by E. F. Benson
“Yes, I think Mrs. Wardour quite took for granted that he was stopping till then.”
Silvia made one further attempt to evoke a touch of cordiality.
“Mother will be delighted,” she said. “But it’s horrid for you being all alone.”
“No, dear, I shall be very happy,” said Mrs. Mainwaring with quiet decision.
Howes stood, of course, in a park of considerable acreage, surrounded by a massive brick wall, and reflected its colossal self in the lake that lay below its terraced garden. This lake had been artificially made by the damming up of the stream that had previously wasted itself unornamentally, and the road that had dipped into the shallow valley now ran along the causeway that formed the farther margin of the lake, and gave the visitor his first complete and stupendous view of the house. The wings and galleries that had been built out rendered the original Norman core comparatively insignificant, and the whole resembled an apotheosis of a station hotel combined with a fortress, for the character of the older part was borne out in the battlemented walls that spread so amply to right and left of it. An avenue of monkey-puzzlers led up to the long façade, and the gardens overlooking the lake were like some glorified arboretum, where you might expect tin labels, asking visitors to keep off the grass and not touch the flowers. At intervals along the edge of its immense lawns were aloes in square green tubs, and below the house was a riband border of geraniums, calceolarias and lobelias. Inside, the expectations aroused by this sumptuous exterior were fully justified, for the high panelled hall was peopled with suits of armour, each with its numbered label, so that a glance at the catalogue would put you into possession of interesting information about it. Armour had long been a hobby of the late Mr. Wardour, and he had, very quaintly, installed electric light in the gauntleted hands. There was a passenger lift in one corner, a groined roof, and the famous malachite table. Heads and antlers of stags hung in the panels.
Silvia had rather dreaded this moment. The whole place with its monkey-puzzlers and malachite, its aloes and its awfulness, had been left by her father to her absolutely, and Peter knew (and she knew he knew) that he was making his first acquaintance with what would be “home” to him. She had not seen it herself since the day of her father’s funeral, two years ago, and it seemed to her — and how would it strike Peter? — that, though it had the traditional quality of home, in that there was no place, as far as she was aware, in the least like it, its unique fulfilment of that definition was its only merit.
With a sideways glance now and again she had observed Peter’s growing awe, from the time they had crossed the causeway (the pride of it!) to their approach through the monkey-puzzlers, and to the final revelation of the malachite table. And there was much more to follow — ever so much more; the Gothic staircase, the blue drawing-room, the pink drawing-room, the picture-gallery, the swimming-bath. And it was not inanimate magnificence alone that was to assail him, for there was Uncle Henry and Uncle Abe and Aunts Joanna and Eleanor. She ought to have brought him down quietly and alone for his first sight of Howes....
Peter had been gazing in a fascinated manner at the malachite table, and even while Silvia was wondering how to convey to him her sympathy and encouragement, he, with one of the flashes of intuition which she adored in him, showed that he had comprehended with unerring accuracy what she was feeling about him.
“But you’re going to be here,” he said, just as if she had spoken out all that she was puzzling over.
She took his arm.
“Oh, my dear, I promise you that,” she said. “And I’ve got to get used to it, too. But then you’ll be here! Shall we butter each other’s paws, Peter, until we feel at home? Let’s have some more tea, in fact, and find where the rest of them are.”
The picture-gallery seemed a likely kind of place, and there, indeed, the six representatives of the families proved to be, and when kissing ceremonies were over for herself and the rite of introduction for Peter, Silvia found herself thinking that it was really all for the best that they should have burst on Peter in one comprehensive revelation rather than that he should have been subjected to a series of shocks and surprises. Already staggered by Uncle Henry, Peter might have been quite thrown off his balance — so flashed the alternative comedy through her head — by Uncle Abe; or what if, reeling from Aunt Eleanor, he ran into Aunt Joanna just round the corner? Silvia had not the smallest inclination or intention to be ashamed of her relations, but it would have shown the joylessness of a Puritan not to be amused at the blandness and the blankness on so many faces (Peter’s included) as he was taken to each in turn; it would have shown too an almost dangerous rigidity that her voice should not betray a tremor of suppressed hilariousness.
Aunt Eleanor came first: she looked like a handsome seal with adenoidal breathing. She bowed to Peter with freezing propriety, but when he was moved on to Aunt Joanna her curiosity got the better of her, and she instantly put up her glasses to get a better look at him. Aunt Joanna, large and marvellously bedizened, with flowers in her hat and her bosom and her hand, irresistibly suggested a van going to Covent Garden in the early morning: she, too, had her notions of propriety, and these expressed themselves in a cordiality as warm as Aunt Eleanor’s was cold. Then came Uncle Abe, who was so like a fish that it really seemed dangerous for him to be sitting so near Aunt Eleanor. He held out a hand, and took a; cigar out of his mouth, which remained open in the; precise shape of the cigar and finally came Uncle Henry, who was busy with “a drop of brandy,” because tea, as he instantly proceeded to inform Peter, gave him heartburn. Then all four of them stared at Peter to see how he was going to comport himself.
Peter was never more grateful to his father than when at this embarrassing moment Mr. Mainwaring, who had been mysteriously employed at the far end of the picture-gallery with a cord and a sheet and a step-ladder and three bewildered footmen, gave a loud yodel, set to some words like mio figlio, to announce his perception of his son’s arrival, and the accomplishment of that on which he had been so busily engaged. “Ben arrivato” was the concluding stave of his melody, and he came running up the gallery (there was quite enough space to enable him to get a good speed up), and after holding Peter for a moment in a joint embrace with Silvia, he cast himself down for a moment on a white bear skin at Mrs. Wardour’s feet.
“Ecco!” he said. “Ladies and gentlemen, when you will distinguish me with the gift of a moment of your leisure, I shall have the honour to show you the first of my completed labours. The picture, the poor suppliant’s picture, is on the wall: masked by a fair linen sheet, which, so I fondly hope, is in control of a cord, just a cord, which, when you are ready, I will, in fact, pull. Unless the mechanism which I have been contriving is sadly at fault, there will then be revealed to you that which the sheet, at the moment, is so discreetly veiling. Valour, perhaps, my valour, is but the worse part of discretion” — Peter had heard this before— “but for the moment I am less discreet than valorous. I will show you, complete and materialized, the vision that since August, 1914, has obsessed and dominated my life. I pray you, gentle sirs and madams, to indulge your humble servant, and to take your places, exactly where I shall have the honour to indicate, opposite the discretionary linen which, when removed, will unbare my valour.”
He rose from his reclining posture, and after a superb obeisance, placed himself at the head of the procession. Already, as Silvia had foreseen, he was in a position of dominance: Uncle Abe and Uncle Henry obeyed his orders; Aunt Joanna and Aunt Eleanor clearly “perked up” at this ingratiating suppliance. For himself he took Mrs. Wardour’s hand, holding it high, as in a minuet, and led the way. He grouped them; he requested them all, with humble apologies, to have the goodness to move a step backwards; he set chairs for them; he put his finger on his lips, and on tiptoe advanced to the dangling end of the cord and pulled it. Up flew the sheet, waving wildly, but eventually festooning itself clear of the cartoon. Then, swiftly retreating, he magnificently posed himself, and gazed at
the picture.
For the moment there was dead silence: then vague clickings and murmurs began to grow articulate. The uncles and aunts vied with each other in; perception.
“The Emperor,” said Uncle Henry. “Good; likeness, eh?”
“August, 1914,” exclaimed Lady Darley. “Terrible! Wonderful!” And she drew in her breath! with a hissing sound. The perception of the date! was not so clever, as it was largely inscribed on the frame, and Aunt Eleanor smiled indulgently.
“Yes, dear Joanna,” she said, “we all see that. But look at Satan whispering to the Emperor!”
“And the hosts of hell,” said Joanna swiftly.
Uncle Abe turned to Uncle Henry.
“A marvellous thing,” he said. “Tells its own story. I call that a picture.”
Mrs. Wardour merely wore the pleased air of proprietorship. She had seen it all before, and she could see it again as many times as she chose. Mr. Mainwaring, chin in hand, just contemplated while these appreciations were in progress, but now he seemed to wake out of a swoon, and passed his hands over his eyes.
“Was it I who painted that?” he muttered. “I didn’t know what I was doing. I didn’t know till this moment, when at last I see my work properly displayed, with no discordant note to mar it, what I had done. Does it terrify you, dear ladies and gentlemen? Does it put you in possession of August, 1914? Does it — ah, Dio mio!” He covered his face with his hands and shuddered. Then advancing to the picture again, he violently shook the cord, and the two linen sheets (double bed) rolled back into their original places.
“Enough, enough!” he cried. “We will contemplate it more calmly when we have recovered from the first shock of our bleeding hearts. Let us converse, let us smile and laugh again. Let us remember that the war is over. But it is laid on me by destiny to execute five more such pictures, not less terrible. If I live, they shall be done. Yes, yes; I do not falter! But, for a while, let me forget, let me forget.”
Mrs. Wardour spaced out the wall with a pleased eye.
“They will just fill the length of the gallery,” she said, “if we do not crowd them. Silvia, my dear, you must persuade Mr. Mainwaring.... Well, I’m sure, if that isn’t the dressing bell.”
A vindictive purpose was weaving itself below the embowering flowers of Lady Darley’s hat, and accelerating the heart-beat below the nosegay on her bosom, so that the gardenias were all of a tremble. Lucy might be rich (indeed, it was quite certain that she was horribly rich), but comparative paupers such as herself were not to be altogether trampled upon, and other people beside Lucy had picture-galleries. Apparently the series of these tremendous allegories was not yet painted, was not yet either definitely “bespoken” by her sister, and Joanna, as she waded; through the thick Kidderminster rugs that carpeted the Gothic staircase on the way to her room, felt that the only thing in life that was worth living for at this moment was to order a replica of the first, and secure (with an embargo on replicas) the remainder of this! series.
Never in her life had she been so artistically overwhelmed as by that prodigious canvas, and if all the rest were going to be “up to sample” she could, as their possessor, scoff at the art treasures of the world.; Sir Abe had dabbled in pictures already: he had a Turner sunset which hung in the dining-room, at which he often pointed over his shoulder as a “pooty little thing”; he had a Rembrandt of a very puckered-; looking old woman which had aroused the envy of those who were permitted to see it and to be told that: it came out of the Marquis of Brentford’s collection. These were desirable possessions, but they were jejune compared to Mr. Mainwaring’s masterpiece and the masterpieces that were to follow. The war! That was something to paint pictures about....
Her envy of her sister rose to the austerity of a passion when she contemplated the equipment of her bedroom, and that of her husband next door. There was a bathroom attached to each, both fitted with the most amazing taps and squirts, and a little sitting-room attached to each, and a lift of which Mrs. Wardour (showing her her room, and hoping she would be comfortable) explained the working. You pressed a button and were wafted.... The same lift served Aunt Eleanor’s rooms, but Lucy and Peter and Silvia used another one.... The lift clinched her resolution, and she conjugally conferred with Sir Abe. He, to her delight, was as much impressed with the passion for “scoring off” Lucy as with the merits of the cartoon, but his business habits had to make hesitations and conditions, not “do a deal” blindly.
“Well, my lady,” he said, “you shall have the pictures if they’re to be obtained reasonably. What shall I offer, now? Most striking that one was, and that and similar are worth paying a pretty penny for. What did your sister give for that one? Then, if reasonable, I don’t mind if I add twenty-five per cent, more, and secure the lot. They’ll be something to point at. Get along and let me have my bath. You try to find out what your sister paid, and then we’ll know where we are, my lady.”
She noted with pleasure that he relapsed into a cockney accent and a slight uncertainty about aspirates as he spoke. That was a good sign: it showed he was in earnest and interested, for in dalliance of Tight conversation Sir Abe was “as good at his h’s” as anybody.
It was not to be expected that the cartoon and the magnificence of its introduction should have no effect on Aunt Eleanor, or that (her general animosity towards Mrs. Wardour being of the same fine order as Aunt Joanna’s) she should not have been kindled with ambition to bring off some similar vindictive stroke. But for her the acquisition of these immense decorations was out of the question, for her husband would certainly not pay such a price as she felt sure would be necessary to secure them, and even if he did his house did not contain sufficient uninterrupted wall space, so that to hang them at all she would have to cut them up into sections and paper several different rooms with them. But Mr. Mainwaring had said something about the original sketches for them, which had suggested an idea that took her fancy at once. The sketches were, after all, the “originals,” the significant buds from which these over-blown blossoms had developed, and the sketches would be far more manageable, both from point of view of hanging, and from that of purchase. There was a subtlety, a refinement in possessing “originals” that these acreages of paint could not compete with. Her powerful imagination pictured herself exhibiting them to envious friends.
“Yes, my sister-in-law, I believe, has copies, on a large scale,” she would say, “of my series. These, of course, are the originals. Such freshness, such power, all quite lost in the later and larger version.” And she held her seal-like head very high, and snorted through her nostrils as she sailed into the pink drawing-room just before the dinner bell rang. She was the first to come down, and had time to examine with pain and disgust the photograph of a royal personage, with a crown on its frame, that stood very conspicuously alone on the table by the sofa where she seated herself.
Mr. Mainwaring’s star continued to be violently ascendant all evening. His harangues, his humour, his habit of pausing in the middle of one of his interminable stories, until complete silence had been established round the table, dominated dinner, and when the ladies rose to leave the gentlemen to their cigars and wine, Mrs. Wardour addressed him directly and laid upon him not to permit them too long a sitting. This gave him the rank of host, and developed his social horse-power to so high an efficiency that on rejoining the ladies he sang the Toreador’s song out of Carmen. Then after that had been repeated he permitted the uncles and aunts to indulge themselves with bridge, and since wives partnered their own husbands, this gave scope for some pleasant family revilings, in which the ladies came off far the best. Having thus arranged for their pleasure, Mr. Mainwaring grouped himself with his hostess, Silvia and Peter, and grew patriarchal and full of sentiment over the charming family party of parents and children. On Mrs. Wardour’s going to bed, leaving the bridge-party jealously over-calling their hands, he conducted her once more to pay homage to the cartoon, and remained there in meditation.
Silvia an
d Peter had wandered out on to the dusky terrace. A twilight of stars lit the still night, and she drew long breaths of restoration from the exhaustion of these stupendous hours. Once clear of the house, and leaning over the balustrade above the lake, she gave way to hopeless laughter.
“Peter, darling, are my relations more than you ought to be asked to stand?” she said. “Did you know there were such people as Uncle Abe?”
“Did you know there were such people as my father?” said Peter.
“Oh, but he’s your father,” said Silvia quickly. “You mustn’t bring him in.”
“Why not? After all, it’s he who brings himself in. There’s only one word for him. Bounder. Uncle Abe isn’t a bounder exactly. Uncle Henry isn’t a bounder.”
“No, he’s just a cad,” said Silvia enthusiastically. “I love people being themselves, whatever they happen to be. I should enjoy them much more, though, if you weren’t here.”
“I can go to-morrow morning,” said Peter.
For one moment she thought that he spoke seriously: the next she laughed at herself for having been hoaxed by his assumed sincerity of voice: “assumed” it just had to be.
“Ah, you said that beautifully,” she announced; “and all the evening, do you know, you’ve been saying things beautifully, with your mask on, too, your best and smartest mask. I’ve been listening to you and never for a moment could I catch a word or a silence on your part to show that you weren’t thoroughly amused and interested by the aunts. You behaved as if they were just the sort of people you were accustomed to meet, but rather more charming. You have been convincing, and you were convincing just now when you suggested going away to-morrow.”
Peter had not, of course, meant to convey that he really could go away to-morrow, but it had been quite easy for him to render his seriousness plausible, since, though impossible, this was a most agreeable project.