The World Turned Upside Down

by Eric Flint

  He fought them off, but never wavered from his task. Every mighty muscle of his powerful body strained as he carried great loads of tools, machines and instruments, and dumped them into the bottom of his makeshift ship. There was no time to fit anything into place, no time for anything—no time—no time.

  The thought pounded at his reason. He felt strangely weary for the first time in his long and vigorous existence. With a last, tortured heave, he jerked the gigantic sheet of metal into the gaping aperture of the ship—and stood there for a terrible minute, balancing it precariously.

  He knew the doors were going down. Half a dozen disintegrators concentrating on one point were irresistibly, though slowly, eating away the remaining inches. With a gasp, he released his mind from the doors and concentrated every ounce of his mind on the yard-thick outer wall, toward which the blunt nose of his ship was pointing.

  His body cringed from the surging power that flowed from the electric dynamo through his ear tendrils into that resisting wall. The whole inside of him felt on fire, and he knew that he was dangerously close to carrying his ultimate load.

  And still he stood there, shuddering with the awful pain, holding the unfastened metal plate with hard-clenched tentacles. His massive head pointed as in dread fascination at that bitterly hard wall.

  He heard one of the engine-room doors crash inward. Men shouted; disintegrators rolled forward, their raging power unchecked. Coeurl heard the floor of the engine room hiss in protest, as those beams of atomic energy tore everything in their path to bits. The machines rolled closer; cautious footsteps sounded behind them. In a minute they would be at the flimsy doors separating the engine room from the machine shop.

  Suddenly, Coeurl was satisfied. With a snarl of hate, a vindictive glow of feral eyes, he ducked into his little craft, and pulled the metal plate down into place as if it was a hatchway.

  His ear tendrils hummed, as he softened the edges of the surrounding metal. In an instant, the plate was more than welded—it was part of his ship, a seamless, rivetless part of a whole that was solid opaque metal except for two transparent areas, one in the front, one in the rear.

  His tentacle embraced the power drive with almost sensuous tenderness. There was a forward surge of his fragile machine, straight at the great outer wall of the machine shops. The nose of the forty-foot craft touched—and the wall dissolved in a glittering shower of dust.

  Coeurl felt the barest retarding movement; and then he kicked the nose of the machine out into the cold of space, twisted it about, and headed back in the direction from which the big ship had been coming all these hours.

  Men in space armor stood in the jagged hole that yawned in the lower reaches of the gigantic globe. The men and the great ship grew smaller. Then the men were gone; and there was only the ship with its blaze of a thousand blurring portholes. The ball shrank incredibly, too small now for individual portholes to be visible.

  Almost straight ahead, Coeurl saw a tiny, dim, reddish ball—his own sun, he realized. He headed toward it at full speed. There were caves where he could hide and with other coeurls build secretly a spaceship in which they could reach other planets safety—now that he knew how.

  His body ached from the agony of acceleration, yet he dared not let up for a single instant. He glanced back, half in terror. The globe was still there, a tiny dot of light in the immense blackness of space. Suddenly it twinkled and was gone.

  For a brief moment, he had the empty, frightened impression that just before it disappeared, it moved. But he could see nothing. He could not escape the belief that they had shut off all their lights, and were sneaking up on him in the darkness. Worried and uncertain, he looked through the forward transparent plate.

  * * *

  A tremor of dismay shot through him. The dim red sun toward which he was heading was not growing larger. It was becoming smaller by the instant, and it grew visibly tinier during the next five minutes, became a pale-red dot in the sky—and vanished like the ship.

  Fear came then, a blinding surge of it, that swept through his being and left him chilled with the sense of the unknown. For minutes, he stared frantically into the space ahead, searching for some landmark. But only the remote stars glimmered there, unwinking points against a velvet background of unfathomable distance.

  Wait! One of the points was growing larger. With every muscle and nerve tensed, Coeurl watched the point becoming a dot, a round ball of light—red light. Bigger, bigger, it grew. Suddenly, the red light shimmered and turned white—and there, before him, was the great globe of the spaceship, lights glaring from every porthole, the very ship which a few minutes before he had watched vanish behind him.

  Something happened to Coeurl in that moment. His brain was spinning like a flywheel, faster, faster, more incoherently. Suddenly, the wheel flew apart into a million aching fragments. His eyes almost started from their sockets as, like a maddened animal, he raged in his small quarters.

  His tentacles clutched at precious instruments and flung them insensately; his paws smashed in fury at the very walls of his ship. Finally, in a brief flash of sanity, he knew that he couldn't face the inevitable fire of atomic disintegrators.

  It was a simple thing to create the violent disorganization that freed every drop of id from his vital organs.

  * * *

  They found him lying dead in a little pool of phosphorus.

  "Poor pussy," said Morton. "I wonder what he thought when he saw us appear ahead of him, after his own sun disappeared. Knowing nothing of anti-accelerators, he couldn't know that we could stop short in space, whereas it would take him more than three hours to decelerate; and in the meantime he'd be drawing farther and farther away from where he wanted to go. He couldn't know that by stopping, we flashed past him at millions of miles a second. Of course, he didn't have a chance once he left our ship. The whole world must have seemed topsy-turvy."

  "Never mind the sympathy," he heard Kent say behind him. "We've got a job—to kill every cat in that miserable world."

  Korita murmured softly: "That should be simple. They are but primitives; and we have merely to sit down, and they will come to us, cunningly expecting to delude us."

  Smith snapped: "You fellows make me sick! Pussy was the toughest nut we ever had to crack. He had everything he needed to defeat us—"

  Morton smiled as Korita interrupted blandly: "Exactly, my dear Smith, except that he reacted according to the biological impulses of his type. His defeat was already foreshadowed when we unerringly analyzed him as a criminal from a certain era of his civilization.

  "It was history, honorable Mr. Smith, our knowledge of history that defeated him," said the Japanese archeologist, reverting to the ancient politeness of his race.

  Afterword by Eric Flint

  I first read "Black Destroyer" at about the same age David did—thirteen, the age which Terry Carr once quipped was the age that defined everybody's "Golden Age"—although I read it in the version which Van Vogt rewrote as the first episode in his quasi-novel The Voyage of the Space Beagle. It really doesn't matter. I was devouring anything by Van Vogt I could get my hands on, then. Many years later, looking back from the vantage point of an adult, I find aspects of Van Vogt's writing which I dislike—especially his tendency to lean heavily on the theme of the superman who manipulates the human race for its own good. But I was oblivious to all that as a teenager. All that struck me—as it still does, whatever my reservations in other respects—is Van Vogt's superb ability to depict a future with a truly galactic sweep and scope to it. I found that inspiring then, and I still do.

  A Pail of Air

  by Fritz Leiber

  Preface by Eric Flint

  My reaction when I first read this story, somewhere around the age of fifteen, was perhaps bizarre. "A Pail of Air" is a story about survival in the face of desperate circumstances, and there are no ifs, ands or buts about it.

  There is no atmosphere . . . bitter cold . . . only way you can breathe is to dig up a p
ail of liquid oxygen and heat it . . .

  Yup, that's desperate.

  Still, I had pretty much the same reaction I had to L. Sprague de Camp's "A Gun for Dinosaur," a story which appears later in this anthology and about which I make some remarks in an afterword. Desperate circumstances . . . impossible odds . . . almost alone . . .

  Oh, how cool.

  Like I said, a bizarre reaction. I didn't even have the excuse of being a stupid adolescent. I wasn't stupid. Already by the age of fourteen I could rip off the great suave mantras regarding adventure, with a curled lip I'd learned from studying David Niven in the movies.

  Adventure. Ah, yes. That's someone else having a very rough go of it very far away.

  Adventure. Yes. My idea of adventure is carrying a pint of bitters from one smoked-filled room to the next.

  Granted, I didn't really have any idea what "bitters" were. (A few years later I found out, and the decline of the British empire was no longer a mystery to me.) But I understood the gist of the wisecrack well enough—and fully subscribed to the sentiment.

  I still do. And now, from the vantage point of my mid-fifties wisdom and sagacity, I can look back on the reaction of that callow youngster and realize that he was . . . well, completely correct.

  This is just one hell of a cool story. If you look at it the right way, as much fun as one of Leiber's famous Fahfrd and the Grey Mouser tales.

  Okay. You have to squint.

  Pa had sent me out to get an extra pail of air. I'd just about scooped it full and most of the warmth had leaked from my fingers when I saw the thing.

  You know, at first I thought it was a young lady. Yes, a beautiful young lady's face all glowing in the dark and looking at me from the fifth floor of the opposite apartment, which hereabouts is the floor just above the white blanket of frozen air. I'd never seen a live young lady before, except in the old magazines—Sis is just a kid and Ma is pretty sick and miserable—and it gave me such a start that I dropped the pail. Who wouldn't, knowing everyone on Earth was dead except Pa and Ma and Sis and you?

  Even at that, I don't suppose I should have been surprised. We all see things now and then. Ma has some pretty bad ones, to judge from the way she bugs her eyes at nothing and just screams and screams and huddles back against the blankets hanging around the Nest. Pa says it is natural we should react like that sometimes.

  When I'd recovered the pail and could look again at the opposite apartment, I got an idea of what Ma might be feeling at those times, for I saw it wasn't a young lady at all but simply a light—a tiny light that moved stealthily from window to window, just as if one of the cruel little stars had come down out of the airless sky to investigate why the Earth had gone away from the Sun, and maybe to hunt down something to torment or terrify, now that the Earth didn't have the Sun's protection.

  I tell you, the thought of it gave me the creeps. I just stood there shaking, and almost froze my feet and did frost my helmet so solid on the inside that I couldn't have seen the light even if it had come out of one of the windows to get me. Then I had the wit to go back inside.

  Pretty soon I was feeling my familiar way through the thirty or so blankets and rugs Pa has got hung around to slow down the escape of air from the Nest, and I wasn't quite so scared. I began to hear the tick-ticking of the clocks in the Nest and knew I was getting back into air, because there's no sound outside in the vacuum, of course. But my mind was still crawly and uneasy as I pushed through the last blankets—Pa's got them faced with aluminum foil to hold in the heat—and came into the Nest.

  * * *

  Let me tell you about the Nest. It's low and snug, just room for the four of us and our things. The floor is covered with thick woolly rugs. Three of the sides are blankets, and the blankets roofing it touch Pa's head. He tells me it's inside a much bigger room, but I've never seen the real walls or ceiling.

  Against one of the blankets is a big set of shelves, with tools and books and other stuff, and on top of it a whole row of clocks. Pa's very fussy about keeping them wound. He says we must never forget time, and without a sun or moon, that would be easy to do.

  The fourth wall has blankets all over except around the fireplace, in which there is a fire that must never go out. It keeps us from freezing and does a lot more besides. One of us must always watch it. Some of the clocks are alarm and we can use them to remind us. In the early days there was only Ma to take turns with Pa—I think of that when she gets difficult—but now there's me to help, and Sis too.

  It's Pa who is the chief guardian of the fire, though. I always think of him that way: a tall man sitting cross-legged, frowning anxiously at the fire, his lined face golden in its light, and every so often carefully placing on it a piece of coal from the big heap beside it. Pa tells me there used to be guardians of the fire sometimes in the very old days—vestal virgins, he calls them—although there was unfrozen air all around then and you didn't really need one.

  He was sitting just that way now, though he got up quick to take the pail from me and bawl me out for loitering—he'd spotted my frozen helmet right off. That roused Ma and she joined in picking on me. She's always trying to get the load off her feelings, Pa explains. Sis let off a couple of silly squeals too.

  Pa handled the pail of air in a twist of cloth. Now that it was inside the Nest, you could really feel its coldness. It just seemed to suck the heat out of everything. Even the flames cringed away from it as Pa put it down close by the fire.

  Yet it's that glimmery white stuff in the pail that keeps us alive. It slowly melts and vanishes and refreshes the Nest and feeds the fire. The blankets keep it from escaping too fast. Pa'd like to seal the whole place, but he can't—building's too earthquake-twisted, and besides he has to leave the chimney open for smoke.

  Pa says air is tiny molecules that fly away like a flash if there isn't something to stop them. We have to watch sharp not to let the air run low. Pa always keeps a big reserve supply of it in buckets behind the first blankets, along with extra coal and cans of food and other things, such as pails of snow to melt for water. We have to go way down to the bottom floor for that stuff, which is a mean trip, and get it through a door to outside.

  You see, when the Earth got cold, all the water in the air froze first and made a blanket ten feet thick or so everywhere, and then down on top of that dropped the crystals of frozen air, making another white blanket sixty or seventy feet thick maybe.

  Of course, all the parts of the air didn't freeze and snow down at the same time.

  First to drop out was the carbon dioxide—when you're shoveling for water, you have to make sure you don't go too high and get any of that stuff mixed in, for it would put you to sleep, maybe for good, and make the fire go out. Next there's the nitrogen, which doesn't count one way or the other, though it's the biggest part of the blanket. On top of that and easy to get at, which is lucky for us, there's the oxygen that keeps us alive. Pa says we live better than kings ever did, breathing pure oxygen, but we're used to it and don't notice. Finally, at the very top, there's a slick of liquid helium, which is funny stuff. All of these gases in neat separate layers. Like a pussy caffay, Pa laughingly says, whatever that is.

  * * *

  I was busting to tell them all about what I'd seen, and so as soon as I'd ducked out of my helmet and while I was still climbing out of my suit, I cut loose. Right away Ma got nervous and began making eyes at the entry-slit in the blankets and wringing her hands together—the hand where she'd lost three fingers from frostbite inside the good one, as usual. I could tell that Pa was annoyed at me scaring her and wanted to explain it all away quickly, yet could see I wasn't fooling.

  "And you watched this light for some time, son?" he asked when I finished.

  I hadn't said anything about first thinking it was a young lady's face. Somehow that part embarrassed me.

  "Long enough for it to pass five windows and go to the next floor."

  "And it didn't look like stray electricity or crawling liquid or
starlight focused by a growing crystal, or anything like that?"

  He wasn't just making up those ideas. Odd things happen in a world that's about as cold as can be, and just when you think matter would be frozen dead, it takes on a strange new life. A slimy stuff comes crawling toward the Nest, just like an animal snuffing for heat—that's the liquid helium. And once, when I was little, a bolt of lightning—not even Pa could figure where it came from—hit the nearby steeple and crawled up and down it for weeks, until the glow finally died.

  "Not like anything I ever saw," I told him.

  He stood for a moment frowning. Then, "I'll go out with you, and you show it to me," he said.

  Ma raised a howl at the idea of being left alone, and Sis joined in, too, but Pa quieted them. We started climbing into our outside clothes—mine had been warming by the fire. Pa made them. They have plastic headpieces that were once big double-duty transparent food cans, but they keep heat and air in and can replace the air for a little while, long enough for our trips for water and coal and food and so on.

  Ma started moaning again, "I've always known there was something outside there, waiting to get us. I've felt it for years—something that's part of the cold and hates all warmth and wants to destroy the Nest. It's been watching us all this time, and now it's coming after us. It'll get you and then come for me. Don't go, Harry!"

  Pa had everything on but his helmet. He knelt by the fireplace and reached in and shook the long metal rod that goes up the chimney and knocks off the ice that keeps trying to clog it. Once a week he goes up on the roof to check if it's working all right. That's our worst trip and Pa won't let me make it alone.