Pistache

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by Sebastian Faulks




  SEBASTIAN FAULKS

  PISTACHE

  CONTENTS

  Cover Page

  Title Page

  Copyright Page

  Dedication

  Epigraph

  Acknowledgements

  Kingsley Amis

  Martin Amis

  Jane Austen

  Jane Austen

  Samuel Beckett

  Alan Bennett

  John Betjeman

  Enid Blyton

  The Brontës

  Dan Brown

  Lord Byron

  Lewis Carroll

  Raymond Chandler

  Geoffrey Chaucer

  Agatha Christie

  Samuel Taylor Coleridge

  Arthur Conan Doyle

  Catherine Cookson

  Noël Coward

  Richmal Crompton

  Roald Dahl

  Charles Dickens

  Charles Dickens

  T.S Eliot

  Ian Fleming

  Sigmund Freud

  Graham Greene

  Thomas Hardy

  Thomas Hardy

  Ernest Hemingway

  Hilaria Holmroyd

  Henry James

  Dr Johnson

  James Joyce

  Franz Kafka

  Rudyard Kipling

  Philip Larkin

  D.H. Lawrence

  A.A. Milne

  John Milton

  Iris Murdoch

  George Orwell

  Samuel Pepys

  Harold Pinter

  Sylvia Plath

  Alexander Pope

  Beatrix Potter

  William Shakespeare

  Dylan Thomas

  J.R.R. Tolkien

  John Updike

  Evelyn Waugh

  Oscar Wilde

  P.G. Wodehouse

  Virginia Woolf

  William Wordsworth

  W.B. Yeats

  By The Same Author

  Footnotes

  This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

  Version 1.0

  Epub ISBN 9781409099338

  www.randomhouse.co.uk

  First published by Hutchinson in 2006

  1 3 5 7 9 10 8 6 4 2

  Copyright © Sebastian Faulks 2006 Illustrations © George Papadakis 2006

  Sebastian Faulks has asserted his right under the Copyright, Designs and Patents Act, 1988 to be identified as the author of this work

  This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

  HUTCHINSON The Random House Group Limited 20 Vauxhall Bridge Road, London SWIV 2SA

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  The Random House Group Limited Reg. No. 954009

  www.randomhouse.co.uk

  A CIP catalogue record for this book is available from the British Library

  Papers used by Random House are natural, recyclable products made from wood grown in sustainable forests. The manufacturing processes conform to the environmental regulations of the country of origin

  Designed by Peter Ward Typeset in 11 on 15pt Fournier Printed and bound in Germany by GGPMedia GmbH, Pößneck

  ISBN 9780091797072 (from Jan 2007) ISBN 0 09 179707 1

  To A.T.F.

  The Master

  With thanks to Write Stuff producers Katie Marsden, Dawn Ellis and Jon Rolph; readers Beth Chalmers and Becky Hindley; to the guests over nine series; and especially to buzzer-gods James Walton and John Walsh.

  ACKNOWLEDGEMENTS

  I can hardly begin to express the apocalyptic gratitude I feel towards the people who have helped in the making of this book. I must begin with my partner, Fatima, for whose saintly character and transcendent beauty no words are enough. I am for ever indebted to Basil Waistcoat, an editor of genius, at whose hours of craft and dedication no sentient creature can ever cease to wonder. I must also thank my literary agent, friend and one-time (sic!) lover Sally Beresford-Knox; to her my gratitude is 87.5 per cent immeasurable.

  May I finally thank Mrs Brenda Wigwam for the diligence and the dedication she brought to her unsurpassably brilliant proof-reding.

  KINGSLEY AMIS

  has a shot at a female narrator

  Joshua, typically, still hadn’t telephoned when I got back from work. Since the old Nag’s Head, a passable Victorian boozer with a regular and satisfied clientele, was naturally deemed ripe for transformation into a ‘Men’s Outreach Centre’, I had instead to go to the local wine bar, Tossers or Prats or some such name. Here I passed a moderately entertaining evening with Philippa, who managed to avoid buying me a drink for almost two hours as we wondered what it would be like to be a PE teacher in a boys’ school.

  A young man presumably interested in the only thing young men have any interest in, attempted to start a conversation with us.

  ‘Where were you bought up?’ he asked, implying that I had been bartered as a child in some Alexandrian slave market.

  ‘I was brrrrought up in South London,’ I corrected him.

  He looked puzzled. ‘That’s like, cool?’ he said. ‘Near the Tate Modern? That’s like, iconic?’

  ‘Are you asking me or telling me?’ I said.

  ‘I’m like, asking you?’

  However, the little shit did buy me half a dozen Glen Larghaigs, after which it seemed only reasonable to invite him back to share the magnum of quite passable Chilean pinot I had bought from Brobdingnag’s Volume Discount.

  I awoke next morning with the feeling that an entire pack of foxhounds had used my mouth as, consecutively, kennel, latrine and exercise yard and were now taking it in turns to cross-examine me.

  The source of the questions turned out to be little Darren or Darryl from Tossers, who was unaccountably in my bed, shaking my shoulder and asking if I would care for some ‘like, tea?’.

  I dressed as fast as I could in a paisley shirtwaister from the outsize shop on Haverstock Hill called, unbelievably, All Bra None. My arse looked enormous, like the rear end of, say, a handsomely, though not exceptionally, endowed Ugandan flabhog.

  At this moment, typically, Joshua chose to pay his weekly, unannounced, visit. After I had given him a brief and highly selective account of the night’s events, he told me how ‘let down’ he felt, then went home in tears.

  And bloody good luck to you, chum, I thought.

  MARTIN AMIS

  sends his lad to Hogwarts

  Primped and shining in the school’s idea of a uniform – to which my success in the risibly straightforward scholarship exam had condemned me – I was presented to ‘Professor’ McGonagall, a chestless sexagenarian with halitosis that could have downed a wing of Lancasters; then to Dumbledo
re, the shuffling dotard of a headmaster, whose eyes appraised me with the unhurried insolence of the career pederast.

  He entrusted me to Hermione Granger, a smug little number with a row of coloured gel pens in the pocket of her Aertex shirt, an item given pleasing heft by the twin discs of her tumid little breasts. She was, I had already been told, rumoured to give hand jobs of Stakhanovite efficiency to the gods of the Quidditch team as they showered off the stardust of their sporting triumphs, lined up in engorged single file.

  The dormitory was a row of iron beds, purchased at some Gulag boot sale; the wanking opportunities, doubtless in breach of numerous human rights, looked about as promising as those in a lock-down facility for convicted Islamic pickpockets.

  Next from that baleful twilight emerged ‘Ron’ Weasley, a spavined welterweight who reeked of chav, with his fucked-up bathmat of orange frizz and his eyes full of cancelled hope. In the bed next to mine was Harry Potter, a weapons-grade geek with a thunderbolt of acne through his candidly sebaceous forehead, who told me he lived in a cupboard for fuck’s sake.

  Outside, I waved goodbye to my parents with sinister, noir-ish gestures, the sculpted rhomboids of my fingernails still glistening from the manicure they had received that morning from Renska, the tragically unmagnetic Pole in Hans ’n’ Feat on Ken High Street, who had more or less begged me to let her go down on my, admittedly, triangulated groin.

  ‘Gosh,’ said little Potter. ‘I hope you’ll be in Gryffindor.’

  ‘I think not,’ I said, watching as the witch McGonagall embarked on some embarrassing hokum with an oldster’s rug-covering into which she periodically plunged her veiny claw.

  I had been given the low-down on the houses by one Malfoy, an enthusiastic sodomite in the second year, whose parents knew mine through some unspeakable, almost certainly adulterous, connection of tennis and ‘pot-luck’ suppers, for which Mrs M favoured pleated white skirts of possibly illegal brevity, granting occasional glimpses of white cotton gash that had furnished material for an entire summer of jackhammer fantasy.

  And so it was that at the end of my first day, answering wearily to the call of my name, I pulled myself up to my full four feet eleven and sauntered through the porter’s lodge to Slytherin, its turbid quadrangles, its simmering ante-rooms …

  JANE AUSTEN

  steps out with an American Psycho

  Mr Bateman was said to have a fortune in excess of five million pounds a year from his employment in the counting house of a usurers in the lower part of Manhattan Island; which sum enabled him to venture forth that Wednesday night in a suit of clothes made for him by Thomas Clark Esq. of Madison Avenue, a tie of a design by Mr Sandor Ferenczi, a pair of buttoned boots bespoke from Lowell & Andrews of Beacon Hill, Boston and undergarments fashioned by his grandfather’s slaves on the plantations of Lauren, Alabama.

  At dinner in the Chinese establishment of Mr Wu upon Park Avenue, Mr Bateman became agitated when it was revealed to him that a fellow diner, Mr Kellynch, was in possession of an annual fortune nearly twice as large as his own and moreover affected a tie-clip made by a Miss Sophia Klein, and a belt he had imported from the remote South Sea establishment of Ishiguro Mazuki.

  Taking the arm of Miss Woodhouse, his betrothed, Mr Bateman ventured out at once into the night and drove her to her lodging place. It now being past the hour at which the ladies of the Upper East Side were given to dine, and finding himself on the verge of contracting involuntarily a union in which neither his affections nor his financial interests could be said to be served, Mr Bateman had recourse to the servants’ quarters from which he returned equipped with implements of the artisan variety, with which, notwithstanding her several admonishments, he set about the young lady until such time as he had both eliminated any chance of an unwise alliance and rendered unnecessary the cold supper that awaited his return to Little Hampton.

  JANE AUSTEN

  braves a contemporary ‘dance’

  ‘Father,’ said Emma, ‘I am invited by the Netherfield Ladies to attend a function for the 18–30 summer holiday.’

  ‘My dear Emma,’ replied her father. ‘Why this gazing to the future? The year is 1814. By 1830 we may all be subjects of the Emperor Bonaparte.’

  ‘But Father, we dance all night by the sea.’

  ‘I never had much opinion of the sea air,’ said Mr Woodhouse. ‘It is never safe to sit out of doors. And who shall chaperone you?’

  ‘All the Bennet girls will be there, Father, and Miss Bertram and Anne Elliot – and she’s twenty-seven! And we drink gallons of water and take little pills.’

  ‘I am pleased to hear there is some medicinal aspect to the entertainment,’ said Mr Woodhouse, ‘but I counsel you against too much water. It is injurious to the liver.’

  When Emma arrived for the festivities upon the Cobb at Lyme she could not help remarking the absence of a band; such music as there was issued from a species of hurdy-gurdy operated by a gentleman from Sir Thomas Bertram’s plantations in Antigua.

  A young man whose family was not known to the Woodhouses requested the pleasure of a dance, but Emma told him she was engaged by the Reverend Elton for the polka. ‘However, sir,’ she told him, ‘I should be obliged if you were to bear me in mind for the quadrille.’

  Emma’s mind was thrown into conster nation by the noise of the music and it was with relief that she spotted at last a familiar acquaintance emerging from the seaside waters.

  ‘Mr Knightley!’ she cried.

  ‘Indeed,’ he replied, with an uncommon leer upon his face. ‘Though down here they call me “Twice Knightley”.’

  SAMUEL BECKETT

  writes a monologue for Ronnie Corbett

  ‘I came up to my dressing room before the show this evening and I found the producer outside the door sitting in a dustbin.

  ‘Now this was very unusual. He doesn’t normally sit in a dustbin till after closing time at the BBC social club.

  ‘No, no, I digress. Lovely cha p, the producer. He’s got a daughter, called Dolores. She’s a big girl for eighteen.

  ‘No. Anyway. “Cheer up,” I said. “How’s your lovely daughter, how’s Dolores? I didn’t know you could get that much into a tank top – there’s certainly no room left for the gunner.”

  ‘So the producer said … He said, “I wish you wouldn’t talk like that about Dolores. She’s gone to Oxford University where she’s studying philosophy. She’s doing a special paper on nihilism and the existential void. She’s been reading Fear and Trembling by Kierkegaard.”

  ‘“Well,” I said, “I can see which bits are trembling but what’s she frightened of?”

  ‘No, no. Come on now. Behave. Anyway, the producer says, “Go across the room, pick up the script and have a look. Dolores has had a hand in it.”

  ‘So I go across the room, pick up the script and have a look.

  ‘Across the top is written in big letters, “Malone Dies.”

  ‘I said “What? Piggy Malone Dies?”

  He said, “Yes! It’s the existential void for him and it’s goodnight from you.” Good night!’

  ALAN BENNETT

  stirs himself and gets adventurous

  12 MAY

  Mam, out of sympathy for the fact that I was always last to be picked for the choir or the football team at school, has signed me up with the SAS. She thought it stood for Salvation Army Singers. I received the papers this morning and told her I’ve to go to Baghdad. She said, ‘Couldn’t you just go to the Alhambra on Armley Road?’

  She packed me an emergency kit of Vicks vapour rub and digestives, and put me on the Hercules transport to Basra.

  13 MAY

  We are in the Sunni triangle. It’s a bit like Whingate Junction but with more Americans of course. The barracks are a disgrace. The range wants blackleading and the nets are all grey. I suppose they’re too busy killing Iraqis to keep the place up to scratch.

  Our commanding officer said Mr Blair is about to invade Iran as well. I blame Mrs
Thatcher.

  14 MAY

  Sat behind two privates on the top deck of a Humvee.

  ‘I don’t hold with fundamentalism myself,’ said one.

  ‘No,’ said the other, ‘since me auntie died I’ve not been to Mecca once.’

  Back in barracks had a letter from Mam saying my book of pay-in slips to the Bradford and Bingley had been voted Waterstone’s Book of the Century. Felt rather under-appreciated.

  15 MAY

  Stormed Abu Graib Prison. I ‘took out’ – as I think the expression is – four Shia terrorists and rescued a young Iraqi, no more than a kiddie really, they were holding hostage. The poor lad was naked. I got out Mam’s emergency kit and covered the kiddie’s privates with a Fig Roll.

  Back in barracks had a telegram from Her Majesty asking me to become Knight of the Garter and awarding me Victoria Cross. I am, as ever, the last one to be chosen.

  JOHN BETJEMAN

  spends Easter on the estate

  High above the rain-washed ring-road, o’er the city’s roar and crash

  The family scales the pungent stairwell for our special Easter bash.

  Shame the lift is out of order; never mind it keeps us fit. Kylie’s brought a bag of Afghan for a crafty pre-lunch hit. Let’s watch Sky until it’s ready; keep a place for Dad to sit. Warm the sun on pink graffiti; loud the wireless that thumps,

  Shares abroad its merry rapping while the tense Alsatian dumps

 

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