Stephen L. Carter

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From Publishers WeeklyStarred Review. Turpin's reading of Carter's second novel is sublime. In a book where each character's race is important, capturing that fact for the ear alone is a balancing act to be taken quite seriously. The story opens with a body found on the roadside by Julia Carlyle and her university president husband, Lemaster (both had minor roles in Carter's The Emperor of Ocean Park). It turns out to be an ex-lover of Julia's and a possible blackmailer of Lemaster. What ensues is a gripping tale of race, murder, politics, conspiracy theory and secret societies that revolves around a 30-year-old case involving a dead white girl and an accused, now dead, black attacker. Turpin's prowess in the aural world is apparent, not only when nailing regional accents but in much more subtle ways, like a conversation between two women of roughly the same age who are clearly distinguishable from each other by one's slight smoker's rasp. The story is literate and fast-paced, and Turpin's well-rounded characters keep the fire fueled. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Bookmarks MagazineFeaturing the setting and two minor characters from his best-selling debut novel, The Emperor of Ocean Park, Stephen L. Carter has crafted a literary thriller peppered with shrewd observations about wealth, power, race, culture, and politics. Several critics were disappointed with the murder mystery, citing a melodramatic plot with too many characters. However, the Washington Post declared, "Let's be honest: No one should read a Carter novel for the mystery." Indeed, Carter's astute dissection of the upper-class black milieu and his scathing portrait of the subtly racist community surrounding the university shine brightest, offering a compelling exploration of ethics and power. Fans of his first novel will certainly welcome his second.Copyright © 2004 Phillips & Nelson Media, Inc.