He began to feel that he would go mad if he did not leap to his feet, screaming, and burst frenziedly out of that accursed house – not even the fear of the gallows could keep him lying there in the darkness any longer – the rhythm of Buckner’s breathing was suddenly broken, and Griswell felt as if a bucket of ice-water had been poured over him. From somewhere above them rose a sound of weird, sweet whistling.…
Griswell’s control snapped, plunging his brain into darkness deeper than the physical blackness which engulfed him. There was a period of absolute blankness, in which a realization of motion was his first sensation of awakening consciousness. He was running, madly, stumbling over an incredibly rough road. All was darkness about him, and he ran blindly. Vaguely he realized that he must have bolted from the house, and fled for perhaps miles before his overwrought brain began to function. He did not care; dying on the gallows for a murder he never committed did not terrify him half as much as the thought of returning to that house of horror. He was overpowered by the urge to run – run – run as he was running now, blindly, until he reached the end of his endurance. The mist had not yet fully lifted from his brain, but he was aware of a dull wonder that he could not see the stars through the black branches. He wished vaguely that he could see where he was going. He believed he must be climbing a hill, and that was strange, for he knew there were no hills within miles of the Manor. Then above and ahead of him a dim glow began.
He scrambled toward it, over ledge-like projections that were more and more and more taking on a disquieting symmetry. Then he was horror-stricken to realize that a sound was impacting on his ears – a weird mocking whistle. The sound swept the mists away. Why, what was this? Where was he? Awakening and realization came like the stunning stroke of a butcher’s maul. He was not fleeing along a road, or climbing a hill; he was mounting a stair. He was still in Blassenville Manor! And he was climbing the stair!
An inhuman scream burst from his lips. Above it the mad whistling rose in a ghoulish piping of demoniac triumph. He tried to stop – to turn back – even to fling himself over the balustrade. His shrieking rang unbearably in his own ears. But his will-power was shattered to bits. It did not exist. He had no will. He had dropped his flashlight, and he had forgotten the gun in his pocket. He could not command his own body. His legs, moving stiffly, worked like pieces of mechanism detached from his brain, obeying an outside will. Clumping methodically they carried him shrieking up the stair toward the witch-fire glow shimmering above him.
“Buckner!” he screamed. “Buckner! Help, for God’s sake!”
His voice strangled in his throat. He had reached the upper landing. He was tottering down the hallway. The whistling sank and ceased, but its impulsion still drove him on. He could not see from what source the dim glow came. It seemed to emanate from no central focus. But he saw a vague figure shambling toward him. It looked like a woman, but no human woman ever walked with that skulking gait, and no human woman ever had that face of horror, that leering yellow blur of lunacy – he tried to scream at the sight of that face, at the glint of keen steel in the uplifted claw-like hand – but his tongue was frozen.
Then something crashed deafeningly behind him, the shadows were split by a tongue of flame which lit a hideous figure falling backward. Hard on the heels of the report rang an inhuman squawk.
In the darkness that followed the flash Griswell fell to his knees and covered his face with his hands. He did not hear Buckner’s voice. The Southerner’s hand on his shoulder shook him out of his swoon.
A light in his eyes blinded him. He blinked, shaded his eyes, looked up into Buckner’s face, bending at the rim of the circle of light. The sheriff was pale.
“Are you hurt? God, man, are you hurt? There’s a butcher knife there on the floor –”
“I’m not hurt,” mumbled Griswell. “You fired just in time – the fiend! Where is it? Where did it go?”
“Listen!”
Somewhere in the house there sounded a sickening flopping and flapping as of something that thrashed and struggled in its death convulsions.
“Jacob was right,” said Buckner grimly. “Lead can kill them. I hit her, all right. Didn’t dare use my flashlight, but there was enough light. When that whistlin’ started you almost walked over me gettin’ out. I knew you were hypnotized, or whatever it is. I followed you up the stairs. I was right behind you, but crouchin’ low so she wouldn’t see me, and maybe get away again. I almost waited too long before I fired – but the sight of her almost paralyzed me. Look!”
He flashed his light down the hall, and now it shone bright and clear. And it shone on an aperture gaping in the wall where no door had showed before.
“The secret panel Miss Elizabeth found!” Buckner snapped. “Come on!”
He ran across the hallway and Griswell followed him dazedly. The flopping and thrashing came from beyond that mysterious door, and now the sounds had ceased.
The light revealed a narrow, tunnel-like corridor that evidently led through one of the thick walls. Buckner plunged into it without hesitation.
“Maybe it couldn’t think like a human,” he muttered, shining his light ahead of him. “But it had sense enough to erase its tracks last night so we couldn’t trail it to that point in the wall and maybe find the secret panel. There’s a room ahead – the secret room of the Blassenvilles!”
And Griswell cried out: “My God! It’s the windowless chamber I saw in my dream, with the three bodies hanging – ahhhhh!”
Buckner’s light playing about the circular chamber became suddenly motionless. In that wide ring of light three figures appeared, three dried, shriveled, mummy-like shapes, still clad in the moldering garments of the last century. Their slippers were clear of the floor as they hung by their withered necks from chains suspended from the ceiling.
“The three Blassenville sisters!” muttered Buckner. “Miss Elizabeth wasn’t crazy, after all.”
“Look!” Griswell could barely make his voice intelligible. “There – over there in the corner!”
The light moved, halted.
“Was that thing a woman once?” whispered Griswell. “God, look at that face, even in death. Look at those claw-like hands, with black talons like those of a beast. Yes, it was human, though – even the rags of an old ballroom gown. Why should a mulatto maid wear such a dress, I wonder?”
“This has been her lair for over forty years,” muttered Buckner, brooding over the grinning grisly thing sprawling in the corner. “This clears you, Griswell – a crazy woman with a hatchet – that’s all the authorities need to know. God, what a revenge! – what a foul revenge! Yet what a bestial nature she must have had, in the beginnin’, to delve into voodoo as she must have done –”
“The mulatto woman?” whispered Griswell, dimly sensing a horror that overshadowed all the rest of the terror.
Buckner shook his head. “We misunderstood old Jacob’s maunderin’s, and the things Miss Elizabeth wrote – she must have known, but family pride sealed her lips. Griswell, I understand now; the mulatto woman had her revenge, but not as we supposed. She didn’t drink the Black Brew old Jacob fixed for her. It was for somebody else, to be given secretly in her food, or coffee, no doubt. Then Joan ran away, leavin’ the seeds of the hell she’d sowed to grow.”
“That – that’s not the mulatto woman?” whispered Griswell.
“When I saw her out there in the hallway I knew she was no mulatto. And those distorted features still reflect a family likeness. I’ve seen her portrait, and I can’t be mistaken. There lies the creature that was once Celia Blassenville.”
Never Beyond the Beast
Rise to the peak of the ladder
Where the ghosts of the planets feast –
Out of the reach of the adder –
Never beyond the Beast.
He is there, in the abyss brooding,
Where the nameless black fires fall;
He is there, in the stars intruding,
Where the sun is a sil
ver ball.
Beyond all weeping or revel,
He lurks in the cloud and the sod;
He grips the doors of the Devil
And the hasp on the gates of God. Build and endeavor and fashion –
Never can you escape
The blind black brutish passion –
The lust of the primal Ape.
Wild Water
Saul Hopkins was king of Locust Valley, but kingship never turned hot lead. In the wild old days, not so long distant, another man was king of the Valley, and his methods were different and direct. He ruled by the guns, wire-clippers and branding irons of his wiry, hard-handed, hard-eyed riders. But those days were past and gone, and Saul Hopkins sat in his office in Bisley and pulled strings to which were tied loans and mortgages and the subtle tricks of finance.
Times have changed since Locust Valley reverberated to the guns of rival cattlemen, and Saul Hopkins, by all modern standards, should have lived and died king of the Valley by virtue of his gold and lands; but he met a man in whom the old ways still lived.
It began when John Brill’s farm was sold under the hammer. Saul Hopkins’ representative was there to bid. But three hundred hard-eyed ranchers and farmers were there, too. They rode in from the river bottoms and the hill country to the west and north, in ramshackle flivvers, in hacks, and on horseback. Some of them came on foot. They had a keg of tar, and half a dozen old feather pillows. The representative of big business understood. He stood aside and made no attempt to bid. The auction took place, and the farmers and ranchers were the only bidders. Land, implements and stock sold for exactly $7.55; and the whole was handed back to John Brill.
When Saul Hopkins heard of it, he turned white with fury. It was the first time his kingship had ever been flouted. He set the wheels of the law to grinding, and before another day passed, John Brill and nine of his friends were locked in the old stone jail at Bisley. Up along the bare oak ridges and down along the winding creeks where poverty-stricken farmers labored under the shadow of Saul Hopkins’ mortgages, went the word that the scene at Brill’s farm would not be duplicated. The next foreclosure would be attended by enough armed deputies to see that the law was upheld. And the men of the creeks and the hills knew that the promise was no idle one. Meanwhile, Saul Hopkins prepared to have John Brill prosecuted with all the power of his wealth and prestige. And Jim Reynolds came to Bisley to see the king.
Reynolds was John Brill’s brother-in-law. He lived in the high postoak country north of Bisley. Bisley lay on the southern slope of that land of long ridges and oak thickets. To the south the slopes broke into fan shaped valleys, traversed by broad streams. The people in those fat valleys were prosperous; farmers who had come late into the country, and pushed out the cattlemen who had once owned it all.
Up on the high ridges of the Lost Knob country, it was different. The land was rocky and sterile, the grass thin. The ridges were occupied by the descendants of old pioneers, nesters, tenant farmers, and broken cattlemen. They were poor, and there was an old feud between them and the people of the southern valleys. Money had to be borrowed from somebody of the latter clan, and that intensified the bitterness.
Jim Reynolds was an atavism, the personification of anachronism. He had lived a comparatively law-abiding life, working on farms, ranches, and in the oil fields that lay to the east, but in him always smoldered an unrest and a resentment against conditions that restricted and repressed him. Recent events had fanned these embers into flame. His mind leaped as naturally toward personal violence as that of the average modern man turns to processes of law. He was literally born out of his time. He should have lived his life a generation before, when men threw a wide loop and rode long trails.
He drove into Bisley in his Ford roadster at nine o’clock one night. He stopped his car on French Street, parked, and turned into an alley that led into Hopkins Street – named for the man who owned most of the property on it. It was a quirk in the man’s nature that he should cling to the dingy little back street office in which he first got his start.
Hopkins Street was narrow, lined mainly with small offices, warehouses, and the backs of buildings that faced on more pretentious streets. By night it was practically deserted. Bisley was not a large town, and except on Saturday night, even her main streets were not thronged after dark. Reynolds saw no one as he walked swiftly down the narrow sidewalk toward a light which streamed through a door and a plate glass window.
There the king of Locust Valley worked all day and late into the night, establishing and strengthening his kingship.
The grim old warrior who had kinged it in the Valley in an earlier generation knew the men he had to deal with. He wore two guns in loose scabbards, and cold-eyed gunmen rode with him, night or day. Saul Hopkins had dealt in paper and figures so long he had forgotten the human equation. He understood a menace only as a threat against his money – not against himself.
He bent over his desk, a tall, gaunt, stooped man, with a mop of straggly grey hair and the hooked nose of a vulture. He looked up irritably as some one bulked in the door that opened directly on the street. Jim Reynolds stood there – broad, dark as an Indian, one hand under his coat. His eyes burned like coals. Saul Hopkins went cold, as he sensed, for the first time in his life, a menace that was not directed against his gold and his lands, but against his body and his life. No word was passed between them, but an electric spark of understanding jumped across the intervening space.
With a strangled cry old Hopkins sprang up, knocking his swivel chair backward, stumbling against his desk. Jim Reynolds’ hand came from beneath his coat gripping a Colt .45. The report thundered deafeningly in the small office. Old Saul cried out chokingly and rocked backward, clutching at his breast. Another slug caught him in the groin, crumpling him down across the desk, and as he fell, he jerked sidewise to the smash of a third bullet in his belly. He sprawled over the desk, spouting blood, and clawing blindly at nothing, slid off and blundered to the floor, his convulsive fingers full of torn papers which fell on him in a white, fluttering shower from the blood splashed desk.
Jim Reynolds eyed him unemotionally, the smoking gun in his hand. Acrid powder fumes filled the office, and the echoes seemed to be still reverberating. Whistling gasps slobbered through Saul Hopkins’ grey lips and he jerked spasmodically. He was not yet dead, but Reynolds knew he was dying. And galvanized into sudden action, Reynolds turned and went out on the street. Less than a minute had passed since the first shot crashed, but a man was running up the street, gun in hand, shouting loudly. It was Mike Daley, a policeman. Reynolds knew that it would be several minutes, at least, before the rest of the small force could reach the scene. He stood motionless, his gun hanging at his side.
Daley rushed up, panting, poking his pistol at the silent killer.
“Hands up, Reynolds!” he gasped. “What the hell have you done? My God, have you shot Mr. Hopkins? Give me that gun – give it to me.”
Reynolds reversed his .45, dangling it by his index finger through the trigger guard, the butt toward Daley. The policeman grabbed for it, lowering his own gun unconsciously as he reached. The big Colt spun on Reynolds’ finger, the butt slapped into his palm, and Daley glared wild eyed into the black muzzle. He was paralyzed by the trick – a trick which in itself showed Reynolds’ anachronism. That roll, reliance of the old time gunman, had not been used in that region for a generation.
“Drop your gun!” snapped Reynolds. Daley dumbly opened his fingers and as his gun slammed on the sidewalk, the long barrel of Reynolds’ Colt lifted, described an arc and smashed down on the policeman’s head. Daley fell beside his fallen gun, and Reynolds ran down the narrow street, cut through an alley and came out on French Street a few steps from where his car was parked.
Behind him he heard men shouting and running. A few loiterers on French Street gaped at him, shrank back at the sight of the gun in his hand. He sprang to the wheel and roared down French Street, shot across the bridge that spanned Locust Cr
eek, and raced up the road. There were few residences in that end of town, where the business section abutted on the very bank of the creek. Within a few minutes he was in open country, with only scattered farmhouses here and there.
He had not even glanced toward the rock jail where his friends lay. He knew the uselessness of an attempt to free them, even were it successful. He had only followed his instinct when he killed Saul Hopkins. He felt neither remorse nor exultation, only the grim satisfaction of a necessary job well done. His nature was exactly that of the old-time feudist, who, when pushed beyond endurance, killed his man, took to the hills and fought it out with all who came against him. Eventual escape did not enter his calculations. His was the grim fatalism of the old time gun fighter. He merely sought a lair where he could turn at bay. Otherwise he would have stayed and shot it out with the Bisley police.
A mile beyond the bridge the road split into three forks. One led due north to Sturling, whence it swung westward to Lost Knob; he had followed that road, coming into Bisley. One led to the north west, and was the old Lost Knob road, discontinued since the creation of Bisley Lake. The other turned westward and led to other settlements in the hills.
He took the old north west road. He had met no one. There was little travel in the hills at night. And this road was particularly lonely. There were long stretches where not even a farm house stood, and now the road was cut off from the northern settlements by the great empty basin of the newly created Bisley Lake, which lay waiting for rains and head rises to fill it.
The pitch was steadily upward. Mesquites gave way to dense postoak thickets. Rocks jutted out of the ground, making the road uneven and bumpy. The hills loomed darkly around him.
Ten miles out of Bisley and five miles from the Lake, he turned from the road and entered a wire gate. Closing it behind him, he drove along a dim path which wound crookedly up a hill side, flanked thickly with postoaks. Looking back, he saw no headlights cutting the sky. He must have been seen driving out of town, but no one saw him take the north west road. Pursuers would naturally suppose he had taken one of the other roads. He could not reach Lost Knob by the north west road, because, although the lake basin was still dry, what of the recent drouth, the bridges had been torn down over Locust Creek, which he must cross again before coming to Lost Knob, and over Mesquital.
Grim Lands Page 40