Olympos

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by Dan Simmons


  Paris’s true wife? In his puzzlement, Menelaus hesitated. There were more Trojans jostling out of the temple and adjoining alleys to watch this spectacle. Several men stepped up onto the stairs next to and above Menelaus. The red-haired Argive remembered now that the word in Sparta after the abduction of Helen had been that Paris had been married to a plain-looking woman—ten years older than he had been on their wedding day—and that he had put this wife aside when the gods helped him to abduct Helen. Oenone.

  “Phoebus Apollo did not kill Priam’s son, Paris,” shouted this woman called Oenone. “I did!”

  There were shouts, even obscenities, and some of the Trojan warriors on the near side of the fire stepped forward as if to grab this crazy women, but their comrades held them back. The majority wanted to hear what she had to say.

  Menelaus could see Hector through the flames. Even Ilium’s greatest hero was powerless to intercede here, since his brother’s blazing corpse fire stood between him and this middle-aged woman.

  Oenone was so close to the flames that her clothing steamed. She looked wet, as if she had doused herself in water in preparation for this stunt. Her full breasts were clearly visible as they drooped under her soaked gown.

  “Paris did not die from flames by Phoebus Apollo’s hands!” screamed the harpy. “When my husband and the god disappeared from sight into Slow Time ten days ago, they exchanged bowshots—it was an archer’s duel, just as Paris had planned. Both man and god missed his mark. It was a mortal—the coward Philoctetes—who fired the fatal arrow that doomed my husband!” Here Oenone pointed into the group of Achaeans to where old Philoctetes stood near Big Ajax.

  “Lies!” screamed the old archer, who had been rescued from his isle of exile and disease only recently by Odysseus, months after the war with the gods had begun.

  Oenone ignored him and stepped even closer to the flames. The skin of her bare arms and face reddened in the heat. The steam from her garments became as thick as a mist around her. “When Apollo QT’d back to Olympos in frustration, it was the Argive coward Philoctetes, bearing old grudges, who fired his poison arrow into my husband’s groin!”

  “How could you know this, woman? None of us followed Priam’s son and Apollo into Slow Time. None of us saw the battle!” bellowed Achilles, his voice a hundred times more clear than the widow’s.

  “When Apollo saw the treachery, he QT’d my husband to the slopes of Mount Ida, where I have lived in exile this decade and more…” continued Oenone.

  There were a few shouts now, but for the most part the gigantic city square, filled with thousands of Trojan warriors, as well as the populated walls and rooftops above, were silent. Everyone waited.

  “Paris begged me to take him back…” shouted the weeping woman, her wet hair now steaming as furiously as her clothes. Even her tears seemed to turn to steam. “He was dying of Greek poison, his balls and once-beloved member and lower belly already black from it, but he begged me to heal him.”

  “How could a mere harridan heal him from mortal poison?” shouted Hector, speaking up for the first time, his voice bellowing through the flames like a god’s.

  “An oracle had told my husband that only I could heal him from such a mortal wound,” Oenone shouted back hoarsely, her voice either failing now or being defeated by the heat and roar. Menelaus could hear her words, but he doubted if most of the others in the square could.

  “He implored me in his agony,” cried the woman, “asking me to put balm on his poisoned wound.’Do not hate me now,’ Paris begged me, ’I left you only because the Fates ordered me to go to Helen. I wish I had died before bringing that bitch to Priam’s palace. I implore you, Oenone, by the love we bore each other and by the vows we once took, forgive me and heal me now.’”

  Menelaus watched her take two more steps closer to the pyre, until flames licked around her, blackening her ankles and causing her sandals to curl.

  “I refused!” she shouted, her voice hoarse but louder again. “He died. My only love and only lover and only husband died. He died in horrible pain, screaming obscenities. My servants and I tried to burn his body—to give my poor Fates-doomed husband the hero’s funeral pyre he deserved—but the trees were strong and hard to cut, and we were women, and weak, and I failed to do even this simple task. When Phoebus Apollo saw how poorly we had honored Paris’s remains, he took pity on his fallen foe a second time, QT’d Paris’s desecrated body back to the battlefield, and let the charred corpse fall out of Slow Time as if he had been burned in battle.

  “I’m sorry that I did not heal him,” called Oenone. “I’m sorry for everything.” She turned long enough to look up at the balcony, but it was doubtful if she could see the people there clearly through the heat haze and smoke and pain of her burning eyes. “But at least that cunt Helen never saw him alive again.”

  The ranks of Trojans began to murmur until the sound built into a roar.

  Now, too late, a dozen Trojan guards ran toward Oenone to drag her back for further interrogation.

  She stepped up onto the flaming pyre.

  First her hair burst into flames, and then her gown. Incredibly, impossibly, she continued climbing the heaped wood, even as her flesh burned and blackened and folded back like charred parchment. Only in the last seconds before she fell did she visibly writhe in agony. But her screams filled the square for what seemed like minutes, stunning the crowd into silence.

  When the massed Trojans spoke again, it was to shout for Philoctetes, demanding that the honor guard of Achaeans give him up.

  Furious, confused, Menelaus looked up the staircase. Priam’s royal guard had surrounded everyone on the balcony now. The way to Helen was blocked by a wall of circular Trojan shields and a picket of spears.

  Menelaus jumped down from his step and ran across the empty space near the pyre, feeling the heat hitting his face like a fist and knowing that his eyebrows were being singed off. In a minute he had joined the ranks of his fellow Argives, his sword raised. Ajax, Diomedes, Odysseus, Teucer, and the others had made their own circle around Philoctetes and also had their weapons raised and ready.

  The overwhelming mass of Trojans surrounding them lifted high their shields, raised their spears, and advanced on the two dozen doomed Greeks.

  Suddenly Hector’s voice roared everyone into immobility.

  “Stop! I forbid this! Oenone’s babblings—if this even was Oenone who killed herself here today, for I did not recognize the crone—mean nothing. She was mad! My brother died in mortal combat with Phoebus Apollo.”

  The furious Trojans did not seem convinced. Spearpoints and swords remained poised and eager. Menelaus looked around at his doomed band and noticed that while Odysseus was frowning and Philoctetes was cowering, Big Ajax was grinning as if anticipating the imminent slaughter that would end his life.

  Hector strode past the pyre and put himself between the Trojan spears and the circle of Greeks. He still wore no armor and carried no weapons, but suddenly he seemed the most formidable foe on the field.

  “These men are our allies and are my invited guests at the funeral of my brother,” shouted Hector. “You shall not harm them. Anyone who defies my order will die by my hand. I swear this on the bones of my brother!”

  Achilles stepped off the platform and raised his shield. He was still dressed in his best armor and was armed. He said nothing and made no move, but every Trojan in the city must have been aware of him.

  The hundreds of Trojans looked at their leader, looked over at fleet-footed mankilling Achilles, looked a final time at the funeral pyre where the woman’s corpse had been all but consumed by the flames, and they gave way. Menelaus could feel the fighting spirit slide out of the mobs surrounding them, could see the confusion on the tanned Trojan faces.

  Odysseus led the Achaeans toward the Scaean Gates. Menelaus and the other men lowered their swords but did not sheath them. The Trojans parted like a reluctant but still-blood-hungry sea before them.

  “By the gods…”
whispered Philoctetes from the center of their circle as they went out through the gates and past more ranks of Trojans, “I swear to you that…”

  “Shut the fuck up, old man,” said powerful Diomedes. “You say one more word before we’re back to the black ships, I’ll kill you myself.”

  Beyond the Achaean pickets, past the defensive trenches and beneath the moravec forceshields, there was confusion along the coast even though the encampments there couldn’t have heard about the near disaster in the city of Troy. Menelaus broke away from the others and ran down to the beach.

  “The King has returned!” cried a spearman, running past Menelaus and wildly blowing a conch shell. “The commander has returned.”

  Not Agamemnon, thought Menelaus. He won’t be back for at least another month. Perhaps two.

  But it was his brother, standing at the prow of the largest of the thirty black ships in his small fleet. His golden armor flashed as the rowers drove the long, thin craft through the surf and in toward the beach.

  Menelaus waded into the waves until the water covered the bronze greaves protecting his shins. “Brother!” he cried, waving his arms over his head like a boy. “What news is there from home? Where are the new warriors you swore to return with?”

  Still sixty or seventy feet out from shore, water splashing about the bow of his black ship as it surfed in on the long, great swell, Agamemnon covered his eyes as if the afternoon sun hurt them and shouted back, “Gone, fellow son of Atreus. All are gone!”

  5

  The corpse fire will burn all through the night.

  Thomas Hockenberry, B.A. in English from Wabash College, M.A. and Ph.D. from Yale in classical studies, formerly on the faculty of Indiana University—in truth, head of the classics department there until he died of cancer in A.D. 2006—and most recently, for ten years of the ten years and eight months since his resurrection, Homeric scholic for the Olympian gods, whose duties during that time included reporting daily and verbally to his Muse, Melete by name, on the progress of the Trojan War and how the tale was following or diverging from Homer’s Iliad—the gods, it turns out, are as preliterate as three-year-olds—leaves the city square and Paris’s flaming pyre shortly before dusk and climbs the second-tallest tower in Troy, damaged and dangerous though it is, to eat his bread and cheese and drink his wine in peace. In Hockenberry’s opinion, it’s been a long, weird day.

  The tower he frequently chooses for solitude is closer to the Scaean Gate than to the center of the city near Priam’s palace, but it’s not on the main thoroughfare and most of the warehouses at its base are empty these days. Officially, the tower—one of the tallest in Ilium before the war, almost fourteen stories tall by Twentieth Century reckoning and shaped like a poppy reed or a minaret with a bulbous swelling near its top—is closed to the public. A bomb from the gods in the early weeks of the current war blasted off the top three floors and diagonally shattered the bulb, leaving the small rooms near the top open to the air. The main shaft of the tower shows alarming cracks and the narrow spiral staircase is littered with masonry, plaster, and dislodged stones. It took hours for Hockenberry to clear the way to the eleventh-floor bulb during his first venture up the tower two months earlier. The moravecs—at Hector’s direction—have placed orange plastic tape across the entrances, warning people in graphic pictograms what harm they could come to—the tower itself could tumble over at any time according to the most alarming of the graphic images—and other symbols command them to stay out upon penalty of King Priam’s wrath.

  The looters had then emptied the place within seventy-two hours, and after that the locals did stay out—for what use was an empty building? Now Hockenberry slips between the bands of tape, clicks on his flashlight, and begins his long ascent with little worry about being arrested or robbed or interrupted here. He’s armed with a knife and short sword. Besides, he’s well known: Thomas Hockenberry, son of Duane, occasional friend…well, no, not friend, but interlocutor at least…of both Achilles and Hector, not to mention a public figure now with more than passing acquaintance with both the moravecs and rockvecs…so there are very few Greeks or Trojans who will move to harm him without thinking twice.

  But the gods, now…well, that’s another matter.

  Hockenberry is panting by the third floor, actively wheezing and stopping to catch his breath by the tenth, and making noises like the 1947 Packard his father had once owned by the time he reaches the shattered eleventh floor. He’s spent more than ten years watching these human demigods—Greek and Trojan alike—warring and feasting and loving and debauching like muscular ads for the most successful health club in the world, not to mention the gods, male and female, who are walking advertisements for the best health club in the universe, but Thomas Hockenberry, Ph.D., has never found time to get himself in shape. Typical, he thinks.

  The stairway winds tightly up through the center of the circular building. There are no doorways and some evening light comes into the central stairwell through windows in the tiny, pie-shaped rooms on either side, but the ascent is still dark. He uses the flashlight to make sure that the stairs are where they should be and that no new debris has tumbled into the stairwell. At least the walls are clean of graffiti—one of the many blessings of a totally illiterate populace, thinks Professor Thomas Hockenberry.

  As always when he reaches his little niche on what is now the top floor, long since swept clear of debris and the worst of the plaster dust by him but open to rain and wind, he decides that the climb has been worth the effort.

  Hockenberry sits on his favorite block of stone, sets down his pack, puts away his flashlight—loaned to him months ago by one of the moravecs—and pulls out his small wrapped package of fresh bread and stale cheese. He also digs out his wineskin. Sitting there, feeling the evening breeze coming off the sea stir his new beard and long hair, idly cutting off chunks of cheese and slicing the slab of bread with his combat knife, Hockenberry gazes out at the view and lets the tension of the day seep out of him.

  The view is a good one. Sweeping almost three hundred degrees, blocked from being circular by just a shard of wall left standing behind him, the view allows Hockenberry to see most of the city beneath him—Paris’s funeral pyre just a few blocks east and seeming to be almost directly beneath him from this height—and the city walls all around, their torches and bonfires just being lighted, and the Achaean encampment strung out north and south along the coast for miles, the lights of the hundreds upon hundreds of cooking fires reminding Hockenberry of a view he’d once glimpsed from an aircraft descending above Lake Shore Drive in Chicago after dark, the lakefront bejeweled with its shifting necklace of headlights and countless lighted apartment buildings. And now, just visible against the wine-dark sea, are the thirty or so black ships just returned with Agamemnon, the long boats mostly still bobbing at anchor rather than pulled up on the beach. Agamemnon’s camp—all but empty the last month and a half—is ablaze with fires and blurred with motion this evening.

  The skies are not empty here. To the northeast, the last of the space-warp holes, Brane Holes, whatever they are—people have just called the remaining one the Hole for the last six months—cuts a disk out of the Trojan sky as it connects the plains of Ilium to the ocean of Mars. Brown Asia Minor soil leads directly to red Martian dust without so much as a crack in the earth to separate the two. It’s a bit earlier in the evening on Mars, and a red twilight lingers there, outlining the Hole against the darker old-Earth sky here.

  Navigation lights blink red and green on a score of moravec hornets flying night patrol above the Hole, over the city, circling out over the sea, and prowling as far away as the dimly glimpsed shadows that are the wooded peaks of Mount Ida to the east.

  Even though the sun has just set—early on this winter’s night—the streets of Troy are open for business. The last traders in the marketplace near Priam’s palace have folded away their awnings and are trundling their wares away in carts—Hockenberry can hear the creaking wooden wheels
over the wind even at this height—but the adjoining streets, filled with brothels and restaurants and bathhouses and more brothels, are coming alive, filling with jostling forms and flickering torches. As is the Trojan custom, every major intersection in the city, as well as every turn and angle on the broad walls around the city, are lighted every evening by huge bronze braziers in which oil or wood fires are kept burning all through the night, and the last of these are now being lighted by watchmen. Hockenberry can see dark forms pressing close to warm themselves around each of these fires.

  Around all but one. In Ilium’s main square, Paris’s funeral pyre out-shines all the other fires in and around the city, but only one dark form presses close to it as if for warmth—Hector, moaning aloud, weeping, calling to his soldiers and servants and slaves to pour more wood onto the howling flames while he uses a large, two-handed cup to dip wine from a golden bowl, constantly pouring it onto the ground near the pyre until the earth there is so drenched it looks to be oozing blood.

  Hockenberry is just finishing his dinner when he hears the footsteps coming up the spiral staircase.

  Suddenly his heart is pounding and he can taste the fear in his mouth. Someone has followed him up here—there can be little doubt. The tread on the steps is too light—as if the person climbing the stairs is trying to move stealthily.

  Maybe it’s some woman scavenging, thinks Hockenberry, but even as the hope rises, it’s dashed; he can hear a faint metallic echo in the stairwell, as of bronze armor rattling. Besides, he knows, the women in Troy can be more deadly than most men he’d known in his Twentieth and Twenty-first century world.

  Hockenberry rises as quietly as he can, sets the wineskin and bread and cheese aside, sheaths his knife, silently draws his sword, and steps back toward the only standing wall. The wind rises and rustles his red cape as he conceals the sword under its folds.

 

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