Clara grew tired of thinking, and listened to the talk. The name of Hugh McVey played through the persistent conversation like a refrain. It became fixed in her mind. The inventor was not married. By the social system under which she lived that and that only made him a possibility for her purposes. She began to think of the inventor, and her mind, weary of playing about her own figure, played about the figure of the tall, serious-looking man she had seen on Main Street. When Alfred Buckley had driven away to town for the night, she went upstairs to her own room but did not get into bed. Instead, she put out her light and sat by an open window that looked out upon the orchard and from which she could see a little stretch of the road that ran past the farm house toward town. Every evening before Alfred Buckley went away, there was a little scene on the front porch. When the visitor got up to go, her father made some excuse for going indoors or around the corner of the house into the barnyard. “I will have Jim Priest hitch up your horse,” he said and hurried away. Clara was left in the company of the man who had pretended he wanted to marry her, and who, she was convinced, wanted nothing of the kind. She was not embarrassed, but could feel his embarrassment and enjoyed it. He made formal speeches.
“Well, the night is fine,” he said. Clara hugged the thought that he was uncomfortable. “He has taken me for a green country girl, impressed with him because he is from the city and dressed in fine clothes,” she thought. Sometimes her father stayed away five or ten minutes and she did not say a word. When her father returned Alfred Buckley shook hands with him and then turned to Clara, apparently now quite at his ease. “We have bored you, I’m afraid,” he said. He took her hand and leaning over, kissed the back of it ceremoniously. Her father looked away. Clara went upstairs and sat by the window. She could hear the two men continuing their talk in the road before the house. After a time the front door banged, her father came into the house and the visitor drove away. Everything became quiet and for a long time she could hear the hoofs of Alfred Buckley’s horse beating a rapid tattoo on the road that led down into town.
Clara thought of Hugh McVey. Alfred Buckley had spoken of him as a backwoodsman with a streak of genius. He constantly harped on the notion that he and Tom could use the man for their own ends, and she wondered if both of the men were making as great a mistake about the inventor as they were about her. In the silent summer night, when the sound of the horse’s hoofs had died away and when her father had quit stirring about the house, she heard another sound. The corn-cutting machine factory was very busy and had put on a night shift. When the night was still, or when there was a slight breeze blowing up the hill from town, there was a low rumbling sound coming from many machines working in wood and steel, followed at regular intervals by the steady breathing of a steam engine.
The woman at the window, like every one else in her town and in all the towns of the mid-western country, became touched with the idea of the romance of industry. The dreams of the Missouri boy that he had fought, had by the strength of his persistency twisted into new channels so that they had expressed themselves in definite things, in corn-cutting machines and in machines for unloading coal cars and for gathering hay out of a field and loading it on wagons without aid of human hands, were still dreams and capable of arousing dreams in others. They awoke dreams in the mind of the woman. The figures of other men that had been playing through her mind slipped away and but the one figure remained. Her mind made up stories concerning Hugh. She had read the absurd tale that had been printed in the Cleveland paper and her fancy took hold of it. Like every other citizen of America she believed in heroes. In books and magazines she had read of heroic men who had come up out of poverty by some strange alchemy to combine in their stout persons all of the virtues. The broad, rich land demanded gigantic figures, and the minds of men had created the figures. Lincoln, Grant, Garfield, Sherman, and a half dozen other men were something more than human in the minds of the generation that came immediately after the days of their stirring performance. Already industry was creating a new set of semi-mythical figures. The factory at work in the night-time in the town of Bidwell became, to the mind of the woman sitting by the window in the farm house, not a factory but a powerful animal, a powerful beast-like thing that Hugh had tamed and made useful to his fellows. Her mind ran forward and took the taming of the beast for granted. The hunger of her generation found a voice in her. Like every one else she wanted heroes, and Hugh, to whom she had never talked and about whom she knew nothing, became a hero. Her father, Alfred Buckley, Steve Hunter and the rest were after all pigmies. Her father was a schemer; he had even schemed to get her married, perhaps to further his own plans. In reality his schemes were so ineffective that she did not need to be angry with him. There was but one man of them all who was not a schemer. Hugh was what she wanted to be. He was a creative force. In his hands dead inanimate things became creative forces. He was what she wanted not herself but perhaps a son, to be. The thought, at last definitely expressed, startled Clara, and she arose from the chair by the window and prepared to go to bed. Something within her body ached, but she did not allow herself to pursue further the thoughts she had been having.
On the day when she went with her father and Alfred Buckley to visit Hugh’s shop, Clara knew that she wanted to marry the man she would see there. The thought was not expressed in her but slept like a seed newly planted in fertile soil. She had herself managed that she be taken to the factory and had also managed that she be left with Hugh while the two men went to look at the half-completed hay-loader at the back of the shop.
She had begun talking to Hugh while the four people stood on the little grass plot before the shop. They went inside and her father and Buckley went through a door toward the rear. She stopped by a bench and as she continued talking Hugh was compelled to stop and stand beside her. She asked questions, paid him vague compliments, and as he struggled, trying to make conversation, she studied him. To cover his confusion he half turned away and looked out through a window into Turner’s Pike. His eyes, she decided, were nice. They were somewhat small, but there was something gray and cloudy in them, and the gray cloudiness gave her confidence in the person behind the eyes. She could, she felt, trust him. There was something in his eyes that was like the things most grateful to her own nature, the sky seen across an open stretch of country or over a river that ran straight away into the distance. Hugh’s hair was coarse like the mane of a horse, and his nose was like the nose of a horse. He was, she decided, very like a horse; an honest, powerful horse, a horse that was humanized by the mysterious, hungering thing that expressed itself through his eyes. “If I have to live with an animal; if, as Kate Chanceller once said, we women have to decide what other animal we are to live with before we can begin being humans, I would rather live with a strong, kindly horse than a wolf or a wolfhound,” she found herself thinking.
..................
CHAPTER XIV
HUGH HAD NO SUSPICION THAT Clara had him under consideration as a possible husband. He knew nothing about her, but after she went away he began to think. She was a woman and good to look upon and at once took Rose McCoy’s place in his mind. All unloved men and many who are loved play in a half subconscious way with the figures of many women as women’s minds play with the figures of men, seeing them in many situations, vaguely caressing them, dreaming of closer contacts. With Hugh the impulse toward women had started late, but it was becoming every day more active. When he talked to Clara and while she stayed in his presence, he was more embarrassed than he had ever been before, because he was more conscious of her than he had ever been of any other woman. In secret he was not the modest man he thought himself. The success of his corn-cutting machine and his car-dumping apparatus and the respect, amounting almost to worship, he sometimes saw in the eyes of the people of the Ohio town had fed his vanity. It was a time when all America was obsessed with one idea, and to the people of Bidwell nothing could be more important, necessary and vital to progress than the things Hugh had
done. He did not walk and talk like the other people of the town, and his body was over-large and loosely put together, but in secret he did not want to be different even in a physical way. Now and then there came an opportunity for a test of physical strength: an iron bar was to be lifted or a part of some heavy machine swung into place in the shop. In such a test he had found he could lift almost twice the load another could handle. Two men grunted and strained, trying to lift a heavy bar off the floor and put it on a bench. He came along and did the job alone and without apparent effort.
In his room at night or in the late afternoon or evening in the summer when he walked on country roads, he sometimes felt keen hunger for recognition of his merits from his fellows, and having no one to praise him, he praised himself. When the Governor of the State spoke in praise of him before a crowd and when he made Rose McCoy come away because it seemed immodest for him to stay and hear such words, he found himself unable to sleep. After tossing in his bed for two or three hours he got up and crept quietly out of the house. He was like a man who, having an unmusical voice, sings to himself in a bath-room while the water is making a loud, splashing noise. On that night Hugh wanted to be an orator. As he stumbled in the darkness along Turner’s Pike he imagined himself Governor of a State addressing a multitude of people. A mile north of Pickleville a dense thicket grew beside the road, and Hugh stopped and addressed the young trees and bushes. In the darkness the mass of bushes looked not unlike a crowd standing at attention, listening. The wind blew and played in the thick, dry growth and there was a sound as of many voices whispering words of encouragement. Hugh said many foolish things. Expressions he had heard from the lips of Steve Hunter and Tom Butterworth came into his mind and were repeated by his lips. He spoke of the swift growth that had come to the town of Bidwell as though it were an unmixed blessing, the factories, the homes of happy, contented people, the coming of industrial development as something akin to a visit of the gods. Rising to the height of egotism he shouted, “I have done it. I have done it.”
Hugh heard a buggy coming along the road and fled into the thicket. A farmer, who had gone to town for the evening and who had stayed after the political meeting to talk with other farmers in Ben Head’s saloon, went homeward, asleep in his buggy. His head nodded up and down, heavy with the vapors rising from many glasses of beer. Hugh came out of the thicket feeling somewhat ashamed. The next day he wrote a letter to Sarah Shepherd and told her of his progress. “If you or Henry want any money, I can let you have all you want,” he wrote, and did not resist the temptation to tell her something of what the Governor had said of his work and his mind. “Anyway they must think I amount to something whether I do or not,” he said wistfully.
Having awakened to his own importance in the life about him, Hugh wanted direct, human appreciation. After the failure of the effort both he and Rose had made to break through the wall of embarrassment and reserve that kept them apart, he knew pretty definitely that he wanted a woman, and the idea, once fixed in his mind, grew to gigantic proportions. All women became interesting, and he looked with hungry eyes at the wives of the workmen who sometimes came to the shop door to pass a word with their husbands, at young farm girls who drove along Turner’s Pike on summer afternoons, town girls who walked in the Bidwell Main Street in the evening, at fair women and dark women. As he wanted a woman more consciously and determinedly he became more afraid of individual women. His success and his association with the workmen in his shop had made him less self-conscious in the presence of men, but the women were different. In their presence he was ashamed of his secret thoughts of them.
On the day when he was left alone with Clara, Tom Butterworth and Alfred Buckley stayed at the back of the shop for nearly twenty minutes. It was a hot day and beads of sweat stood on Hugh’s face. His sleeves were rolled to his elbows and his hands and hairy arms were covered with shop grime. He put up his hand to wipe the sweat from his forehead, leaving a long, black mark. Then he became aware of the fact that as she talked the woman looked at him in an absorbed, almost calculating way. It was as though he were a horse and she were a buyer examining him to be sure he was sound and of a kindly disposition. While she stood beside him her eyes were shining and her cheeks were flushed. The awakening, assertive male thing in him whispered that the flush on her cheeks and the shining eyes were indicative of something. His mind had been taught that lesson by the slight and wholly unsatisfactory experience with the school teacher at his boarding-house.
Clara drove away from the shop with her father and Alfred Buckley. Tom drove and Alfred Buckley leaned forward and talked. “You must find out whether or not Steve has an option on the new tool. It would be foolish to ask outright and give ourselves away. That inventor is stupid and vain. Those fellows always are. They appear to be quiet and shrewd, but they always let the cat out of the bag. The thing to do is to flatter him in some way. A woman could find out all he knows in ten minutes.” He turned to Clara and smiled. There was something infinitely impertinent in the fixed, animal-like stare of his eyes. “We do take you into our plans, your father and me, eh?” he said. “You must be careful not to give us away when you talk to that inventor.”
From his shop window Hugh stared at the backs of the heads of the three people. The top of Tom Butterworth’s buggy had been let down, and when he talked Alfred Buckley leaned forward and his head disappeared. Hugh thought Clara must look like the kind of woman men meant when they spoke of a lady. The farmer’s daughter had an instinct for clothes, and Hugh’s mind got the idea of gentility by way of the medium of clothes. He thought the dress she had worn the most stylish thing he had ever seen. Clara’s friend Kate Chanceller, while mannish in her dress, had an instinct for style and had taught Clara some valuable lessons. “Any woman can dress well if she knows how,” Kate had declared. She had taught Clara how to study and emphasize by dress the good points of her body. Beside Clara, Rose McCoy looked dowdy and commonplace.
Hugh went to the rear of his shop to where there was a water-tap and washed his hands. Then he went to a bench and tried to take up the work he had been doing. Within five minutes he went to wash his hands again. He went out of the shop and stood beside the small stream that rippled along beneath willow bushes and disappeared under the bridge beneath Turner’s Pike, and then went back for his coat and quit work for the day. An instinct led him to go past the creek again and he knelt on the grass at the edge and again washed his hands.
Hugh’s growing vanity was fed by the thought that Clara was interested in him, but it was not yet strong enough to sustain the thought. He took a long walk, going north from the shop along Turner’s Pike for two or three miles and then by a cross road between corn and cabbage fields to where he could, by crossing a meadow, get into a wood. For an hour he sat on a log at the wood’s edge and looked south. Away in the distance, over the roofs of the houses of the town, he could see a white speck against a background of green—the Butterworth farm house. Almost at once he decided that the thing he had seen in Clara’s eyes and that was sister to something he had seen in Rose McCoy’s eyes had nothing to do with him. The mantle of vanity he had been wearing dropped off and left him naked and sad. “What would she be wanting of me?” he asked himself, and got up from the log to look with critical eyes at his long, bony body. For the first time in two or three years he thought of the words so often repeated in his presence by Sarah Shepard in the first few months after he left his father’s shack by the shore of the Mississippi River and came to work at the railroad station. She had called his people lazy louts and poor white trash and had railed against his inclination to dreams. By struggle and work he had conquered the dreams but could not conquer his ancestry, nor change the fact that he was at bottom poor white trash. With a shudder of disgust he saw himself again a boy in ragged clothes that smelled of fish, lying stupid and half asleep in the grass beside the Mississippi River. He forgot the majesty of the dreams that sometimes came to him, and only remembered the swarms of flies that, att
racted by the filth of their clothes, hovered over him and over the drunken father who lay sleeping beside him.
A lump arose in his throat and for a moment he was consumed with self-pity. Then he went out of the wood, crossed the field, and with his peculiar, long, shambling gait that got him over the ground with surprising rapidity, went again along the road. Had there been a stream nearby he would have been tempted to tear off his clothes and plunge in. The notion that he could ever become a man who would in any way be attractive to a woman like Clara Butterworth seemed the greatest folly in the world. “She’s a lady. What would she be wanting of me? I ain’t fitten for her. I ain’t fitten for her,” he said aloud, unconsciously falling into the dialect of his father.
Hugh walked the entire afternoon away and in the evening went back to his shop and worked until midnight. So energetically did he work that several knotty problems in the construction of the hay-loading apparatus were cleared away.
On the second evening after the encounter with Clara, Hugh went for a walk in the streets of Bidwell. He thought of the work on which he had been engaged all day and then of the woman he had made up his mind he could under no circumstances win. As darkness came on he went into the country, and at nine returned along the railroad tracks past the corn-cutter factory. The factory was working day and night, and the new plant, also beside the tracks and but a short distance away, was almost completed. Behind the new plant was a field Tom Butterworth and Steve Hunter had bought and laid out in streets of workingmen’s houses. The houses were cheaply constructed and ugly, and in all directions there was a vast disorder; but Hugh did not see the disorder or the ugliness of the buildings. The sight that lay before him strengthened his waning vanity. Something of the loose shuffle went out of his stride and he threw back his shoulders. “What I have done here amounts to something. I’m all right,” he thought, and had almost reached the old corn-cutter plant when several men came out of a side door and getting upon the tracks, walked before him.
Poor White Page 21