by Mary Shelley
It must not, however, be supposed that Shelley was quite solitary, as the records of some of his old schoolfellows prove the contrary; nor was he averse to society when of a kind congenial to his tastes; but he always disliked coarse talk and jokes. Nature was ever dear to him; the walks round Eton were his chief recreation, and we can well conceive how he would feel in the lovely and peaceful churchyard of Stoke Pogis, where undoubtedly he would read Gray’s Elegy. These feelings would not be sympathised with by the average of schoolboys; but, on the other hand, it is not apparent why Shelley should have changed his character, as the embryo poet would also necessarily not care for all their tastes. In short, the education at a public school of that day must have been a great cruelty to a boy of Shelley’s sensitive disposition.
One great pleasure of Shelley’s while at Eton was visiting Dr. Lind, who assisted him with chemistry, and whose kindness during an illness seems to have made a lasting impression on the youth; but generally those who had been in authority over him had only raised a spirit of revolt. One great gain for the world was the passionate love of justice and freedom which this aroused in him, as shown in the stanzas from The Revolt of Islam —
Thoughts of great deeds were mine, dear friend, when first
The clouds which wrap this world from youth did pass.
There can be no doubt that these verses are truly autobiographical; they indicate a first determination to war against tyranny. The very fact of his great facility in acquiring knowledge must have been a drawback to him at school where time on his hands was, for lack of better material, frequently spent in reading all the foolish romances he could lay hold of in the neighbouring book-shops. His own early romances showed the influence of this bad literature. Of course, then as now, fine art was a sealed book to the young student. It is difficult to fancy what Shelley might have been under different early influences, and whether perchance the gain to himself might not have been a loss to the world. Fortunately, Shelley’s love of imagination found at last a field of poetry for itself, and an ideal future for the world instead of turning to ruffianism, high or low, which the neglect of the legitimate outlet for imagination so frequently induces. How little this moral truth seems to be considered in a country like ours, where art is quite overlooked in the system of government, and where the hereditary owners of hoarded wealth rest content, as a rule, with the canvases acquired by some ancestor on a grand tour at a date when Puritan England had already obliterated perception; so that frequently a few chefs d’oeuvre and many daubs are hung indiscriminately together, giving equal pleasure or distaste for art. This is apposite to dwell on as showing the want of this influence on Shelley and his surroundings. From a tour in Italy made by Shelley’s own father the chief acquisition is said to have been a very bad picture of Vesuvius.
It is becoming difficult to realise at present, when flogging is scarcely permitted in schools, what the sufferings of a boy like Shelley must have been; sent to school by his father with the admonition to his master not to spare the rod, and where the masters left the boy, who was undoubtedly unlike his companions, to treatment of a kind from which one case of death at least has resulted quite recently in our own time. Such proceedings which might have made a tyrant or a slave of Shelley succeeded only in making a rebel; his inquiring mind was not to be easily satisfied, and must assuredly have been a difficulty in his way with a conservative master; already, at Eton, we find him styled Mad Shelley and Shelley the Atheist.
In 1810 Shelley removed to University College, Oxford, after an enjoyable holiday with his family, during which he found time for an experiment in authorship, his father authorising a stationer to print for him. If only, instead of this, his father had checked for a time these immature productions of Shelley’s pen, the youth might have been spared banishment from Oxford and his own father’s house, and all the misfortune and tragedy which ensued. Shelley also found time for a first love with his cousin, Harriet Grove. This also the unfortunate printing facilities apparently quashed. There is some discussion as to whether he left Eton in disgrace, but any way the matter must have been a slight affair, as no one appears to have kept any record of it; and should one of the masters have recommended the removal of Shelley from such uncongenial surroundings, it would surely have been very sensible advice.
Oxford was, in many respects, much to Shelley’s taste. The freedom of the student life there suited him, as he was able to follow the studies most to his liking.
The professional lectures chiefly in vogue, on divinity, geometry, and history, were not the most to his liking — history in particular seemed ever to him a terrible record of misery and crime — but in his own chambers he could study poetry, natural philosophy, and metaphysics. The outcome of these studies, advanced speculative thought, was not, however, to be tolerated within the University precincts, and, unfortunately for Shelley, his favourite subjects of conversation were tabooed, had it not been for one light-hearted and amusing friend, Thomas Jefferson Hogg, a gentleman whose acquaintance Shelley made shortly after his settling in Oxford in the Michaelmas term of 1810. This friendship, like all that Shelley entered on, was intended to endure “for ever,” and, as usual, Shelley impulsively for a time threw so much of his own personality into his idea of the character of his friend as to prepare the way for future disappointment.
Hogg was decidedly intellectual, but with a strong conservative tendency, making him quite content with the existing state of things so long as he could take life easily and be amused. His intellect, however, was clear enough to make him perceive that it is the poet who raises life from the apathy which assails even the most worldly-minded and contented, so that he in his turn was able to love Shelley with the love which is not afraid of a laugh, without the possibility of which no friendship, it has been said, can be genuine. Many are the charming stories giving a living presence to Shelley while at Oxford, preserved by this friend; here we meet with him taking an infant from its mother’s arms while crossing the bridge with Hogg, and questioning it as to its previous existence, which surely the babe had not had time to forget if it would but speak — but alas, the mother declared she had never heard it speak, nor any other child of its age; here comes also the charming incident of the torn coat, and Shelley’s ecstasy on its having been fine drawn. These and such-like amusing anecdotes show the genuine and unpedantic side of Shelley’s character, the delightfully natural and loveable personality which is ever allied to genius. With the fun and humour were mixed long readings and discussions on the most serious and solemn subjects. Plato was naturally a great delight to him; he had a decided antipathy to Euclid and mathematical reasoning, and was consequently unable to pursue scientific researches on a system; but his love of chemistry and his imaginative faculty led him to wish in anticipation for the forces of nature to be utilised for human labour, &c. Shelley’s reading and reading powers were enormous. He was seldom without a pocket edition of one of his favourite great authors, whose works he read with as much ease as the modern languages.
This delightful time of study and ease was not to endure. Shelley’s nature was impelled onwards as irresistibly as the mountain torrent, and as with it all obstacles had to yield. He could not rest satisfied with reading and discussions with Hogg on theological and moral questions, and, being debarred debate on these subjects in the university, he felt he must appeal to a larger audience, the public, and consequently he brought out, with the cognisance of Hogg, a pamphlet entitled The Necessity of Atheism. This work actually got into circulation for about twenty minutes, when it was discovered by one of the Fellows of the College, who immediately convinced the booksellers that an auto-da-fé was necessary, and all the pamphlets were at once consigned to the back kitchen fire; but the affair did not end there. Shelley’s handwriting was recognised on some letters sent with copies of the work, and consequently both he and Hogg were summoned before a meeting in the Common room of the College. First Shelley, and then Hogg, declined to answer questions, and refused t
o disavow all knowledge of the work, whereupon the two were summarily expelled from Oxford. Shelley complained bitterly of the ungentlemanly way they were treated, and the authorities, with equal reason, of the rebellious defiance of the students; yet once more we must regret that there was no one but Hogg who realised the latent genius of Shelley, that there was no one to feel that patience and sympathy would not be thrown away upon a young man free from all the vices and frivolities of the time and place, whose crime was an inquiring mind, and rashness in putting his views into print. Surely the dangers which might assail a young man thus thrown on the world and alienated from his family by this disgrace might have received more consideration. This seems clear enough now, when Shelley’s ideas have been extolled even in as well as out of the pulpit.
So now we find Shelley expelled from Oxford and arrived in London in March 1811, when only eighteen years of age, alone with Hogg to fight the battle of life, with no previous experience of misfortune to give ballast to his feelings, but with a brain surcharged with mysteriously imbibed ideas of the woes of others and of the world — a dangerous age and set of conditions for a youth to be thrown on his own resources. Admission to his father’s house was only to be accorded on the condition of his giving up the society of Hogg; this condition, imposed at the moment when Shelley considered himself indebted to Hogg for life for the manner in which he stood by him in the Oxford ordeal, was refused. Shelley looked out for lodgings without result, till a wall paper representing a trellised vine apparently decided him. With twenty pounds borrowed from his printer to leave Oxford, Shelley is now settled in London, unaided by his father, a small present of money sent by his mother being returned, as he could not comply with the wishes which she expressed on the same occasion. From this time the march of events or of fate is as relentless as in a Greek drama, for already the needful woman had appeared in the person of Harriet Westbrook, a schoolfellow of his sisters at their Clapham school. During the previous January Shelley had made her acquaintance by visiting her at her father’s house, with an introduction and a present from one of his sisters. There seems no reason to doubt that Shelley was then much attracted by the beautiful girl, smarting though he was at the time from his rupture with Harriet Grove; but Shakespeare has shown us that such a time is not exempt from the potency of love shafts.
This visit of Shelley was followed by his presenting Harriet Westbrook with a copy of his new romance, St. Irvyne, which led to some correspondence. It was now Harriet’s turn to visit Shelley, sent also by his sisters with presents of their pocket money. Shelley moreover visited the school on different occasions, and even lectured the schoolmistress on her system of discipline. There is no doubt that Harriet’s elder sister, with or without the cognisance of their father, a retired hotel-keeper, helped to make meetings between the two; but Shelley, though young and a poet, was no child, and must have known what these dinners and visits and excursions might lead to; and although the correspondence and conversation may have been more directly upon theological and philosophical questions, it seems unlikely that he would have discoursed thus with a young girl unless he felt some special interest in her; besides, Shelley need not have felt any great social difference between himself and a young lady brought up and educated on a footing of equality with his own sisters. It is true that her family acted and encouraged him in a way incompatible with old-fashioned ideas of gentility, but Shelley was too prone at present to rebel against everything conventional to be particularly sensitive on this point.
In May Shelley was enabled to return to his father’s house, through the mediation of his uncle, Captain Pilfold, and henceforth an allowance of two hundred a year was made to him. But there had been work done in the two months that no reconciliations or allowances afterwards could undo; for while Shelley was bent on proselytising Harriet Westbrook, not less for his sisters’ sake than for his own, Harriet, in a school-girl fashion, encouraged by her sister and not discouraged by her father, was falling in love with Shelley. How were the bourgeois father and sister to comprehend such a character as Shelley’s, when his own parents and all the College authorities failed to do so? If Shelley were not in love he must have appeared so, and Harriet’s family did their best by encouraging and countenancing the intimacy to lead to a marriage, they naturally having Harriet’s interests more at heart than Shelley’s.
However, the fact remains that Shelley was a most extraordinary being, an embryo poet, with all a poet’s possible inconsistencies, the very brilliancy of the intellectual spark in one direction apparently quelling it for a time in another. In most countries and ages a poet seems to have been accepted as a heaven-sent gift to his nation; his very crimes (and surely Shelley did not surpass King David in misdoing?) have been the lacrymæ rerum giving terrible vitality to his thoughts, and so reclaiming many others ere some fatal deed is done; but in England the convention of at least making a show of virtues which do not exist (perhaps a sorry legacy from Puritanism) will not allow the poet to be accepted for what he really is, nor his poetry to appeal, on its own showing, to the human heart. He must be analysed, and vilified, or whitewashed in turn.
At any rate Shelley was superior to some of the respectable vices of his class, and one alleged concession of his father was fortunately loathsome to him, viz. — that he (Sir Timothy) would provide for as many illegitimate children as Percy chose to have, but he would not tolerate a mésalliance. To what a revolt of ideas must such a code of morality have led in a fermenting brain like Shelley’s! Were the mothers to be provided for likewise, and to be considered more by Shelley’s respectable family than his lawful wife? We fear not.
A visit to Wales followed, during which Shelley’s mind was in so abstracted a state that the fine scenery, viewed for the first time, had little power to move him, while Harriet Westbrook, with her sister and father, was only thirty miles off at Aberystwith; a hasty and unexplained retreat of this party to London likewise hastened the return of Shelley. Probably the father began to perceive that Shelley did not come forward as he had expected, and so he wished to remove Harriet from his vicinity. Letters from Harriet to Shelley followed, full of misery and dejection, complaining of her father’s decision to send her back to school, where she was avoided by the other girls, and called “an abandoned wretch” for sympathising or corresponding with Shelley; she even contemplated suicide. It is curious how this idea seems to have constantly recurred to her, as in the case of some others who have finally committed the act.
Shelley wrote, expostulating with the father. This probably only incensed him more. He persisted. Harriet again addressed Shelley in despair, saying she would put herself under his protection and fly with him; a difficult position for any young man, and for Shelley most perplexing, with his avowed hostility to marriage, and his recent assertions that he was not in love with Harriet. But it must be put to Shelley’s credit that, having intentionally or otherwise led Harriet on to love him, he now acted as a gentleman to his sister’s school friend, and, influenced to some extent by Hogg’s arguments in a different case in favour of marriage, he at once determined to make her his wife. He wrote to his cousin, Charles Grove, announcing his intention and impending arrival in London, saying that as his own happiness was altogether blighted, he could now only live to make that of others, and would consequently marry Harriet Westbrook.
On his arrival in London, Shelley found Harriet looking ill and much changed. He spent some time in town, during which Harriet’s spirits revived; but Shelley, as he described in a letter to Hogg, felt much embarrassment and melancholy. Not contemplating an immediate marriage, he went into Sussex to pay a visit to Field Place and to his uncle at Cuckfield. While here he renewed the acquaintance of Miss Kitchener, a school mistress of advanced ideas, who had the care of Captain Pilfold’s children. To this acquaintance we owe a great number of letters which throw much light on Shelley’s exalté character at this period, and which afford most amusing reading. As usual with Shelley, he threw much of his own perso
nality into his ideas of Miss Hitchener, who was to be his “eternal inalienable friend,” and to help to form his lovely wife’s character on the model of her own. All these particulars are given in letters from Shelley to his friends, Charles Grove, Hogg, and Miss Hitchener; to the latter he is very explanatory and apologetic, but only after the event.