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Indo-European Mythology and Religion

Page 6

by Alexander Jacob


  (Akkadian for Enki) speaks to the “reed wal ” of Atrahasis’

  dwelling may also be explained by the frequent Indian

  references to the lake of “reeds” in which the golden seed

  of Siva is dropped after being infused with his fiery form,

  Agni.96 In a Sumerian magical text, Urn.49, the holy reed

  is said to rise from the swamps of Engur (Abzu).97 The

  “reed” thus is an analogue of the ship of Life itself, since

  both contain the seeds of the incipient universe as well as

  its light. Thus it is not surprising to find that the boat of

  Ziusudra is also made of “reed”.

  The fact that this ‘ship of life’ is the same as the one

  through which the sun arises into our system is made quite

  clear in the Egyptian Book of the Gates. The solar journey is undertaken in a barque which is called the “barque of

  the Earth”,98 since Earth is the region from which the sun

  is manifest. In both this book and in the Amduat, the solar journey through Earth is undertaken within the coils of

  the World Encircler, the gigantic serpent representing

  Time.99

  In the Heliopolitan myth of the sun too, Seth, though

  the murderer of Osiris, the divine Light, helps Horus the

  Younger fight the serpent Apop on the barque of Re in

  order to ensure Re’s emergence as the solar light.100 The

  barque itself represents the material universe, which bears

  the light of the universe, Re. Seth overcomes Apop using

  96 See

  RV X, 51-3; SB 6, 3.1.31; RV X, 32.6.

  97 See H. Steible, Die altsumerischen Bau- und Weihinschriften, Wiesbaden: F. Steiner, 1982 ( FAOS 5) I:110.

  98 See E.T. Hornung, Ancient Egyptian Books, p.60.

  99 Ibid. In the Enigmatic Book of the Underworld, the ouroboros serpents represent the birth and end of time ( ibid., p.78). In the Nordic Eddas, the Midgard serpent is called the “encircler of Earth” (‘Voluspa’, 60).

  100 See H. te Velde, Seth, God of Confusion, Ch.4.

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  his characteristic rage (nšn),101 corresponding to the Indic

  ‘manyu’ and Iranian ‘mainyu’ which are associated with

  Shiva/Indra ( RV X,83; AV IV,31,5).

  In Mesopotamia, Ninurta, like Shiva’s son, Skanda,

  represents the seed of Enlil.102 The reference to Enki’s

  ‘makurru’ boat in Lugal e (l.107), the sun-barque which

  is featured prominently as Ninurta’s own, makes it clear

  that Ninurta is a continuation of Enki, the Lord of the

  Waters (Varuna/Osiris) . In fact, Enki is said to have

  received the “lofty sun-disk” in Eridu (l.121) showing that

  as ruler of the underworld he is identical to the “dead”

  Osiris who is transformed into Horus the Younger. In the

  poem ‘Enki and Inanna’, Enki is depicted embarking on a

  “magur” boat, also called “the Ibex of the Abzu”, which is a

  symbol of Enki’s shrine itself. It may also be the Sumerian

  counterpart of the sun-barque in Egypt. Enki’s voyage, in

  the myth, does not take him on a patently solar course

  but moves from region to region in “Mesopotamia” and

  the surrounding lands since Mesopotamia is considered a

  microcosm of the universe.103

  The mountain rising from the foothil s is the Mid-

  region of the universe, and the seed of the “primordial

  hil ”, Ninurta himself, will final y emerge atop it as the

  sun of our system. Indeed, in the epic, Ninurta, having

  accomplished his great deed, final y assumes his natural

  role as the sun by boarding his barque:

  101 See H. te Velde, op.cit., p.101.

  102 So in the myth “Lugal-e” (see T. Jacobsen, Treasures of Darkness: A History of Mesopotamian Religion, New Haven: Yale University Press, 1976, p.131).

  103 See S.N. Kramer and J. Maier, The Myths of Enki, the Crafty God, Oxford: OUP 1989, p.42ff. The fact that the name of Sumer is itself probably derived from that of the primordial mountain at the centre of Earth, Meru, makes it likely that these geographical regions reflect cosmological ones.

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  indo-european mythology and religion

  The Hero had crushed the Mountain; when he moved

  in the steppes, he appeared

  as the [S]un (?),

  …

  Ninurta went joyously towards the “magur”, his

  beloved boat,

  The Lord set his foot on the Makarnunta’e (boat).104

  In the Babylonian epic,

  Atrahasis, Enki particularly

  advises Atrahasis to “roof [the ark] over like the Apsu/ So

  that the sun shall not see inside it”, which indicates that

  the vehicle which contains the seed of all animals is, like

  the Abyss, completely dark.

  The fact that the ship of life represents the entire

  universe is suggested also by the similar detail in the

  Ugaritic texts relating to Baal and the construction of his

  “palace” by his craftsman Kothar-and-Hasis. There Baal

  specifical y objects to the inclusion of any windows in

  his “palace”, since Mot (who represents Mortality) would

  enter through such an aperture. Unfortunately for Baal,

  Kothar-and-Hasis disobeys him and thus allows Mot to

  enter in, whereupon Baal is killed and thereby rendered

  subject to his rule. It is only after Baal’s consort, Anath’s

  destruction of Mot that Baal is resurrected (no doubt as

  the sun), in a manner resembling Osiris’ resurrection as

  Horus the Younger.

  If we turn to the Iranian Vendidad, we find that Yima

  the son of Vivanghvant (the sun)105 is warned by Ahura

  104 J. Van Dijk, Lugal ud me-lam-bi Nir-gal, Leiden: E.J. Bril , 1983, p.137 (my translation of van Dijk’s French).

  105 In Iranian mythology the twins Yama and Yima represent death 50

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  Mazda of a “snow storm” which will turn into a flood on

  melting.106 In the Avesta, as in the Purānas, Yima (Manu)

  is mentioned in connection with the seventh incarnation

  of Verethraghna (Vishnu). In order to escape the

  cataclysm, Yima is asked to construct a “vara” [ark] which

  will bear the best examples of men, animals, and plants,

  and especial y the “cows” which are on the mountains as

  well as in the valleys in “closed stal s”.107 Special reference

  is made to the fact that the “window which lets in the

  sunlight” be closed. That the Iranian version closely

  follows the Babylonian in this detail (which is perhaps

  found also in the original Sumerian though lost in its

  present fragmentary state), while at the same time leaving

  out the crucial reference to the Abyss, suggests that the

  Āryan flood stories, as well as the Mesopotamian, are

  based on an older proto-Dravidian/Hurrian original.

  At the end of the Iranian Vendidad account of the

  deluge, Ahura Mazda explains that “the lights which shone

  in the vara” were “natural and human lights. All eternal

  lights shine from above, all human lights shine below in

  the inside (of the vara). Along with them, one sees the

  stars, moon, and sun shining in space”. It is clear that the

  “human lights” are souls and that the vara, or the Ship of

  Life contains the light of the manifest universe,
including

  the stars of the Mid-region.

  and life. Yima is called the first king and the founder of civilisation and his fabulous dwelling is in Airyanem Vaego, corresponding

  mythological y to the Indian Yamasadanam (in the lower Heavens) and etymological y to Āryāvarta, the name applied to the Indo-Gangetic Plain settled by the later Indo-Āryans.

  106 The “snow storm” is a reference to the icy state of the incipient universe that prevents the manifestation of the solar energy.

  107 See H. Usener, Die Sintfluthsagen, p.208ff.

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  The Seven Sages

  In the Mahābhārata version of the Flood, Manu is said

  to be accompanied in his boat by “seven sages”, and it is

  worth studying their significance for an understanding of

  the exalted spirituality of the first enlightened humanity.

  Each of the Manu’s in a kalpa is accompanied by seven

  sages ( GP I,87) and these sages appear in order to

  consolidate the transition between cosmic ages with their

  special knowledge and powers.

  The seven sages that accompanied the first Manu

  Svāyambhuva were called Marichi, Atri, Angira, Pulastya,

  Pulaha, Kratu and Vasishta.108 In Brahmānda Purāna I

  and Bhāgavata Purāna VI, these sages are considered to

  be the “intellectual progeny” of Brahma who antedate

  the Ādityas, the twelve suns of the manifest universe. In

  the BrdP III,iv,2,29, the sages of the family of Angiras are said to be located in the Bhuvarloka, which is the Mid-region between Earth and Heaven. At BrdP III,iv,2,49ff.,

  however, all the sages including Angiras are said to

  original y reside in Janarloka, the fifth world, which holds

  the seeds of mankind.

  108 In

  BrdP II,iii,1,7f. there are seven sages, whose names are given at II,iii,1,50 as Bhrgu, Angiras, Marīci, Atri, Pulastya, Pulaha, and Vasishta. In Manusmriti III,195ff. too there are seven, though Viraj takes the place of Pulaha. In BrdP II,iii,1,21, however, there are eight sages, Bhrgu, Angiras, Marīci, Pulastya, Pulaha, Kratu, Atri and Vasishta.

  In the BrdP I,i,5,70 there are nine sages, Bhrgu, Angiras, Marīci, Pulastya, Pulaha, Kratu, Daksha, Atri, and Vasishta. In BrdP I,ii,32,96-7 Manu is included after Kratu to make a total of ten sages. However, given the relative frequency of seven as the number of the sages in the Purānas, the Mahābhārata, in Sumerian literature, as well as in Indian astronomy, we may assume that this was the original number, which was later amplified by the addition of such figures as Manu himself as a sage.

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  The seven sages that accompany the Manu of the

  present seventh manvantara, Manu Vaivasvata, are, in

  BrdP I,ii,38,26-33, called Vishvāmitra [who was original y a Kshatriya and not a Brāhman], Jamadagni [who is a

  descendant of Bhrgu], Bharadvāja [who is a descendant of

  Angiras], Saradvan, Atri, Vasuman, and Vatsara.109

  The seven sages are found also in the Sumerian

  accounts of the flood. In the tablet W 20030,110 we find

  that each of the antediluvian kings (or, rather, gods) is

  accompanied by an extraordinary being called “apkal u”

  and, since this tablet lists only seven such kings, there

  are seven “apkal u” in al .111 The apkal u are the sages who

  arise from the Abyss to reveal science, art, and civilisation

  to mankind. The names of these apkal u are u-an, u-an-

  du-ga, en-me-du-ga, en-me-galam-ma, en-me-bulug-

  ga, an-en-lil-da and u-tu-abzu,112 and their respective

  appearances are in the reigns of “a-a-lu”, “a-la-al-gar lugal”,

  “am-me-gal-an-na lugal”, “e[n-m]e-usumgal-an-na lugal”,

  “dumu-zi sipa lugal”, and “en-me-dur-an-ki lugal”.113 From

  109 In the Baudhāyana Shrauta Sūtra, there are eight such sages, and they are Vishvāmitra, Jamadagni, Bharadvaja, Gautama, Atri, Vasishta, Kashyapa and Agastya. Agastya is obviously a later addition as the sage who transmitted Vedic learning to the “Tamils”, i.e. proto-Tamils/

  Sumerians.

  110 See J. van Dijk, “Die Inschriftenfunde: II. Die Tontafeln aus dem res-Heiligtum” in XVIII. vorläufiger Bericht über die von dem Deutschen Archaeologischen Institut und der Deutschen Orient-Gesel schaft aus Mitteln der Deutschen Forschungsgemeinschaft unternommenen Ausgrabungen in Uruk-Warka (1959/1960), Berlin: Heinrich J. Lenzen, 1962, pp.44ff.

  111 These apkal u are complemented in the postdiluvian section

  of this list by the “ummannu”, or the scholars who aided the several postdiluvian kings in their respective reigns.

  112 See J. van Dijk, op.cit., p.44.

  113 Ibid. In WB 1923, 444, the names are “a-lu-lim” and “a-lal-gar”

  reigning in Eridu, “en-me-en-lu-an-na”, “en-me-en-gal-an-na” and

  “dumu-zi sipa” in Bad-tibira, “sipa-zi-an-na” in Larak, and “en-me-en-53

  indo-european mythology and religion

  WB 1923,444 and W 20030,7, it is apparent that these kings

  ruled in Eridu, Bad-tibira, Larak, and Zimbir respectively,

  which establishes that the “apkal u” appeared during the

  development of the solar force in the underworld. The

  first of these apkal u, U-An (identifiable with Adapa),114

  is characterised in Berossus’ list by a piscine form which

  may correspond to the Matsya incarnation of the supreme

  Lord, though the piscine Matsya incarnation of the

  supreme Lord in the Indian Purānas appears later, during

  the flood, with the seventh Manu, of the Treta Yuga.

  In Egypt too it is most probable that there was a

  tradition of seven sages who preceded the establishment

  of monarchy after the “deluge”. The Palermo Stone, for

  instance, contains the names of nine kings of Lower Egypt,

  while the Cairo fragment which may have formed part of

  the former contains a list of “kings” who clearly precede

  the kings of the Palermo dynastic list.115 Of these kings

  seven bear the double crown of Upper and Lower Egypt.116

  Since these “kings” precede Menes (who represents Manu

  himself), we may reasonably conclude that these “kings”

  are indeed the same as the seven sages who ruled heaven

  and earth, which are represented in this list as Upper and

  Lower Egypt.

  dur-an-na” in Zimbir. In W 20030,7 the names are given as “a-a-lu”,

  “a-la-al-gar”, “am-me-lu-an-na”, “am-me-gal-an-na”, “enme-usumgal-an-na”, “dumu-zi sipa” and “en-me-dur-an-ki” respectively ( ibid., p.46).

  114 Ibid. , p.48.

  115 Breasted thought that the Cairo fragments must also have original y contained a set of kings of Upper Egypt who followed those of Lower Egypt (see S. Mercer, Horus Royal God of Egypt, Grafton, MA: Society of Oriental Research, 1942).

  116 See S. Mercer, op.cit, p.16. The set of seven “kings” of a united Upper and Lower Egypt is followed by the kings of Lower Egypt (in the Palermo Stone).

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  In the Avesta, the Amesha Spentas, the “well-doing

  ones”, correspond to the Seven Sages, though they are

  deprived of their mythological form and considered as

  abstract mental qualities. In the Bundahishn I,53, after the creation of the primal astral bodies, the Mazdean

  creation is said to continue with the production of the

  Ameshaspends, the “seven fundamental Beneficent

  Immortals”:

  of the material creations created in
the spirit the first

  are six, He Himself as the seventh; for both spirit first

  and then matter are of Ohrmazd. He created forth

  Vohuman… then Ardwahisht, then Sahrewar, then

  Spendarmad, then Hordad and Amurdad [the seventh

  in the order of immortal beings is Ohrmazd himself].

  These are derived directly from the Wind, the Lord of

  Duration. We may remember the wind god Vāyu in

  the Vedic literature who emerges from the nostrils of

  the macroanthropos in the form of a boar. The Amesha

  Spentas also correspond psychological y to the faculties

  of the Ideal Man, Purusha, namely intelligence, intellect,

  feeling, thinking, knowing and explication, along with the

  soul, represented by Ahura Mazda himself ( Bundahishn,

  XXVIII).

  In the Hebrew Bible the ante-diluvian patriarchs before

  Noah are the counterparts of the Seven Sages and the

  Sumerian apkal u and Egyptian antediluvian kings.117 In

  Genesis 5, there is a reference to the descendants of Adam,

  starting with Seth, and continuing with Enos, Ca-i’nan,

  Mahal’aleel, Jared, Enoch, Methu’selah, Lamech and Noah.

  Since the brāhmans are, in the the Ethiopian version of

  117 See H. Zimmern, “Biblische und babylonische Urgeschichte”, Der Alte Orient, II (1901), pp.26ff.

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  indo-european mythology and religion

  Pseudo-Callisthenes,118 said to be the sons of Adam’s son,

  Seth,119 and Noah was considered a transmitter of the

  wisdom of Seth,120 we may assume that the personages

  from Enos to Lamech are the Hebrew counterparts of the

  seven sages.

  Since Adam is indeed the Cosmic Man and not a

  human, we may assume that the brāhmans referred to

  here are associated with the preservation of the Divine

  Consciousness of Brahman which arises from the Cosmic

  Egg and is later conveyed to humanity by the seventh

  Manu/Noah. As for Seth, Josephus declares that Seth

  strove after virtue and, being himself excellent, left

  descendants who imitated the same virtues. All of

  these, being virtuous, lived in happiness in the same

  land without civil strife, with nothing unpleasant

  coming upon them until after their death. And they

  discovered the science with regard to the heavenly

  bodies and their orderly arrangement.121

  The brāhmans are also considered in the Indian tradition

 

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