by E. F. Benson
These things passed vaguely through Miss Murchison’s mind, as she and Toby ate their ices. He was like a whiff of fresh air, she thought, to one who had been breathing a close and vitiated atmosphere. He did not ask her where she had been last night, and where she had dined to-day, and who was in the Park in the morning. He seemed to be as little of the world which danced and capered in the next room, chattering volubly about itself, as she was herself. On that point she would like information.
“Do you like London?” she asked, at length, and then thought herself inane for saying that. It sounded like one of the banalités she found so desperately stupid.
But Toby understood. He had just finished his ice, and with his spoon he made a comprehensive circle in the air. “This sort of thing, do you mean?” he asked. “All these fine people?”
“Yes, just that. All these fine people.”
“It seems to me perfectly idiotic,” he replied.
“Then why do you come?”
“Why? Oh, because there are a lot of people I really do like — real friends of mine, you understand, whom I see in this way. And they come for the same reason, I suppose.”
Lily looked at him a moment out of her big dark eyes, and then nodded gravely.
“Yes, that makes all the difference,” she said. “If you have a lot of friends here, there is a reason for coming. But — —” and she stopped loyally.
Toby guessed what was on the end of her tongue, and with a certain instinct of delicacy changed the subject, or rather led it away from what he imagined was in her mind.
“I know what you mean,” he said, “and everyone finds it a bore at times. One goes to a party hoping to see a particular person, and the particular person is not there. Really, I often wish I was never in London at all. But, you see, I am private secretary to my cousin Pangbourne, and while they are in office and the House is sitting I have to be in town. What would happen to the British Constitution if I wasn’t, I don’t dare to think.”
Miss Murchison laughed.
“That must be interesting, though,” she said. “I should love to be in the middle of the wheels. I notice in England that a sudden hush always comes over a room whenever a politician enters. Somebody describes the English as a race of shopkeepers. It is a very bad definition; they are much more a race of politicians. The shopkeepers come from America.”
Toby shook his head.
“I wish I could notice a hush whenever I came into a room,” he said. “I should feel as if I was making a mark. But I don’t.”
“But it is interesting, is it not?” asked Miss Murchison— “being secretary to a Minister, I mean.”
Toby considered.
“Last week,” he said, “I looked over the bills for the flowers in Hyde Park. They were immense, so I hope you approve of the flowers. I also checked the food of the ducks in St. James’s Park, so I hope you do not think they are looking thin. Those ducks are the bane of my existence. Since then I have done nothing. My cousin comes into the secretaries’ room every morning to see that we are working. He invariably finds us playing cricket with the fire-shovel. I am usually in.”
“That also is interesting,” said Miss Murchison. “I love games. Oh, there’s my mother! I think she is looking for me.”
“But I may have this dance?” asked Toby.
“I am sure she would allow me,” said the girl; and as they both thought of her mother’s feverish acceptance for her of the last, their eyes met.
“Let us go,” said Toby gravely; and he gave her his arm back into the ballroom.
Miss Murchison, when she left half an hour later with her mother, was conscious of having enjoyed herself much more than she usually did at such parties. For the most part they seemed to her sad and strange forms of amusement. She danced with a certain number of young men, who admired her pearls or her profile. It is true that both were admirable, especially her profile. But to talk to them was like talking to order through a telephone; it seemed impossible to get beyond the banalités of the day. She was labelled, as she knew, as the heiress of the year; and it was as difficult to forget that as to forget that other people remembered it. No doubt when she got to know people more intimately it would be different; but these first weeks of débutancy could not, she thought, be considered amusing.
But Toby had been a most delightful change. Here was an ordinary human young man, who did not seem to be merely a weary automaton for going from one party to another. He was fairly stupid — an unutterable relief; for if there was one mode of conversation she detested, it was cheap epigram; and he was quite sensible and natural, a relief more unutterable.
Her mother drove home with her in a state of elation. The mystic innermost shrine was going to be unlocked at last.
“Lady Conybeare said that simply no one was coming to-morrow night,” she said. “We shall be six or eight only. Lord Comber, I think, is coming, and Lord Evelyn. It will be quite an arcanum. She said she would wear only a tea-gown — I should say a tea-gown only. So chic. We will have a little tea-gown party before the end of the season, dear. You and Lord Evelyn quite hobnailed together. Did you enjoy yourself, Lily?”
“Yes, very much.”
“So glad, darling. I saw no pearls so good as yours. Wear them to-morrow, dear. Lady Conybeare said she adored pearls. ‘Ah, Margerita!’” And Mrs. Murchison hummed a bar or two of Siebel’s song in a variety of keys. “And the evening after we go to see ‘Tristram and Isolde,’” she continued. “It is a gala night, and Jean de Risky plays Tristram. How lucky we were to get the box next the royal box! I hope it won’t be very hot, for I hear that everybody stops to the end in ‘Tristram.’ There is a Leitmotif — or is it Liebstod? — at the end, which is quite marvellous, I am told. However, we can go late. I hope it will be in Italian. Italian is the only language for singing. I remember when I was a girl I used to sing ‘La donna è nobile.’ I forget who wrote it; those Italian names are so alike. And what did you talk to Lord Evelyn about, dear? Was he amusing? We might ask him to our box on Thursday to see ‘Tristram.’”
“I don’t think he cares about Wagner,” said Lily; “indeed, he told me so.”
“How very unfashionable! We all like Wagner now. Personally I think it is quite enchanting; but it always sends me fast asleep, though I enjoy it very much until. But there is a great sameness in the operas; they are like those novels I used to read by Mrs. Austen— ‘Sense and Sensibleness,’ and all the rest of them about Bath and other watering-places. I thought them very tedious; but I was told one must read them. Or was it Sir George Eliot who wrote them? Dear me, how stupid of me! Sir George was there to-night, and I never once thought of telling him how much I enjoyed his charming novels!”
“George Eliot was a woman,” remarked Lily, leaning back in her corner, tremulous with heroically-repressed amusement.
“You may be right, dear; but it isn’t a common name for a woman. Of course, there’s George Sand. But if you are right, how lucky I did not speak about his novels to Sir George! He would not have liked being mistaken for someone else. Some of those literary men are so sensitive.”
“But, you see, he did not write any of those novels,” said Lily, with a sudden little spasm of laughter.
“No, dear, that is just what I was saying. How you catch one up! My dearest, I am so glad you enjoyed yourself this evening. Sometimes I have thought you looked a little bored and tired. Really, London is charming! So much jeu d’esprit about it, is there not? And to-morrow we dine at Lady Conybeare’s! How pleasant, and what a wonderful dress she had on this evening! She made me feel quite a dodo — I should say a dowdy.”
Lily broke into a sudden peal of laughter, and her mother beamed good-humouredly.
“Laughing again at your poor mother,” she said, patting her hand. “You are always laughing, Lily; you are a perfect fille de joie. Dear me! I’m always saying the wrong word. Here we are, darling. Get out very carefully, because my dress is all over.”
Lily stepped
out into a perfect mob of powdered footmen who lined the steps of the Murchison mansion. Mrs. Murchison, when she took her house, gave what she called bête noire to a celebrated firm of London decorators (meaning, it is to be supposed, carte blanche) to make it as elegant and refined as money could. The result was an impression of extraordinary opulence; and the eminent firm of decorators, wise in their generation, had pleased Mrs. Murchison very well. Not the smallest part of her gratification was the immense sum she had to pay them. Money meant almost nothing to her, but it meant a good deal to other people; and to be able to say truthfully that one ceiling had cost a couple of thousand pounds was a solid cause of self-congratulation. Indeed, the contemplation of the cheque she had drawn pleased her nearly as much as what the cheque had accomplished.
She paused a moment in the hall, while one footman took off her cloak and handed it to another, and looked contentedly round on the stamped leather and the old oak, the Louis XIV. chairs, the Nankin ware, and the Persian rugs; and her mind went back for a second to the days of pitch-pine and horsehair, and in her excellent heart there rose a sudden thrill of thankfulness. Lily was already on the stairs, and her mother’s eye followed her, and rested there so long that the third footman had closed the door, and stood to attention, waiting for her to move. And one hair of Lily’s head was dearer to her than all the old oak and the opulence and the powdered footmen. She gave a heavy sigh, all mother.
“Put the lights out, William,” she said, “or is it Thomas?”
CHAPTER VII. THE SOLITARY FINANCIER
Mr. Alington had not been present at the ball at the Hungarian Embassy, although Kit had taken the trouble to get him an invitation. By the evening mail had come a long report from his Australian manager, and as the report required considerable digestion, he, as always, put business before pleasure, especially since he did not dance, and devoted the evening to digesting it. It was all a report should be, concise, clear, and full, and since he had hitherto known very little, technically speaking, about his new venture, it demanded long and solitary consideration. There was a very careful map sent with it, drawn to scale, with the reef where found marked in red, where conjectured in yellow.
West Australian mining at this time was but in its infancy. A few reports only had reached England about unexplored goldfields of extraordinary richness, and, as is incident to first reports, they had gained but slender credence. But Mr. Alington had only just come back from Queensland; he had seen gold-bearing quartz, he had made a few tentative experiments to prove the richness of the ore, and had subsequently bought a very large number of claims at a comparatively low cost. Some of these he fully expected would turn out to be worthless, or scarcely worth the working; others he soberly believed would be found to be very rich. And when he opened his manager’s report on the night of the Hungarian ball, he had no more certain information about them.
The manager advised, consonantly with Alington’s own desire, that a group of five mines should be started, which together embraced all his claims. In number one (see map) there was, as Alington would recollect, a very rich vein of gold, which had now been traced in bore-holes through numbers four and five. Numbers two and three were outliers from the direct line of this vein, but in both a good deal of outcrop gold might be profitably worked. All, so said the manager, were, as far as could be at present seen, well worth working, for the two on which the deeper vein did not lie had gold in smaller veins close to the surface, which could be got at with comparatively little cost. It was not yet known whether there was any deeper vein in them.
Then followed a good deal of technical advice. The main difficulty, as Mr. Alington would remember, was water, and they must be prepared for heavy expenses in this item. But otherwise the property could not be better. Of the specimens sent at random for examination, those from numbers one, four, and five were very rich, and the yield appeared to be not less than five ounces to the ton. This was very high, but such were the results. The reef from which they were taken was five feet thick. Then followed some discussion as to processes; there was certainly much to be said for cyanide, but he would not recommend corrosion. It was tediously long, and there was some talk of prohibiting women from being employed in it. Certainly the white lead produced by it would bring it under the head of dangerous trades. In numbers two and three the ore was very refractory, and it was curious to find a vein so difficult in the matter of gold extraction close by the vein of one, four, and five. Hitherto, in spite of repeated experiments, they had only been able to recover 20 per cent. of the gold it contained. But a new process was being tried in certain mines in the Rand — the Bülow, was it not? — perhaps Mr. Alington would go into it and cable results. The worst of these chemical processes was that they were so expensive.
Mr. Alington looked more than ever like a butler of superior benevolence, as he sat at his table by a green-shaded reading-lamp, and made himself master of this excellent report. As he read, he inscribed from time to time neat little notes in pencil on the margin of the page, and from time to time jotted down some figures on his blotting-pad. His rooms, above a gunmaker’s in St. James’s Street — a temporary premise only — were admirably furnished for the wants of a business man of refined tastes and simple desires. A large revolving bookcase full of works of reference stood at his elbow, and a telephone was on the table before him. He was something of a connoisseur in pictures, and in his house on the Sussex Downs, to which he was extensively adding, he had a really fine collection of English masters. But the London fogs and corrosive smoke spelled death to pigments, and here in his modest quarters in London he had only prints. But these were truly admirable. Reynolds’ Lady Crosby undulated over the fireplace; Lady Hamilton smiled irresistibly on him from under her crown of vine leaves if he looked at the opposite wall; by her sat Marie Antoinette in an old-gold frame of French work, and Mrs. Siddons was a first state with the coveted blotted edge.
But to-night Mr. Alington had no eye for these enchanting ladies; he sat long and studiously with the report in front of him, his broad, intelligent face alert with his work. From time to time he reached out a firm, plump hand to take a cigarette from a silver box which stood by his telephone, but often he sat with it unlit for ten minutes or so, absorbed in the page; or, again, he would put it down still only half smoked, as he made one of his little calculations, forget about it, and reach his hand out absently for another. In this way before midnight there were some half-dozen in his ash-tray scarcely touched. A spirit-case and a siphon stood on a tray to his right, and an hour before he had mixed himself a mild whisky-and-soda, which he had not yet tasted.
The silver bell of his Sèvres clock had already struck one when he took up the report, folded it carefully, and put it back in its registered envelope. The map, however, he spread out on the table in front of him, and continued to study it very attentively for ten minutes more. That, too, he then put in the envelope, and, leaning back in his chair, lit a cigarette in earnest and smoked it through. He was a little short-sighted, and for reading, particularly at night, he wore gold-rimmed spectacles, which gave him a scholastic, almost a theologian aspect. But these had long ago been pushed up on his forehead; the theologian had evidently some great matter in debate.
At length he rose, still slowly, and stood for a moment in profound thought. Then, with a sudden briskness, as of a man who had made up his mind, he took the envelope, and, putting it into a drawer in his knee-hole table, turned the key upon it.
“It will be one of the very biggest deals,” he remarked to himself.
A grand piano by Bechstein stood at the other side of the room, and Bach’s St. Matthew Passion Music was open upon it. Mr. Alington took it up and turned over the pages with a loving reverence. He paused a moment, and hummed in his beautiful tenor voice the recitative of “And Peter went out,” and then, lighting the candles, played a few crescendo chords, and plunged into the intricacies of the great double chorus of the lightnings and thunders. The sonorous and terrible fugue gr
ew and grew under his deft hands, rising from crescendo to crescendo with its maddened, tumultuous ground-bass. A pause of a bar, and with a great burst he attacked the second part. He sang the air of “the bottomless pit” with full voice, while his hands quivered mistily in the frenzied chromatic accompaniment. The appalling terrors of the music possessed him; he seemed like a man demented. In the last six bars he doubled the bass as if written for pedals, and with the tierce de Picardy finished in a crashing chord.
Mr. Alington pushed his rather scanty hair back from his forehead and gave a great sigh full of reverential awe, the sigh of a religious artist. He was a true musician, and his own admirable performance of the wonderful text moved him; it smelled of the flames. Then after a moment he turned to the last chorus, the most perfect piece of pathos ever translated into sound, and played it through with all the reticence and sobriety of his utmost art. The wailing cadences, the simple phrases, touched him profoundly. Unlike Mrs. Murchison, he did not consider himself bound to worship Wagner, although the operas did not sound to him the least alike. He would have told you that he thought him artistically immoral, that he violated the canons of music, as binding, so he considered, on musicians as is the moral code on a civilized society. “A brilliant savage,” he said once of that master; “but I know I am unfashionable.”
He sat for a long minute perfectly still when he had finished the chorus, as absorbed in the thought of it as he had been in the mines half an hour before. Unaffected moisture stood in the man’s eye; his face was that of a stout and rapturous saint in a stained-glass window contemplating some beatific vision. He was alone, and perfectly honest with himself. At length he shut the piano very softly, as if afraid of disturbing the exquisite sweetness and melancholy beauty of the music by any other sound, and, candle in hand, went to his bedroom. An admirable reproduction of Holman Hunt’s “Lux Mundi” hung over his fireplace; the “Triumph of the Innocents” was directly above his anchorite-looking bed. They were favourite pictures of his, not only for their subject, but for the genuineness of their feeling. They seemed to him to have grasped something of the simplicity of the real pre-Raphaelite school — something of its soberness, its constant love of form, its childlike straightforwardness. There was an old oak prie-dieu by his bedside, with several well-thumbed books of devotion on it, and he knelt there a full ten minutes before he got into bed. He was thankful for many things — his health, his wealth, his perseverance, his brains, his power of appreciating beautiful things; and he prayed for their long continuance and well-being fervently.