“You never cease to amaze me, Watts,” she said. “There’s still hope for you yet.”
She leaned over and kissed me on the forehead. Then she backed up several steps, to ensure that we were all outside her teleportation spell’s area of effect.
“Good luck, guys.”
“Good luck to you, too, Arty,” I replied. “Don’t get hurt, OK?”
Art3mis gave all of us one last nod, then she teleported away, and her avatar vanished in a shower of glittering silver dust. Then I turned to Aech and Shoto.
“You guys ready to rock?” I asked.
Shoto nodded and gave me a nervous thumbs-up. Aech cracked her knuckles.
“Ten-four and ready for more,” she said.
I checked the ONI countdown on my HUD. I now had just two hours and twenty-eight minutes remaining before I hit my limit. Aech and Shoto each had about ten minutes less than that. Faisal was about to hit the two-hour mark. And we still had three more shards to collect. If the last three took as long to locate as the first four had, we were in trouble.
“Buckle up, fellas,” Aech said, smiling. “We’re off to the Afterworld! And when we get there, prepare to follow my lead, OK?”
We nodded, then all waved farewell to Faisal once again. Aech turned to me and Shoto and placed a hand on each of our shoulders. Then, just before she teleported all of us to the Afterworld, we heard her shout, “Oh no, let’s go!”
As my avatar rematerialized, my vision stabilized, and I found myself standing in the middle of a long concrete tunnel, fifty yards in length, with a curved ceiling that formed a half-circle with the concrete floor. Every inch of the ceiling and a good portion of the floor was covered in graffiti—all of it paying tribute to Prince Rogers Nelson, scrawled here by his fans over the past three decades. There were snippets of his song lyrics, pairs of initials inside arrow-pierced hearts, and thousands of messages of love and devotion, all directed toward the Artist and his work. Phrases like Thank you, Prince and We love you, Prince and We miss you, Prince were repeated over and over again, in different colors and in different handwriting. I also saw several portraits of Prince painted on the tunnel walls, along with the dates of his birth and death (6-7-1958 and 4-21-2016) and thousands upon thousands of different hand-drawn renderings of his unpronounceable symbol.
I forced myself to stop looking at all of the graffiti and tried to get my bearings. Behind me, one end of the tunnel terminated in a bright half-circle of blinding-white light. At the opposite end, the tunnel opening was a half-circle of bright-green forest, just beyond a black chain-link fence about ten feet high.
In an effort to avoid showing the full depth of my ignorance about Prince and his music, I pulled up his complete discography, filmography, biography, and his career timeline in different semitransparent windows on my HUD, so I could refer to them at all times. My image-recognition plug-in was also constantly giving me information about my surroundings, throwing it up in small windows in the air all around me, like I was inside an episode of Pop-Up Video.
As I scanned Prince’s discography, I noticed that he had released both an album and a movie titled Graffiti Bridge. So, in an effort to appear like I actually knew something about this place, I turned to Shoto and said, “This is the famous Graffiti Bridge that inspired the album and film of the same name….”
“No it isn’t, Z,” Aech said, resting a hand on my shoulder as she corrected me. “The real Graffiti Bridge was located in another suburb of Minneapolis called Eden Prairie. It was torn down in 1991. There are plenty of replicas of the original Graffiti Bridge here, though, spread all over the planet. But this isn’t one of them. This is a re-creation of a tunnel down the road from Prince’s home.” She glanced around, smiling. “I come here every year on his birthday. This was my last departure point. It’s also one of the Afterworld’s designated arrival locations.”
I was about to respond, but Aech was already in motion, running toward the green end of the tunnel.
“Come on!” she shouted back over her shoulder. “This way!”
Shoto and I both sprinted after her.
Once we emerged from the mouth of the tunnel, I saw that it was actually a culvert running beneath a four-lane highway bridge over a dry riverbed. The name BULL CREEK ROAD was engraved above the tunnel entrance.
We followed Aech as she took a sharp right, onto a worn dirt path skirting the black chain-link fence to our left, which appeared to run all the way around the perimeter of the forested property beyond it. The fence had a bunch of notes, purple flowers, and purple ribbons tied to it. They seemed to grow in number and density the farther along it we ran.
I glanced upward, then swiveled my head all the way around to scan the entire horizon. It was hard to tell what time of day it was supposed to be. The sky was a dozen different shades of purple and was filled with luminous storm clouds that drifted rapidly across it.
Eventually, the trees on the other side of the fence began to thin out, and beyond them I could see a circular white building, like an ivory tower, rising from a sprawling field of green grass. Beyond the white tower was a much larger building, also white, which looked like it was constructed out of cube-shaped building blocks of polished white marble. There were floodlights encircling the whole structure, bathing it in a brilliant, otherworldly light.
The image-recognition software running on my HUD informed me that we were approaching the entrance of Paisley Park, Prince’s famous home and creative compound. A moment later, we finally arrived at the property’s front gates, which were wrought iron and covered in purple chrome.
Without saying anything, Aech walked up to the gates and grabbed one of the bars with her right hand. When she did, this action triggered our first needle drop, and churchlike organ music filled our ears. The song-identification software running on my HUD identified it as the opening of a song called “Let’s Go Crazy.” It seemed to emanate from somewhere high above us, as if the sky itself were one giant speaker. A second later, we heard the voice of the Purple One himself, booming down from the sky like the voice of God Almighty, as Prince recited an excerpt of the song’s spoken intro:
Dearly beloved, we are gathered here today to get through this thing called “life”…
But I’m here to tell you, there’s something else—the Afterworld!
As soon as he said “The Afterworld!” there was a deafening crash of thunder that shook my bones, and a second later, tines of purple lightning arced across the sky. Then the rolling purple clouds parted for a moment, revealing a cherry-shaped moon (complete with stem), sitting high in the eastern sky.
I turned to look in the opposite direction and realized that I could also see the sun, hanging motionless just above the western horizon. I found myself wondering why the Afterworld had been designed this way—just before I heard the man himself explain that it was “a world of never-ending happiness, you can always see the sun, day or night.”
As the song continued to play, the gates of Paisley Park began to open before us. Once they’d opened up all the way, Aech turned to address me.
“OK,” she said. “Opening the gates activates all of the local quests, and since we’re clanned up, they should be activated for you now too. So let’s have another look at that Fourth Shard….”
I took the Fourth Shard out of my inventory and held it up. Prince’s Love Symbol was still etched into its surface, but as we watched, seven more symbols appeared on either side of it, along with a capital letter V.
At first, I thought the V was a Roman numeral for the number five, to indicate the Fifth Shard. But then, because of its size and placement relative to the other eight symbols, it occurred to me that it might also be an abbreviation for the word “versus.”
The first seven symbols to the left of the V looked like variations of the familiar Prince Love Symbol. But the eighth and final symbol was very dif
ferent. I didn’t recognize it at all. It looked like a number 7 placed off-center inside a circular diagram of an orbiting electron. Or maybe the face of an old analog timepiece, with the number 7 forming the big and little hands of a clock at around 8:35.
As soon as Aech saw this string of strange symbols appear on the shard, her smile vanished and her eyes went wide.
“This isn’t a quest, Z,” she said, looking over at me. “It’s a fucking suicide mission!”
A split second after Aech dropped the F-bomb, we heard a loud buzzer sound, and then a large empty glass jar suddenly appeared, floating in the air beside her, with a label on it that said “Spud’s Swear Jar.”
Aech scowled at it, then she let out an annoyed sigh and dropped a single gold coin into the jar. When she did, it vanished. I decided not to ask. Instead, I pointed down at the row of symbols on the shard.
“Aech,” I said. “Do you know what these symbols mean?”
She nodded and took a deep breath.
“I think they mean that to obtain the Fifth Shard, we have to battle the Seven,” Aech replied, pointing to the seven love symbols on the left. “By joining forces with ‘The Original 7ven.’ ”
Shoto and I exchanged confused looks. Aech continued. “The Seven are a team of seven different NPC incarnations of the Purple One. Each from a different stage of his career. Each with godlike powers.”
“Have you done battle with any of them before?” Shoto asked, innocently enough.
“Of course not!” Aech replied, clearly offended by the question. “You’re asking for serious trouble if you attack any incarnation of His Royal Badness on the Afterworld. Facing down seven at once is suicide. Would you visit Mount Olympus or go to Asgard to pick a fight with all of the gods? Only non-fan, level-grinding tourists ever even attempt to do battle with the Seven, and every last one of them gets zeroed out as a reward for their insolence and hubris.”
“Yeah,” I replied. “But that was probably because none of them were true Prince fans. But you are. You know everything about him, and about this planet. Come on, Aech.” I pointed down at the symbols on the shard. “If we have to fight the Seven, where do we find them?”
Aech hesitated before answering. Then she sighed and nodded toward the southern horizon.
“There’s a temple out in the desert, seven miles south of the city,” she said. “The Temple of Seven. In the center of its courtyard is an arena, and if you set foot inside it, the seven incarnations of Prince are summoned there from all over the Afterworld to do battle with you.”
Aech took off running again, through the open gates of Paisley Park, once again motioning for us to follow her.
“Why are we going in there?” I yelled after Aech. “I thought you said the arena was in a desert outside of town?”
“We can’t go to the arena yet,” she replied. “First we gotta collect a few weapons. And power-ups. Like, a lot of them…”
“I’m already carrying plenty of weapons in my inventory,” Shoto said. “And so are you. We can loan Parzival anything he needs.”
Aech shook her head.
“Conventional weapons won’t work against his Royal Badness,” Aech said. “In any of his seven incarnations. Only locally forged sonic, percussive, and musical weapons can affect the Seven and their familiars. All of them are armed with deadly sonic weapons, too, and some of them are powerful artifacts that can deal enough damage to kill your avatar with one attack. That’s why we need to gear up before we attempt to face them, OK? And boy, do I love wasting precious seconds myself, because y’all don’t trust me to know what I’m doing!”
“We trust you, Aech!” I replied. “Lead on.”
She led us on, to the front entrance of Paisley Park. As soon as we reached it, Aech opened one of the glass front doors and waved us inside. We could hear the opening of the cheerful song “Paisley Park” emanating from within.
“First we need to go in here,” she said. “And by ‘we’ I mean you, Z. This is your quest to complete. But I’ll walk you through it, step by step. OK?”
“OK,” I said, reluctantly peering inside.
A split second later, I felt Aech’s foot hit me squarely in the small of my avatar’s back, propelling me forward, through the doorway, and into Paisley Park.
* * *
The moment we reached the foyer, Aech began leading, prodding, and dragging me forward, through the building’s mazelike interior. Shoto followed close on our heels as we sprinted up and down Paisley Park’s marble hallways and through its ornately carved wooden doors, many of which were marked with either a moon or a star.
Aech led me from one padded purple velvet room to the next, occasionally stopping to tell me to touch a specific object (or undergarment) to gain access to a secret passage, which would lead us to yet another padded purple velvet room. By following her instructions, I was able to collect five hidden pieces of a Love Symbol–shaped power cell, which Aech said we needed to repair a spaceship that was parked up on the roof. Luckily, she already knew exactly where and how to obtain each of the five pieces.
As we sprinted from the Candle Room to the Music Club to the Boudoir to the Virtual Video Room, a song called “Interactive” played on a continuous loop in every room. Aech explained that this was a song Prince wrote exclusively for a Myst-like videogame he released with the same title. In the game, players had to collect five pieces of the Prince Symbol hidden throughout Paisley Park, and this was a re-creation of that quest.
After we collected the first four pieces, Aech led me and Shoto down another carpeted corridor, into a large open room filled with museum exhibits. Dozens of Prince’s outfits and instruments were on display inside glass cases. Aech hurried past them, toward the opposite side of the room, without stopping to look at anything. Shoto and I did the same, following behind her single-file, to ensure that we only stepped where she did.
When she reached the door at the other side of the room, she threw it open—but then I saw something catch her eye. Parked off in the far corner of this room, surrounded by velvet ropes, was a purple motorcycle. I tapped an icon on my HUD to zoom in on the placard mounted on the wall behind it, which identified the bike as the 1981 Hondamatic that Prince rode in the movie Purple Rain.
“Wait here!” Aech shouted over her shoulder as she ran across the room and leaped over the velvet ropes. I thought she was going to hop on the bike and steal it, but instead she pulled a giant serrated Rambo knife out of her inventory and slashed the motorcycle’s tires, then stabbed a large hole in the side of its gas tank. When she rejoined us at the exit, I saw tears glinting in her eyes, just before she wiped them away with her hand.
“I had to immobilize the Hondamatic now, so that later on, when we face Purple Rain Prince in the arena, he won’t be riding it. And that might save our ass, because he won’t be able to use it to run down Morris. That bike is his Achilles’ heel!”
“Morris who?” Shoto and I asked as we chased after her.
Aech blurted out a reply, but she was too far away and moving too fast for us to make out any of it. She led us out of the museum and down another series of corridors, to another door. When she opened it, there was a spiral staircase on the other side, suspended in an endless starry void. It corkscrewed downward, through a field of stars, galaxies, and nebulae. We followed Aech up this long spiral staircase, until we arrived at a door labeled STUDIO. Inside, we passed through a large wood-paneled control room filled with giant mixing boards and recording equipment, and then on into the main recording studio. Aech sidestepped the piano, then hustled over to a red painting of two women hanging on the wall, which she slid aside to reveal a safe hidden behind it. She entered the combination from memory and opened it. The fifth and final piece of the Love Symbol power cell was inside.
Once all five pieces were reassembled, the power cell began to glow.
Aech led us
back up the surreal spiral staircase, all the way to the top, into a large domed room. Just as she had promised, a large purple spaceship sat parked in the center of it. It resembled a giant thimble, with half a dozen capsule-shaped tanks bolted to the outside. Aech pressed a button on its exterior and a hatch opened in its perfectly smooth hull. The three of us crammed into the ship’s tiny purple velvet-lined cockpit, and Aech pointed out a Love Symbol–shaped indentation in the control panel in front of us. I placed the Love Symbol power cell inside it. The control panel lit up, and we could hear its engine powering on directly beneath our feet. At the same moment, the domed ceiling above us split apart like the segments of an orange and retracted to reveal a starry night sky, filled with billowing purple clouds.
Aech gave me a thumbs-up, then she took the ship’s crushed velvet–covered steering yoke in her hands and launched us into the sky. She circled over Paisley Park a few times, then turned the ship east, toward the distant Minneapolis skyline on the horizon.
Aech pulled up a map of the Afterworld on the ship’s navigation display. The planet wasn’t a globe, but it still rotated like one, spinning like a Love Symbol pendant suspended from an invisible chain in virtual space. Most of the surface was covered by a surreal, shrunken-down version of mid-’80s Minneapolis, Minnesota, but it had streets and locations from L.A., Paris, and several other locations scattered throughout. The map divided the city into different neighborhoods, like Big City, Erotic City, Crystal City, Beatown, and Uptown. Aech flew us directly into the heart of Downtown and set the ship down in the middle of a busy intersection, directly in front of a place called the Huntington Hotel.
Aech opened the ship’s outer hatch. But before we exited, she removed the Love Symbol power cell from its cradle and stashed it in her inventory, causing the whole ship to go dark and power down.
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