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From acclaimed, bestselling author Andrew Pyper, a suspenseful page-turner that explores the repercussions of that most dishonest of thefts: stealing another’s story and calling it your own.Patrick Rush, a former bright light at the National Star now demoted to the reality TV beat, is still recovering from his wife’s death when he joins a writers’ group in Toronto. His goal: to write the book he’s always felt lived within him. Trouble is, Patrick has no story to tell. And while the circle’s members show similarly little literary promise, there is one exception: Angela. Her unsettling readings tell of a shadowy childhood tragedy and an unremitting fear of the Sandman, a “terrible man who does terrible things.” It’s the stuff of nightmares or horror films. Or is it? Over the weeks that follow, a string of unsolved murders seem increasingly connected to Patrick. And then the circle’s members start to go missing, one by one. Still haunted by loss–and by a crime only those in the circle could know of–Patrick finds himself in a fictional world made horrifically real. But nothing will put him in greater danger than that ancient curse of natural born readers: the need to know how the story ends.At once a complex and compulsive read, The Killing Circle explores the side effects of an increasingly fame-mad culture, where even the staid realm of literature can fall prey to ravenous ambition and competition.From the Hardcover edition.From Publishers WeeklyStarred Review. In this extraordinary thriller from Canadian author Pyper (The Wildfire Season), Patrick Rush, a lowly TV critic for a Toronto newspaper whose life has been slowly deteriorating since the untimely death of his wife, struggles to remain employed while trying to raise his precocious young son. When Rush decides to join a local writing circle in hopes of pursuing his lifelong dream of being an author, he becomes obsessed with a horrific work-in-progress written by a would-be writer in the group, a possibly autobiographical tale about being haunted by a terrible man who does terrible things. Rush begins finding connections among the story's supernatural villain, a shadowy serial killer with a predilection for dismemberment that has all of Toronto living in fear, and his own unraveling sanity. Powered by an ingeniously nonlinear narrative and suffused with a tone thick with dread, this is easily Pyper's most ambitious—and absorbing—work to date. (Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From BooklistPatrick Rush is a lonely widower, a wannabe novelist, and the father of a young son. He joins a writer’s workshop or, as its leader refers to it, a “circle.” The leader is a minor novelist from the seventies who disappeared from the Toronto literary scene after some scathing reviews and allegations of criminal sexual behavior. During the circle’s weekly meetings, Patrick is mesmerized by the writing of a young girl whose unadorned yet ethereal prose reveals an intensely personal childhood story of abandonment, abuse, and stalking by the Sandman, a character who may be real, may be symbolic, and may have followed her to Toronto. Bodies are turning up in Patrick’s neighborhood, and Patrick’s concern for the safety of his son grows, even as the readings in the circle—and the behavior of its leader—become more ominous. Pyper’s first novel, Lost Girls (2000), was a New York Times Notable Book. Few are better at conveying an omnipresent sense of dread and horror bubbling just beneath life’s seemingly mundane routines. This will keep you up one night reading and another four checking the locks on the doors. --Wes LukowskyPages of The Killing Circle :