Men Who Love Men

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At forty, long-time lovers Jeff O'Brien and Lloyd Griffith are the still-sexy poster boys for contented domesticity, running their P-town bed and breakfast together. But, with their wedding day approaching, can these two famously non-monogamous freethinkers really agree to "forsake all others"? Meanwhile, their best friend Henry Weiner has found love with Trent West--young, boyishly handsome, and charming. But Trent's presence is arousing intense feelings in all the men around him: desire, longing, recognition, need--and suspicion. And as Henry unearths Trent's secrets, he, Jeff and Lloyd must face their futures, alone and together...From Publishers WeeklyThe gift for character and architectonics Mann displays in his riveting film bios (including Kate) gets stripped out of his third pulpy Provincetown novel, following Where the Boys Are (2003). Mann switches focus from pop novelist Jeff O'Brien and hotelier Lloyd Griffith (longtime companions) to another Provincetown hottie, Jeff's best friend, Henry Weiner, whose complex trek from geek to hustler was a feature of the last book. Henry's a "washashore," as the locals call those who come to Provincetown to live year-round—adrift, restless, always on the prowl—and is managing Nirvana, the popular guesthouse co-owned by Jeff and Lloyd. Over the course of a Provincetown summer, Henry searches for Mr. Right, meeting and bedding a parade of sexy men: Luke is a sly, possibly psychotic would-be novelist who picks up Henry to get to Jeff; Martin is impossibly old at 45; Gale refuses to drop his pants on the first date; Shane, Henry's ex-, returns with a ring on his finger. Mann gets off some funny lines and smiles wryly on the longings of his characters. There's also a nice side plot in Jeff's nine-year-old nephew-ward JR, who struggles with his latent heterosexuality. Henry's odyssey, however, isn't sustaining, and the resolution falls flat. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Review"Deserves to stand alongside the best of Armistead Maupin and Felice Picano....Affirms Mann's status as one of gay fiction's major narrative powers." -- Christopher Rice