Complete Works of Mary Shelley

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Complete Works of Mary Shelley Page 100

by Mary Shelley


  “They are all in prison.”

  “The countess among them?”

  “Why, my lord, would you have had her spared?”

  “She is in prison then?”

  “She is.”

  “Vanni, you must look to these people. I assure you that I by no means find myself mercifully inclined towards them. These continual plots, and this foolish ingratitude, to give it no worse name, disturb our government too much. I will tear it away root and branch; and the punishment of these fellows shall be a terrible warning to those who may think of treading in the same steps.”

  Castruccio fixed his eyes upon Mordecastelli; but there was an expression in them that made the confident cast his upon the ground. They glared; and his pale face became paler, so that his very lips were white. He looked steadily on Mordecastelli for some minutes; and then said:

  “They must all die.”

  “They shall, my lord.”

  “Yet not by an easy death. That were a poor revenge. They shall die, as they have lived, like traitors; and on their living tombs shall be written, ‘Thus Castruccio punishes his rebel subjects.’ Have I toiled, exposed my person to danger, become the fear and hope of Tuscany, to stain with my best blood the dagger of one of these miserable villains? Do you see that they die so, Vanni, as that I may be satisfied.”

  “I will, my lord. And the countess?” —

  “Leave her to me. I will be her judge and executioner.”

  “Castruccio?”

  “Do no look so pale, Vanni; you do not understand. A few hours hence I will tell you more. Now leave me.”

  Solitude is a coy companion for a prince, and one he little loves. But Castruccio had much to occupy his thoughts, much that agonized him. “Revenge!” He clenched his hand, and, throwing his eyes upward, he cried: “Yes, revenge is among those few goods in life, which compensate for its many evils. Yet it is poor: it is a passion which can have no end. Burning in pursuit, cold and unsatisfactory in its conclusion, it is as love, which wears out its soul in unrequited caresses. But still, it shall be mine; and these shall suffer. They shall feel in every nerve what it is to have awakened me. I will not fear; I will not feel my life depend alone upon the word of these most impotent slaves. They shall die; and the whole world shall learn that Castruccio can revenge.”

  Thus he thought: yet there was an inner sense, that betrayed to him the paltriness of his feelings, when he imagined that there was glory in trampling upon the enemy beneath his feet. He would not listen to this small still voice; but, turning from these ideas, he began to reflect on that which filled him with a bitterness of feeling to which he had long been a stranger.

  “So, she has conspired against me; and, forgetful of all those ties that bound us notwithstanding her coldness, she has plotted my death! She knew, she must have known, that in spite of absence and repulse, she was the saint of my life; and that this one human weakness, or human virtue, remained to me, when power and a strong will had in other respects metamorphosed me. Does she forget, that I have ever worn near my heart a medallion engraven with her vows of childhood? She has forgotten all. And not only has she forgotten to love, but she has cast aside the uprightness of her understanding, and stained the purity of her soul.

  “It is well for me to speak thus, who, instead of the virtues that once were mine, have as ministers, revenge, and hate, and conquest. But, although I choose to be thus, and although I have selected these hell-hounds to drag my car of life, I have not lost the sense of what is just and right; and, in the midst of all my wilful errors and my degradation, I could discern and worship the pure loveliness of Euthanasia. By the saints! I believed, that, if she died, like Dante’s Beatrice, she would plead for me before the throne of the Eternal, and that I should be saved through her. Now she is lost, and may perdition seize the whole worthless race of man, since it has fallen upon her!

  “But she must be saved. My hands shall not be stained with her blood, nor my soul bear the brand of that crime. But she must not stay here; nor shall she remain in Tuscany. She shall go far away, so that I never more may hear her name: that shall be her punishment, and she must bear it. Now I must contrive the means; for she shall not remain another night in prison.”

  Euthanasia in prison! Yes; she had become the inhabitant of this abode of crime, though her high mind was as far above fault as human nature could soar; hers, if it were an error, was one of judgement. But why should I call it error? To remove a cruel tyrant from his seat of power, — to devote those days, which she might have spent in luxury and pleasure, to a deep solitude, where neither love nor sympathy would cheer her; — to bear his anger, perhaps his hate, and in the midst of all to preserve a firmness and sweetness, that might sustain her, and soften him, — to quit all her friends, and her native country for ever, to follow in the steps of one she had ceased to love, but to whom she felt herself for ever bound by her wish to preserve him from that misery which his crimes would ultimately occasion him: these were her errors.

  After Quartezzani had quitted her on the night of her arrival in Lucca, she had not slept; she was too full of various thought, of dread and breathless expectation, to compose her spirits to rest. She felt eternity in each second; and each slow hour seemed to creep forward, stretching itself in a wide, endless circle around her. When day dawned, it found her, not sleeping, but with open eyes looking on the one last star that faded in the west, calling to mind a thousand associations, a thousand hopes, now lying dead in the ashes of that pyre time had heaped together and consumed; she looked forward; yet then she paused; she dared not attempt to penetrate into futurity; — all was so tempestuous and dark.

  She arose at sun-rise, and had descended into the garden, to breathe the bleak, but, to her feverish spirits the refreshing air of a December morning; when, at noon, Quartezzani rushed in; he was deadly pale, and his hair seemed to stand on end with fear.

  “Holy saints! what has happened?” cried Euthanasia.

  “We are all lost! dead, or worse than dead! We are betrayed!”

  “Tripalda has betrayed us?”

  “He has.”

  “And there is no escape?”

  “None. The gates are shut, nor will they be opened, until we are all seized.”

  “Then most certainly we die?”

  “As sure as that Christ died upon the cross! so surely shall we perish.”

  “Then courage, my friend, and let us cast aside, with all mortal hopes, all mortal fear. I have the start of you, Ugo; I was prepared for this; but you would not believe me, until now my predictions are sealed by the event. Let us die, as we would have lived, for the cause of freedom; and let no trembling dismay, no coward fear, make us the mock of our enemies.

  “Other men in various ages have died by untimely death, and we will dare to imitate them. Others have sustained their fate with fortitude; and let faith and submission to the will of heaven be to us, instead of that dauntless spirit of inbred virtue that supported the heroes of antiquity.”

  Euthanasia raised her own spirits as she spoke; and fearless expectation, and something like triumph, illuminated her countenance, as she cast her eyes upward, and with her hand clasped that of her friend. He received no warmth from the pressure; chilly fear possessed him; and he stood utterly dejected before her — he wept.

  “Aye, weep,” she continued, “and I also, did not the tempest of my soul bear all clouds far away, I also might shed tears. You weep to leave those whom you love, — that is a bitter pang. You weep to see your associates suffer; but each must relieve the other from that sorrow by cheerfulness and courage. But,” she continued, seeing him entirely subdued by fear, “is there no hope of escape? Exert your ingenuity; once past the gates, you would soon be out of the territory of Lucca. And Castruccio—”

  “Oh, that most hated name! Bloody, execrable tyrant! Curse him! May the fiends—”

  “Cease! know you not that a dying man’s curse falls more on himself, than on him against whom he imprecates the wrat
h of heaven? This is childish; Ugo, collect yourself; you have a wife; — woman’s wit is ready; consult with her; she may devise some plan for your safety.”

  “You are an angel of consolation, Euthanasia. Heaven bless you! and do you also reflect on your own danger.”

  He left her: and she (without giving a thought to vain regret; her moments were too precious) sat down and wrote a long letter to Bondelmonti. It was calm and affectionate: she felt raised above mortality; and her words expressed the exceeding serenity of her soul. She gave a last farewell to her friends. “It may seem strange to you,” she wrote, “that I express myself thus: and indeed, when I reason with myself, methinks I ought not to expect death from the hands of Antelminelli. Nor do I; and yet I expect some solemn termination to this scene, some catastrophe which will divide me from you for ever. Nor is it Italy, beloved and native Italy, that I shall leave, but also this air, this sun, and the earth’s beauty. I feel thus; and therefore do I write you an eternal farewell.”

  She had scarcely finished her letter, when a messenger arrived from Mordecastelli. He told her that the conspiracy was divulged, and that she must in a prison await the orders of Castruccio. She started at the word Prison; but, recovering herself, she made a sign that she was ready to follow the messenger; so, without a word, without a sigh, she quitted her palace, and, ascending her litter, was conducted to her place of confinement. She passed through the same streets, through which the gaoler had conducted her to the dungeon of Beatrice. A small and curiously carved shrine of the Madonna with a lamp before it, chanced to recall this circumstance to her mind. “Thou art at peace, blessed one,” she said, “there where I hope soon to be.”

  The gaoler of the prison, who was the same that had besought her to come and comfort poor Beatrice, received her with a sorrowful countenance, and led her to his most decent apartment, high in the tower, that overlooked the rest of the building. There she was left alone to ruminate on her fortunes, and to imbue herself with that fortitude, which might carry her with honour through the trials that awaited her. The circumstance that pressed most painfully upon her, was the death which her associates must suffer. She tried to forget herself; she did not fear death; she did not expect it at the hands of Castruccio; and her expectations and ideas were too vague to permit her to dread much the coming events as they regarded her. The window of her prison-chamber was not grated, and from it she could survey the neighbouring country. A thousand feelings passed through her mind, and she could put no order in her thoughts. Sleep refused to visit her; but her reflections became peaceful, and full of pleasant images and recollections.

  Morning succeeded to a winter’s night. It was clear, and sunshiny, but cold. The cheering beams poured into her room; she looked upon the azure sky, and the flock of giant mountains which lay crouching around, with a strange pleasure. She felt as if she saw them for the last time, but as if she were capable of enjoying until the latest moment those pleasures which nature had ever conferred upon her. She repeated some of Dante’s verses where he describes in such divine strains the solemn calm and celestial beauty of paradise. “When will it be my lot to wander there also,” she said, “when shall I enjoy the windless air, and flower-starred meadows of that land?”

  Thus the whole day passed; but it was quickly dark; and she, who had watched for two nights, and was now quite overcome, looking out once upon the evening star, that star she had ever loved, and which was ever to her as the good genius of the world watching his children in their repose, repeated the Catholic ejaculation, “Stella, alma, benigna, ora pro nobis!” then, crossing herself, she lay down to rest, and quickly slept, as peacefully and happily, as a babe rocked in its mother’s arms.

  CHAPTER XXXVIII

  A LITTLE before midnight Euthanasia’s prison-chamber was unlocked, and the gaoler entered, with a lamp in his hand, accompanied by one of majestic figure, and a countenance beautiful, but sad, and tarnished by the expression of pride that animated it. “She sleeps,” whispered the gaoler. His companion raised his finger in token of silence; and, taking the lamp from the man’s hand, approached her mattress which was spread upon the floor, and, kneeling down beside it, earnestly gazed upon that face he had known so well in happier days. She made an uneasy motion, as if the lamp which he held disturbed her; he placed it on the ground, and shaded it with his figure; while, by the soft light that fell upon her, he tried to read the images that were working in her mind.

  She appeared but slightly altered since he had first seen her. If thought had drawn some lines in her brow, the intellect which its beautiful form expressed, effaced them to the eye of the spectator: her golden hair fell over her face and neck: he gently drew it back, while she smiled in her sleep; her smile was ever past description lovely, and one might well exclaim with Dante

  Quel, ch’ella par quando un poco sorride.

  Non si puo dicer, ne tenere a mente;

  Si è nuovo miracolo, e gentile.

  He gazed on her long; her white arm lay on her black dress, and he imprinted a sad kiss upon it; she awoke, and saw Castruccio gazing upon her.

  She started up; “What does this mean?” she cried.

  His countenance, which had softened as he looked upon her, now reassumed its severe expression. “Madonna,” he replied, “I come to take you from this place.”

  She looked on him, endeavouring to read his purpose in his eyes; but she saw there no explanation of her doubts:—”And whither do you intend to lead me?”

  “That you will know hereafter.”

  She paused; and he added with a disdainful smile, “The countess of need not fear, while I have the power to protect her, the fate she prepared for me.”

  “What fate?”

  “Death.”

  He spoke in an under tone, but with one of those modulations of voice, which, bringing to her mind scenes of other days, was best fitted to make an impression upon her. She replied almost unconsciously—”I did not prepare death for you; God is my witness!”

  “Well, Madonna, we will not quarrel about words; or, like lawyers, clothe our purposes in such a subtle guise, that it might deceive all, if truth did not destroy the spider’s web. I come to lead you from prison.”

  “Not thus, my lord, not thus will I be saved. I disdain any longer to assert my intentions, since I am not believed. But am I to be liberated alone; or are my friends included in your merciful intentions?”

  “Your friends are too dangerous enemies of the commonwealth, to be rescued from the fate that awaits them. Your sex, perhaps the memory of our ancient friendship, plead for you; and I do not think that it accords with your wisdom to make conditions with one who has the power to do that which best pleases him.”

  “And yet I will not yield; I will not most unworthily attend to my own safety, while my associates die. No, my lord, if they are to be sacrificed, the addition of one poor woman will add little to the number of your victims; and I cannot consent to desert them.”

  “How do you desert them? You will never see or hear of them more, or they of you. But this is trifling; and my moments are precious.”

  “I will not — I dare not follow you. My heart, my conscience tell me to remain. I must not disobey their voice.”

  “Is your conscience so officious now, and did it say nothing, or did your heart silence it, when you plotted my destruction?”

  “Castruccio, this I believe is the last time that I shall ever speak to you. Our hearts are in the hands of the father of all; and he sees my thoughts. You know me too well, to believe that I plotted your death, or that of any human creature. Now is not the time to explain my motives and plans: but my earnest prayer was that you might live; my best hope, to make that life less miserable, less unworthy, than it had hitherto been.”

  She spoke with deep earnestness; and there was something in her manner, as if the spirit of truth animated all her accents, that compelled assent. Castruccio believed all; and he spoke in a milder and more persuasive manner; “Poor Euthanasia! so
you were at last cajoled by that arch-traitor, Bondelmonti. Well, I believe, and pardon all; but, as the seal of the purity of your intentions, I now claim your consent to my offers of safety.”

  “I cannot, indeed I cannot, consent. Be merciful; be magnanimous; and pardon all, banish us all where our discontent cannot be dangerous to you. But to desert my friends, and basely to save that life you deny to them, I never can.”

  The gaoler, who had hitherto stood in the shade near the door, could no longer contain himself. He knelt to Euthanasia, and earnestly and warmly intreated her to save herself, and not with wilful presumption to cast aside those means which God had brought about for her safety. “Remember,” he cried, “your misfortunes will be on the prince’s head; make him not answer for you also. Oh! lady, for his sake, for all our sakes, yield.”

  Castruccio was much moved to see the warmth of this man. He took the hand of Euthanasia, he also knelt: “Yes, my only and dearest friend, save yourself for my sake. Yield, beloved Euthanasia, to my intreaties. Indeed you will not die; for you well know that your life is dearer to me than my own. But yield to my request, by our former loves, I intreat; by the prayers which you offer up for my salvation, I conjure you as they shall be heard, so also hear me!”

  The light of the solitary lamp fell full upon the countenance of Castruccio: it was softened from all severity; his eyes glistened, and a tear stole silently down his cheek as he prayed her to yield. They talk of the tears of women; but, when they flow most plenteously, they soften not the heart of man, as one tear from his eyes has power on a woman. Words and looks have been feigned; they say, though I believe them not, that women have feigned tears: but those of a man, which are ever as the last demonstration of a too full heart, force belief, and communicate to her who causes them, that excess of tenderness, that intense depth of passion, of which they are themselves the sure indication.

 

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