The Complete Poems of Percy Bysshe Shelley

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The Complete Poems of Percy Bysshe Shelley Page 69

by Percy Bysshe Shelley


  365

  From Spring to Autumn’s sere maturity,

  Light it into the Winter of the tomb,

  Where it may ripen to a brighter bloom.

  Thou too, O Comet beautiful and fierce,

  Who drew the heart of this frail Universe

  370

  Towards thine own; till, wrecked in that convulsion,

  Alternating attraction and repulsion,

  Thine went astray and that was rent in twain;

  Oh, float into our azure heaven again!

  Be there Love’s folding-star at thy return;

  375

  The living Sun will feed thee from its urn

  Of golden fire; the Moon will veil her horn

  In thy last smiles; adoring Even and Morn

  Will worship thee with incense of calm breath

  And lights and shadows; as the star of Death

  380

  And Birth is worshipped by those sisters wild

  Called Hope and Fear—upon the heart are piled

  Their offerings,—of this sacrifice divine

  A World shall be the altar.

  Lady mine,

  Scorn not these flowers of thought, the fading birth

  385

  Which from its heart of hearts that plant puts forth

  Whose fruit, made perfect by thy sunny eyes,

  Will be as of the trees of Paradise.

  The day is come, and thou wilt fly with me.

  To whatsoe’er of dull mortality

  390

  Is mine, remain a vestal sister still;

  To the intense, the deep, the imperishable,

  Not mine but me, henceforth be thou united

  Even as a bride, delighting and delighted.

  The hour is come:—the destined Star has risen

  395

  Which shall descend upon a vacant prison.

  The walls are high, the gates are strong, thick set

  The sentinels—but true Love never yet

  Was thus constrained: it overleaps all fence:

  Like lightning, with invisible violence

  400

  Piercing its continents; like Heaven’s free breath,

  Which he who grasps can hold not; liker Death,

  Who rides upon a thought, and makes his way

  Through temple, tower, and palace, and the array

  Of arms: more strength has Love than he or they;

  405

  For it can burst his charnel, and make free

  The limbs in chains, the heart in agony,

  The soul in dust and chaos.

  Emily,

  A ship is floating in the harbour now,

  A wind is hovering o’er the mountain’s brow;

  410

  There is a path on the sea’s azure floor,

  No keel has ever ploughed that path before;

  The halcyons brood around the foamless isles;

  The treacherous Ocean has forsworn its wiles;

  The merry mariners are bold and free:

  415

  Say, my heart’s sister, wilt thou sail with me?

  Our bark is as an albatross, whose nest

  Is a far Eden of the purple East;

  And we between her wings will sit, while Night,

  And Day, and Storm, and Calm, pursue their flight,

  420

  Our ministers, along the boundless Sea,

  Treading each other’s heels, unheededly.

  It is an isle under Ionian skies,

  Beautiful as a wreck of Paradise,

  And, for the harbours are not safe and good,

  425

  This land would have remained a solitude

  But for some pastoral people native there,

  Who from the Elysian, clear, and golden air

  Draw the last spirit of the age of gold,

  Simple and spirited; innocent and bold.

  430

  The blue Aegean girds this chosen home,

  With ever-changing sound and light and foam,

  Kissing the sifted sands, and caverns hoar;

  And all the winds wandering along the shore

  Undulate with the undulating tide:

  435

  There are thick woods where sylvan forms abide;

  And many a fountain, rivulet, and pond,

  As clear as elemental diamond,

  Or serene morning air; and far beyond,

  The mossy tracks made by the goats and deer

  440

  (Which the rough shepherd treads but once a year)

  Pierce into glades, caverns, and bowers, and halls

  Built round with ivy, which the waterfalls

  Illumining, with sound that never fails

  Accompany the noonday nightingales;

  445

  And all the place is peopled with sweet airs;

  The light clear element which the isle wears

  Is heavy with the scent of lemon-flowers,

  Which floats like mist laden with unseen showers,

  And falls upon the eyelids like faint sleep;

  450

  And from the moss violets and jonquils peep,

  And dart their arrowy odour through the brain

  Till you might faint with that delicious pain.

  And every motion, odour, beam, and tone,

  With that deep music is in unison:

  455

  Which is a soul within the soul—they seem

  Like echoes of an antenatal dream.—

  It is an isle ’twixt Heaven, Air, Earth, and Sea,

  Cradled, and hung in clear tranquillity;

  Bright as that wandering Eden Lucifer,

  460

  Washed by the soft blue Oceans of young air.

  It is a favoured place. Famine or Blight,

  Pestilence, War and Earthquake, never light

  Upon its mountain-peaks; blind vultures, they

  Sail onward far upon their fatal way:

  465

  The wingèd storms, chanting their thunder-psalm

  To other lands, leave azure chasms of calm

  Over this isle, or weep themselves in dew,

  From which its fields and woods ever renew

  Their green and golden immortality.

  470

  And from the sea there rise, and from the sky

  There fall, clear exhalations, soft and bright,

  Veil after veil, each hiding some delight,

  Which Sun or Moon or zephyr draw aside,

  Till the isle’s beauty, like a naked bride

  475

  Glowing at once with love and loveliness,

  Blushes and trembles at its own excess:

  Yet, like a buried lamp, a Soul no less

  Burns in the heart of this delicious isle,

  An atom of th’ Eternal, whose own smile

  480

  Unfolds itself, and may be felt, not seen

  O’er the gray rocks, blue waves, and forests green,

  Filling their bare and void interstices.—

  But the chief marvel of the wilderness

  Is a lone dwelling, built by whom or how

  485

  None of the rustic island-people know:

  ’Tis not a tower of strength, though with its height

  It overtops the woods; but, for delight,

  Some wise and tender Ocean-King, ere crime

  Had been invented, in the world’s young prime,

  490

  Reared it, a wonder of that simple time,

  An envy of the isles, a pleasure-house

  Made sacred to his sister and his spouse.

  It scarce seems now a wreck of human art,

  But, as it were Titanic; in the heart

  495

  Of Earth having assumed its form, then grown

  Out of the mountains, from the living stone,

  Lifting itself in caverns light and high:

  For all the antique and learnèd imagery
/>   Has been erased, and in the place of it

  500

  The ivy and the wild-vine interknit

  The volumes of their many-twining stems;

  Parasite flowers illume with dewy gems

  The lampless halls, and when they fade, the sky

  Peeps through their winter-woof of tracery

  505

  With moonlight patches, or star atoms keen,

  Or fragments of the day’s intense serene;—

  Working mosaic on their Parian floors.

  And, day and night, aloof, from the high towers

  And terraces, the Earth and Ocean seem

  510

  To sleep in one another’s arms, and dream

  Of waves, flowers, clouds, woods, rocks, and all that we

  Read in their smiles, and call reality.

  This isle and house are mine, and I have vowed

  Thee to be lady of the solitude.—

  515

  And I have fitted up some chambers there

  Looking towards the golden Eastern air,

  And level with the living winds, which flow

  Like waves above the living waves below.—

  I have sent books and music there, and all

  520

  Those instruments with which high Spirits call

  The future from its cradle, and the past

  Out of its grave, and make the present last

  In thoughts and joys which sleep, but cannot die,

  Folded within their own eternity.

  525

  Our simple life wants little, and true taste

  Hires not the pale drudge Luxury, to waste

  The scene it would adorn, and therefore still,

  Nature with all her children haunts the hill.

  The ring-dove, in the embowering ivy, yet

  530

  Keeps up her love-lament, and the owls flit

  Round the evening tower, and the young stars glance

  Between the quick bats in their twilight dance;

  The spotted deer bask in the fresh moonlight

  Before our gate, and the slow, silent night

  535

  Is measured by the pants of their calm sleep.

  Be this our home in Life, and when years heap

  Their withered hours, like leaves, on our decay,

  Let us become the overhanging day,

  The living soul of this Elysian isle,

  540

  Conscious, inseparable, one. Meanwhile

  We two will rise, and sit, and walk together,

  Under the roof of blue Ionian weather,

  And wander in the meadows, or ascend

  The mossy mountains, where the blue heavens bend

  545

  With lightest winds, to touch their paramour;

  Or linger, where the pebble-paven shore,

  Under the quick, faint kisses of the sea

  Trembles and sparkles as with ecstasy,—

  Possessing and possessed by all that is

  550

  Within that calm circumference of bliss,

  And by each other, till to love and live

  Be one:—or, at the noontide hour, arrive

  Where some old cavern hoar seems yet to keep

  The moonlight of the expired night asleep,

  555

  Through which the awakened day can never peep;

  A veil for our seclusion, close as night’s,

  Where secure sleep may kill thine innocent lights;

  Sleep, the fresh dew of languid love, the rain

  Whose drops quench kisses till they burn again.

  560

  And we will talk, until thought’s melody

  Become too sweet for utterance, and it die

  In words, to live again in looks, which dart

  With thrilling tone into the voiceless heart,

  Harmonizing silence without a sound.

  565

  Our breath shall intermix, our bosoms bound,

  And our veins beat together; and our lips

  With other eloquence than words, eclipse

  The soul that burns between them, and the wells

  Which boil under our being’s inmost cells,

  570

  The fountains of our deepest life, shall be

  Confused in Passion’s golden purity,

  As mountain-springs under the morning sun.

  We shall become the same, we shall be one

  Spirit within two frames, oh! wherefore two?

  575

  One passion in twin-hearts, which grows and grew,

  Till like two meteors of expanding flame,

  Those spheres instinct with it become the same,

  Touch, mingle, are transfigured; ever still

  Burning, yet ever inconsumable:

  580

  In one another’s substance finding food,

  Like flames too pure and light and unimbued

  To nourish their bright lives with baser prey,

  Which point to Heaven and cannot pass away:

  One hope within two wills, one will beneath

  585

  Two overshadowing minds, one life, one death,

  One Heaven, one Hell, one immortality,

  And one annihilation. Woe is me!

  The wingèd words on which my soul would pierce

  Into the height of Love’s rare Universe,

  590

  Are chains of lead around its flight of fire—

  I pant, I sink, I tremble, I expire!

  Weak Verses, go, kneel at your Sovereign’s feet,

  And say:—‘We are the masters of thy slave;

  What wouldest thou with us and ours and thine?’

  595

  Then call your sisters from Oblivion’s cave,

  All singing loud: ‘Love’s very pain is sweet,

  But its reward is in the world divine

  Which, if not here, it builds beyond the grave.’

  So shall ye live when I am there. Then haste

  600

  Over the hearts of men, until ye meet

  Marina, Vanna, Primus, and the rest,

  And bid them love each other and be blessed:

  And leave the troop which errs, and which reproves,

  And come and be my guest,—for I am Love’s.

  FRAGMENTS CONNECTED WITH EPIPSYCHIDION

  THREE EARLY DRAFTS OF THE PREFACE (ADVERTISEMENT)

  PREFACE I

  THE following Poem was found amongst other papers in the Portfolio of a young Englishman with whom the Editor had contracted an intimacy at Florence, brief indeed, but sufficiently long to render the Catastrophe by which it terminated one of the most painful events of his life.

  The literary merit of the Poem in question may not be considerable; but worse verses are printed every day, &

  He was an accomplished & amiable person but his error was, ,—his fate is an additional proof that ‘The tree of Knowledge is not that of Life.’—He had framed to himself certain opinions, founded no doubt upon the truth of things, but built up to a Babel height; they fell by their own weight, & the thoughts that were his architects, became unintelligible one to the other, as men upon whom confusion of tongues has fallen.

  [These] verses seem to have been written as a sort of dedication of some work to have been presented to the person whom they address: but his papers afford no trace of such a work—The circumstances to which [they] the poem allude, may easily be understood by those to whom [the] spirit of the poem itself is [un]intelligible: a detail of facts, sufficiently romantic in [themselves but] their combinations

  The melancholy [task] charge of consigning the body of my poor friend to the grave, was committed to me by his desolated family. I caused him to be buried in a spot selected by himself.

  PREFACE II

  [Epips] T. E. V. Epipsych

  Lines addressed to

  the Noble Lady

  [Emilia] [E. V.]

  Emiliar />
  [The following Poem was found in the PF. of a young Englishman, who died on his passage from Leghorn to the Levant. He had bought one of the Sporades] He was accompanied by a lady [who might have been] supposed to be his wife, & an effeminate looking youth, to whom he shewed an [attachment] so [singular] excessive an attachment as to give rise to the suspicion, that she was a woman—at his death this suspicion was confirmed; object speedily found a refuge both from the taunts of the brute multitude, and from the of her grief in the same grave that contained her lover.—He had bought one of the Sporades, & fitted up a Saracenic castle which accident had preserved in some repair with simple elegance, & it was his intention to dedicate the remainder of his life to undisturbed intercourse with his companions

  These verses apparently were intended as a dedication of a longer poem or series of poems

  PREFACE III

  The writer of these lines died at Florence in [January 1820] while he was preparing * * for one wildest of the of the Sporades, where he bought & fitted up the ruins of some old building—His life was singular, less on account of the romantic vicissitudes which diversified it, than the ideal tinge which they received from his own character & feelings—

  The verses were apparently intended by the writer to accompany some longer poem or collection of poems, of which there* [are no remnants in his] * * * remains [in his] portfolio.—

  The editor is induced to

  The present poem, like the vita Nova of Dante, is sufficiently intelligible to a certain class of readers without a matter of fact history of the circumstances to which it relate, & to a certain other class, it must & ought ever to remain incomprehensible—It was evidently intended to be prefixed to a longer poem or series of poems—but among his papers there are no traces of such a collection.

  PASSAGES OF THE POEM, OR CONNECTED THEREWITH

  HERE, my dear friend, is a new book for you;

  I have already dedicated two

  To other friends, one female and one male,—

 

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