Swink, Gary, 26–27
targets, 67
teasers, 23, 66, 116, 129, 133, 161
Technicolor, 36, 97
technology, 2, 83, 142, 229
“television mentality,” 7
The Terminal (movie), 50
testing
of cameras, 141
with candles, 165
collaboration in filmmaking and, 13
face lighting and, 178, 180
of filters, 88
hair, 13, 178
image manipulation and, 75, 88, 91, 94
lighting a scene and, 165, 178, 180–81, 189
location lighting and, 206, 207, 215
makeup, 13, 178
during preproduction stage, 75, 94
strategy of lighting and, 141
wardrobe, 178, 180
and working with smoke, 91
theaters: lighting in, 43, 217–18
There Will Be Blood (movie), 58, 130, 212, 214
The Three Burials of Melquiades Estrada (movie), 213
Thurman, Uma, 170
tie-ins, 70
Tiffen Manufacturing, 89
time
importance of, 109–10
production, 14
timer (grader), 93, 94, 95, 98, 99, 100, 202
timing
image manipulation and, 93–95, 96
location lighting and, 204
of print, 72
tin cups: improvisation with, 231
Toll, John, 55
tools, lighting
learning to light and, 229, 230–31
See also specific tool
toppers, 115
tracing paper, 67, 215–16
tracking: image manipulation and, 98
Traffic (movie), 221
trains, 168, 224
Translite backing, 159
transparencies, 192
triple light-measuring technique, 82
Trusell, Hal, 165
tungsten
backlights and, 112
beam projectors and, 42, 43
compact lights and, 61, 63
ellipsoidal reflector spotlights and, 37
in fluorescent lighting, 31
Fresnel lights and, 25, 35
housings of, 34
image manipulation and, 86
LED lighting and, 32
in light packages, 68, 69
lighting equipment and, 25, 27, 28, 31, 33, 35, 36, 37, 38, 39, 45, 52, 58, 61
lighting a scene and, 188, 189
location lighting and, 206, 207, 209, 211, 213, 214, 216, 217, 220
open-face and area lights and, 52
PAR lighting and, 45
soft lights and, 56, 59, 61
strategy of lighting and, 114, 117, 128, 132
xenon lights and, 40
tweenie, 34, 68, 139, 189
21 (film), 141, 227
two-light setup, 121
two-shot filming, 225
UltraBounce, 106, 129–30, 162, 197
ultraviolet-proof glass, 159
ultraviolet radiation, 114, 159
umbrellas, 131–32, 132, 133
The United States of Tara (TV series), 73
Van Helsing (movie), 96
Vari-Lite system, 43, 44
Variac, 164
vehicle lighting, 4, 31, 33, 218–27, 220
venetian blind effect, 37, 114, 157, 158–59, 158
video cameras, 2, 7, 51–52
video receptors, 114
viewing glasses, 79, 83, 90
Von Sternberg, Josef, 179
walls: treatment of, 161–62
War of the Worlds (movie), 5
wardrobe person, 185–86
wardrobe testing, 13, 178, 180
water locations, 211–12
waveform monitors, 77, 83–85, 141
weather
lighting equipment and, 60
location lighting and, 191, 193
wedge light. See book light
Weigart, Dedo, 39
West, Mae, 178
Weston meter, 201
Wexler, Haskell
collaboration in filmmaking and, 8, 11, 18, 19–20, 24
image manipulation and, 89
learning to light and, 229
lighting equipment and, 52
lighting a scene and, 150, 155
location lighting and, 206, 211, 223–24
strategy of lighting and, 115–16
white (color)
boards and cards, 53, 54, 115, 123, 131, 167, 168, 183, 197, 219, 225, 227
collaboration in filmmaking and, 13
lighting equipment and, 53, 53, 54
lighting a scene and, 162, 164, 167, 168, 183
location lighting and, 197, 212, 219, 220, 222, 225, 227
strategy of lighting and, 115, 121–22, 123, 129, 130, 131, 131
The Widow of Saint-Pierre (movie), 27
Wilkinson, Tom, 104
Willis, Gordon, 190
Wilson Manufacturing, 89
Winter Light (movie), 1
Wise, Robert, 3, 12, 13, 14, 18, 19, 91, 191
Wong Howe, James “Jimmy,” 3, 153, 192, 193–94, 199, 202–3, 205, 230–32
Woodylight, 128
Woolsey, Ralph, 26, 81, 86–88, 121–23, 125–26, 170, 174–76, 197, 214, 216–17
Wyeth, Andrew, 6
Xenon lights
as flashlights, 41, 165, 166–67, 180, 189
lighting equipment and, 38, 40–42, 40, 43
lighting a scene and, 158, 180, 189
strategy of lighting and, 114, 132
Yamaha Corporation, 165
zingers, 109, 116
zip lights, 104
zoom lenses, 89, 121
Zsigmond, Vilmos
backlights and, 111
collaboration in filmmaking and, 20
fill lights and, 106
image manipulation and, 79–80, 81, 87, 88, 90, 94
key lights and, 103
learning to light and, 228–29, 230
lighting a scene and, 152, 153, 154, 158
location lighting and, 192, 198, 199, 217, 224
strategy of lighting and, 116, 118
Zylight, 34
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Film Lighting Page 40