“We’ll learn all about that when we’ve got our man,” countered Heath doggedly.
“The point is, Sergeant,” put in Markham, “I’ve given Mr. Greene my promise to look into the matter, and I wanted to get what details I could from you. You understand, of course,” he added mollifyingly, “that I shall not interfere with your activities in any way. Whatever the outcome of the case, your department will receive entire credit.”
“Oh, that’s all right, sir.” Experience had taught Heath that he had nothing to fear in the way of lost kudos when working with Markham. “But I don’t think, in spite of Mr. Vance’s ideas, that you’ll find much in the Greene case to warrant attention.”
“Perhaps not,” Markham admitted. “However, I’ve committed myself, and I think I’ll run out this afternoon and look over the situation, if you’ll give me the lie of the land.”
“There isn’t much to tell.” Heath chewed on his cigar cogitatingly. “A Doctor Von Blon—the Greene family physician—phoned Headquarters about midnight. I’d just got in from an up-town stick-up call, and I hopped out to the house with a couple of the boys from the Bureau. I found the two women, like you know, one dead and the other unconscious—both shot. I phoned Doc Doremus,* and then looked the place over. Mr. Feathergill came along and lent a hand; but we didn’t find much of anything. The fellow that did the job musta got in by the front door some way, for there was a set of footprints in the snow coming and going, besides Doctor Von Blon’s. But the snow was too flaky to get any good impressions. It stopped snowing along about eleven o’clock last night; and there’s no doubt that the prints belonged to the burglar, for no one else, except the doctor, had come or gone after the storm.”
“An amateur housebreaker with a front-door key to the Greene mansion,” murmured Vance. “Extr’ordin’ry!”
“I’m not saying he had a key, sir,” protested Heath. “I’m simply telling you what we found. The door mighta been unlatched by mistake; or some one mighta opened it for him.”
“Go on with the story, Sergeant,” urged Markham, giving Vance a reproving look.
“Well, after Doc Doremus got there and made an examination of the older woman’s body and inspected the younger one’s wound, I questioned all the family and the servants—a butler, two maids, and a cook. Chester Greene and the butler were the only ones who had heard the first shot, which was fired about half past eleven. But the second shot roused old Mrs. Greene—her room adjoins the younger daughter’s. The rest of the household had slept through all the excitement; but this Chester fellow had woke ’em all up by the time I got there. I talked to all of ’em, but nobody knew anything. After a coupla hours I left a man inside and another outside, and came away. Then I set the usual machinery going; and this morning Captain Dubois went over the place the best he could for finger-prints. Doc Doremus has got the body for an autopsy, and we’ll get a report to-night. But there’ll be nothing helpful from that quarter. She was fired on from in front at close range—almost a contact shot. And the other woman—the young one—was all powder-marked, and her nightgown was burnt. She was shot from behind.—That’s almost all the dope.”
“Have you been able to get any sort of a statement from the younger one?”
“Not yet. She was unconscious last night, and this morning she was too weak to talk. But the doctor—Von Blon—said we could probably question her this afternoon. We may get something out of her, in case she got a look at the bird before he shot her.”
“That suggests something to me, Sergeant.” Vance had been listening passively to the recital, but now he drew in his legs, and lifted himself a little. “Did any member of the Greene household possess a gun?”
Heath gave him a sharp look.
“This Chester Greene said he had an old .32 revolver he used to keep in a desk drawer in his bedroom.”
“Oh, did he, now? And did you see the gun?”
“I asked him for it, but he couldn’t find it. Said he hadn’t seen it for years, but that probably it was around somewheres. Promised to dig it up for me to-day.”
“Don’t hang any fond hopes on his finding it, Sergeant.” Vance looked at Markham musingly. “I begin to comprehend the basis of Chester’s psychic perturbation. I fear he’s a crass materialist after all… Sad, sad.”
“You think he missed the gun, and took fright?”
“Well—something like that…perhaps. One can’t tell. It’s deuced confusin’.” He turned an indolent eye on the Sergeant. “By the by, what sort of gun did your burglar use?”
Heath gave a gruff, uneasy laugh.
“You score there, Mr. Vance. I’ve got both bullets—thirty-twos, fired from a revolver, not an automatic. But you’re not trying to intimate—”
“Tut, tut, Sergeant. Like Goethe, I’m merely seeking for more illumination, if one may translate Licht*—”
Markham interrupted this garrulous evasion.
“I’m going to the Greene house after lunch, Sergeant. Can you come along?”
“Sure I can, sir. I was going out anyway.”
“Good.” Markham brought forth a box of cigars. “Meet me here at two… And take a couple of these Perfectos before you go.”
Heath selected the cigars, and put them carefully into his breast pocket. At the door he turned with a bantering grin.
“You coming along with us, Mr. Vance—to guide our erring footsteps, as they say?”
“Nothing could keep me away,” declared Vance.
Footnotes
* A will-o’-the-wisp; hence, misleading.
* It was Sergeant Ernest Heath, of the Homicide Bureau, who had been in charge of both the Benson and the Canary cases; and, although he had been openly antagonistic to Vance during the first of these investigations, a curious good-fellowship had later grown up between them. Vance admired the Sergeant’s dogged and straightforward qualities; and Heath had developed a keen respect—with certain reservations, however—for Vance’s abilities.
* Vance, after reading proof of this sentence, requested me to make mention here of that beautiful volume, “Terra Cotta of the Italian Renaissance,” recently published by the National Terra Cotta Society, New York.
* Doctor Emanuel Doremus, the Chief Medical Examiner.
* Light.
CHAPTER THREEAt the Greene Mansion
(Tuesday, November 9; 2.30 p.m.)
THE GREENE MANSION—AS it was commonly referred to by New Yorkers—was a relic of the city’s ancien régime. It had stood for three generations at the eastern extremity of 53rd Street, two of its oriel windows actually overhanging the murky waters of the East River. The lot upon which the house was built extended through the entire block—a distance of two hundred feet—and had an equal frontage on the cross-streets. The character of the neighborhood had changed radically since the early days; but the spirit of commercial advancement had left the domicile of the Greenes untouched. It was an oasis of idealism and calm in the midst of moiling commercial enterprise; and one of the stipulations in old Tobias Greene’s last will and testament had been that the mansion should stand intact for at least a quarter of a century after his death, as a monument to him and his ancestors. One of his last acts on earth was to erect a high stone wall about the entire property, with a great double iron gateway opening on 53rd Street and a postern-gate for tradesmen giving on 52nd Street.
The mansion itself was two and a half stories high, surmounted by gabled spires and chimney clusters. It was what architects call, with a certain intonation of contempt, a “château flamboyant”; but no derogatory appellation could detract from the quiet dignity and the air of feudal traditionalism that emanated from its great rectangular blocks of gray limestone. The house was sixteenth-century Gothic in style, with more than a suspicion of the new Italian ornament in its parts; and the pinnacles and shelves suggested the Byzantine. But, for all its diversity of detail, it was not flowery, and would have held no deep attraction for the Freemason architects of the Middle Ages. It was not �
�bookish” in effect; it exuded the very essence of the old.
In the front yard were maples and clipped evergreens, interspersed with hydrangea and lilac-bushes; and at the rear was a row of weeping willows overhanging the river. Along the herring-bone-bond brick walks were high quickset hedges of hawthorn; and the inner sides of the encircling wall were covered with compact espaliers. To the west of the house an asphalt driveway led to a double garage at the rear—an addition built by the newer generation of Greenes. But here too were boxwood hedgerows which cloaked the driveway’s modernity.
As we entered the grounds that gray November afternoon an atmosphere of foreboding bleakness seemed to have settled over the estate. The trees and shrubs were all bare, except the evergreens, which were laden with patches of snow. The trellises stood stripped along the walls, like clinging black skeletons; and, save for the front walk, which had been hastily and imperfectly swept, the grounds were piled high with irregular snow-drifts. The gray of the mansion’s masonry was almost the color of the brooding overcast sky; and I felt a premonitory chill of eeriness pass over me as we mounted the shallow steps that led to the high front door, with its pointed pediment above the deeply arched entrance.
Sproot, the butler—a little old man with white hair and a heavily seamed capriform face—admitted us with silent, funereal dignity (he had evidently been apprised of our coming); and we were ushered at once into the great gloomy drawing-room whose heavily curtained windows overlooked the river. A few moments later Chester Greene came in and greeted Markham fulsomely. Heath and Vance and me he included in a single supercilious nod.
“Awfully good of you to come, Markham,” he said, with nervous eagerness, seating himself on the edge of a chair and taking out his cigarette-holder. “I suppose you’ll want to hold an inquisition first. Whom’ll I summon as a starter?”
“We can let that go for the moment,” said Markham. “First, I’d like to know something concerning the servants. Tell me what you can about them.”
Greene moved restlessly in his chair, and seemed to have difficulty lighting his cigarette.
“There’s only four. Big house and all that, but we don’t need much help. Julia always acted as housekeeper, and Ada looked after the Mater.—To begin with, there’s old Sproot. He’s been butler, seneschal, and majordomo for us for thirty years. Regular family retainer—kind you read about in English novels—devoted, loyal, humble, dictatorial and snooping. And a damned nuisance, I may add. Then there are two maids—one to look after the rooms and the other for general service, though the women monopolize her, mostly for useless fiddle-faddle. Hemming, the older maid, has been with us ten years. Still wears corsets and fit-easy shoes. Deep-water Baptist, I believe—excruciatingly devout. Barton, the other maid, is young and flighty: thinks she’s irresistible, knows a little table-d’hôte French,* and is the kind that’s constantly expecting the males of the family to kiss her behind the door. Sibella picked her out—she’s just the kind Sibella would pick out. Been adorning our house and shirking the hard work for about two years. The cook’s a stodgy German woman, a typical Hausfrau*—voluminous bosoms and number-ten feet. Puts in all her spare time writing to distant nieces and nephews in the upper reaches of the Rhine basin somewhere; and boasts that the most fastidious person could eat off her kitchen floor, it’s that clean; though I’ve never tried it. The old man engaged her a year before he died; gave orders she was to remain as long as she liked.—There you have the personnel of the backstairs. Of course, there is a gardener who loafs about the lawn in summer. He hibernates in a speak-easy up Harlem way.”
“No chauffeur?”
“A nuisance we dispense with. Julia hated motor-cars, and Rex is afraid to travel in them—squeamish lad, Rex. I drive my own racer, and Sibella’s a regular Barney Oldfield. Ada drives, too, when the Mater isn’t using her and Sibella’s car is idle.—So endeth.”
Markham had been making notes as Greene rambled along with his information. At length he put out the cigar he had been smoking.
“Now, if you don’t mind, I want to look over the house.”
Greene rose with alacrity and led the way into the main lower hall—a vaulted, oak-panelled entrance containing two large carved Flemish tables of the Sambin school, against opposite walls, and several Anglo-Dutch crown-back chairs. A great Daghestan rug stretched along the parqueted floor, its faded colors repeated in the heavy draperies of the archways.
“We have, of course, just come from the drawing-room,” explained Greene, with a pompous air. “Back of it, down the hall”—he pointed past the wide marble stairway—“was the governor’s library and den—what he called his sanctum sanctorum. Nobody’s been in it for twelve years. The Mater has kept it locked up ever since the old man died. Sentiment of some kind; though I’ve often told her she ought to clean the place out and make a billiard-room of it. But you can’t move the Mater, once she’s got an idea in her head. Try it some time when you’re looking for heavy exercise.”
He walked across the hall and pulled aside the draperies of the archway opposite to the drawing-room.
“Here’s the reception-room, though we don’t use it much nowadays. Stuffy, stiff place, and the flue doesn’t draw worth a damn. Every time we’ve built a fire here, we’ve had to have the cleaners in to remove the soot from the tapestries.” He waved his cigarette-holder toward two beautiful Gobelins. “Back there, through those sliding doors, is the dining-room; and farther on are the butler’s pantry and the kitchen where one may eat off the floor. Care to inspect the culinary department?”
“No, I think not,” said Markham. “And I’ll take the kitchen floor for granted.—Now, can we look at the second floor?”
We ascended the main stairs, which led round a piece of marble statuary—a Falguière figure, I think—, and emerged into the upper hall facing the front of the house where three large close-set windows looked out over the bare trees.
The arrangement of the rooms on the second floor was simple and in keeping with the broad four-square architecture of the house; but for the sake of clarification I am embodying in this record a rough diagram of it; for it was the disposition of these rooms that made possible the carrying out of the murderer’s hideous and unnatural plot.
There were six bedrooms on the floor—three on either side of the hall, each occupied by a member of the family. At the front of the house, on our left, was the bedroom of Rex Greene, the younger brother. Next to it was the room occupied by Ada Greene; and at the rear were Mrs. Greene’s quarters, separated from Ada’s by a fair-sized dressing-room through which the two apartments communicated. It will be seen from the diagram that Mrs. Greene’s room projected beyond the main western elevation of the house, and that in the L thus formed was a small balustraded stone porch with a narrow flight of stairs, set against the house, leading to the lawn below. French doors opened upon this porch from both Ada’s and Mrs. Greene’s rooms.
On the opposite side of the hall were the three rooms occupied by Julia, Chester, and Sibella, Julia’s room being at the front of the house, Sibella’s at the rear, and Chester’s in the centre. None of these rooms communicated with the other. It might also be noted that the doors to Sibella’s and Mrs. Greene’s rooms were just behind the main staircase, whereas Chester’s and Ada’s were directly at the head of the stairs, and Julia’s and Rex’s farther toward the front of the house. There was a small linen closet between Ada’s room and Mrs. Greene’s; and at the rear of the hall were the servants’ stairs.
PLAN OF SECOND FLOOR
(For the sake of simplification all bathrooms, clothes-closets, fireplaces, etc. have been omitted.)
Chester Greene explained this arrangement to us briefly, and then walked up the hall to Julia’s room.
“You’ll want to look in here first, I imagine,” he said, throwing open the door. “Nothing’s been touched—police orders. But I can’t see what good all that stained bed-linen is to any one. It’s a frightful mess.”
The room
was large and richly furnished with sage-green satin-upholstered furniture of the Marie Antoinette period. Opposite to the door was a canopied bedstead on a dais; and several dark blotches on the embroidered linen gave mute evidence of the tragedy that had been enacted there the night before.
Vance, after noting the disposition of the furniture, turned his gaze upon the old-fashioned crystal chandelier.
“Were those the lights that were on when you found your sister last night, Mr. Greene?” he asked casually. The other nodded with surly annoyance.
“And where, may I ask, is the switch?”
“Behind the end of that cabinet.” Greene indifferently indicated a highly elaborated armoire* near the door.
“Invisible—eh, what?” Vance strolled to the armoire and looked behind it. “An amazin’ burglar!” Then he went up to Markham and spoke to him in a low voice.
After a moment, Markham nodded.
“Greene,” he said, “I wish you’d go to your room and lie down on the bed just as you were last night when you heard the shot. Then, when I tap on the wall, get up and do everything you did last night—in just the way you did it. I want to time you.”
The man stiffened, and gave Markham a look of resentful protestation.
“Oh, I say—!” he began. But almost at once he shrugged compliance and swaggered from the room, closing the door behind him.
Vance took out his watch, and Markham, giving Greene time to reach his room, rapped on the wall. For what seemed an interminable time we waited. Then the door opened slightly, and Greene peered round the casing. Slowly his eyes swept the room; he swung the door further ajar, stepped inside hesitantly, and moved to the bed.
PLAN OF JULIA’S BEDROOM
“Three minutes and twenty seconds,” announced Vance. “Most disquietin’… What do you imagine, Sergeant, the intruder was doing in the interim of the two shots?”
The Greene Murder Case Page 3