Tomorrow, When the War Began

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Tomorrow, When the War Began Page 1

by John Marsden




  Table of Contents

  Title Page

  Table of Contents

  Copyright

  Acknowledgments

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-one

  Chapter Twenty-two

  Epilogue

  Author's Note

  Copyright © 1993 by John Marsden

  First American edition 1995

  Originally published in Australia in 1993 by Pan Macmillan Publishers

  All rights reserved. For information about permission to

  reproduce selections from this book, write to Permissions,

  Houghton Mifflin Company, 215 Park Avenue South,

  New York, New York 10003

  Library of Congress Cataloging-in-Publication Data

  Marsden, John, 1950—

  Tomorrow. when the war began / by John Marsden.

  p. cm.

  "First published 1993 ... Australia"—T.p. verso.

  Summary: Seven Australian teenagers return from a camping trip

  in the bush to discover that their country has been invaded and they

  must hide to stay alive.

  ISBN 0-395-70673-4

  [1. Survival—Fiction. 2. War—Fiction. 3. Australia—

  Fiction.]

  I. Title.

  PZ7.M35147To 1995 94-29299

  [Fic]—dc20 CIP

  AC

  Printed in the United States of America

  QUM 11 12 13 14 15

  This book was written while the author was in receipt of a writer's fellowship from the Literature Board of the Australia Council, whose help is gratefully acknowledged.

  Chapter One

  It's only half an hour since someone—Robyn I think—said we should write everything down, and it's only twenty-nine minutes since I got chosen, and for those twenty-nine minutes I've had everyone crowded around me gazing at the blank page and yelling ideas and advice. Rack off guys! I'll never get this done. I haven't got a clue where to start and I can't concentrate with all this noise.

  OK, that's better. I've told them to give me some peace, and Homer backed me up, so at last they've gone and I can think straight.

  I don't know if I'll be able to do this. I might as well say so now. I know why they chose me, because I'm meant to be the best writer, but there's a bit more to it than just being able to write. There's a few little things can get in the way. Little things like feelings, emotions.

  Well, we'll come to that later. Maybe. We'll have to wait and see.

  I'm down at the creek now, sitting on a fallen tree. Nice tree. Not an old rotten one that's been eaten by witchetty grubs but a young one with a smooth reddish trunk and the leaves still showing some green. It's hard to tell why it fell—it looks so healthy—but maybe it grew too close to the creek. It's good here. This pool's only about ten metres by three but it's surprisingly deep—up to your waist in the middle. There's constant little concentric ripples from insects touching it as they skim across the surface. I wonder where they sleep, and when. I wonder if they close their eyes when they sleep. I wonder what their names are. Busy, anonymous, sleepless insects.

  To be honest I'm only writing about the pool to avoid doing what I'm meant to be doing. That's like Chris, finding ways to avoid doing things he doesn't want to do. See: I'm not holding back. I warned them I wouldn't.

  I hope Chris doesn't mind my being chosen to do this instead of him, because he is a really good writer. He did look a bit hurt, a bit jealous even. But he hasn't been in this from the start, so it wouldn't have worked.

  Well, I'd better stop biting my tongue and start biting the bullet. There's only one way to do this and that's to tell it in order, chronological order. I know writing it down is important to us. That's why we all got so excited when Robyn suggested it. It's terribly, terribly important. Recording what we've done, in words, on paper, it's got to be our way of telling ourselves that we mean something, that we matter. That the things we've done have made a difference. I don't know how big a difference, but a difference. Writing it down means we might be remembered. And by God that matters to us. None of us wants to end up as a pile of dead white bones, unnoticed, unknown, and worst of all, with no one knowing or appreciating the risks we've run.

  That makes me think that I should be writing this like a history book, in very serious language, all formal. But I can't do that. Everyone's got their own way and this is mine. If they don't like my way they'll have to find someone else.

  OK, better do it then.

  It all began when ... They're funny, those words. Everyone uses them, without thinking what they mean. When does anything begin? With everyone, it begins when you're born. Or before that, when your parents got married. Or before that, when your parents were born. Or when your ancestors colonised the place. Or when humans came squishing out of the mud and slime, dropped off their flippers and fins, and started to walk. But all the same, all that aside, for what's happened to us there was quite a definite beginning.

  So: it all began when Corrie and I said we wanted to go bush, go feral for a few days over the Christmas holidays. It was just one of those stupid things: 'Oh wouldn't it be great if...' We'd camped out quite often, been doing it since we were kids, taking the motorbikes all loaded with gear and going down to the river, sleeping under the stars, or slinging a bit of canvas between two trees on cold nights. So we were used to that. Sometimes another friend would come along, Robyn or Fi usually. Never boys. At that age you think boys have as much personality as coat hangers and, you don't notice their looks.

  Then you grow up.

  Well there we were, only weeks ago, though I can hardly believe it, lying in front of the television watching some junk and talking about the holidays. Corrie said, 'We haven't been down to the river for ages. Let's do that.'

  'OK. Hey, let's ask Dad if we can have the Landrover.'

  'OK. Hey, let's see if Kevin and Homer want to come.'

  'God yeah, boys! But we'd never be allowed.'

  'I reckon we might. It's worth a try.'

  'OK. Hey, if we get the Landrover, let's go further. Wouldn't it be great if we could go right up to Tailor's and into Hell.'

  'Yeah OK, let's ask.'

  Tailor's, Tailor's Stitch, is a long line, an arete, that goes dead straight from Mt Martin to Wombegonoo. It's rocky, and very narrow and steep in places, but you can walk along it, and there's a bit of cover. The views are fantastic. You can drive almost up on to it at one point, near Mt Martin, on an old logging track that's hard to find now, it's so overgrown. Hell is what's on the other side of Tailor's, a cauldron of boulders and trees and blackberries and feral dogs and wombats and undergrowth. It's a wild place, and I didn't know anyone who'd been there, though I'd stood on the edge and looked down at it quite often. For one thing I couldn't see how you'd get in there. The cliffs all around it are spectacular, hundreds of metres high in places. There's a series of small cliffs called Satan's Steps that drop into it, but believe me, if these are steps, the Great Wall of China is our back fence. If there was any access the cliffs had to be the way, and I'd always wanted to give it a go. The locals all told stories about the Hermit
from Hell, an ex-murderer who was supposed to have lived up there for years. He was meant to have killed his own wife and child. I wanted to believe in his existence but I found it a bit difficult. My brain kept asking myself awkward questions like: 'How come he didn't get hung, like they did to murderers in those days?' Still, it was a good story and I hoped it was true; not the murders part but the hermit part at least.

  Anyway, the whole thing, the trip, grew from there. We made this casual decision to do it, and we immediately let ourselves in for a lot of hard work. The first job was to persuade our mums and dads to let us go. It's not that they don't trust us, but as Dad said, 'It's a pretty big ask'. They spent a lot of time not saying no, but trying to talk us into other things instead. That's the way most parents operate I think. They don't like to start a fight so they suggest alternatives that they think they can say yes to and they hope you might say yes to. 'Why don't you go down the river again?' 'Why don't you ask Robyn and Meriam instead of the boys?' 'Why don't you just take bikes? Or even horses? Make it a real old-fashioned campout. That'd be fun.'

  Mum's idea of fun was making jam for the Preserves section of the Wirrawee Show, so she was hardly an authority on the subject. I feel a bit odd, writing things like that, considering what we've all been through, but I'm going to be honest, not mushy.

  Finally we came to an agreement, and it wasn't too bad, considering. We could take the Landrover but I was the only one allowed to drive it, even though Kevin had his P's and I didn't. But Dad knows I'm a good driver. We could go to the top of Tailor's Stitch. We could invite the boys but we had to have more people: at least six and up to eight. That was because Mum and Dad thought there was less chance of an orgy if there were more people. Not that they'd admit that was the reason—they said it was to do with safety—but I know them too well.

  And yes, I've written that 'o' in 'know' carefully—I wouldn't want it to be confused with an 'e'.

  We had to promise not to take grog and smokes, and we had to promise that the boys wouldn't. It made me wonder about the way adults turn growing up into such a complicated process. They expect you to be always on the lookout for a chance to do something wild. Sometimes they even put ideas in your head. I don't think we would have bothered to take any grog or smokes anyway. Too expensive, for one thing—we were all pretty broke after Christmas. But the funny thing is that when our parents thought we were doing something wild we never were, and when they thought we were being innocent we were usually up to something. They never gave me a hard time about the school play rehearsals for instance, but I spent all my time there with Steve, undoing each other's buttons and buckles, then frantically doing them up again when Mr Kassar started bellowing, 'Steve! Ellie! Are they at it again? Someone get me a crowbar!'

  Very humorous guy, Mr Kassar.

  We ended up with a list of eight, counting us. We didn't ask Elliot, because he's so lazy, or Meriam, because she was doing work experience with Fi's parents. But five minutes after we made the list, one of the boys on it, Chris Lang, turned up at my place with his dad. So we immediately put the question to them. Mr Lang's a big guy who always wears a tie, no matter where he is or what he's doing. He seems kind of heavy and serious to me. Chris says his father was born on the corner of Straight and Narrow, and that sums it up. When his dad's around, Chris stays pretty quiet. But we asked them as they sat at our kitchen table, pigging out on Mum's date scones, and we got knocked back in one sentence. It turned out that A/hand Mrs Lang were going overseas, and even though they had a worker, Chris had to stay home and keep an eye on the place. So that was a bad start to our plans.

  Next day though, I took a bike and rode across the paddocks to Homer's. Normally I'd go by road, but Mum'd been getting a bit twitchy about the new cop in Wirrawee, who'd been booking people left, right and centre. His first week in town he booked the magistrate's wife for not wearing a seatbelt. Everyone was being careful till they'd broken this guy in.

  I found Homer down at the creek testing a valve that he'd just cleaned out. As I arrived he was holding it high, watching optimistically to see if it was leaking. 'Look at that,' he said as I got off the Yamaha. 'Tight as a drum.'

  'What was the problem?'

  'I don't know. All I know is that three minutes ago it was losing water and now it isn't. That's good enough for me.' I picked up the pipe and held it for him as he started screwing the valve back on. 'I hate pumps,' he said. 'When Poppa pops off I'm going to put dams in every paddock.'

  'Good. You can hire my earth-moving business to put them in.'

  'Oh, is that your latest?' He squeezed the muscles on my right upper arm. 'You'll be able to dig dams by hand the way you're going.' I gave a sudden shove, to try to push him into the creek, but he was too strong. I watched him pump the pipe up and down, to force water into it, then helped him carry buckets up to the pump to finish the priming. On the way I told him our plans.

  'Oh yeah, I'll have a go at that,' he said. 'I'd rather we went to a tropical resort and drank cocktails with umbrellas in them, but this'll do in the meantime.'

  We went back to his place for lunch, and he asked his parents for permission to come on the camp. 'Ellie and I are going bush for a few days,' he announced. That was Homer's way of asking permission. His mother didn't react at all; his father raised an eyebrow from above his cup of coffee; but his brother started firing the questions. When I gave the dates, his brother, George, said: 'What about the Show?'

  'We can't go any earlier,' I said. 'The Mackenzies are shearing.'

  'Yeah, but who's going to groom the bulls for the Show?'

  'You're a class act with a hair dryer,' Homer said. 'I've seen you in front of the mirror Saturday nights. Just don't go woggy with the bulls and put oil through their coats.' He said to me, 'Poppa's got a forty-four-gallon drum of oil in the shed, especially for George on Saturday nights'.

  As George was not known for his sense of humour, I kept my eyes down and had another mouthful of tabbouli.

  So Homer was organised, and Corrie rang that night to say Kevin was coming too. 'He wasn't all that keen,' she said. 'I think he'd rather go to the Show. But he's doing it for me.'

  'Er, yuk, vomit, spew,' I said. 'Tell him to go to the Show if that's what he wants. There's plenty of guys who'd kill to come with us.'

  'Yeah, but they're all under twelve,' Corrie sighed. 'Kevin's little brothers are desperate to come. But they're too young, even for you.'

  'And too old for you,' I replied rudely.

  I rang Fiona after the call from Corrie, and told her our plans. 'Do you want to come?' I asked.

  'Oh!' She sounded amazed, as if I'd told her all about the trip just to entertain her. 'Oh gosh. Do you want me to?'

  I didn't even bother to answer that one.

  'Oh gosh.' Fi was the only person I knew under sixty who said 'gosh'. 'Who else is coming?'

  'Corrie and me. Homer and Kevin. And we thought we'd ask Robyn and Lee.'

  'Well, I'd like to. Wait a sec, and I'll go and ask.'

  It was a long wait. At last she came back with a series of questions. She relayed my answers to her mother or father, or both, in the background. After about ten minutes of this there was another long conversation; then Fi picked up the phone again.

  'They're being difficult,' she sighed. 'I'm sure it'll be OK but my mum wants to ring your mum to make sure. Sorry.'

  'That's cool. I'll put you down with a question mark and I'll talk to you at the weekend, OK?'

  I hung up. It was getting hard to use the phone, because the TV was yelling at me. Mum had it turned up too loud, so she could hear the News in the kitchen. An angry face filled the screen. I stopped and watched for a moment. 'We've got a wimp for a Foreign Minister,' the face was shouting. 'He's weak, he's gutless, he's the new Neville Chamberlain. He doesn't understand the people he's dealing with. They respect strength, not weakness!'

  'Do you think defence is high on the Government's agenda?' the interviewer asked.

  'High? Hi
gh? You must be joking! Do you know what they've cut from the defence budget?'

  Thank goodness I'm getting away from this for a week, I thought.

  I went into Dad's office and rang Lee. It took a while to explain to his mother that I wanted her son. Her English wasn't too crash hot. Lee was funny when he came to the phone, almost suspicious. He seemed to react slowly to everything I said, as though he was weighing it up. 'I'm meant to be playing at the Commemoration Day concert,' he said, when I told him the dates. There was a silence, which I finally broke.

  'Well do you want to come?'

  He laughed then. 'It sounds more fun than the concert.'

  Corrie had been puzzled when I'd said I wanted to ask Lee. We didn't really hang round with him at school. He seemed a serious guy, very into his music, but I just thought he was interesting. I suddenly realised that we didn't have that much time left at school, and I didn't want to leave without getting to know people like Lee. There were people in our year who still didn't know the names of everyone else in the form! And we were such a small school. I had this intense curiosity about some kids, and the more different they were to the people I normally hung around with, the more curious I was.

  'Well, what do you think?' I asked. There was another long pause. Silence makes me uncomfortable, so I kept talking. 'Do you want to ask your mum and dad?'

  'No, no. I'll handle them. Yeah, I'll come.'

  'You don't sound all that keen.'

  'Hey, I'm keen! I was just thinking about the problems. But it's cool, I'll be there. What'll I bring?'

  My last call was to Robyn.

  'Oh Ellie,' she wailed. 'It'd be great! But I'd never be allowed.'

  'Come on Robyn, you're tough. Put the pressure on them.'

  She sighed. 'Oh Ellie, you don't know what my parents are like.'

  'Well ask them, anyway. I'll wait on.'

  'OK.'

  After a few minutes I heard the bumping noises of the phone being picked up again, so I asked, 'Well? Did you con them into it?'

  Unfortunately it was Mr Mathers who answered.

  'No Ellie, she hasn't conned us into it.'

 

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