The Big Book of Christmas Mysteries

by Otto Penzler (ed)

  Christmas Party

  REX STOUT

  I

  “I’m sorry, sir,” I said. I tried to sound sorry. “But I told you two days ago, Monday, that I had a date for Friday afternoon, and you said all right. So I’ll drive you to Long Island Saturday or Sunday.”

  Nero Wolfe shook his head. “That won’t do. Mr. Thompson’s ship docks Friday morning, and he will be at Mr. Hewitt’s place only until Saturday noon, when he leaves for New Orleans. As you know, he is the best hybridizer in England, and I am grateful to Mr. Hewitt for inviting me to spend a few hours with him. As I remember, the drive takes about an hour and a half, so we should leave at twelve-thirty.”

  I decided to count ten, and swiveled my chair, facing my desk, so as to have privacy for it. As usual when we have no important case going, we had been getting on each other’s nerves for a week, and I admit I was a little touchy, but his taking it for granted like that was a little too much. When I had finished the count I turned my head, to where he was perched on his throne behind his desk, and darned if he hadn’t gone back to his book, making it plain that he regarded it as settled. That was much too much. I swiveled my chair to confront him.

  “I really am sorry,” I said, not trying to sound sorry, “but I have to keep that date Friday afternoon. It’s a Christmas party at the office of Kurt Bottweill—you remember him, we did a job for him a few months ago, the stolen tapestries. You may not remember a member of his staff named Margot Dickey, but I do. I have been seeing her some, and I promised her I’d go to the party. We never have a Christmas office party here. As for going to Long Island, your idea that a car is a death trap if I’m not driving it is unsound. You can take a taxi, or hire a Baxter man, or get Saul Panzer to drive you.”

  Wolfe had lowered his book. “I hope to get some useful information from Mr. Thompson, and you will take notes.”

  “Not if I’m not there. Hewitt’s secretary knows orchid terms as well as I do. So do you.”

  I admit those last three words were a bit strong, but he shouldn’t have gone back to his book. His lips tightened. “Archie. How many times in the past year have I asked you to drive me somewhere?”

  “If you call it asking, maybe eighteen or twenty.”

  “Not excessive, surely. If my feeling that you alone are to be trusted at the wheel of a car is an aberration, I have it. We will leave for Mr. Hewitt’s place Friday at twelve-thirty.”

  So there we were. I took a breath, but I didn’t need to count ten again. If he was to be taught a lesson, and he certainly needed one, luckily I had in my possession a document that would make it good. Reaching to my inside breast pocket, I took out a folded sheet of paper.

  “I didn’t intend,” I told him, “to spring this on you until tomorrow, or maybe even later, but I guess it will have to be now. Just as well, I suppose.”

  I left my chair, unfolded the paper, and handed it to him. He put his book down to take it, gave it a look, shot a glance at me, looked at the paper again, and let it drop on his desk.

  He snorted. “Pfui. What flummery is this?”

  “No flummery. As you see, it’s a marriage license for Archie Goodwin and Margot Dickey. It cost me two bucks. I could be mushy about it, but I won’t. I will only say that if I am hooked at last, it took an expert. She intends to spread the tidings at the Christmas office party, and of course I have to be there. When you announce you have caught a fish it helps to have the fish present in person. Frankly, I would prefer to drive you to Long Island, but it can’t be done.”

  The effect was all I could have asked. He gazed at me through narrowed eyes long enough to count eleven, then picked up the document and gazed at it. He flicked it from him to the edge of the desk as if it were crawling with germs, and focused on me again.

  “You are deranged,” he said evenly and distinctly. “Sit down.”

  I nodded. “I suppose,” I agreed, remaining upright, “it’s a form of madness, but so what if I’ve got it? Like what Margot was reading to me the other night—some poet, I think it was some Greek—‘O love, resistless in thy might, thou triumphest even—’ ”

  “Shut up and sit down!”

  “Yes, sir.” I didn’t move. “But we’re not rushing it. We haven’t set the date, and there’ll be plenty of time to decide on adjustments. You may not want me here any more, but that’s up to you. As far as I’m concerned, I would like to stay. My long association with you has had its flaws, but I would hate to end it. The pay is okay, especially if I get a raise the first of the year, which is a week from Monday. I have grown to regard this old brownstone as my home, although you own it and although there are two creaky boards in the floor of my room. I appreciate working for the greatest private detective in the free world, no matter how eccentric he is. I appreciate being able to go up to the plant rooms whenever I feel like it and look at ten thousand orchids, especially the odontoglossums. I fully appreciate—”

  “Sit down!”

  “I’m too worked up to sit. I fully appreciate Fritz’s cooking. I like the billiard table in the basement. I like West Thirty-fifth Street. I like the one-way glass panel in the front door. I like this rug I’m standing on. I like your favorite color, yellow. I have told Margot all this, and more, including the fact that you are allergic to women. We have discussed it, and we think it may be worth trying, say for a month, when we get back from the honeymoon. My room could be our bedroom, and the other room on that floor could be our living room. There are plenty of closets. We could eat with you, as I have been, or we could eat up there, as you prefer. If the trial works out, new furniture or redecorating would be up to us. She will keep her job with Kurt Bottweill, so she wouldn’t be here during the day, and since he’s an interior decorator we would get things wholesale. Of course we merely suggest this for your consideration. It’s your house.”

  I picked up my marriage license, folded it, and returned it to my pocket.

  His eyes had stayed narrow and his lips tight. “I don’t believe it,” he growled. “What about Miss Rowan?”

  “We won’t drag Miss Rowan into this,” I said stiffly.

  “What about the thousands of others you dally with?”

  “Not thousands. Not even a thousand. I’ll have to look up ‘dally.’ They’ll get theirs, as Margot has got hers. As you see, I’m deranged only up to a point. I realize—”

  “Sit down.”

  “No, sir. I know this will have to be discussed, but right now you’re stirred up and it would be better to wait for a day or two, or maybe more. By Saturday the idea of a woman in the house may have you boiling even worse than you are now, or it may have cooled you down to a simmer. If the former, no discussion will be needed. If the latter, you may decide it’s worth a try. I hope you do.”

  I turned and walked out.

  In the hall I hesitated. I could have gone up to my room and phoned from there, but in his present state it was quite possible he would listen in from the desk, and the call I wanted to make was personal. So I got my hat and coat from the rack, let myself out, descended the stoop steps, walked to the drugstore on Ninth Avenue, found the booth unoccupied, and dialed a number. In a moment a musical little voice—more a chirp than a voice—was in my ear.

  “Kurt Bottweill’s studio, good morning.”

  “This is Archie Goodwin, Cherry. May I speak to Margot?”

  “Why, certainly. Just a moment.”

  It was a fairly long moment. Then another voice. “Archie, darling!”

  “Yes, my own. I’ve got it.”

  “I knew you could!”

  “Sure, I can do anything. Not only that, you said up to a hundred bucks, and I thought I would have to part with twenty at least, but it only took five. And not only that, but it’s on me, because I’ve already had my money’s worth of fun out of it, and more. I’ll tell you about it when I see you. Shall I send it up by messenger?”

  “No, I don’t think—I’d better come and get it. Where are you?”

 
; “In a phone booth. I’d just as soon not go back to the office right now because Mr. Wolfe wants to be alone to boil, so how about the Tulip Bar at the Churchill in twenty minutes? I feel like buying you a drink.”

  “I feel like buying you a drink!”

  She should, since I was treating her to a marriage license.

  II

  When, at three o’clock Friday afternoon, I wriggled out of the taxi at the curb in front of the four-story building in the East Sixties, it was snowing. If it kept up, New York might have an off-white Christmas.

  During the two days that had passed since I got my money’s worth from the marriage license, the atmosphere around Wolfe’s place had not been very seasonable. If we had had a case going, frequent and sustained communication would have been unavoidable, but without one there was nothing that absolutely had to be said, and we said it. Our handling of that trying period showed our true natures. At table, for instance, I was polite and reserved, and spoke, when speaking seemed necessary, in low and cultured tones. When Wolfe spoke he either snapped or barked. Neither of us mentioned the state of bliss I was headed for, or the adjustments that would have to be made, or my Friday date with my fiancée, or his trip to Long Island. But he arranged it somehow, for precisely at twelve-thirty on Friday a black limousine drew up in front of the house, and Wolfe, with the brim of his old black hat turned down and the collar of his new gray overcoat turned up for the snow, descended the stoop, stood massively, the mountain of him, on the bottom step until the uniformed chauffeur had opened the door, and crossed the sidewalk and climbed in. I watched it from above, from a window of my room.

  I admit I was relieved and felt better. He had unquestionably needed a lesson and I didn’t regret giving him one, but if he had passed up a chance for an orchid powwow with the best hybridizer in England I would never have heard the last of it. I went down to the kitchen and ate lunch with Fritz, who was so upset by the atmosphere that he forgot to put the lemon juice in the soufflé. I wanted to console him by telling him that everything would be rosy by Christmas, only three days off, but of course that wouldn’t do.

  I had a notion to toss a coin to decide whether I would have a look at the new exhibit of dinosaurs at the Natural History Museum or go to the Bottweill party, but I was curious to know how Margot was making out with the license, and also how the other Bottweill personnel were making out with each other. It was surprising that they were still making out at all. Cherry Quon’s position in the setup was apparently minor, since she functioned chiefly as a receptionist and phone-answerer, but I had seen her black eyes dart daggers at Margot Dickey, who should have been clear out of her reach. I had gathered that it was Margot who was mainly relied upon to wrangle prospective customers into the corral, that Bottweill himself put them under the spell, and that Alfred Kiernan’s part was to make sure that before the spell wore off an order got signed on the dotted line.

  Of course that wasn’t all. The order had to be filled, and that was handled, under Bottweill’s supervision, by Emil Hatch in the workshop. Also funds were required to buy the ingredients, and they were furnished by a specimen named Mrs. Perry Porter Jerome. Margot had told me that Mrs. Jerome would be at the party and would bring her son Leo, whom I had never met. According to Margot, Leo, who had no connection with the Bottweill business or any other business, devoted his time to two important activities: getting enough cash from his mother to keep going as a junior playboy, and stopping the flow of cash to Bottweill, or at least slowing it down.

  It was quite a tangle, an interesting exhibit of bipeds alive and kicking, and, deciding it promised more entertainment than the dead dinosaurs, I took a taxi to the East Sixties.

  The ground floor of the four-story building, formerly a de luxe double-width residence, was now a beauty shop. The second floor was a real-estate office. The third floor was Kurt Bottweill’s workshop, and on top was his studio. From the vestibule I took the do-it-yourself elevator to the top, opened the door, and stepped out into the glossy gold-leaf elegance I had first seen some months back, when Bottweill had hired Wolfe to find out who had swiped some tapestries. On that first visit I had decided that the only big difference between chrome modern and Bottweill gold-leaf modern was the color, and I still thought so. Not even skin deep; just a two-hundred-thousandth of an inch deep. But on the panels and racks and furniture frames it gave the big skylighted studio quite a tone, and the rugs and drapes and pictures, all modern, joined in. It would have been a fine den for a blind millionaire.

  “Archie!” a voice called. “Come and help us sample!”

  It was Margot Dickey. In a far corner was a gold-leaf bar, some eight feet long, and she was at it on a gold-leaf stool. Cherry Quon and Alfred Kiernan were with her, also on stools, and behind the bar was Santa Claus, pouring from a champagne bottle. It was certainly a modern touch to have Santa Claus tend bar, but there was nothing modern about his costume. He was strictly traditional, cut, color, size, mask, and all, excepting that the hand grasping the champagne bottle wore a white glove. I assumed, crossing to them over the thick rugs, that that was a touch of Bottweill elegance, and didn’t learn until later how wrong I was.

  They gave me the season’s greetings, and Santa Claus poured a glass of bubbles for me. No gold leaf on the glass. I was glad I had come. To drink champagne with a blonde at one elbow and a brunette at the other gives a man a sense of well-being, and those two were fine specimens—the tall, slender Margot relaxed, all curves, on the stool, and little slant-eyed black-eyed Cherry Quon, who came only up to my collar when standing, sitting with her spine as straight as a plumb line, yet not stiff. I thought Cherry worthy of notice not only as a statuette, though she was highly decorative, but as a possible source of new light on human relations. Margot had told me that her father was half Chinese and half Indian—not American Indian—and her mother was Dutch.

  I said that apparently I had come too early, but Alfred Kiernan said no, the others were around and would be in shortly. He added that it was a pleasant surprise to see me, as it was just a little family gathering and he hadn’t known others had been invited. Kiernan, whose title was business manager, had not liked a certain step I had taken when I was hunting the tapestries, and he still didn’t, but an Irishman at a Christmas party likes everybody. My impression was that he really was pleased, so I was too. Margot said she had invited me, and Kiernan patted her on the arm and said that if she hadn’t he would. About my age and fully as handsome, he was the kind who can pat the arm of a queen or a president’s wife without making eyebrows go up.

  He said we needed another sample and turned to the bartender. “Mr. Claus, we’ll try the Veuve Clicquot.” To us: “Just like Kurt to provide different brands. No monotony for Kurt.” To the bartender: “May I call you by your first name, Santy?”

  “Certainly, sir,” Santa Claus told him from behind the mask in a thin falsetto that didn’t match his size. As he stooped and came up with a bottle a door at the left opened and two men entered. One of them, Emil Hatch, I had met before. When briefing Wolfe on the tapestries and telling us about his staff, Bottweill had called Margot Dickey his contact woman, Cherry Quon his handy girl, and Emil Hatch his pet wizard, and when I met Hatch I found that he both looked the part and acted it. He wasn’t much taller than Cherry Quon and skinny, and something had either pushed his left shoulder down or his right shoulder up, making him lop-sided, and he had a sour face, a sour voice, and a sour taste.

  When the stranger was named to me as Leo Jerome, that placed him. I was acquainted with his mother, Mrs. Perry Porter Jerome. She was a widow and an angel—that is, Kurt Bottweill’s angel. During the investigation she had talked as if the tapestries belonged to her, but that might have only been her manners, of which she had plenty. I could have made guesses about her personal relations with Bottweill, but hadn’t bothered. I have enough to do to handle my own personal relations without wasting my brain power on other people’s. As for her son Leo, he must have got his physique
from his father—tall, bony, big-eared and long-armed. He was probably approaching thirty, below Kiernan but above Margot and Cherry.

  When he shoved in between Cherry and me, giving me his back, and Emil Hatch had something to tell Kiernan, sour no doubt, I touched Margot’s elbow and she slid off the stool and let herself be steered across to a divan which had been covered with designs by Euclid in six or seven colors. We stood looking down at it.

  “Mighty pretty,” I said, “but nothing like as pretty as you. If only that license were real! I can get a real one for two dollars. What do you say?”

  “You!” she said scornfully. “You wouldn’t marry Miss Universe if she came on her knees with a billion dollars.”

  “I dare her to try it. Did it work?”

  “Perfect. Simply perfect.”

  “Then you’re ditching me?”

  “Yes, Archie darling. But I’ll be a sister to you.”

  “I’ve got a sister. I want the license back for a souvenir, and anyway I don’t want it kicking around. I could be hooked for forgery. You can mail it to me, once my own.”

  “No, I can’t. He tore it up.”

  “The hell he did. Where are the pieces?”

  “Gone. He put them in his wastebasket. Will you come to the wedding?”

  “What wastebasket where?”

  “The gold one by his desk in his office. Last evening after dinner. Will you come to the wedding?”

  “I will not. My heart is bleeding. So will Mr. Wolfe’s—and by the way, I’d better get out of here. I’m not going to stand around and sulk.”

  “You won’t have to. He won’t know I’ve told you, and anyway, you wouldn’t be expected—Here he comes!”

  She darted off to the bar and I headed that way. Through the door on the left appeared Mrs. Perry Porter Jerome, all of her, plump and plushy, with folds of mink trying to keep up as she breezed in. As she approached, those on stools left them and got onto their feet, but that courtesy could have been as much for her companion as for her. She was the angel, but Kurt Bottweill was the boss. He stopped five paces short of the bar, extended his arms as far as they would go, and sang out, “Merry Christmas, all my blessings! Merry merry merry!”