by Mary Brown
We had not yet seen the lady close to and were bowing respectfully when she entered the hall, so I had only had a quick impression of a tall, slim woman in rich red robes and an elaborate headdress of linen, lawn and ribbons. Now I could see her more clearly I saw she was handsome enough, but her face was marred by a discontented expression—much as my mother used to wear if bad weather kept her customers away too long. The lady was obviously bored.
The hall grew hotter, noisier, smokier, but at last the tables were cleared, the hounds kicked into silence, a cover put over the squawking birds and water brought for finger-washing. The steward rose to his feet, banged on the top table for silence, and announced that the entertainment would begin. A young varlet, one of the two cadet-squires who had been serving at the top table—much more palatable food than we had been served with, I noticed—walked down the room and picked out the first of our "volunteers."
After a whispered conversation he walked back between the two lower tables, bowed to the lady, and announced that Master Peter Bowe would sing a couple of ballads: "Travel the Broad Highway" and "Lips Like Cherries." He had a pleasant enough voice, but it was suited to a smaller place than this vast hall, whose timbers reached up into a ribbed darkness like leafless trees. However the Lady spoke to her steward and he was rewarded with a couple of silver coins.
Next it was the turn of the juggler, who was reasonably dextrous. He was certainly good at improvisation, for he had only what lay around to toss and catch; eventually, one by one, he had two shriveled apples, a goblet, a large bone and a trencher all in the air at once. He, too, received two silver coins.
The teller of tales was found to be hopelessly drunk and was thrown out, so it was the turn of the tumbler and his boy. Once the man had obviously been very good, but he was well into middle age and I could tell by the grimaces that he suffered from rheumatism, and both his spring and balance were faulty. The boy did his best to cover for his father's deficiencies—one day he, too, would be very good—but in the end he was dropped heavily; judging by his resigned expression as he rose to his feet, rubbing his elbow, it wasn't the first time and wouldn't be the last. They were given three coins.
Now it was the turn of the contortionist, but I had to miss his performance to slip outside and collect Mistral and the others, for we were next—and last. I brought them in by the kitchen ramp, for the steps up to the main door would not have done: too steep. Leaving them just outside, I rejoined Gill for the applause and coin for the contortionist. The varlet walked up to us, I whispered to him, he went back and announced us.
"My lady . . ." a deep bow: "for your entertainment I present travelers from the north, the south, the east, the west: fresh from their successful performances all over the country, I crave your indulgence for brother and sister, Gill and Summer, and their troupe of performing animals!" Another deep bow, a ripple of interest.
Smoothing down the dress Matthew had given me with nervous fingers I led Mistral towards the top table, Gill on her other side, flanked on either side by a sedate dog and a sedater pig. Traveler was perched on Mistral's back. We all looked our best, I had seen to that, and the animals wore colored ribbons—a sad good-bye to my special ones, I thought. (We had had to leave Basher behind, for there isn't much lively capering to be got from a hibernating tortoise.)
Reaching the dais we performed the only trick we had rehearsed together: we all knelt—man, girl, horse, pig, dog. Traveler bowed his head.
Applause. Encouraged, I rose and addressed the lady. "First we shall show you a roundelay. . . ." and pulling my pipe from my pocket I gave Gill the note and he began singing the "Bluebell Hey." For a dreadful moment I thought it wasn't going to work, then my dear animals obeyed my unspoken instructions. Mistral and the pig revolved slowly, majestically, and Growch began to chase his tail. No matter they were not in time with the music: we were receiving applause already. Traveler rose into the air and gracefully circled the top table. . . . Then it happened.
It is well-nigh impossible to house-train birds, and Traveler was no exception. On his last circuit, obviously full of grain, he let loose and an enormous chunk of pigeon-dropping landed unerringly on the bald pate of the lady's chaplain. There was a long drawing in of breath and then total silence. I stopped playing, Gill stopped singing, Growch stopped chasing his tail. Mistral and the Wimperling stood like statues.
We all gazed at the Lady Aleinor. She rose to her feet, her face suffused with color. If she had said: "Off with their heads!" I would not have been surprised. I twisted the ring on my finger, still cool and calm. The lady's eyes seemed ready to pop out of her head, and the silence was something palpable, a thing you could touch and weigh. She opened her mouth—
And laughed.
And she went on laughing. Not a genteel titter behind her hand, as I had been taught, but a gut-wrenching belly laugh, the sort my mother had produced one day when the butcher had risen from her bed in a temper, tripped and landed bare-arsed and bum-high with his nose in the dirt.
What's more, she went on laughing. She laughed until the tears spurted from her eyes, she laughed till her ribs ached and she had to double up to stop the ache, till she had to cover her ears for the pain behind. And the more indignant the lugubrious chaplain became, trying to wipe the yellow mess from his bald head with the tablecloth, the more she laughed.
Her sycophantic household took its cue from her, and soon the whole place was rocking with guffaws and the very flames of the torches and candles were threatened by the shouts and table-thumpings. The most relieved face in the hall, apart from mine, was that of Captain Portall, who had promised amusement for his lady.
The noise, however, was upsetting Mistral, however I tried to calm her, and Traveler was no better. Growch, too, was starting to growl at the lymers, brachs and mastiffs who had started up again with their baying and yelping, so I grabbed the horse's bridle and led them back to the courtyard. Growch, of course, took advantage of this to snatch a rib bone from a distracted greyhound on his way out.
Picking up a leathern bucket I had appropriated earlier I rejoined Gill and the Wimperling, the latter of whom seemed totally unmoved by the hullabaloo around him. In fact his snout was working happily above exposed teeth, almost as though he were laughing too. As I re-entered the merriment was dying down, and the lady leaned forward and addressed us.
"I hope the rest of your act is as stimulating: I declare I have not been as diverted for months! Of course—" she waved her hand dismissively: "I realize it was but a fortuitous accident. Presumably the rest of your performance owes more to skill?"
I bowed. "My lady . . . First my brother will sing a ballad dedicated especially to yourself. An old tune, but new words." I gave Gill his note, and he began to sing:
"When I hunger, there is meat;
When I tire, there is sleep;
I am cold, there is fire;
I am thirsty, there is wine.
But when I love, unless you care,
I am poorer than the poor.
Hungry, thirsty, sleepless, cold.
But smile, lady, and I am full;
Touch me and I am warm;
Kiss me once and I
Need never sleep again. . . ."
It was a touching song, and Gill sang it as if he held a picture of a secret love tight behind his blind lids. So heartfelt was the throb in his voice that it gave me goose bumps. The lady seemed to like it too.
Now for the culmination of our act: I crossed my fingers and went down to the Wimperling.
"Ready?"
"If you are . . ."
I upended the bucket and lifted his front hooves onto the top, catching one of my fingers on the funny claws that circled them. "We will have to clip those. . . ."
"I think they are meant to be there . . ."
Gill finished his song to sentimental applause from Lady Aleinor, which everyone copied. So, the lady decided what amused and what did not. In that case, the Wimperling and I would play to her alone.
"And now, my lady, we present to you the wonder of this or any other age: a pig who counts. As good as any human, and better than most. Would you please give me two simple numbers for the pig to add together?" I saw her hesitate, and gathered that tallying was not her strong point. She would probably be furious if we exposed her weakness so I played it safe. "Perhaps we could start more simply: if you would place some manchets of bread in front of you in a line, so that your guests may see the number, then I will ask the pig to guess correctly. He cannot, of course, see what is on the table."
She looked more pleased and lined up five pieces of bread. I thought the number to the Wimperling, then made a great fuss and to-do with waving of arms and incantations.
Obediently the Wimperling tapped with his right hoof on the top of the bucket: one, two, three, four . . . There was a hesitation, a ghastly moment when I thought everything was going to go wrong, then I saw from the gleam in his eye that he was enjoying himself . . . five.
Applause, again, and from then on in it was easy. Shouts from those on the top table who could count: "Three and two . . . Six and one . . . two and four . . ." The lady was counting frantically on her fingers to keep up with her guests, then nodding and beaming as though she had known the answer all the time. Her daughter intervened in an affected lisp.
"Does the creature subtract as well?"
It could, if my mental counting was swift enough.
We finished, by prior agreement with the Wimperling, by me asking him a leading question: "You are a pig of perspicacity: tell me now, O Wise One, who is the fairest, the most generous, the most beloved lady in this castle?" I went along the tables, touching each woman on the shoulder as I passed, and each time the Wimperling shook his head—a pity, for some of the ladies were really far prettier than our hostess. At last, and last, I came to the Lady Aleinor. At once the pig drummed both hooves on the bucket, squealed enthusiastically and nodded his head.
Everyone clapped, as they knew that they had to, and the lady was so pleased she snatched the purse of silver from her steward and threw it to me. As I shepherded Gill back outside, the Wimperling trotting behind, I counted the coins: twelve!
"Told you it would be all right," said the Wimperling happily.
We had almost reached the stables when there were running footsteps behind us. It was the varlet who had introduced us earlier.
"You are invited to dine with the rest of the household at dawn," he panted, "and the lady requests that you and your brother—and the wondrous pig—attend her at noon in the solar. I am to come and fetch you at the appointed hour."
Back at the stables I requested more hay and made comfortable resting places for Gill and myself, then went to say goodnight and congratulate the animals.
"You were absolutely marvelous, all of you! The lady liked our performance, and we have a purseful of silver to prove it! She wants to see Gill and me and the Wimperling again tomorrow morning, but we shall be on the road again just after noon, I expect."
"Tonight was one thing," said the Wimperling, "but tomorrow might be different again. . . ."
"Oh, stop being such an old pessimist!" I cried. "You were the star of the show, remember?" and in my euphoria I raised his front hooves, bent down, and kissed him fair and square on his pink snout.
Bam! I felt as though I had been struck by a thunderbolt. Once when combing my hair at home by the fire, I had leaned forward to sip at a metal dipper of water and had the same sharp prickling, but this was a thousand times worse. I must have jumped, or been thrown, back about six feet, my lips numb and feeling twice their size, my hair standing up from my head. But this was as nothing to the effect it had on the pig. He leapt up at the same distance I had back, his wings creaked into action as well and bore him still further until he cracked his head against the rafters and came plummeting back down to the floor.
We stared at one another in horror. The feeling was coming back to my lips, but I still had to put up a hand to convince myself they weren't swollen. They tingled like pins and needles, only far worse.
"What happened?"
He shook his head as though his ears were full of ticks. "I don't know. . . . I feel as if all my insides have turned over. Most peculiar. I'm not the same as I was, I know that!"
"I won't do it again, I promise!"
"No, don't. It's just that . . . I don't know. Very strange. . . ."
I had never seen or heard him so confused. After a moment or two he slunk off into a corner under the manger and hunched up. I thought he would sleep, but when I settled down on my bed of hay he was still awake, his eyes bright and watchful in the light of the lantern that swung overhead.
* * *
When we entered the solar a little after noon, the Lady Aleinor was seated in a high-backed chair by a roaring fire; like all the chimneys in the castle, this one smoked. The lady's daughter was on a stool at her feet, the nurse and two tirewomen stood behind the chair.
Though the room was sumptuously furnished, it did not have the cozy, lived-in look of Matthew's solar: it was a room to be seen in, rather than used. Candles were lit because the shutters on the one window at the back were tight closed.
The lady received us graciously. We were invited to move into the center of the room—though not asked to sit down—and she started to question us: where we trained the animals, where we were bound, etc. From anyone except a fine lady like herself it might have seemed an impertinence, but we had been long enough together for the brother/sister story to come out like truth. It was more difficult to answer questions about the animals, but I did emphasize (in order that our performances were worthy of reward) the years of training, the bonds of familiarity that had to be forged, the difficulty of communication—and here I mentally crossed myself and touched my ring.
"But surely the whip speaks louder than words?"
I was shocked—would I have been before I wore the ring of the Unicorn? I wondered—but did my best to hide it. Her ways were obviously not ours.
"You may use a whip when breaking in a horse, my lady, or beat a dog, but how can you use punishment to train a pigeon? Our training is accomplished by treating the animals as if they were part of our family and rewarding their tricks, not punishing their mistakes. It has worked well, so far."
Her eyes flashed as though she would argue, then once more she was sweetness itself. "Would you let me see what else your pig can do? I am sure there were tricks you did not show us last night. . . ." I almost looked for the honey dripping from her tongue.
I was deceived, I admit it, even as a warning message came from the Wimperling. "Don't intrigue her too much. . . ."
"Hush!" I thought to him. And to the lady: "I am sure we can find something to divert you. . . ." Back to the Wimperling, quick as a flash: "Can you keep time to a song? Find hidden objects if I tell you where they are?"
He answered reluctantly that he thought he could: "But don't overdo it!" Why? More tricks, more money, and we should be away from here in an hour or two with enough to keep us going for weeks.
I asked Gill to sing "Come away to the woods today" which was a song with a regular, impelling beat, and my pig trod first one way and then the other in perfect time, to polite applause from the lady and her daughter.
"Now the pig on his own," demanded Lady Aleinor, dismissing Gill's song, which privately I thought wonderful, as a mere trifle. "Come on girl: show us what else he can do!"
"Very well. Perhaps, my lady, if you would hide some trifling object—yes, that needle case would do fine—while the pig's back is turned—so, then I will ask him to discover it."
And behind a cushion, under a chair, beneath the sideboard, in the wood-basket—he found it every time. After I had told him where to look, of course.
The lady watched him perform with a gleam in her eyes. "Very good, very good indeed! Anything else he can do?"
I was about to open my mouth and rashly volunteer his flying abilities, when his thoughts struck into my mind like
a string of sharp pebbles to the head. "No, no, no! Don't tell her that! Tell her I am tired, anything! Let's get out of here!"
Confused, I stammered out an excuse. She looked at me coldly. "Very well, you may go now and rest. But I shall expect another performance tonight. I have sent out messengers to others of my neighbors and I look forward to an even better exposition of the pig's power." She saw my face. "What's the matter, girl? A few coins? Here you are, then. . . ." and she tossed a handful of silver at my feet.
Automatically I bent to retrieve it, then straightened my back. "It is not a matter of money, my lady, thank you all the same. Last night you were more than generous, and we had not planned to stay longer than midday today. We must be on our way as soon as possible."
Another flash of—what?—from those hooded eyes, then the pleasantness was back again, on her mouth at least. "Of course, of course, but I couldn't possibly let you go without one more of your marvelous performances! You can't let me down after I have invited extra guests! Please say you will do this last favor? One more treat for us all and then you may go on your way. . . ."
It would have been more than churlish of me to refuse, in spite of the warning signs I was getting from the Wimperling. Gill, poor dear, had no idea of the conflict that was going on and added his voice to the lady's plea.
"Of course we must oblige the Lady Aleinor, Summer: it will be no hardship to stay one more night, surely?"
I could hear the Wimperling almost screaming at him to stop, stop, stop! but of course he couldn't hear the pig's thoughts as I could, and he went on with a few more complimentary sentences until I could have screamed also. There was no doubt as to the outcome now, and I picked up the coins and we made our way down the winding stone stairs to the courtyard. Up had been much easier for all of us, and the Wimperling nearly ended by rolling down the last few twists. Once in the courtyard he started to say something, but I hushed him, using our midday meal in the hall as an excuse. Right at that moment I didn't want any prognostications of doom and disaster, so I saw him back to the stable before hurrying back for what was left of the meal.