by E. F. Benson
“You must ask your friend Mr. Merwick about these metaphysical mysteries,” said she.
The background to the picture was at present only indicated by a few vague splashes close to the side of the head of brilliant purple and brilliant green, and the artist’s mouth might well water at the thought of the few days painting that lay before him. For behind the figure in the long panel-shaped canvas was to be painted a green trellis, over which, almost hiding the woodwork, there was to sprawl a great purple clematis in full flaunting glory of varnished leaf and starry flower.
At the top would be just a strip of pale summer sky, at her feet just a strip of grey-green grass, but all the rest of the background, greatly daring, would be this diaper of green and purple. For the purpose of putting this in, he was going down to a small cottage of his near Godalming, where he had built in the garden a sort of outdoor studio, an erection betwixt a room and a mere shelter, with the side to the north entirely open, and flanked by this green trellis which was now one immense constellation of purple stars. Framed in this, he well knew how the strange pale beauty of his sitter would glow on the canvas, how she would start out of the background, she and her huge grey hat, and shining grey dress, and yellow hair and ivory white skin and pale eyes, now blue, now grey, now green. This was indeed a thing to look forward to, for there is probably no such unadulterated rapture known to men as creation, and it was small wonder that Dick’s mood, as he travelled down to Godalming, was buoyant and effervescent. For he was going, so to speak, to realise his creation: every purple star of clematis, every green leaf and piece of trellis-work that he put in, would cause what he had painted to live and shine, just as it is the layers of dusk that fall over the sky at evening which make the stars to sparkle there, jewel-like.
His scheme was assured, he had hung his constellation — the figure of Lady Madingley — in the sky: and now he had to surround it with the green and purple night, so that it might shine.
His garden was but a circumscribed plot, but walls of old brick circumscribed it, and he had dealt with the space at his command with a certain originality. At no time had his grass plot (you could scarcely call it “lawn”) been spacious; now the outdoor studio, twenty-five feet by thirty, took up the greater part of it. He had a solid wooden wall on one side and two trellis walls to the south and east, which creepers were beginning to clothe and which were faced internally by hangings of Syrian and Oriental work. Here in the summer he passed the greater part of the day, painting or idling, and living an outdoor existence. The floor, which had once been grass, which had withered completely under the roof, was covered with Persian rugs; a writing-table and a dining-table were there, a bookcase full of familiar friends and a half-dozen of basket chairs. One corner, too, was frankly given up to the affairs of the garden, and a mowing machine, a hose for watering, shears, and spade stood there. For like many excitable persons, Dick found that in gardening, that incessant process of plannings and designings to suit the likings of plants, and make them gorgeous in colour and high of growth, there was a wonderful calm haven of refuge for the brain that had been tossing on emotional seas. Plants, too, were receptive, so responsive to kindness; thought given to them was never thought wasted, and to come back now after a month’s absence in London was to be assured of fresh surprise and pleasure in each foot of garden-bed. And here, with how regal a generosity was the purple clematis to repay him for the care lavished on it. Every flower would show its practical gratitude by standing model for the background of his picture.
The evening was very warm, warm not with any sultry premonition of thunder, but with the clear, clean heat of summer, and he dined alone in his shelter, with the after-flames of the sunset for his lamp. These slowly faded into a sky of velvet blue, but he lingered long over his coffee, looking northwards across the garden towards the row of trees that screened him from the house beyond. These were acacias, most graceful and feminine of all green things that grow, summer-plumaged now, yet still fresh of leaf. Below them ran a little raised terrace of turf and nearer the beds of the beloved garden; clumps of sweet-peas made an inimitable fragrance, and the rose-beds were pink with Baroness Rothschild and La France, and copper-coloured with Beauté inconstante, and the Richardson rose. Then, nearer at hand, was the green trellis foaming with purple.
He was sitting there, hardly looking, but unconsciously drinking in this great festival of colour, when his eye was arrested by a dark slinking form that appeared among the roses, and suddenly turned two shining luminous orbs on him. At this he started up, but his movement caused no perturbation in the animal, which continued with back arched for stroking, and poker-like tail, to advance towards him, purring. As it came closer Dick felt that shuddering faintness, which often affected him in the presence of cats, come over him, and he stamped and clapped his hands. At this it turned tail quickly: a sort of dark shadow streaked the garden-wall for a moment, and it vanished. But its appearance had spoiled for him the sweet spell of the evening, and he went indoors.
The next morning was pellucid summer: a faint north wind blew, and a sun worthy to illumine the isles of Greece flooded the sky. Dick’s dreamless and (for him) long sleep had banished from his mind that rather disquieting incident of the cat, and he set up his canvas facing the trellis-work and purple clematis with a huge sense of imminent ecstasy. Also the garden, which at present he had only seen in the magic of sunset, was gloriously rewarding, and glowed with colour, and though life — this was present to his mind for the first time for months — in the shape of Lady Madingley had not been very propitious, yet a man, he argued to himself, must be a very poor hand at living if, with a passion for plants and a passion for art, he cannot fashion a life that shall be full of content. So breakfast being finished, and his model ready and glowing with beauty, he quickly sketched in the broad lines of flowers and foliage and began to paint.
Purple and green, green and purple: was there ever such a feast for the eye? Gourmet-like and greedy as well, he was utterly absorbed in it. He was right too: as soon as he put on the first brush of colour he knew he was right. It was just those divine and violent colours which would cause his figure to step out from the picture, it was just that pale strip of sky above which would focus her again, it was just that strip of grey-green grass below her feet that would prevent her, so it seemed, from actually leaving the canvas. And with swift eager sweeps of the brush which never paused and never hurried, he lost himself in his work.
He stopped at length with a sense of breathlessness, feeling too as if he had been suddenly called back from some immense distance off. He must have been working some three hours, for his man was already laying the table for lunch, yet it seemed to him that the morning had gone by in one flash. The progress he had made was extraordinary, and he looked long at his picture.
Then his eye wandered from the brightness of the canvas to the brightness of the garden-beds.
There, just in front of the bed of sweet-peas, not two yards from him, stood a very large grey cat, watching him.
Now the presence of a cat was a thing that usually produced in Dick a feeling of deadly faintness, yet, at this moment, as he looked at the cat and the cat at him, he was conscious of no such feeling, and put down the absence of it, in so far as he consciously thought about it, to the fact that he was in the open air, not in the atmosphere of a closed room. Yet, last night out here, the cat had made him feel faint. But he hardly gave a thought to this, for what filled his mind was that he saw in the rather friendly interested look of the beast that expression in the eye which had so baffled him in his portrait of Lady Madingley. So, slowly, and without any sudden movement that might startle the cat, he reached out his hand for the palette he had just put down, and in a corner of the canvas not yet painted over, recorded in half a dozen swift intuitive touches, what he wanted. Even in the broad sunlight where the animal stood, its eyes looked as if they were internally smouldering as well as being lit from without: it was just so that Lady Madingley looked. He
would have to lay colour very thinly over white...
For five minutes or so he painted them with quiet eager strokes, drawing the colour thinly over the background of white, and then looked long at that sketch of the eye to see if he had got what he wanted. Then he looked back at the cat which had stood so charmingly for him. But there was no cat there. That, however, since he detested them, and this one had served his purpose, was no matter for regret, and he merely wondered a little at the suddenness of its disappearance. But the legacy it had left on the canvas could not vanish thus, it was his own, a possession, an achievement. Truly this was to be a portrait which would altogether out-distance all he had ever done before. A woman, real, alive, wearing her soul in her eyes, should stand there, and summer riot round her.
An extraordinary clearness of vision was his all day, and towards sunset an empty whisky-bottle.
But this evening he was conscious for the first time of two feelings, one physical, one mental, altogether strange to him: the first an impression that he had drunk as much as was good for him, the second a sort of echo in his mind of those tortures he had undergone in the autumn, when he had been tossed aside by the girl, to whom he had given his soul, like a soiled glove.
Neither was at all acutely felt, but both were present to him.
The evening altogether belied the brilliance of the day, and about six o’clock thick clouds had driven up over the sky, and the clear heat of summer had given place to a heat no less intense, but full of the menace of storm. A few big hot drops, too, of rain warned him further, and he pulled his easel into shelter, and gave orders that he would dine indoors. As was usual with him when he was at work, he shunned the distracting influence of any companionship, and he dined alone. Dinner finished, he went into his sitting-room prepared to enjoy his solitary evening. His servant had brought him in the tray, and till he went to bed he would be undisturbed. Outside the storm was moving nearer, the reverberation of the thunder, though not yet close, kept up a continual growl: any moment it might move up and burst above in riot of fire and sound.
Dick read a book for a while, but his thoughts wandered. The poignancy of his trouble last autumn, which he thought had passed away from him for ever, grew suddenly and strangely more acute, also his head was heavy, perhaps with the storm, but possibly with what he had drunk. So, intending to go to bed and sleep off his disquietude, he closed his book, and went across to the window to close that also. But, half-way towards it, he stopped. There on the sofa below it sat a large grey cat with yellow gleaming eyes. In its mouth it held a young thrush, still alive.
Then horror woke in him: his feeling of sick-faintness was there, and he loathed and was terrified at this dreadful feline glee in the torture of its prey, a glee so great that it preferred the postponement of its meal to a shortening of the other. More than all, the resemblance of the eyes of this cat to those of his portrait suddenly struck him as something hellish. For one moment this all held him bound, as if with paralysis, the next his physical shuddering could be withstood no longer, and he threw the glass he carried at the cat, missing it. For one second the animal paused there glaring at him with an intense and dreadful hostility, then it made one spring of it out of the open window. Dick shut it with a bang that startled himself, and then searched on the sofa and the floor for the bird which he thought the cat had dropped. Once or twice he thought he heard it feebly fluttering, but this must have been an illusion, for he could not find it.
All this was rather shaky business, so before going to bed he steadied himself, as his unspoken phrase ran, with a final drink. Outside the thunder had ceased, but the rain beat hissing on to the grass. Then another sound mingled with it the mewing of a cat, not the long-drawn screeches and cries that are usual, but the plaintive calls of the beast that wants to be admitted into its own home. The blind was down, but after a while he could not resist peeping out. There on the window-sill was seated the large grey cat. Though it was raining heavily its fur seemed dry, for it was standing stiffly away from its body. But when it saw him it spat at him, scratching angrily at the glass, and vanished.
Lady Madingley...heavens, how he had loved her! And, infernally as she had treated him, how passionately he wanted her now! Was all his trouble, then, to begin over again? Had that nightmare dawned anew on him? It was the cat’s fault: the eyes of the cat had done it. Yet just now all his desire was blurred by this dullness of brain that was as unaccountable as the re-awakening of his desire. For months now he had drunk far more than he had drunk to-day, yet evening had seen him clear-headed, acute, master of himself, and revelling in the liberty that had come to him, and in the cool joy of creative vision. But to-night he stumbled and groped across the room.
The neutral-coloured light of dawn awoke him, and he got up at once, feeling still very drowsy, but in answer to some silent imperative call. The storm had altogether passed away, and a jewel of a morning star hung in a pale heaven. His room looked strangely unfamiliar to him, his own sensations were unfamiliar, there was a vagueness about things, a barrier between him and the world. One desire alone possessed him, to finish the portrait. All else, so he felt, he left to chance, or whatever laws regulate the world, those laws which choose that a certain thrush shall be caught by a certain cat, and choose one scapegoat out of a thousand, and let the rest go free.
Two hours later his servant called him, and found him gone from his room. So as the morning was so fair, he went out to lay breakfast in the shelter. The portrait was there, it had been dragged back into position by the clematis, but it was covered with strange scratches, as if the claws of some enraged animal or the nails perhaps of a man had furiously attacked it. Dick Alingham was there, too, lying very still in front of the disfigured canvas. Claws, also, or nails had attacked him, his throat was horribly mangled by them. But his hands were covered with paint, the nails of his fingers too were choked with it.
The Gardener
Two friends of mine, Hugh Grainger and his wife, had taken for a month of Christmas holiday the house in which we were to witness such strange manifestations, and when I received an invitation from them to spend a fortnight there I returned them an enthusiastic affirmative. Well already did I know that pleasant heathery country-side, and most intimate was my acquaintance with the subtle hazards of its most charming golf-links. Golf, I was given to understand, was to occupy the solid day for Hugh and me, so that Margaret should never be obliged to set her hand to the implements with which the game, so detestable to her, was conducted...
I arrived there while yet the daylight lingered, and as my hosts were out, I took a ramble round the place. The house and garden stood on a plateau facing south; below it were a couple of acres of pasture that sloped down to a vagrant stream crossed by a foot-bridge, by the side of which stood a thatched cottage with a vegetable patch surrounding it. A path ran close past this across the pasture from a wicket-gate in the garden, conducted you over the foot-bridge, and, so my remembered sense of geography told me, must constitute a short cut to the links that lay not half a mile beyond. The cottage itself was clearly on the land of the little estate, and I at once supposed it to be the gardener’s house. What went against so obvious and simple a theory was that it appeared to be untenanted. No wreath of smoke, though the evening was chilly, curled from its chimneys, and, coming closer, I fancied it had that air of “waiting” about it which we so often conjure into unused habitations. There it stood, with no sign of life whatever about it, though ready, as its apparently perfect state of repair seemed to warrant, for fresh tenants to put the breath of life into it again. Its little garden, too, though the palings were neat and newly painted, told the same tale; the beds were untended and unweeded, and in the flower-border by the front door was a row of chrysanthemums, which had withered on their stems. But all this was but the impression of a moment, and I did not pause as I passed it, but crossed the foot-bridge and went on up the heathery slope that lay beyond. My geography was not at fault, for presently I saw the club-hou
se just in front of me. Hugh no doubt would be just about coming in from his afternoon round, and so we would walk back together. On reaching the club-house, however, the steward told me that not five minutes before Mrs. Grainger had called in her car for her husband, and I therefore retraced my steps by the path along which I had already come. But I made a detour, as a golfer will, to walk up the fairway of the seventeenth and eighteenth holes just for the pleasure of recognition, and looked respectfully at the yawning sandpit which so inexorably guards the eighteenth green, wondering in what circumstances I should visit it next, whether with a step complacent and superior, knowing that my ball reposed safely on the green beyond, or with the heavy footfall of one who knows that laborious delving lies before him.
The light of the winter evening had faded fast, and when I crossed the foot-bridge on my return the dusk had gathered. To my right, just beside the path, lay the cottage, the whitewashed walls of which gleamed whitely in the gloaming; and as I turned my glance back from it to the rather narrow plank which bridged the stream I thought I caught out of the tail of my eye some light from one of its windows, which thus disproved my theory that it was untenanted. But when I looked directly at it again I saw that I was mistaken: some reflection in the glass of the red lines of sunset in the west must have deceived me, for in the inclement twilight it looked more desolate than ever. Yet I lingered by the wicket gate in its low palings, for though all exterior evidence bore witness to its emptiness, some inexplicable feeling assured me, quite irrationally, that this was not so, and that there was somebody there. Certainly there was nobody visible, but, so this absurd idea informed me, he might be at the back of the cottage concealed from me by the intervening structure, and, still oddly, still unreasonably, it became a matter of importance to my mind to ascertain whether this was so or not, so clearly had my perceptions told me that the place was empty, and so firmly had some conviction assured me that it was tenanted. To cover my inquisitiveness, in case there was someone there, I could inquire whether this path was a short cut to the house at which I was staying, and, rather rebelling at what I was doing, I went through the small garden, and rapped at the door. There was no answer, and, after waiting for a response to a second summons, and having tried the door and found it locked, I made the circuit of the house. Of course there was no one there, and I told myself that I was just like a man who looks under his bed for a burglar and would be beyond measure astonished if he found one.