by Walt Whitman
Myself effusing and fluid, a phantom curiously floating, now here absorb’d and arrested,
The group, (an unminded point set in a vast surrounding,)
The attentive, quiet children, the loud, proud, restive base of the streets,
The low hoarse purr of the whirling stone, the light-press’d blade,
Diffusing, dropping, sideways-darting, in tiny showers of gold,
Sparkles from the wheel.
To a Pupil
Is reform needed? is it through you?
The greater the reform needed, the greater the Personality you need to accomplish it.
You! do you not see how it would serve to have eyes, blood, complexion, clean and sweet?
Do you not see how it would serve to have such a body and soul that when you enter the crowd an atmosphere of desire and command enters with you, and every one is impress’d with your Personality?
O the magnet! the flesh over and over!
Go, dear friend, if need be give up all else, and commence to-day to inure yourself to pluck, reality, self-esteem, definiteness, elevatedness,
Rest not till you rivet and publish yourself of your own Personality.
Unfolded out of the Folds
Unfolded out of the folds of the woman man comes unfolded, and is always to come unfolded,
Unfolded only out of the superbest woman of the earth is to come the superbest man of the earth,
Unfolded out of the friendliest woman is to come the friendliest man,
Unfolded only out of the perfect body of a woman can a man be form’d of perfect body,
Unfolded only out of the inimitable poems of woman can come the poems of man, (only thence have my poems come;)
Unfolded out of the strong and arrogant woman I love, only thence can appear the strong and arrogant man I love,
Unfolded by brawny embraces from the well-muscled woman love, only thence come the brawny embraces of the man,
Unfolded out of the folds of the woman’s brain come all the folds of the man’s brain, duly obedient,
Unfolded out of the justice of the woman all justice is unfolded,
Unfolded out of the sympathy of the woman is all sympathy;
A man is a great thing upon the earth and through eternity, but every of the greatness of man is unfolded out of woman;
First the man is shaped in the woman, he can then be shaped in himself.
What Am I After All
What am I after all but a child, pleas’d with the sound of my own name? repeating it over and over;
I stand apart to hear—it never tires me.
To you your name also;
Did you think there was nothing but two or three pronunciations in the sound of your name?
Kosmos
Who includes diversity and is Nature,
Who is the amplitude of the earth, and the coarseness and sexuality of the earth, and the great charity of the earth, and the equilibrium also,
Who has not look’d forth from the windows the eyes for nothing, or whose brain held audience with messengers for nothing,
Who contains believers and disbelievers, who is the most majestic lover,
Who holds duly his or her triune proportion of realism, spiritualism, and of the aesthetic or intellectual,
Who having consider’d the body finds all its organs and parts good,
Who, out of the theory of the earth and of his or her body understands by subtle analogies all other theories,
The theory of a city, a poem, and of the large politics of these States;
Who believes not only in our globe with its sun and moon, but in other globes with their suns and moons,
Who, constructing the house of himself or herself, not for a day but for all time, sees races, eras, dates, generations,
The past, the future, dwelling there, like space, inseparable together.
Others May Praise What They Like
Others may praise what they like;
But I, from the banks of the running Missouri, praise nothing in art or aught else,
Till it has well inhaled the atmosphere of this river, also the western prairie-scent,
And exudes it all again.
Who Learns My Lesson Complete?
Who learns my lesson complete?
Boss, journeyman, apprentice, churchman and atheist,
The stupid and the wise thinker, parents and offspring, merchant, clerk, porter and customer,
Editor, author, artist, and schoolboy—draw nigh and commence;
It is no lesson—it lets down the bars to a good lesson,
And that to another, and every one to another still.
The great laws take and effuse without argument,
I am of the same style, for I am their friend,
I love them quits and quits, I do not halt and make salaams.
I lie abstracted and hear beautiful tales of things and the reasons of things,
They are so beautiful I nudge myself to listen.
I cannot say to any person what I hear—I cannot say it to myself— it is very wonderful.
It is no small matter, this round and delicious globe moving so exactly in its orbit for ever and ever, without one jolt or the untruth of a single second,
I do not think it was made in six days, nor in ten thousand years, nor ten billions of years,
Nor plann’d and built one thing after another as an architect plans and builds a house.
I do not think seventy years is the time of a man or woman,
Nor that seventy millions of years is the time of a man or woman,
Nor that years will ever stop the existence of me, or any one else.
Is it wonderful that I should be immortal? as every one is immortal;
I know it is wonderful, but my eyesight is equally wonderful, and how I was conceived in my mother’s womb is equally wonderful,
And pass’d from a babe in the creeping trance of a couple of summers and winters to articulate and walk—all this is equally wonderful.
And that my soul embraces you this hour, and we affect each other without ever seeing each other, and never perhaps to see each other, is every bit as wonderful.
And that I can think such thoughts as these is just as wonderful,
And that I can remind you, and you think them and know them to be true, is just as wonderful.
And that the moon spins round the earth and on with the earth, is equally wonderful,
And that they balance themselves with the sun and stars is equally wonderful.
Tests
All submit to them where they sit, inner, secure, unapproachable to analysis in the soul,
Not traditions, not the outer authorities are the judges,
They are the judges of outer authorities and of all traditions,
They corroborate as they go only whatever corroborates themselves, and touches themselves;
For all that, they have it forever in themselves to corroborate far and near without one exception.
The Torch
On my Northwest coast in the midst of the night a fishermen’s group stands watching,
Out on the lake that expands before them, others are spearing salmon,
The canoe, a dim shadowy thing, moves across the black water,
Bearing a torch ablaze at the prow.
O Star of France
[1870-71]
O star of France,
The brightness of thy hope and strength and fame,
Like some proud ship that led the fleet so long,
Beseems to-day a wreck driven by the gale, a mastless hulk,
And ’mid its teeming madden’d half-drown’d crowds,
Nor helm nor helmsman.
Dim smitten star,
Orb not of France alone, pale symbol of my soul, its dearest hopes,
The struggle and the daring, rage divine for liberty,
Of aspirations toward the far ideal, enthusiast’s dreams of brotherhood,
Of terror to the tyrant and the
priest.
Star crucified—by traitors sold,
Star panting o’er a land of death, heroic land,
Strange, passionate, mocking, frivolous land.
Miserable! yet for thy errors, vanities, sins, I will not now rebuke thee,
Thy unexampled woes and pangs have quell’d them all,
And left thee sacred.
In that amid thy many faults thou ever aimedst highly,
In that thou wouldst not really sell thyself however great the price,
In that thou surely wakedst weeping from thy drugg’d sleep,
In that alone among thy sisters thou, giantess, didst rend the ones that shamed thee,
In that thou couldst not, wouldst not, wear the usual chains,
This cross, thy livid face, thy pierced hands and feet,
The spear thrust in thy side.
O star! O ship of France, beat back and baffled long!
Bear up O smitten orb! O ship continue on!
Sure as the ship of all, the Earth itself,
Product of deathly fire and turbulent chaos,
Forth from its spasms of fury and its poisons,
Issuing at last in perfect power and beauty,
Onward beneath the sun following its course,
So thee O ship of France!
Finish’d the days, the clouds dispel’d
The travail o’er, the long-sought extrication,
When lo! reborn, high o’er the European world,
(In gladness answering thence, as face afar to face, reflecting ours Columbia,)
Again thy star O France, fair lustrous star,
In heavenly peace, clearer, more bright than ever,
Shall beam immortal.
The Ox-Tamer
In a far-away northern county in the placid pastoral region,
Lives my farmer friend, the theme of my recitative, a famous tamer of oxen,
There they bring him the three-year-olds and the four-year-olds to break them,
He will take the wildest steer in the world and break him and tame him,
He will go fearless without any whip where the young bullock chafes up and down the yard,
The bullock’s head tosses restless high in the air with raging eyes,
Yet see you! how soon his rage subsides—how soon this tamer tames him;
See you! on the farms hereabout a hundred oxen young and old, and he is the man who has tamed them,
They all know him, all are affectionate to him;
See you! some are such beautiful animals, so lofty looking;
Some are buff-color’d, some mottled, one has a white line running along his back, some are brindled,
Some have wide flaring horns (a good sign)—see you! the bright hides,
See, the two with stars on their foreheads—see, the round bodies and broad backs,
How straight and square they stand on their legs—what fine sagacious eyes!
How straight they watch their tamer—they wish him near them—how they turn to look after him!
What yearning expression! how uneasy they are when he moves away from them;
Now I marvel what it can be he appears to them, (books, politics, poems, depart—all else departs,)
I confess I envy only his fascination—my silent, illiterate friend,
Whom a hundred oxen love there in his life on farms,
In the northern county far, in the placid pastoral region.
An Old Man’s Thought of School
[For the Inauguration of a Public School, Camden, New Jersey, 1874]
An old man’s thought of school,
An old man gathering youthful memories and blooms that youth itself cannot.
Now only do I know you,
O fair auroral skies—O morning dew upon the grass!
And these I see, these sparkling eyes,
These stores of mystic meaning, these young lives,
Building, equipping like a fleet of ships, immortal ships,
Soon to sail out over the measureless seas,
On the soul’s voyage.
Only a lot of boys and girls?
Only the tiresome spelling, writing, ciphering classes?
Only a public school?
Ah more, infinitely more;
(As George Fox rais’d his warning cry, “Is it this pile of brick and mortar, these dead floors, windows, rails, you call the church?
Why this is not the church at all—the church is living, ever living souls.”)
And you America,
Cast you the real reckoning for your present?
The lights and shadows of your future, good or evil?
To girlhood, boyhood look, the teacher and the school.
Wandering at Morn
Wandering at morn,
Emerging from the night from gloomy thoughts, thee in my thoughts,
Yearning for thee harmonious Union! thee, singing bird divine!
Thee coil’d in evil times my country, with craft and black dismay, with every meanness, treason thrust upon thee,
This common marvel I beheld—the parent thrush I watch’d feeding its young,
The singing thrush whose tones of joy and faith ecstatic,
Fail not to certify and cheer my soul.
There ponder’d, felt I,
If worms, snakes, loathsome grubs, may to sweet spiritual songs be turn’d,
If vermin so transposed, so used and bless’d may be,
Then may I trust in you, your fortunes, days, my country;
Who knows but these may be the lessons fit for you?
From these your future song may rise with joyous trills,
Destin’d to fill the world.
Italian Music in Dakota
[“The Seventeenth—the finest Regimental Band I ever heard.”]
Through the soft evening air enwinding all,
Rocks, woods, fort, cannon, pacing sentries, endless wilds,
In dulcet streams, in flutes’ and cornets’ notes,
Electric, pensive, turbulent, artificial,
(Yet strangely fitting even here, meanings unknown before,
Subtler than ever, more harmony, as if born here, related here,
Not to the city’s fresco’d rooms, not to the audience of the opera house,
Sounds, echoes, wandering strains, as really here at home,
Sonnambula’s innocent love, trios with Norma’s anguish,
And thy ecstatic chorus Poliuto;)
Ray’d in the limpid yellow slanting sundown,
Music, Italian music in Dakota.
While Nature, sovereign of this gnarl’d realm,
Lurking in hidden barbaric grim recesses,
Acknowledging rapport however far remov’d,
(As some old root or soil of earth its last-born flower or fruit,)
Listens well pleas’d.
With All Thy Gifts
With all thy gifts America,
Standing secure, rapidly tending, overlooking the world,
Power, wealth, extent, vouchsafed to thee—with these and like of these vouchsafed to thee,
What if one gift thou lackest? (the ultimate human problem never solving,)
The gift of perfect women fit for thee—what if that gift of gifts thou lackest?
The towering feminine of thee? the beauty, health, completion, fit for thee?
The mothers fit for thee?
My Picture-Gallery
In a little house keep I pictures suspended, it is not a fix’d house,
It is round, it is only a few inches from one side to the other;
Yet behold, it has room for all the shows of the world, all memories!
Here the tableaus of life, and here the groupings of death;
Here, do you know this? this is cicerone himself,
With finger rais’d he points to the prodigal pictures.
The Prairie States
A newer garden of creation, no primal solitude,
Dense, joyous, modern, populous million
s, cities and farms,
With iron interlaced, composite, tied, many in one,
By all the world contributed—freedom’s and law’s and thrift’s society,
The crown and teeming paradise, so far, of time’s accumulations,
To justify the past.
BOOK XXV
Proud Music of the Storm
1
Proud music of the storm,
Blast that careers so free, whistling across the prairies,
Strong hum of forest tree-tops—wind of the mountains,
Personified dim shapes—you hidden orchestras,
You serenades of phantoms with instruments alert,
Blending with Nature’s rhythmus all the tongues of nations;
You chords left as by vast composers—you choruses,
You formless, free, religious dances—you from the Orient,
You undertone of rivers, roar of pouring cataracts,
You sounds from distant guns with galloping cavalry,
Echoes of camps with all the different bugle-calls,
Trooping tumultuous, filling the midnight late, bending me powerless,
Entering my lonesome slumber-chamber, why have you seiz’d me?
2
Come forward O my soul, and let the rest retire,
Listen, lose not, it is toward thee they tend,
Parting the midnight, entering my slumber-chamber,
For thee they sing and dance O soul.
A festival song,
The duet of the bridegroom and the bride, a marriage-march,
With lips of love, and hearts of lovers fill’d to the brim with love,
The red-flush’d cheeks and perfumes, the cortege swarming full of friendly faces young and old,
To flutes’ clear notes and sounding harps’ cantabile.
Now loud approaching drums,
Victoria! seest thou in powder-smoke the banners torn but flying? the rout of the baffled?
Hearest those shouts of a conquering army?
(Ah soul, the sobs of women, the wounded groaning in agony,