You know, then, that I have a familiar? You should have one, if it is true that you possess the powder of projection."
"I have one."
"Give me the oath of the order."
"I dare not, and you know why."
"Perhaps I shall be able to remove your fears by tomorrow."
This absurd oath was none other than that of the princes of the Rosy Cross, who never pronounce it without being certain that each party is a Rosicrucian, so Madame d'Urfe was quite right in her caution, and as for me I had to pretend to be afraid myself. The fact is I wanted to gain time, for I knew perfectly well the nature of the oath. It may be given between men without any indecency, but a woman like Madame d'Urfe would probably not relish giving it to a man whom she saw for the first time.
"When we find this oath alluded to in the Holy Scriptures," she said, "it is indicated by the words 'he swore to him by laying his hand on his thigh.'"
"But the thigh is not really what is meant; and consequently we never find any notice of a man taking this oath to a woman, as a woman has no 'verbum'."
The Count de la Tour d'Auvergne came back at nine o'clock in the evening, and he skewed no little astonishment at seeing me still with his aunt. He told us that his cousin's fever had increased, and that small-pox had declared itself; "and I am going to take leave of you, my dear aunt, at least for a month, as I intend to shut myself up with the sick man."
Madame d'Urfe praised his zeal, and gave him a little bag on his promising to return it to her after the cure of the prince.
"Hang it round his neck and the eruption will come out well, and he will be perfectly cured."
He promised to do so, and having wished us good evening he went out.
"I do not know, madam, what your bag contains, but if it have aught to do with magic, I have no confidence in its efficacy, as you have neglected to observe the planetary hour."
"It is an electrum, and magic and the observance of the hour have nothing to do with it."
"I beg your pardon."
She then said that she though
t my desire for privacy praiseworthy, but she was sure I should not be ill pleased with her small circle, if I would but enter it.
"I will introduce you to all my friends," said she, "by asking them one at a time, and you will then be able to enjoy the company of them all."
I accepted her proposition.
In consequence of this arrangement I dined the next day with M. Grin and his niece, but neither of them took my fancy. The day after, I dined with an Irishman named Macartney, a physician of the old school, who bored me terribly. The next day the guest was a monk who talked literature, and spoke a thousand follies against Voltaire, whom I then much admired, and against the "Esprit des Lois," a favourite work of mine, which the cowled idiot refused to attribute to Montesquieu, maintaining it had been written by a monk. He might as well have said that a Capuchin created the heavens and the earth.
On the day following Madame d'Urfe asked me to dine with the Chevalier d'Arzigny, a man upwards of eighty, vain, foppish, and consequently ridiculous, known as "The Last of the Beaus." However, as he had moved in the court of Louis XIV., he was interesting enough, speaking with all the courtesy of the school, and having a fund of anecdote relating to the Court of that despotic and luxurious monarch.
His follies amused me greatly. He used rouge, his clothes were cut in the style which obtained in the days of Madame de Sevigne, he professed himself still the devoted lover of his mistress, with whom he supped every night in the company of his lady friends, who were all young and all delightful, and preferred his society to all others; however, in spite of these seductions, he remained faithful to his mistress.
The Chevalier d'Arzigny had an amiability of character which gave whatever he said an appearance of truth, although in his capacity of courtier truth was probably quite unknown to him. He always wore a bouquet of the most strongly-smelling flowers, such as tuberoses, jonquils, and Spanish jasmine; his wig was plastered down with amber-scented pomade, his teeth were made of ivory, and his eyebrows dyed and perfumed, and his whole person exhaled an odour to which Madame d'Urfe did not object, but which I could scarcely bear. If it had not been for this drawback I should probably have cultivated his society. He was a professed Epicurean, and carried out the system with an amazing tranquillity. He said that he would undertake to receive twenty-four blows with the stick every morning on the condition that he should not die within the twenty-four hours, and that the older he grew the more blows he would gladly submit to. This was being in love with life with a vengeance.
Another day I dined with M. Charon, who was a counsellor, and in charge of a suit between Madame d'Urfe and her daughter Madame du Chatelet, whom she disliked heartily. The old counsellor had been the favoured lover of the marchioness forty years before, and he thought himself bound by the remembrance of their love-passages to support the cause of his old sweetheart. In those days French magistrates thought they had a right to take the side of their friends, or of persons in whom they had an interest, sometimes for friendship's sake, and sometimes for a monetary consideration; they thought, in fact, that they were justified in selling justice.
M. Charon bored me like the others, as was natural, considering we had no two tastes in common.
The scene was changed the next day when I was amused with the company of M. de Viarme, a young counsellor, a nephew of Madame d'Urfe's, and his pretty and charming wife. He was the author of the "Remonstrances to the King," a work which got him a great reputation, and had been read eagerly by the whole town. He told me that the business of a counsellor was to oppose everything done by the crown, good and bad. His reasons for this theory were those given by all minorities, and I do not think I need trouble my readers with them.
The most enjoyable dinner I had was with Madame de Gergi, who came with the famous adventurer, known by the name of the Count de St. Germain. This individual, instead of eating, talked from the beginning of the meal to the end, and I followed his example in one respect as I did not eat, but listened to him with the greatest attention. It may safely be said that as a conversationalist he was unequalled.
St. Germain gave himself out for a marvel and always aimed at exciting amazement, which he often succeeded in doing. He was scholar, linguist, musician, and chemist, good-looking, and a perfect ladies' man. For awhile he gave them paints and cosmetics; he flattered them, not that he would make them young again (which he modestly confessed was beyond him) but that their beauty would be preserved by means of a wash which, he said, cost him a lot of money, but which he gave away freely.
He had contrived to gain the favour of Madame de Pompadour, who had spoken about him to the king, for whom he had made a laboratory, in which the monarch—a martyr to boredom—tried to find a little pleasure or distraction, at all events, by making dyes. The king had given him a suite of rooms at Chambord, and a hundred thousand francs for the construction of a laboratory, and according to St. Germain the dyes discovered by the king would have a materially beneficial influence on the quality of French fabrics.
This extraordinary man, intended by nature to be the king of impostors and quacks, would say in an easy, assured manner that he was three hundred years old, that he knew the secret of the Universal Medicine, that he possessed a mastery over nature, that he could melt diamonds, professing himself capable of forming, out of ten or twelve small diamonds, one large one of the finest water without any loss of weight. All this, he said, was a mere trifle to him. Notwithstanding his boastings, his bare-faced lies, and his manifold eccentricities, I cannot say I thought him offensive. In spite of my knowledge of what he was and in spite of my own feelings, I thought him an astonishing man as he was always astonishing me. I shall have something more to say of this character further on.
When Madame d'Urfe had introduced me to all her friends, I told her that I would dine with her whenever she wished, but that with the exception of her relations and St. Germain, whose wild talk amused me, I should prefer her to invite no company. St. Germain often dined with the best society in the capital, but he never ate anything, saying that he was kept alive by mysterious food known only to himself. One soon got used to his eccentricities, but not to his wonderful flow of words which made him the soul of whatever company he was in.
By this time I had fathomed all the depths of Madame d'Urfe's character. She firmly believed me to be an adept of the first order, making use of another name for purposes of my own; and five or six weeks later she was confirmed in this wild idea on her asking me if I had diciphered the manuscript which pretended to explain the Magnum Opus.
"Yes," said I, "I have deciphered it, and consequently read it, and I now beg to return it you with my word of honour that I have not made a copy; in fact, I found nothing in it that I did not know before."
"Without the key you mean, but of course you could never find out that."
"Shall I tell you the key?"
"Pray do so."
I gave her the word, which belonged to no language that I know of, and the marchioness was quite thunderstruck.
"This is too amazing," said she; "I thought myself the sole possessor of that mysterious word—for I had never written it down, laying it up in my memory—and I am sure I have never told anyone of it."
I might have informed her that the calculation which enabled me to decipher the manuscript furnished me also with the key, but the whim took me to tell her that a spirit had revealed it to me. This foolish tale completed my mastery over this truly learned and sensible woman on everything but her hobby. This false confidence gave me an immense ascendancy over Madame d'Urfe, and I often abused my power over her. Now that I am no longer the victim of those illusions which pursued me throughout my life, I blush at the remembrance of my conduct, and the penance I impose on myself is to tell the whole truth, and to extenuate nothing in these Memoirs.
The wildest notion in the good marchioness's brain was a firm belief in the possibility of communication between mortals and elementary spirits. She would have given all her goods to attain to such com
munication, and she had several times been deceived by impostors who made her believe that she attained her aim.
"I did not think," said she, sadly, "that your spirit would have been able to force mine to reveal my secrets."
"There was no need to force your spirit, madam, as mine knows all things of his own power."
"Does he know the inmost secrets of my soul?"
"Certainly, and if I ask him he is forced to disclose all to me."
"Can you ask him when you like?"
"Oh, yes! provided I have paper and ink. I can even ask him questions through you by telling you his name."
"And will you tell it me?"
"I can do what I say; and, to convince you, his name is Paralis. Ask him a simple question in writing, as you would ask a common mortal. Ask him, for instance, how I deciphered your manuscript, and you shall see I will compel him to answer you."
Trembling with joy, Madame d'Urfe put her question, expressed it in numbers, then following my method in pyramid shape; and I made her extract the answer, which she wrote down in letters. At first she only obtained consonants, but by a second process which supplied the vowels she received a clear and sufficient answer. Her every feature expressed astonishment, for she had drawn from the pyramid the word which was the key to her manuscript. I left her, carrying with me her heart, her soul, her mind, and all the common sense which she had left.
CHAPTER IV
Absurd Ideas of Madame D'Urfe on My Supernatural Powers—
The Complete Memoirs of Jacques Casanova de Seingalt Page 139