Bruce Chatwin

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Bruce Chatwin's death from AIDS in 1989 brought a meteoric career to an abrupt end, since he burst onto the literary scene in 1977 with his first book, In Patagonia. Chatwin himself was different things to different people: a journalist, a photographer, an art collector, a restless traveller and a best-selling author; he was also a married man, an active homosexual, a socialite who loved to mix with the rich and famous, and a single-minded loner who explored the limits of extreme solitude. From unrestricted access to Chatwin's private notebooks, diaries and letters, Nicholas Shakespeare has compiled the definitive biography of one of the most charismatic and elusive literary figures of our time.Amazon ReviewBruce Chatwin was the golden child of the contemporary English novel; by the time he died of an AIDS-related illness aged 49 in January 1989 he had produced the startlingly original masterpieces that made his name. Chatwin came late to being a published writer; In Patagonia, his instant classic of what can loosely be termed "travel literature", came out in 1977. In the preceding years this precocious, intense figure had been an art specialist at Sotheby's, a journalist with The Sunday Times, an archaeologist and a restless, questing traveller. By the time his novel of studying the Aboriginal dreamtime in Australia, The Songlines, was published, he had gained a worldwide audience. An obsessive art collector, Chatwin also acquired people as he did fabulous objects. He took both male and female lovers while continuing to remain married to his wife Elizabeth, seemingly the most enduring relationship of his life. It is her cooperation and tenacity which enabled this biography to come about, as well as Nicholas Shakespeare's exhaustive research (the book was eight years in the making). It is the international span of Chatwin's experiences that makes the reader appreciate his desire to know all cultures and disciplines. There is some excellent, evocative writing here, particularly in Shakespeare's account of Chatwin's last weeks, his disappointment at not winning the Booker Prize for Utz and the detailed passage describing Chatwin's awful, miserable death surrounded by friends and family. There are a plethora of adjectives used to describe Chatwin such as "elusive", "mercurial", and "charismatic". Yet what Nicholas Shakespeare brings across in this immense, excellent life of Chatwin is the complete aloneness of the man. He was a flamboyant fabulist, an unparalleled conversationalist, yet, as the Australian poet Les Murray is quoted as saying: "He was lonely and he wanted to be. He had those blue, implacable eyes that said: 'I will reject you, I will forget you, because neither you nor any other human being can give me what I want.'"--Catherine TaylorReview"Of my contemporaries he had the most erudite and possibly the most brilliant mind" (Salman Rushdie) "An epic piece of work of immense satisfaction... Awe-inspiring" (The Times) "A fascinating account of the man behind the myth" (Guardian) "Comprehensively researched, elegantly written, perfectly balanced between the life, the books and the ideas" (Independent on Sunday) "Quite simply, one of the most beautifully written, painstakingly researched and cleverly constructed biographies of this decade... Original, intelligent and observant" (Literary Review)