Ketut asked the parents if he could hold the child for a moment. They put their son in Ketut’s lap and the boy leaned back against the old medicine man’s chest, relaxed and unafraid. Ketut held him tenderly, placed a palm on the child’s forehead, shut his eyes. He then placed a palm on the boy’s belly, shut his eyes again. He was smiling and speaking gently to the child the whole time. The examination was quickly over. Ketut handed the boy back to his parents, and the people left soon after with a prescription and some holy water. Ketut told me he’d asked the parents about the circumstances of the boy’s birth and had discovered the child had been born under a bad star and on a Saturday—a day of birth which contains elements of potentially bad spirits, like crow spirit, owl spirit, rooster spirit (this is what makes the child a fighter) and puppet spirit (this is what’s causing his dizziness). But it was not all bad news. Being born on Saturday, the boy’s body also contained rainbow spirit and butterfly spirit, and these could be strengthened. A series of offerings would have to be made and the child would be brought into balance once more.
“Why did you hold your hand on the boy’s forehead and stomach?” I asked. “Were you checking for fever?”
“I was check his brain,” Ketut said. “To see if he had evil spirits in his mind.”
“What kind of evil spirits?”
“Liss,” he said. “I am Balinese. I believe from black magic. I believe evil spirits come out rivers and hurt people.”
“Did the boy have evil spirits?”
“No. He is only sick in his birthday. His family will make sacrifice. This will be OK. And you, Liss? You are practice Balinese meditation every night? Keep mind and heart clean?”
“Every night,” I promised.
“You learn to smile even in your liver?”
“Even in my liver, Ketut. Big smile in my liver.”
“Good. This smile will make you beautiful woman. This will give you power of to be very pretty. You can use this power—pretty power!—to get what you want in life.”
“Pretty power!” I repeat the phrase, loving it. Like a meditating Barbie. “I want pretty power!”
“You are still practice Indian meditation, too?”
“Every morning.”
“Good. Don’t forget your Yoga. Beneficial to you. Good for you to keep practice both ways of meditation—Indian and Balinese. Both different, but good in equal way. Same-same. I think about religion, most of it is same-same.”
“Not everybody thinks so, Ketut. Some people like to argue about God.”
“Not necessary,” he said. “I have good idea, for if you meet some person from different religion and he want to make argument about God. My idea is, you listen to everything this man say about God. Never argue about God with him. Best thing to say is, ‘I agree with you.’ Then you go home, pray what you want. This is my idea for people to have peace about religion.”
Ketut keeps his chin lifted all the time, I’ve noticed, his head held a little bit back, sort of quizzical and elegant at the same time. Like a curious old king, he looks at the whole world from above his nose. His skin is lustrous, golden brown. He’s almost totally bald, but makes up for it with exceptionally long and feathery eyebrows which look eager to take flight. Except for his missing teeth and his burn-scarred right arm, he seems in perfect health. He told me that he was a dancer in his youth, for the temple ceremonies, and that he was beautiful back then. I believe it. He eats only one meal a day—a typically simple Balinese dish of rice mixed with either duck or fish. He likes to drink one cup of coffee with sugar every day, mostly just to celebrate the fact that he can afford coffee and sugar. You, too, could easily live to a hundred and five on this diet. He keeps his body strong, he says, by meditating every night before sleep and by pulling the healthy energy of the universe into his core. He says that the human body is made of nothing more or less than the five elements of all creation—water (apa), fire (tejo), wind (bayu), sky (akasa) and earth (pritiwi)—and all you have to do is concentrate on this reality during meditation and you will receive energy from all of these sources and you will stay strong. Demonstrating his occasionally very accurate ear for English idiom, he said, “The microcosm becomes the macrocosm. You—microcosm—will become same as universe—macrocosm.”
He was so busy today, crowded with Balinese patients who were stacked up all over his courtyard like cargo crates, all of them with babies or offerings in their laps. He had farmers and businessmen there, fathers and grandmothers. There were parents with babies who weren’t keeping food down, and old men haunted by black magic curses. There were young men tossed by aggression and lust, and young women looking for love matches while suffering children complained about their rashes. Everyone out of balance; everyone needing equilibrium restored.
The mood of the courtyard of Ketut’s home is always one of total patience, though. Sometimes people must wait for three hours before Ketut gets a chance to take care of them, but they never so much as tap their feet or roll their eyes in exasperation. Extraordinary, too, is the way the children wait, leaning up against their beautiful mothers, playing with their own fingers to pass the time. I’m always amused later when it turns out that these same tranquil children have been brought over to see Ketut because the mother and father have decided that the child is “too naughty” and needs a cure. That little girl? That little three-year-old girl who was sitting silently in the hot sun for four straight hours, without complaint or snack or toy? She’s naughty? I wish I could say, “People—you want to see naughty, I’ll take you to America, show you some kids that’ll have you believing in Ritalin.” But there’s just a different standard here for good behavior in children.
Ketut treated all the patients obligingly, one after another, seemingly unconcerned by the passage of time, giving all exactly the attention they needed regardless of who was waiting to be seen next. He was so busy he didn’t even get his one meal at lunchtime, but stayed glued to his porch, obliged by his respect for God and his ancestors to sit there for hours on end, healing everyone. By evening, his eyes looked as tired as the eyes of a Civil War field surgeon. His last patient of the day had been a deeply troubled middle-aged Balinese man complaining that he had not slept well in weeks; he was being haunted, he said, by a nightmare of “drowning in two rivers at the same time.”
Until this evening, I still wasn’t sure what my role was in Ketut Liyer’s life. Every day I’ve been asking him if he’s really sure he wants me around, and he keeps insisting that I must come and spend time with him. I feel guilty taking up so much of his day, but he always seems disappointed when I leave at the end of the afternoon. I’m not teaching him any English, not really. Whatever English he already learned however many decades ago has been cemented into his mind by now and there isn’t much space for correction or new vocabulary. It’s all I can do to get him to say, “Nice to see you,” when I arrive, instead of “Nice to meet you.”
Tonight, when his last patient had left and Ketut was exhausted, looking ancient from the weariness of service, I asked him whether I should go now and let him have some privacy, and he replied, “I always have time for you.” Then he asked me to tell him some stories about India, about America, about Italy, about my family. That’s when I realized that I am not Ketut Liyer’s English teacher, nor am I exactly his theological student, but I am the merest and simplest of pleasures for this old medicine man—I am his company. I’m somebody he can talk to because he enjoys hearing about the world and he hasn’t had much of a chance to see it.
In our hours together on this porch, Ketut has asked me questions about everything from how much cars cost in Mexico to what causes AIDS. (I did my best with both topics, though I believe there are experts who could have answered with more substance.) Ketut has never been off the island of Bali in his life. He has spent very little time, actually, off this porch. He once went on a pilgrimage to Mount Agung, the biggest and most spiritually important volcano on Bali, but he said the energy was so powerful there h
e could scarcely meditate for fear he might be consumed by sacred fire. He goes to the temples for the big important ceremonies and he is invited to his neighbors’ homes to perform weddings or coming-of-age rituals, but most of the time he can be found right here, cross-legged upon this bamboo mat, surrounded by his great-grandfather’s palm-leaf medical encyclopedias, taking care of people, mollifying demons and occasionally treating himself to a cup of coffee with sugar.
“I had a dream from you last night,” he told me today. “I had a dream you are riding your bicycle anywhere.”
Because he paused, I suggested a grammatical correction. “Do you mean, you had a dream that I was riding my bicycle everywhere?”
“Yes! I dream last night you are riding your bicycle anywhere and everywhere. You are so happy in my dream! All over world, you are riding your bicycle. And I following you!”
Maybe he wishes he could . . .
“Maybe you can come see me someday in America, Ketut,” I said.
“Can’t, Liss.” He shook his head, cheerfully resigned to his destiny. “Don’t have enough teeth to travel on airplane.”
82
As for Ketut’s wife, it takes me a while to align myself with her. Nyomo, as he calls her, is big and plump with a stiff-hip limp and teeth stained red by chewing on betel nut tobacco. Her toes are painfully crooked from arthritis. She has a shrewd eye. She was scary to me from the first sight. She’s got that fierce old lady vibe you see sometimes in Italian widows and righteous black churchgoing mamas. She looks like she’d whup your hide for the slightest of misdemeanors. She was blatantly suspicious of me at first—Who is this flamingo traipsing through my house every day? She would stare at me from inside the sooty shadows of her kitchen, unconvinced as to my right to exist. I would smile at her and she’d just keep staring, deciding whether she should chase me out with a broomstick or not.
But then something changed. It was after the whole photocopy incident.
Ketut Liyer has all these piles of old, lined notebooks and ledgers, filled with tiny little handwriting, of ancient Balinese-Sanskrit mysteries about healing. He copied these notes into these notebooks way back in the 1940s or 1950s, sometime after his grandfather died, so he would have all the medical information recorded. This stuff is beyond invaluable. There are volumes of data about rare trees and leaves and plants and all their medicinal properties. He’s got some sixty pages of diagrams about palm-reading, and more notebooks full of astrological data, mantras, spells and cures. The only thing is, these notebooks had been through decades of mildew and mice and they’re shredded almost to bits. Yellow and crumbling and musty, they look like disintegrating piles of autumn leaves. Every time he turns a page, he rips the page.
“Ketut,” I said to him last week, holding up one of his battered notebooks, “I’m not a doctor like you are, but I think this book is dying.”
He laughed. “You think is dying?”
“Sir,” I said gravely, “here is my professional opinion—if this book does not get some help soon, it will be dead within the next six months.”
Then I asked if I could take the notebook into town with me and photocopy it before it died. I had to explain what photocopying was, and promise that I would only keep the notebook for twenty-four hours and that I would do it no harm. Finally, he agreed to let me take it off the porch property with my most passionate assurances that I would be careful with his grandfather’s wisdom. I rode into town to the shop with the Internet computers and photocopiers and I gingerly duplicated every page, then had the new, clean photocopies bound in a nice plastic folder. I brought the old and the new versions of the book back the next day before noon. Ketut was astonished and delighted, so happy because he’s had that notebook, he said, for fifty years. Which might literally mean “fifty years,” or might just mean “a really long time.”
I asked if I could copy the rest of his notebooks, to keep that information safe, too. He held out another limp, broken, shredded, gasping document filled with Balinese Sanskrit and complicated sketches.
“Another patient!” he said.
“Let me heal it!” I replied.
This was another grand success. By the end of the week, I’d photocopied several of the old manuscripts. Every day, Ketut called his wife over and showed her the new copies and he was overjoyed. Her facial expression didn’t change at all, but she studied the evidence thoroughly.
And the next Monday when I came to visit, Nyomo brought me hot coffee, served in a jelly jar. I watched her carry the drink across the courtyard on a china saucer, limping slowly on the long journey from her kitchen to Ketut’s porch. I assumed the coffee was intended for Ketut, but, no—he’d already had his coffee. This was for me. She’d prepared it for me. I tried to thank her but she looked annoyed at my thanks, kind of swatted me away the way she swats away the rooster who always tries to stand on her outdoor kitchen table when she’s preparing lunch. But the next day she brought me a glass of coffee and a bowl of sugar on the side. And the next day it was a glass of coffee, a bowl of sugar and a cold boiled potato. Every day that week, she added a new treat. This was starting to feel like that childhood car trip alphabet-memory game: “I’m going to Grandma’s house, and I’m bringing an apple . . . I’m going to Grandma’s house and I’m bringing an apple and a balloon . . . I’m going to Grandma’s house and I’m bringing an apple, a balloon, a cup of coffee in a jelly glass, a bowl of sugar and a cold potato . . .”
Then, yesterday, I was standing in the courtyard, saying my good-byes to Ketut, and Nyomo came shuffling past with her broom, sweeping and pretending not to be paying attention to everything that happens in her empire. I had my hands clasped behind my back as I was standing there, and she came up behind me and took one of my hands in hers. She fumbled through my hand like she was trying to untumble the combination on a lock and she found my index finger. Then she wrapped her whole big, hard fist around that finger and gave me this deep, long squeeze. I could feel her love pulsing through her power grip, right up into my arm and all the way down into my guts. Then she dropped my hand and limped away arthritically, saying not a single word, continuing her sweeping as though nothing had happened. While I stood there quietly drowning in two rivers of happiness at the same time.
83
I have a new friend. His name is Yudhi, which is pronounced “You-Day.” He’s Indonesian, originally from Java. I got to know him because he rented my house to me; he’s working for the Englishwoman who owns the place, looking after her property while she’s away in London for the summer. Yudhi is twenty-seven years old and stocky in build and talks kind of like a southern California surfer. He calls me “man” and “dude” all the time. He’s got a smile that could stop crime, and he’s got a long, complicated life story for somebody so young.
He was born in Jakarta; his mother was a housewife, his father an Indonesian fan of Elvis who owned a small air-conditioning and refrigeration business. The family was Christian—an oddity in this part of the world, and Yudhi tells entertaining stories about being mocked by the neighborhood Muslim kids for such shortcomings as “You eat pork!” and “You love Jesus!” Yudhi wasn’t bothered by the teasing; Yudhi, by nature, isn’t bothered by much. His mom, however, didn’t like him hanging around with the Muslim kids, mostly on account of the fact that they were always barefoot, which Yudhi also liked to be, but she thought it was unhygienic, so she gave her son a choice—he could either wear shoes and play outside, or he could stay barefoot and remain indoors. Yudhi doesn’t like wearing shoes, so he spent a big chunk of his childhood and adolescence life in his bedroom, and that’s where he learned how to play the guitar. Barefoot.
The guy has a musical ear like maybe nobody I’ve ever met. He’s beautiful with the guitar, never had lessons but understands melody and harmony like they were the kid sisters he grew up with. He makes these East-West blends of music that combine classical Indonesian lullabies with reggae groove and early-days Stevie Wonder funk—it’s hard to explain, bu
t he should be famous. I never knew anybody who heard Yudhi’s music who didn’t think he should be famous.
Here’s what he always wanted to do most of all—live in America and work in show business. The world’s shared dream. So when Yudhi was still a Javanese teenager, he somehow talked himself into a job (speaking hardly any English yet) on a Carnival Cruise Lines ship, thereby casting himself out of his narrow Jakarta environs and into the big, blue world. The job Yudhi got on the cruise ship was one of those insane jobs for industrious immigrants—living belowdecks, working twelve hours a day, one day off a month, cleaning. His fellow workers were Filipinos and Indonesians. The Indonesians and the Filipinos slept and ate in separate quarters of the boat, never mingling (Muslims vs. Christians, don’t you know), but Yudhi, in typical fashion, befriended everybody and became a kind of emissary between the two groups of Asian laborers. He saw more similarities than differences between these maids and custodians and dishwashers, all of whom were working bottomless hours in order to send a hundred dollars or so a month back to their families at home.
The first time the cruise ship sailed into New York Harbor, Yudhi stayed up all night, perched on the highest deck, watching the city skyline appear over the horizon, heart hammering with excitement. Hours later, he got off the ship in New York and hailed a yellow cab, just like in the movies. When the recent African immigrant driving the taxi asked where he’d like to go, Yudhi said, “Anywhere, man—just drive me around. I want to see everything.” A few months later the ship came to New York City again, and this time Yudhi disembarked for good. His contract was up with the cruise line and he wanted to live in America now.
He ended up in suburban New Jersey, of all places, living for a while with an Indonesian man he’d met on the ship. He got a job in a sandwich shop at the mall—again, ten-to-twelve-hour days of immigrant-style labor, this time working with Mexicans, not Filipinos. He learned better Spanish those first few months than English. In his rare moments of free time, Yudhi would ride the bus into Manhattan and just wander the streets, still so speechlessly infatuated with the city—a town he describes today as “the place which is the most full of love in the entire world.” Somehow (again—that smile) he met up in New York City with a crowd of young musicians from all over the world and he took to playing guitar with them, jamming all night with talented kids from Jamaica, Africa, France, Japan . . . And at one of those gigs, he met Ann—a pretty blonde from Connecticut who played bass. They fell in love. They got married. They found an apartment in Brooklyn and they were surrounded by groovy friends who all went on road trips together down to the Florida Keys. Life was just unbelievably happy. His English was quickly impeccable. He was thinking about going to college.
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