When the waking comes at last, and Summer is abroad, these deities will abroad too, each as his several attributes move him. Who is this that flieth up the reaches of the Thames in steam-launch hired for the day? Mercury is out—some dozen or fifteen strong. The flower-gemmed banks crumble and slide down under the wash of his rampant screw; his wake is marked by a line of lobster-claws, gold-necked bottles, and fragments of veal-pie. Resplendent in blazer, he may even be seen to embrace the slim-waisted nymph, haunter of green (room) shades, in the full gaze of the shocked and scandalised sun. Apollo meantime reposeth, passively beautiful, on the lawn of the Guards’ Club at Maidenhead. Here, O Apollo, are haunts meet for thee. A deity subjectively inclined, he is neither objective nor, it must be said for him, at all objectionable, like them of Mercury.
Meanwhile, nor launches nor lawns tempt him that pursueth the rural Pan. In the hushed recesses of Hurley backwater where the canoe may be paddled almost under the tumbling comb of the weir, he is to be looked for; there the god pipes with freest abandonment. Or under the great shadow of Streatley Hill, “annihilating all that’s made to a green thought in a green shade”; or better yet, pushing an explorer’s prow up the remote untravelled Thame, till Dorchester’s stately roof broods over the quiet fields. In solitudes such as these Pan sits and dabbles, and all the air is full of the music of his piping. Southwards, again, on the pleasant Surrey downs there is shouting and jostling; dust that is drouthy and language that is sultry. Thither comes the young Apollo, calmly confident as ever; and he meeteth certain Mercuries of the baser sort, who do him obeisance, call him captain and lord, and then proceed to skin him from head to foot as thoroughly as the god himself flayed Marsyas in days of yore, at a certain Spring Meeting in Phrygia: a good instance of Time’s revenges. And yet Apollo returns to town and swears he has had a grand day. He does so every year. Out of hearing of all the clamour, the rural Pan may be found stretched on Ranmore Common, loitering under Abinger pines, or prone by the secluded stream of the sinuous Mole, abounding in friendly greetings for his foster-brothers the dab-chick and water-rat.
For a holiday, Mercury loveth the Pullman Express, and a short hour with a society paper; anon, brown boots on the pier, and the pleasant combination of Métropole and Monopole. Apollo for his part will urge the horses of the Sun: and, if he leaveth the society weekly to Mercury, yet he loveth well the Magazine. From which omphalos or hub of the universe he will direct his shining team even to the far Hesperides of Richmond or of Windsor. Both iron road and level highway are shunned by the rural Pan, who chooses rather to foot it along the sheep track on the limitless downs or the thwart-leading footpath through copse and spinney, not without pleasant fellowship with feather and fir. Nor does it follow from all this that the god is unsocial. Albeit shy of the company of his more showy brother-deities, he loveth the more unpretentious humankind, especially them that are adscripti glebæ, addicted to the kindly soil and to the working thereof: perfect in no way, only simple, cheery sinners. For he is only half a god after all, and the red earth in him is strong. When the pelting storm drives the wayfarers to the sheltering inn, among the little group on bench and settle Pan has been known to appear at times, in homely guise of hedger-and-ditcher or weather-beaten shepherd from the downs. Strange lore and quaint fancy he will then impart, in the musical Wessex or Mercian he has learned to speak so naturally; though it may not be till many a mile away that you begin to suspect that you have unwittingly talked with him who chased the flying Syrinx in Arcady and turned the tide of fight at Marathon.
Yes: today the iron horse has searched the country through—east and west, north and south—bringing with it Commercialism, whose god is Jerry, and who studs the hills with stucco and garrotes the streams with the girder. Bringing, too, into every nook and corner fashion and chatter, the tailor-made gown and the eyeglass. Happily a great part is still spared—how great these others fortunately do not know—in which the rural Pan and his following may hide their heads for yet a little longer, until the growing tyranny has invaded the last common, spinney, and sheep-down, and driven the kindly god, the well-wisher to man—whither?
MARGINALIA
American Hunt, in his suggestive “Talks about Art,” demands that the child shall be encouraged—or rather permitted, for the natural child needs little encouragement—to draw when- and whereon-soever he can; for, says he, the child’s scribbling on the margin of his school-books is really worth more to him than all he gets out of them, and indeed, “to him the margin is the best part of all books, and he finds in it the soothing influence of a clear sky in a landscape.” Doubtless Sir Benjamin Backbite, though his was not an artist soul, had some dim feeling of this mighty truth when he spoke of that new quarto of his, in which “a neat rivulet of text shall meander through a meadow of margin”: boldly granting the margin to be of superior importance to the print. This metaphor is pleasantly expanded in Burton’s “Bookhunter”: wherein you read of certain folios with “their majestic stream of central print overflowing into rivulets of marginal notes, sedgy with citations.” But the good Doctor leaves the main stream for a backwater of error in inferring that the chief use of margins is to be a parading-ground for notes and citations. As if they had not absolute value in themselves, nor served a finer end! In truth, Hunt’s child was vastly the wiser man.
For myself, my own early margins chiefly served to note, cite, and illustrate the habits of crocodiles. Along the lower or “tail” edge, the saurian, splendidly serrated as to his back, arose out of old Nile; up one side negroes, swart as sucked lead-pencil could limn them, let fall their nerveless spears; up the other, monkeys, gibbering with terror, swarmed hastily up palm-trees—a plant to the untutored hand of easier outline than (say) your British oak. Meanwhile, all over the unregarded text Balbus slew Caius on the most inadequate provocation, or Hannibal pursued his victorious career, while Roman generals delivered ornate set speeches prior to receiving the usual satisfactory licking. Fabius, Hasdrubal—all alike were pallid shades with faint, thin voices powerless to pierce the distance. The margins of Cocytus doubtless knew them: mine were dedicated to the more attractive flesh and blood of animal life, the varied phases of the tropic forest. Or, in more practical mood, I would stoop to render certain facts recorded in the text. To these digressions I probably owe what little education I possess. For example, there was one sentence in our Roman history: “By this single battle of Magnesia, Antiochus the Great lost all his conquests in Asia Minor.” Serious historians really should not thus forget themselves. ’Twas so easy, by a touch of the pen, to transform “battle” into “bottle”; for “conquests” one could substitute a word for which not even Macaulay’s school-boy were at a loss; and the result, depicted with rude vigour in his margin, fixed the name of at least one ancient fight on the illustrator’s memory. But this plodding and material art had small charm for me: to whom the happy margin was a “clear sky” ever through which I could sail away at will to more gracious worlds. I was duly qualified by a painfully acquired ignorance of dead languages cautiously to approach my own; and ’twas no better. Along Milton’s margins the Gryphon must needs pursue the Arimaspian—what a chance, that Arimaspian, for the imaginative pencil! And so it has come about that, while Milton periods are mostly effaced from memory by the sponge of Time, I can still see that vengeful Gryphon, cousin-german to the gentle beast that danced the Lobster Quadrille by a certain shore.
It is by no means insisted upon that the chief end and use of margins is for pictorial illustration, nor yet for furtive games of oughts and crosses, nor (in the case of hymn-books) for amorous missives scrawled against the canticle for the day, to be passed over into an adjacent pew: as used, alas! to happen in days when one was young and godless, and went to church. Nor, again, are the margins of certain poets entrusted to man for the composing thereon of infinitely superior rhymes on the subjects themselves have maltreated: a depraved habit, akin to scalping. What h
as never been properly recognised is the absolute value of the margin itself—a value frequently superior to its enclosure. In poetry the popular taste demands its margin, and takes care to get it in “the little verses wot they puts inside the crackers.” The special popularity, indeed, of lyric as opposed to epic verse is due to this habit of feeling. A good example maybe found in the work of Mr Swinburne: the latter is the better poetry, the earlier remains the more popular—because of its eloquence of margin. Mr Tupper might long ago have sat with laureate brow but for his neglect of this first principle. The song of Sigurd, our one epic of the century, is pitiably unmargined, and so has never won the full meed of glory it deserves; while the ingenious gentleman who wrote “Beowulf,” our other English epic, grasped the great fact from the first, so that his work is much the more popular of the two. The moral is evident. An authority on practical book-making has stated that “margin is a matter to be studied”; also that “to place the print in the centre of the paper is wrong in principle, and to be deprecated.” Now, if it be “wrong in principle,” let us push that principle to its legitimate conclusion, and “deprecate” the placing of print on any part of the paper at all. Without actually suggesting this course to any of our living bards, when, I may ask—when shall that true poet arise who, disdaining the trivialities of text, shall give the world a book of verse consisting entirely of margin? How we shall shove and jostle for large paper copies!
THE ETERNAL WHITHER
There was once an old cashier in some ancient City establishment, whose practice was to spend his yearly holiday in relieving some turnpike-man at his post, and performing all the duties appertaining thereunto. This was vulgarly taken to be an instance of mere mill-horse enslavement to his groove—the reception of payments; and it was spoken of both in mockery of all mill-horses and for the due admonishment of others. And yet that clerk had discovered for himself an unique method of seeing Life at its best, the flowing, hurrying, travelling, marketing Life of the Highway; the life of bagman and cart, of tinker, and pig-dealer, and all cheery creatures that drink and chaffer together in the sun. He belonged, above all, to the scanty class of clear-seeing persons who know both what they are good for and what they really want. To know what you would like to do is one thing; to go out boldly and do it is another—and a rarer; and the sterile fields about Hell-Gate are strewn with the corpses of those who would an if they could.
To be sure, being bent on the relaxation most congenial to one’s soul, it is possible to push one’s disregard for convention too far: as is seen in the case of another, though of an earlier generation, in the same establishment. In his office there was the customary “attendance-book,” wherein the clerks were expected to sign each day. Here his name one morning ceases abruptly from appearing; he signs, indeed, no more. Instead of signature you find, a little later, writ in careful commercial hand, this entry: “Mr — did not attend at his office today, having been hanged at eight o’clock in the morning for horse-stealing.” Through the faded ink of this record do you not seem to catch, across the gulf of years, some waft of the jolly humanity which breathed in this prince among clerks? A formal precisian, doubtless, during business hours; but with just this honest love of horseflesh lurking deep down there in him—unsuspected, sweetening the whole lump. Can you not behold him, freed from his desk, turning to pursue his natural bent, as a city-bred dog still striveth to bury his bone deep in the hearth-rug? For no filthy lucre, you may be sure, but from sheer love of the pursuit itself! All the same, he erred; erred, if not in taste, at least in judgment: for we cannot entirely acquit him of blame for letting himself be caught.
In these tame and tedious days of the policeman rampant, our melancholy selves are debarred from many a sport, joyous and debonair, whereof our happier fathers were free. Book-stealing, to be sure, remains to us; but every one is not a collector; and, besides, ’tis a diversion you can follow with equal success all the year round. Still, the instance may haply be pregnant with suggestion to many who wearily ask each year, what new place or pursuit exhausted earth still keeps for the holiday-maker. ’Tis a sad but sober fact, that the most of men lead flat and virtuous lives, departing annually with their family to some flat and virtuous place, there to disport themselves in a manner that is decent, orderly, wholly uninteresting, vacant of every buxom stimulus. To such as these a suggestion, in all friendliness: why not try crime? We shall not attempt to specify the particular branch—for every one must himself seek out and find the path his nature best fits him to follow; but the general charm of the prospect must be evident to all. The freshness and novelty of secrecy, the artistic satisfaction in doing the act of self-expression as well as it can possibly be done; the experience of being not the hunter, but the hunted, not the sportsman, but the game; the delight of comparing and discussing crimes with your mates over a quiet pipe on your return to town; these new pleasures—these and their like—would furnish just that gentle stimulant, that peaceful sense of change so necessary to the tired worker. And then the fact, that you would naturally have to select and plan out your particular line of diversion without advice or assistance, has its own advantage. For the moment a man takes to dinning in your ears that you ought, you really ought, to go to Norway, you at once begin to hate Norway with a hate that ever will be; and to have Newlyn, Cromer, or Dawlish, Carinthia or the Austrian Tyrol jammed down your throat, is enough to initiate the discovery that your own individual weakness is a joyous and persistent liking for manslaughter.
Some few seem to be born without much innate tendency to crime. After all, it is mostly a matter of heredity; these unfortunates are less culpable than their neglectful ancestors; and it is a fault that none need really blush for in the present. For such as they there still remains the example of the turnpike-loving clerk, with all its golden possibilities. Denied the great delight of driving a locomotive, or a fire-engine—whirled along in a glorious nimbus of smoke-pant, spark-shower, and hoarse warning roar—what bliss to the palefaced quilldriver to command a penny steamboat between London Bridge and Chelsea! to drive a four-horsed Jersey-car to Kew at sixpence a head! Though turnpikes be things of the past, there are still tolls to be taken on many a pleasant reach of Thames. What happiness in quiet moments to tend the lock-keeper’s flower-beds—perhaps make love to his daughter; anon in busier times to let the old gates swing, work the groaning winches, and hear the water lap and suck and gurgle as it slowly sinks or rises with its swaying freight; to dangle legs over the side and greet old acquaintances here and there among the parti-coloured wayfarers passing up or down; while tobacco palleth not on the longest day, and beer is ever within easy reach. The iron tetter that scurfs the face of our island has killed out the pleasant life of the road; but many of its best conditions still linger round these old toll gates, free from dust and clatter, on the silent liquid Highway to the West.
These for the weaker brethren: but for him who is conscious of the Gift, the path is plain.
DEUS TERMINUS
The practical Roman, stern constructor of roads and codes, when he needs must worship, loved a deity practical as himself; and in his parcelling of the known world into plots, saying unto this man, Bide here, and to that, Sit you down there, he could scarce fail to evolve the god Terminus: visible witness of possession and dominion, type of solid facts not to be quibbled away. We Romans of this latter day—so hailed by others, or complacently christened by ourselves—are Roman in nothing more than in this; and, as much in the less tangible realms of thought as in our solid acres, we are fain to set up the statue which shall proclaim that so much country is explored, marked out, allotted, and done with; that such and such ramblings and excursions are practicable and permissible, and all else is exploded, illegal, or absurd. And in this way we are left with naught but a vague lingering tradition of the happier days before the advent of the ruthless deity.
The sylvan glories of yonder stretch of woodland renew themselves each autum
n, regal as ever. It is only the old enchantment that is gone; banished by the matter-of-fact deity, who has stolidly settled exactly where Lord A.’s shooting ends and Squire B.’s begins. Once, no such petty limitations fettered the mind. A step into the woodland was a step over the border—the margin of the material; and then, good-bye to the modern world of the land-agent and the “Field” advertisement! A chiming of little bells over your head, and lo! the peregrine, with eyes like jewels, fluttered through the trees, her jesses catching in the boughs. ’Twas the favourite of the Princess, the windows of whose father’s castle already gleamed through the trees, where honours and favours awaited the adventurous. The white doe sprang away through the thicket, her snowy flank stained with blood; she made for the enchanted cot, and for entrance you too had the pass-word. Did you fail on her traces, nor fox nor mole was too busy to spare a moment for friendly advice or information. Little hands were stretched to trip you, fairy gibe and mockery pelted you from every rabbit-hole; and O what Dryads you have kissed among the leaves, in that brief blissful moment ere they hardened into tree! ’Tis pity, indeed, that this sort of thing should have been made to share the suspicion attaching to the poacher; that the stony stare of the boundary god should confront you at the end of every green ride and rabbit-run; while the very rabbits themselves are too disgusted with the altered circumstances to tarry a moment for so much as to exchange the time of day.
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