by Dan Simmons
The ropes and stalagmites of blue on regular street level were too thick to allow him to proceed northwest up Avenue Daumesnil itself, but, amazingly, there was a stretch of green pathway down there paralleling the avenue. He rigged a bent quarrel driven into the blue ice to secure his thirty-foot descent, looping a rope over it and lowering himself carefully, knowing that a broken leg now would probably mean his death. There was an icy overhang near the bottom and he had to swing free, then slide down the rope the last ten feet to the absurdly grassy floor of the trench.
There were a dozen voynix waiting in the darkness under the overhang.
Daeman was so surprised that he let go of the rope at the same instant he started fumbling for the crossbow strung across his back. He fell four feet, lost his footing on the grass, and tumbled backward without extricating the heavy crossbow. He half lay there on his back, hands empty, looking at the raised steel arms, sharp killing blades, and emerging carapaces of the mob of voynix frozen in the act of leaping at him from only eight feet away.
Frozen. All twelve of the creatures were mostly entombed in the blue ice with only bits of blade or arm or leg or shell protruding. None of their peds were fully on the ground and it was obvious that the ice had caught them in the act of running and leaping. Voynix were fast on their peds. How could this blue ice form quickly enough to catch them thus?
Daeman had no answer, only thankfulness that it had. He got to his feet, felt his back and ribs ache where he’d fallen on the crossbow and lumpy pack, and pulled the rope down. He could have left it fixed in place—he had more than a hundred feet more and he might need to ascend that ice cliff quickly on his return rather than laboriously chipping footholds with his ice hammers—but he might need all the rope before this day was done. Heading northwest now, parallel to the Avenue Daumesnil on what he still thought of as the Promenade Plantee—the familiar bamboo-three elevated walkway frozen in ice sixty feet above him now—Daeman freed the crossbow, made sure again that the heavy weapon was cocked and ready, and followed the impossible path of green grass toward the heart of Paris Crater.
Promenade Plantee, everyone in Paris Crater had called the walkway above. It was one of those rare old names, in words that seemed to predate the world’s common language, and no one Daeman knew had ever asked its meaning. He wondered now as he followed the green strip down the darkening and ever-deeper canyon through blue ice and excavated ruins if the walkway he’d known had been named after this older, forgotten path, buried until Setebos had seen fit to dig it up with his many hands.
Daeman advanced cautiously and with a growing sense of anxiety. He didn’t know what he thought he’d find here—his main goal had been to get one clear look at Setebos, if Setebos it was, and perhaps be able to report to everyone at Ardis Hall on just what this blue-ice city was like after its invasion—but as he saw other things frozen in the organic blue ice on either side of the Promenade, half a dozen more voynix, stacks of human skulls, more ruins that had not seen the light of day for centuries, his palms grew more moist even as his mouth dried up.
He wished he’d taken one of the flechette pistols or rifles that Petyr had brought back from the Bridge. Daeman clearly remembered Savi firing a full cloud of flechettes into Caliban’s chest at almost zero range up there in the subterranean grotto on Prospero’s orbital isle. It hadn’t killed the monster; Caliban had howled and bled, but had also lifted Savi in his long arms and bitten through her neck with one horribly audible snap of his jaws. Then the creature had hauled her body away, diving into the swamp and carrying her corpse off through the system of sewage pipes and flooded tunnels.
I came to find Caliban, thought Daeman, clearly acknowledging that as fact for the first time. Caliban was his enemy—his nemesis. Daeman had learned the word only the previous month and knew at once that in his life, the term “nemesis” applied only to Caliban. And—after his trying to kill the creature up there on Prospero’s isle, then leaving it to die there after maneuvering the orbiting black-hole machine into the island—it was all too possible that Caliban considered Daeman his nemesis.
Daeman hoped so, though the thought of fighting the creature again made his mouth drier and his palms wetter. But then Daeman would remember holding his mother’s skull, remember the taunting insult of that pyramid of skulls—an insult that could have come only from Caliban, Sycorax’s child, Prospero’s creature, worshiper of that god of arbitrary violence, Setebos—and he kept on walking, his crossbow with its two inadequate but sharpened and barbed bolts cocked and ready.
He was in the deep shadow of another larger overhang when he saw the forms emerging from the blue ice. These weren’t frozen voynix; they appeared to be humans, giants, heavily muscled and contorted, with blue-gray flesh and vacant, upturned eyes.
Daeman had his crossbow leveled and was frozen in his tracks for thirty seconds before he understood what he was looking at.
Statues. He’d first learned the real meaning of the word from Hannah—stone or some other material shaped into human form. There had been no “statues” in the Paris Crater and faxworld of his youth and the first time he’d actually seen one had been at the Golden Gate at Machu Picchu just ten months or so before. That place, or at least the green habitation globes clinging to it like ivy, was a museum more than a bridge, but it had taken Hannah—always interested in making and pouring molten metal into shapes—to explain that the human forms they were looking at there were “statues,” works of art—also an alien idea. Evidently these statues had no other reason for existence than to please the eye. Daeman had to smile even now at one memory from the Bridge—they’d thought that Odysseus, Noman now, had been one of those museum statues until he’d moved and spoken to them.
These shapes weren’t moving. Daeman stepped closer and lowered the crossbow.
The figures were huge—more than twice life-sized—and leaning out of the ice because the ancient building they were part of had tilted forward. Each stone or concrete gray shape was the same—a man, beardless, with curls around the gray mass that stood for his hair, nude except for a small sleeveless shirt that was pulled up above his midriff. The figure’s left arm was raised and bent, its hand set on the back of his head. The right arm was massive, muscular, bent at elbow and wrist, with his huge right hand resting on the man’s bare belly just under its chest, actually pushing up the gray, concrete folds of the shirt. The man’s right leg was the only other limb visible, curving out of the façade of the building, a shelf or ridge of some sort above small windows running through the line of identical male statues like something piercing their hips.
Daeman stepped closer, his eyes adapting to the darkness under the blue-ice overhang. The man’s—the “statue’s”—head was tilted to the right, the gray cheek almost touching the gray shoulder, and the expression on the sculpted face was hard for Daeman to describe—eyes closed, bow of lips pursed upward. Was it agony? Or some sort of orgasmic pleasure? It could be either—or perhaps some more complicated emotion known to humans then and lost to Daeman’s era. The long line of identical shapes emerging from both the façade of the ancient ruin and the wall of blue ice made Daeman think of a dancing line of simpering men undressing for some unseen audience. What had this building been? What use had the Ancients put it to? Why this decoration?
Nearby on the façade were letters—Daeman recognized them as such now after his months with Harman and his own learning the sigl-function.
SAGI
M YUNEZ
YANOWSKI
1991
Daeman had never learned to read, but out of habit he set his thermskinned hand on the cold stone and brought up the mental image of five blue triangles in a row. Nothing. He had to laugh at himself—you couldn’t sigl stone, only books, and only certain books at that. Besides, would the sigl-function work through molecular thermskin? He had no way of knowing.
However, Daeman could read the numerals. One-nine-nine-one. No faxnode code ran that high. Could it be some sort of exp
lanation of the statues? Or some ancient attempt to set the figures more firmly in time, just as the human likenesses had been set in stone? How does one number time? he wondered. Daeman tried for a moment to imagine what one-nine-nine-one might stand for in years…the years since the reign of some ancient king, such as Agamemnon or Priam in the turin drama? Or perhaps it was part of the way the artist of these disturbing statues proclaimed his or her own identity. Was it possible that everyone in the Lost Era identified themselves through numerals rather than names?
Daeman shook his head and left the blue-ice grotto. He was wasting time and the strangeness of these things—these buildings and “statues” that should have remained buried, these thoughts of people unlike those he’d always known, of someone trying to put a numerical value to time itself—were as alien and unsettling to him as the memory of Setebos coming through the Hole, a swollen, disembodied brain being carried by scuttling rats.
If he was to find Caliban and Setebos—or allow them to find him—he’d find them in this dome-cathedral.
It was not a true cathedral, of course—Daeman had only known that word, “cathedral,” for a few months, sigling it in a book of Harman’s from which he’d learned many words and understood almost nothing—but the inside of this huge dome seemed much like Daeman imagined a cathedral to be. But certainly no cathedral like this had ever stood in the city now called Paris Crater.
That was after dark. While the light still lasted, he’d followed the green slash of the Promenade Plantee along the trench of the Avenue Daumesnil until that dead-ended in an ice mass he guessed to be the Operbastel. Although the crevasse had closed overhead, he followed a tunnel that seemed to follow the Rude Lyon up to the juncture that was the Bastille. Here more tunnels and open, narrow crevasses—in one he could extend his arms and touch both ice walls at once—led to his left toward the Seine.
In Daeman’s lifetime and for a hundred Five-Twenty lifetimes before him, the Seine had been dried up and paved with human skulls. No one knew why the skulls were there, only that they always had been—they looked like white and brown paving stones from any of the many bridges one would cross in a droshky, barouche, or carriole—and no one in Daeman’s experience had ever wondered where the water in the river had disappeared to, since the mile-wide Crater itself bisected the old riverbed. Now there were more skulls—skulls recently liberated from living human bodies—lining the walls of the crevasse he was following toward the Île de la Cité and the east rim of the crater.
According to what little legend remained in a culture largely devoid of history, oral or otherwise, Paris Crater was said to have gained its crater more than two millennia ago when post-humans lost control of a tiny black hole they’d created during a demonstration at a place called the Institut de France. The hole had bored its way through the center of the earth several times but the only crater it had left in the planet’s surface was right here between the Invalids Hotel faxnode and the Guarded Lion node. Legends persisted that right where the north rim of the crater was now, a huge building called the Luv—or sometimes “the Lover”—had been sucked down to the center of the earth with the runaway hole, taking with it a lot of old-style human “art.” Since the only “art” that Daeman had ever encountered were these few “statues,” he couldn’t imagine that the loss of the Luv amounted to much if everything in it had been as stupid as the dancing naked men in the Avenue Daumesnil crevasse now behind him.
Daeman couldn’t see anything from the one open crevasse leading to Île St-Louis and Île de la Cité, so he spent the better part of an hour climbing an ice wall—laboriously chipping steps, driving in heavy bolts to loop his rope around, frequently hanging from one or both of his ice hammers to let the sweat run out of his eyes and to allow his pounding heart to slow. One good thing about the incredible exercise of the climb—he was no longer cold.
He came out atop the blue-ice crust over the city right about where the west end of Île de la Cité used to be. The ice was a hundred feet deep here and Daeman had expected to look west across the Crater and see at least the tops of the skyline he was used to—the tall buckylace and bamboo-three domi towers ringing the crater itself, his mother’s tower just across the way, and farther west the thousand-foot-high La putain énorme, the giant naked woman made of iron and polymer. A statue, just a big statue, he thought now, but I never knew the word before.
None of these things were visible. Straight ahead of Daeman, looking west, an enormous dome of organic blue ice rose at least two thousand feet above the level of the old city. Only corners, edges, shadows, and an occasional extruding terrace showed where the ring of once-proud towers had circled the crater. His mother’s tall domi was not visible. Nor was the putain farther west. Besides the huge blue dome itself—both blocking and absorbing what Daeman realized was late-evening light—the area around the crater was now a mass of airy ice towers, flying buttresses, complex tessellations, and blue ice stalagmites rising a hundred stories and more. All these soaring towers and protrusions surrounding the dome were connected through the air by webs of the blue ice that looked delicate but which—Daeman realized—must each be wider across than any of the city’s broad avenues. Everything glittered in the rich, low sunlight, and there appeared to be jolts and jots of light moving within the towers and webs and the dome itself.
Jesus Christ, whispered Daeman.
For all the scrotum-tightening impressiveness of glowing ice towers leaping sixty, eighty, a hundred stories above the lower cap of ice covering the old city, the dome was most impressive of all.
At least two hundred stories tall—Daeman could judge its height and staggering mass only by the glimpses of the old domi towers low on the dome’s flank—the dome stretched more than a mile in radius, from his position here on the Île de la Cité south to the huge garbage dump his mother used to call the Luxembourg Gardens, north past the greensward called boulevard Haussmann, enveloping the domi tower at Gare St-Lazare where his mother’s most recent lover used to live, and then west almost to the Champs de Mars, where the straddle-legged putain was always visible. But not visible this day. The dome blocked even a thousand-foot-tall woman from view.
If I’d faxed in to the Invalid Hotel node, I would have ended up inside the dome, he thought.
The idea made his heart pound more wildly than the ice climb had, but then he had two more terrifying thoughts in rapid succession.
His first thought was—Setebos built this thing across the Crater. That was impossible, but it had to be true. In fact, with the orange sunset glow lessening slightly on the towers and Dome itself, Daeman could now see a red glow coming up through the ice—a red pulsing that could be coming only from the Crater.
His second thought was—I have to go in there.
If Setebos was still here in Paris Crater, there is where he would be waiting. If Caliban was here, the Dome is where he would be.
Hands shaking from the cold—from the cold, he told himself—Daeman went back to the wall of ice, secured the rope around a bamboo-three girder emerging from the blue ice, and lowered himself back into the waiting crevasse.
It was already dark at the bottom of the narrow ice canyon—he could look up and see stars in the paling sky—and the only way forward from Île de la Cité was into one of the many small tunnels opening like eyes in the ice, tunnels in which it would be darker still.
Daeman found one tunnel opening about chest high above the floor of the crevasse and he crawled in, feeling the even deeper cold come up through the ice into his knees and palms. Only the thermskin kept him alive here. Only the osmosis mask kept his breath from freezing in his throat.
Scooting on his knees when he could, his rucksack scraping the lowering ice ceiling above him, his crossbow extended before him, he crawled on his belly toward the red glow in the dome-cathedral ahead.
37
Hockenberry comes to the astrogation bubble to confront Odysseus, perhaps to be beaten up by him, but he stays to get drunk with him.<
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It has taken Hockenberry more than a week to work up the courage to go talk to the only other human being on board, and by the time he does, the Queen Mab has reached its turn-around point and the moravecs have warned him that there will be twenty-four hours of zero-gravity before the ship rotates stern-first toward the Earth, the bombs begin detonating again, and the 1.28 Earth-gravity will return during the deceleration phase. Mahnmut and Prime Integrator Asteague/Che both came by to make sure that his cubby would be freefall-proofed—i.e., all sharp corners padded, loose things stowed so they wouldn’t float away, velcro slippers and mats provided—but no one warned Hockenberry that a common reaction to zero-g is to get violently seasick.
Hockenberry does. Repeatedly. His inner ear keeps telling him that he is falling out of control and there certainly is no horizon to focus on—his cubby doesn’t have a window or a porthole or anything to peer out of—and while the bathroom facilities were designed to operate in the predominant 1.28-g gravity environment, Hockenberry soon learns how to use the in-flight bags that Mahnmut brings him whenever he announces that he’s beginning to feel sick again.
But six hours of nausea is enough, and eventually the scholic begins to feel better and even starts to enjoy kicking around the padded cubby, floating from his bolted-down couch to his well-secured writing desk. Finally he asks permission to leave his room, permission is granted at once, and then Hockenberry has the time of his life floating down long corridors, kicking down the broad ship’s stairways that look so silly now in a truly three-dimensional world, and pulling his way from one hand-hold to the next in the wonderfully byzantine engine room. Mahnmut remains his faithful assistant during all this, making sure that Hockenberry doesn’t grab an unfortuitous lever in the engine room or forget that things still have mass here even while they show no weight.