Great Porter Square: A Mystery. v. 3

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Great Porter Square: A Mystery. v. 3 Great Porter Square: A Mystery. v. 3

by B. L. Farjeon

Genre: Other3

Published: 2013

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CHAPTER I.INTRODUCES MRS. JAMES PREEDY; HINTS AT THE TROUBLE INTO WHICH SHE HAS FALLEN; AND GIVES AN INSIGHT INTO HER SOCIAL POSITION.Mrs. James Preedy, lodging-house keeper, bred and born in the vocation, and consequently familiar with all the moves of that extensive class of persons in London that has no regular home, and has to be cooked for, washed for, and generally done for, sat in the kitchen of her house, No. 118, Great Porter Square. This apartment was situated in the basement, and here Mrs. Preedy received her friends and “did” for her lodgers, in so far as the cooking for them can be said to be included in that portentous and significant term. The floor of the kitchen was oil-clothed, with, in distinguished places, strips of carpet of various patterns and colours, to give it an air. Over the mantelpiece was a square looking-glass in a mahogany frame, ranged on each side of which were faded photographs of men, women, and children, and of one gentleman in particular pretending to smoke a long pipe. This individual, whose face was square, whose aspect was frowning, and whose shirt sleeves were tucked up in an exceedingly free and easy fashion, was the pictorial embodiment of Mrs. Preedy’s deceased husband. While he lived he was “a worryer, my dear,” to quote Mrs. Preedy—and to do the lady justice, he looked it; but being gone to that bourne from which no lodging-house keeper ever returns, he immediately took his place in the affections of his widow as “the dear departed” and a “blessed angel.” Thus do we often find tender appreciation budding into flower even at the moment the undertaker nails the lid upon the coffin, and Mr. Preedy, when the breath was out of his body, might (spiritually) have consoled himself with the reflection that he was not the only person from whose grave hitherto unknown or unrecognised virtues ascend. The weapons of the dead warrior, two long and two short pipes, were ranged crosswise on the wall with mathematical tenderness. When her day’s work was over, and Mrs. Preedy, a lonely widow, sat by herself in the kitchen, she was wont to look regretfully at those pipes, wishing that he who had smoked them were alive to puff again as of yore; forgetting, in the charity of her heart, the crosses and vexations of her married life, and how often she had called her “blessed angel” a something I decline to mention for defiling the kitchen with his filthy smoke.CONTENTS1. Introduces Mrs. James Preedy; hints at the trouble into which she has fallen; and gives an insight into her social position2. What was printed on the quarto bill: a proclamation by her Majesty’s Government3. Extracted from the “Evening Moon”4. The examination of Mrs. Preedy, continued from the “Evening Moon”5. Contains further extracts from the “Evening Moon” relating to the Great Porter Square mystery6. The “Evening Moon” speaks its mind7. In which the “Evening Moon” continues to speak its mind8. The “Evening Moon” postpones its statement respecting Antony Cowlrick9. In which the “Evening Moon” relates the adventures of its Special Correspondent10. The Special Reporter of the “Evening Moon” makes the acquaintance of a little match girl11. The “Evening Moon” for a time takes leave of the case of Antony Cowlrick12. Mrs. Preedy has dreadful dreams13. Mrs. Preedy’s young man lodger14. In which Becky commences a letter to a friend in the country15. In which Becky continues her letter, and relates how she obtained the situation at No. 11816. In which Becky writes a second letter to her friend in the country, and gives a woman’s reason for not liking Richard Manx17. In which Becky, continuing her letter, relates her impressions of Mrs. Preedy’s young man lodger18. The “Evening Moon” reopens the subject of the Great Porter Square murder, and relates a romantic story concerning the murdered man and his widow19. The “Evening Moon” continues its account of the tragedy, and describes the shameful part enacted by Mr. F

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