The Appearance of Stars
“FROM DUST YOU CAME AND TO DUST YOU SHALL RETURN” REVEALING THE CODE
From the stars we came and to the stars we shall all return. Your scientists today will tell you the same; that all physical life originated from exploding stars. We pointed to this fact within the scriptures as well, often encoding our profound truths via the mundane and seemingly simple verses of the Bible.
Yet we are not merely a physical object alone. Far more important than you being part of this universe is the fact that something even greater exists within your DNA. Therein is something far superior than mere carbon and atomic structure, but a dimensional element that was imposed upon your being long, long ago. This shining of dimensional-light is in fact the core of your consciousness whether you realize it yet or not. This is who you really are and the being with which we must come to grips.
To this end our artwork helped us and will help you to visually comprehend yourself and the portal-science on a deeper level. These artistic-studies are rooted in the symbolic meaning of each and every word of your holy books. The Bible, for example, contains a vast array of symbol-words by which we camouflaged the word “star” or “stars,” beginning with the image of “dust to dust”.
Likewise, there were 12 such words we used by which to describe the stars, each identifying its own specific sector of the Great Wheel. See the symbol-words and compare them to the images provided. Imagine the metaphors.
• dust (Ecclesiastes 3:20)
• salt (Genesis19:26/Matthew.5:13)
• rain (Deuteronomy 11:11)
• wheat/seed (Gen. 22:17)
• mist (Genesis 2:6/Job 41:31)
• frost (Job 38:29)
• snow (Isaiah 55:10)
• dew (Genesis 27:28/Hosea 13:3)
• sand (Matthew 7:26)
• sparks (Job 5:7)
• tears (Lamentations 1:2)
• hail stones (Isaiah 28:17)
The Milky Way Galaxy
REVEALING THE CODE
Next are the code-words for the appearance of the Milky Way galaxy that stretches across the night sky. On a clear night far away from city lights, this dim cluster of stars resemble, among other things, a band of celestial milk, thus its name. Imagine . . .
• ashes (Psalm 102:9),
• Milk (Exodus 3:8)
• fine flour (Leviticus 2:7),
• prayers (Revelation 8:4)
• crumbs (Matthew 15:21-28)
• Incense (Exodus 30:7)
• breath (Job 37:10)
• smoke (Revelation 9:2)
Constellation Symbols
REVEALING THE CODE
The Hebrew zodiac contained over 50 star-studded constellations. These heavenly images provided us with a vast array of symbolism from which the scriptures were patterned. The list includes;
• Aries: the “lamb” (John 1:36),
• Virgo: the “virgin” (Jeremiah 14:17),
• Scorpio: “scorpions” (Revelation.9:3),
• Lupus: the “wolf” (Isaiah 11:6),
• Capricorn: a “he goat” (Daniel 8:5),
• Aquarius: the “man bearing a pitcher of water” (Luke 22:10),
• Libra: “a set of balances” (Daniel 5:27),
• Leo Minor: a “young lion” or “welp” (Genesis 49:9)
• Leo: the “crouching lion” (Genesis 49:9),
• Ursa Major: the “bear” (Revelation. 13:2),
• Taurus: the “oxen” (1Kings 19:19),
• Draco: the “dragon” or “serpent” (Isaiah 27:1)
• Canis Major and Minor: the “dogs” (Luke 16:21-22)
• Lynx: the “Leopard” (Daniel 7:6; Revelation 13:2)
• Monoceros: the “Unicorn” (Job 39:9)
• Pegasus: the “Horse” (Isaiah 63:13)
• Pisces: the “Fishes” (Mark 6:41)
• Columba: the “Dove” (Genesis 8:8)
• Corvus: the “Crow/Raven” (Genesis 8:7)
• Cetus: the “Whale” (Matthew 12:40)
• Camel: the “Camel” (Matthew 19:24)
The magi used the zodiac for locating, tracking and correcting the Earth’s tilt. The juvenile pursuit of horoscopes as we know them today was not invented by the magi, but only by the unlearned long after we were gone.
You may have noticed that the star patterns of each constellation seldom if ever resemble the animal they were meant to portray. Yet we used the available stars of each location as simple locators to help us measure and mark those points upon the Great Wheel. That said, the images of lions, lambs, bulls, etc., that we imposed upon those star-patterns were intended to embody the spiritual persona of the area and age of the zodiac in which they were placed.
Furthermore, many of the animals mentioned in the Bible were not constellations, but artistic renderings from the Grid-lines themselves.
Each Word sheet not only recorded the scriptures, but those scriptures could likewise be imposed directly over the image they in fact described. The line data of the grids contained every image of every story that the Bible describes. This was the secret and sacred-art of the Temple.
A connected factoid is that Josephus, the son of the High Priest Matthias, wrote that on the day the Temple was destroyed by the Romans in 70AD, a cow gave birth to a lamb—or minus the code; the age of Taurus gave way to the age of Aries. Likewise we also exemplified Taurus in our creation of the Hindu religion, it being symbolized in the traditions of the sacred cow. Always the code.
Not real animals, but astrological eras; the sacrificial ages of Taurus and Aries (4000 BC to 1 BC); these were epics in which the magi knew the God-Element within humanity would completely hibernate. Though we developed the ancient religions for the purpose of emitting divine frequencies, we also encoded the celestial facts within the outer lore and sacrificial practices of those same verses. Aries was the Lamb of God. John 1:29, while Taurus was the Hindu god Kamaduh.
Grid Designs
REVEALING THE CODE
Next are the grids themselves upon which we recorded the various facets of information. Though each grid was drawn as a flat- circle, they were actually representative of curved-domes which hypothetically surround our planet. In turn these grids enabled us to organize the celestial-sphere to our advantage, thus using their math by which to write the Word. Likewise each grid was also given a dedicated-design, two of which were built into the courtyards of the ancient Jewish Temple that once stood in Jerusalem Israel:
The Earth’s spin or rotation grids: These particular designs also represented Paradise Alignment, a once perfect arrangement of the sun, Earth and moon that enabled an open Heaven.
As displayed in this model-recreation by Alec Garrard, the second Jewish Temple (516 BCE and 70 CE.), contained two specific grid-designs. These were the Paradise-Grids that represented the idealistic alignment of Earth in relationship to the sun (Men’s Court) and the moon (Women’s Court).
The zodiac grids represent Earth’s tilt and wobble. We used these grids not only to track the progress of Earth’s realignment, but also the timeline of the portal’s reopening. Due to the fact that the Earth’s worsening tilt and wobble closed the portal, these grids were thus symbolized with evil connotations in the scriptures. I will show you.
Each grid-type had its own mathematical logic which in turn made it easier to identify, place and track each cycle and alignment of the heavens. Going forward, realize that the grids were also the base-construct for every implied image of the Bible’s stories. This ranges from Adam and Eve in the Garden of Eden, all the way to the Beast of Revelation and every story in between. More important is how we camouflaged the grid’s appearance within the words of the Bible. The disguise is truly remarkable and leaves little doubt as to what we did. Compare the verses to the images and you will see their origin from within the grids. Imagine:
Imagine: “Nets”
“And Jesus, walking by the sea of Galilee, saw tw
o brethren, Simon called Peter, and Andrew his brother, casting a net (grid) into the sea: for they were fishers (Pisces).” Matthew 4:18
Not real nets, but this grid-type
Imagine: “Spider Webs”
“Whose hope shall be cut off, and whose trust shall be a spider’s web.” Job 8:14
Not a real spider web, but this grid-type
Imagine: “Millstones”
“Take the millstones (grids), and grind meal (stars):” Isaiah 47:2
Not a real millstone, but this grid-type
Imagine: “Wheels”
“…and their appearance and their work was as it were a wheel in the middle of a wheel.” Ezekiel 1:16
“And lost their chariot wheels, that they drove them heavily:” Exodus 14:25
Are you beginning to see the code?
The Wonders of Sacred Art
THE MIND-IMAGES OF GOD
As the position of the sun, moon and stars change in the sky, one can attach new grids to the periphery of the original so-as to record this movement, thereby creating an organized grid-system. By combining a grid-series and then erasing only certain portions therein, we created an amazing array of articles and events, all of which lent themselves to the intricate detail of the Bible’s stories.
This facet of the Grid System was referred to in the Bible as the “Wonders” layer, in that it could artistically create any and every item mentioned within its stories. Thus any time you see the word “wonders” in the Bible, it is an illusion to these grids and/or grid-series in some manner.
I-magi-nation was the hallmark of every magi and even we enjoyed fine art. This of course brings us to the next phase of the Grid System; the images themselves. The art is there, stored within the lines and circles of the grids. These pictograms are described in great detail throughout the Bible and were drawn by our artisans within the privacy of the Temple. In this endeavor, we recreated the mind pictures of God according to the Word’s descriptions. The more images I explain, the more you will understand the depth of our magic.
From this point forward in this book I’ve provided a collection of sacred art that has been reproduced for the first time in over two millennia. You will literally be the first to see these images in over 2,000 years. No one, -not one person outside of the Magian priesthood was allowed to view them until now.
I ask you to use your imagination as did we, that you may connect the dots between the grids, the images, and the scriptures that describe them. They are not separate items; they are one and the same. It is not, and was not, a history story, but the very means by which we created the books of the Bible and many other ancient scriptures. The examples are simple, biblical and awesome.
“Consider the lilies of the field, how they grow;” Matthew 6:28
“Lilies of the field”: Not real lilies, but grid-patterns. They “grow” because a new circle is added each day. This grid-design was often symbolized in ancient cultures as the flower of life. It was displayed from the humble synagogue to the grand Temple of Osiris.
Images show how the grids were embedded within biblical-lore. Images, bottom, by Leonardo da Vinci—Codex Atlanticus. This is the real secret behind da Vinci’s encoded drawings. The problem is, it wasn’t Da Vinci’s code, but the lost art of the magi.
Imagine: “Great Millstone”
“And a mighty angel took up a stone like a great millstone, and cast it into the sea,…” Revelation 18:21
A “Great” millstone indicated not a singular grid, but an entire grid-series.
Imagine: “Clouds”
“Though his excellency mount up to the heavens, and his head reach unto the clouds;” Job 20:6
Imagine: “Fish”
“For we don’t know our time: as the fish that are taken in an evil net,” Ecclesiastes 9:12
Look Familiar?
Imagine: “Eyes”
“And God shall wipe away all tears (stars) from their eyes; and there shall be no more death, neither sorrow, nor crying” Revelation 21:4
Imagine: “Baskets”
“And they took up twelve baskets full of the fragments, and of the fishes.” Mark 6:43
Imagine: “Frogs”
“Their land brought forth frogs in abundance,” Psalm 105:30
Imagine: Utensils 1
“…and the bowls, and the cups: and for the golden basins…” Chronicles 28:14-17
Imagine: “The House of Israel:”
A series of 24-hour day-grids produced this 3-D image of a house. Can you find the grain of the verse?
Imagine: “Ships” Imagine: “Swords”
“They that go down to the sea in ships, that do business in great waters;” Psalms 107:23
“I will draw my sword, my hand shall destroy” Exodus 15:9
Imagine: “Water Pots”
“And there were set there six water pots of stone, after the manner of the purifying of the Jews, containing two or three firkins apiece.” John 2:6
Known to us as “Pargod” which denotes the English word “grille” or grid, the Grid System was the basis for all ancient scripture production. The Greek term for the Grid System was “Katapetasma”, which is a pattern of lines or heavenly veil that encompassed the heavens. Upon this celestial curtain were the mind-images of God, called “paradeigmata”.
The Menorah and the Number 7
“And said unto me, what do you see? And I said, a candlestick all of gold, with a bowl upon the top of it, and seven lamps thereon, and seven pipes…:” Zechariah 4:2
The “gold” color of the menorah was envisioned from the sunlight, while the seven candles were a mathematical configuration of the grids themselves. Notice also the upside-down bowl that was drawn from the same grid-circle as the outer band of the menorah. The Word spelled it and we drew it. Undeniable! Consider the implications . . .
“And thou shalt make a candlestick of pure gold: of beaten work shall the candlestick be made” Exodus 25:31
The mathematical-fact of “7”: Every peripheral-grid of a 24 grid-series will always contain the hubs of 7 others, thus revealing the menorah design. The grid highlighted in red displays this critical alignment. The image is then colored gold with the light of the sun as it moves around the circle of each grid. Notice how the image (right) resembles the verse’s description of “beaten work,” an ancient metal-working technique. Our art spared no details.
Those of you familiar with the ancient scriptures may have noticed certain repetitive numbers such as twelve and seven throughout the storylines. And while it is simple to comprehend a correlation between the 12 apostles and the 12 houses of the zodiac, the origin of the number 7 tends to be a bit more elusive. Allow me to explain its significance.
In our science, all sun-grids contained a total of 24 pie-shaped divisions, each of which was attached a peripheral-grid. As a result, this configuration produces an alignment in which any single peripheral-grid will contain the small inner-hubs of 7 other grids (see image). This was important as it displayed an interaction between a grid and those upon which it was imposed. Likewise, anytime the number seven is mentioned in the Bible, it is typically referring to this pictorial arrangement in some capacity.
An artistic example is found within the construction of the 7-candlestick menorah, itself an iconic artifact of the Temple. Furthermore, if one were to count the two extra hubs that fall on the grid’s outer circle, we can now envision the larger 9 candlestick menorah as well, it also being part of the Jewish religious tradition. Thereafter the menorah image is symbolically painted gold by the light of the sun as it tracks around the perimeter of each grid. Last is the “beaten work” of Exodus 25:31, which was the process of hammering metals into thin workable sheets. Ironically this visual effect was mimicked from the countless grid-hubs that overlay the image.
Every minute detail of the Bible is describing images of the Grid-System. None of those verses were of historical people, places or things, but of the sacred art that only the magi could interpr
et. You must ask yourself, how were the various items of the Jewish Temple patterned? Who designed them and why? Why, for example, would the menorah have long semi-circular connecting bars and why would it contain 7 or 9 candles instead of any other number? The reasons are obvious.
The Star of David
REVEALING THE CODE
Though this popular icon of Israel is mentioned nowhere in the Bible, I can tell you exactly from where the image was derived. It is amazing that an astrological design from our grids survived the ravages of time only to be displayed upon the flag of modern-day Israel. As well, the geometric designs of both 6 and 12 are imbedded throughout nature—a direct result of the mathematical matrix that we used to chart our way home. This is how we wrote the Word; this is how we will open the portal.
How do you suppose our symbol survived the ages only to be represented upon the flag of modern-day Israel? It seems that, perhaps, someone else knows the magi’s secret but isn’t saying. Funny old world, isn’t it?
The Book of Daniel and the Mystery of the Resurrection Machine Page 16