Five Star Billionaire: A Novel

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Five Star Billionaire: A Novel Five Star Billionaire: A Novel

by Tash Aw

Genre: Other9

Published: 2013

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An expansive, eye-opening novel that captures the vibrancy of China todayPhoebe is a factory girl who has come to Shanghai with the promise of a job—but when she arrives she discovers that the job doesn’t exist. Gary is a country boy turned pop star who is spinning out of control. Justin is in Shanghai to expand his family’s real estate empire, only to find that he might not be up to the task. He has long harbored a crush on Yinghui, a poetry-loving, left-wing activist who has reinvented herself as a successful Shanghai businesswoman. Yinghui is about to make a deal with the shadowy Walter Chao, the five star billionaire of the novel, who with his secrets and his schemes has a hand in the lives of each of the characters. All bring their dreams and hopes to Shanghai, the shining symbol of the New China, which, like the novel’s characters, is constantly in flux and which plays its own fateful role in the lives of its inhabitants.Five Star Billionaire is a dazzling, kaleidoscopic novel that offers rare insight into the booming world of Shanghai, a city of elusive identities and ever-changing skylines, of grand ambitions and outsize dreams. Bursting with energy, contradictions, and the promise of possibility, Tash Aw’s remarkable new book is both poignant and comic, exotic and familiar, cutting-edge and classic, suspenseful and yet beautifully unhurried.Praise for *Five Star Billionaire “The ambition of the book perfectly reflects its subject. In one scene, we’re introduced to a ‘folk guitarist whose slangy lyrics spoke of urban migration and loneliness.’ Aw might be describing himself, except that his threnodies are set to sophisticated modern jazz.”—Pico Iyer, Time*“Tash Aw’s brilliant new novel focuses on four Malaysian immigrants, all determinedly on the make. . . . The unputdownable story of how these lives interconnect and touch upon the billionaire of the title, a shadowy avenging angel, is played out against the noisy, glitzy backdrop of a society on the cusp between abandoning old values and embracing a lifestyle as flashy as its neon glow.”—Daily Mail (UK)“Aw is a master storyteller and Five Star Billionaire can be read as The Way We Live Now for our times. . . . [It is a story] of lives lost and found, of the transience of material success and the courage required to hope and to trust again, to forgive oneself and to believe in the possibility of love.”—The Guardian (UK)“An innovative novel of the twenty-first-century immigrant experience . . . a new kind of immigrant novel.”—The Telegraph (UK)“Engrossing . . . seductive.”—The Observer (UK)“A must-read . . . Exciting plot twists and page-turning drama are aplenty. . . . In the end, the novel has a hopeful tone—when everything appears bleak there’s always a silver lining, and you are the only one who can take charge of your own fate.”—The Star (Malaysia)“Few people can write about a place with both the astute observation of an outsider and the deep understanding of an insider. When the place is Shanghai, and when that writer is Tash Aw, we get a novel that is as multifaceted as the city itself, in which stories of the old and the new, the rich and the poor, the dreaming and the disillusioned, are woven together by a master storyteller. Tash Aw is an essential voice for the global world we live in today.”—Yiyun Li, author of Gold Boy, Emerald GirlAmazon.com ReviewAn Amazon Best Book of the Month, July 2013: In his ambitious third novel, Tash Aw draws a luminous portrait of four new, disparate arrivals to Shanghai: a venerable business woman, a pop star, a factory girl turned socialite, and an inheritor of his family real-estate, all of whose fates are tied to an elusive billionaire. But Five Star Billionaire is as much about people as it is about place: Shanghai represents the booming economic growth of China. It's a city of over 23 million people--some trying to make a name for themselves, others just trying to get by (for comparison sake, that's nearly three times as many people as New York City). By the end, Five Star Billionaire doesn't feel so foreign. The characters don't find personal fulfillment, but they're finally moving in the right direction. Aw reveals that the American Dream isn't so uniquely American as it is a byproduct of capitalism. Or perhaps it's a byproduct of the human condition: money becomes a way to quantify one's worth, to cure one's unhappiness. In such a big city, everything that matters is inward. --Kevin NguyenReviewPraise for *Five Star Billionaire “[Five Star Billionaire] aches with grieving humanity as it follows the crisscrossing ups and downs of five migrant characters trying to make their mark on contemporary Shanghai. . . . Towering about them all is the theater of illusions that is the novel’s dominant character, Shanghai. Aw brings to its whirligig, cashed-up culture the hyperobservant eye and the sympathetic heart he displayed in The Harmony Silk Factory and Map of the Invisible World. Sometimes it seems as if he has ingested every last detail of rising Asia’s latest glossy magazines, yet never lost sight of the emptiness in the models’ eyes or the wistfulness in the lonely readers’ hearts. . . . As Aw orchestrates the overlapping of his lost souls, the story comes to acquire the mirrored complexity of its setting. No one knows who anyone is—not even themselves—and when one character reveals himself as a (real) celebrity, he’s taken to be the most shameless fake of all. And because Aw’s polyphonic structure shows us every character as they look to themselves, and as they’re seen by others, we teeter at every moment on the gap between reality and appearance. . . . As an evocation of a world in which friendships are business deals and people conduct virtual lives . . . Five Star Billionaire is hard to beat. . . . The ambition of the book perfectly reflects its subject. In one scene, we’re introduced to a ‘folk guitarist whose slangy lyrics spoke of urban migration and loneliness.’ Aw might be describing himself, except that his threnodies are set to sophisticated modern jazz.”—Pico Iyer, Time*“Tash Aw’s brilliant new novel focuses on four Malaysian immigrants, all determinedly on the make. . . . The unputdownable story of how these lives interconnect and touch upon the billionaire of the title, a shadowy avenging angel, is played out against the noisy, glitzy backdrop of a society on the cusp between abandoning old values and embracing a lifestyle as flashy as its neon glow.”—Daily Mail (UK)“Aw is a master storyteller and Five Star Billionaire can be read as The Way We Live Now for our times. . . . [It is a story] of lives lost and found, of the transience of material success and the courage required to hope and to trust again, to forgive oneself and to believe in the possibility of love.”—The Guardian (UK)“An innovative novel of the twenty-first-century immigrant experience . . . a new kind of immigrant novel.”—The Telegraph (UK)“Engrossing . . . seductive.”—The Observer (UK)“A must-read . . . Exciting plot twists and page-turning drama are aplenty. . . . In the end, the novel has a hopeful tone—when everything appears bleak there’s always a silver lining, and you are the only one who can take charge of your own fate.”—The Star (Malaysia)“Few people can write about a place with both the astute observation of an outsider and the deep understanding of an insider. When the place is Shanghai, and when that writer is Tash Aw, we get a novel that is as multifaceted as the city itself, in which stories of the old and the new, the rich and the poor, the dreaming and the disillusioned, are woven together by a master storyteller. Tash Aw is an essential voice for the global world we live in today.”—Yiyun Li, author of Gold Boy, Emerald Girl“A literary victory . . . Think of Aw’s third novel as an ingenious game called ‘How To Be a Billionaire.’ . . . The playing board is Shanghai, that twenty-first-century city of limitless possibility; the power broker is the epyonymous Five Star Billionaire. A quartet of players . . . are revealed one by one. . . . Aw moves fluidly between past and present, creating a multilayered narrative about chasing, catching, and sometimes losing elusive opportunities.”—Library Journal (starred review)

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